DOCSLIB.ORG

The BBC Band: Song List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The BBC Band: Song List The BBC band: Song List THE KINKS All Of The Day And All Of The Night ABBEY ROAD Album You Really Got Me Come Together Something THE DAVE CLARK FIVE Maxwell’s Silver Hammer Because Oh Darling Coming Home Octopus’s Garden I Want You (She’s So Heavy) THE WHO Here Comes The Sun Can’t Explain Because Substitute You Never Give Me Your Money Sun King THE HOLLIES Mean Mr. Mustard Bus Stop Polythene Pam Look Through Any Window She Came In Through The Bathroom Window Golden Slumbers BADFINGER Carry That Weight Come And Get It The End Her Majesty THREE DOG NIGHT Celebrate RUBBER SOUL Album Drive My Car THE EASY BEATS Norwegian Wood Friday On My Mind You Won’t See Me Nowhere Man PAUL REVERE & THE RAIDERS Think For Yourself Kicks The Word Michelle FOUR SEASONS What Goes On Big Girls Girl Sherry I’m Looking Through You Rag Doll In My Life Can’t Take My Eyes Off Of You Wait If I Needed Someone THE BYRDS Run For Your Life Mr. Tambourine Man Turn, Turn, Turn GRASS ROOTS Rock n Roll Star Midnight Confessions Wait A Million Years BEE GEES Two Divided By Love Run To Me To Love Somebody Words Lonely Days, Lonely Nights 1910 Mining Disaster - Golden Slumbers ZOMBIES - Good Day Sunshine Time Of The Season - Got To Get You Into My Life She’s Not There - Hello Goodbye - Here Comes The Sun DEEP PURPLE - Her Majesty Hush - Hide Your Love Away - I Feel Fine PROCOL HARUM - If I Needed Someone Whiter Shade Of Pale - I’m Looking Through You - In My Life WINGS - I Should Have Known Better Jet - I Want To Hold Your Hand - I Want To Tell You - I Want You (She’s So Heavy) - If I Fell - If I Needed Someone - I’ll Be Back SONG LIST ALPHABETICAL ORDER - Kansas City - Kicks “PAUL REVERE & THE RAIDERS” - A Hard Day’s Night - Lady Madonna - All Day And All Of The Night “THE KINKS” - Look Through Any Window “THE HOLLIES” - All My Loving - Maxwell’s Silver Hammer - And Your Bird Can Sing - Mean Mr. Mustard - Any Time At All - Michelle - Back In The USSR - Midnight Confessions ‘GRASS ROOTS” - Ballad Of John & Yoko - No Reply - Because - Norwegian Wood - Because “THE DC5” - Nowhere Man - Birthday - Ob La Di, Ob La Da - Blackbird - Octopus’s Garden - Bus Stop ‘THE HOLLIES” - Oh Darling - Can’t Explain “THE WHO” - Paperback Writer - Carry That Weight - Penny Lane - Celebrate “THREE DOG NIGHT” - Please Please Me - Come And Get It “BADFINGER” - Polythene Pam - Come Together - Rain - Don’t Let Me Down - Run For Your Life - Drive My Car - She Came In Through The Bathroom Window - Eight Days A Week - She Loves You - Elenore “THE TURTLES” - She Said She Said - Eli’s Coming “THREE DOG NIGHT” - Slow Down - Friday On My Mind “EASYBEATS” - Something - From Me To You - Substitute “THE WHO” - Get Back - Sun King - Girl - Taxman - Tell Me Why - Temptation Eyes “GRASS ROOTS” - The End - The Word - Think For Yourself - This Boy - Ticket To Ride - Till There Was You - Time Of The Season “THE ZOMBIES” - Think For Yourself - Turn, Turn, Turn “THE BYRDS” - Twist & Shout - Two Divided By Love “GRASS ROOTS” - Wait - Wait A Million Years ‘GRASS ROOTS” - We Can Work It Out - What Goes On - While My Guitar Gently Weeps - With A Little Help From My Friends - Yellow Submarine - Yes It Is - You Really Got Me “THE KINKS” - You’re Gonna Lose That Girl - You Never Give Me Your Money - You Won’t See Me.
Load more

Recommended publications
  • KLOS March 17Th 2013
    1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St.
    [Show full text]
  • BWTB Nov. 13Th Dukes 2016
    1 Playlist Nov. 13th 2016 LIVE! From DUKES in Malibu 9AM / OPEN Three hours non stop uninterrupted Music from JPG&R…as we broadcast LIVE from DUKES in Malibu…. John Lennon – Steel and Glass - Walls And Bridges ‘74 Much like “How Do You Sleep” three years earlier, this is another blistering Lennon track that sets its sights on Allen Klein (who had contributed lyrics to “How Do You Sleep” those few years before). The Beatles - Revolution 1 - The Beatles 2 The first song recorded during the sessions for the “White Album.” At the time of its recording, this slower version was the only version of John Lennon’s “Revolution,” and it carried that titled without a “1” or a “9” in the title. Recording began on May 30, 1968, and 18 takes were recorded. On the final take, the first with a lead vocal, the song continued past the 4 1/2 minute mark and went onto an extended jam. It would end at 10:17 with John shouting to the others and to the control room “OK, I’ve had enough!” The final six minutes were pure chaos with discordant instrumental jamming, plenty of feedback, percussive clicks (which are heard in the song’s introduction as well), and John repeatedly screaming “alright” and moaning along with his girlfriend, Yoko Ono. Ono also spoke random streams of consciousness on the track such as “if you become naked.” This bizarre six-minute section was clipped off the version of what would become “Revolution 1” to form the basis of “Revolution 9.” Yoko’s “naked” line appears in the released version of “Revolution 9” at 7:53.
    [Show full text]
  • Hallelujah Leonard Cohen
    Hallelujah Leonard Cohen I've heard that there’s a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah x 4 You say I took the name in vain But I don't even know the name And if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter what you’ve heard The holy or the broken Hallelujah Hallelujah x 4 I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though it all went wrong I stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah x 4 "Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley. It has been viewed as a "baseline" for secular hymns. Following its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks and televised talent contests. "Hallelujah" experienced renewed interest following Cohen's death in November 2016 and appeared on many international singles charts, including entering the American Billboard Hot 100 for the first time.
    [Show full text]
  • The Dave Clark Five Can't You See That She's Mine Mp3, Flac, Wma
    The Dave Clark Five Can't You See That She's Mine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Can't You See That She's Mine Country: Norway Released: 1964 Style: Pop Rock MP3 version RAR size: 1823 mb FLAC version RAR size: 1235 mb WMA version RAR size: 1457 mb Rating: 4.2 Votes: 631 Other Formats: AA XM FLAC AC3 AU MIDI MMF Tracklist A Can't You See That She's Mine B Because Credits Producer – Adrian Clark Written-By – Clark*, Smith* (tracks: A) Notes Made in Norway Other versions Category Artist Title (Format) Label Category Country Year The Dave Clark Can't You See That She's DB 7291 Columbia DB 7291 Netherlands 1964 Five Mine / Because (7", Single) The Dave Clark OR-1140 Because (7", Single) Odeon OR-1140 Japan 1964 Five The Dave Clark Can't You See That She's DO-4483 Columbia DO-4483 Australia 1964 Five Mine (7", Single) The Dave Clark Can't You See That She's DNZ.10349 Columbia DNZ.10349 New Zealand 1964 Five Mine (7", Single) The Dave Clark Can't You See That She's DB 7291 Columbia DB 7291 India 1964 Five Mine (7") Related Music albums to Can't You See That She's Mine by The Dave Clark Five The Dave Clark Five - Everybody Knows The Dave Clark Five - You Got What It Takes / Sitting Here Baby The Dave Clark Five - Everybody Get Together The Dave Clark Five - Tabatha Twitchit The Dave Clark Five And The Playbacks - The Dave Clark Five And The Playbacks The Dave Clark Five - No Ves Que Es Mia? (Can't You See That She's Mine?) The Dave Clark Five - 5 By 5 The Dave Clark Five - Because.
    [Show full text]
  • The Rock Bottom Party Band Sample List of Songs Songs Are in No
    The Rock Bottom Party Band Sample List of Songs Song Original Artist Song Original artist Peaceful Easy Feeling Eagles Jumping Jack Flash Stones If I Needed Someone Beatles End Of The Line Wilburys Daydream Believer Monkeys I Can’t Help Myself ------- Road to Hell Chris Rea Happy Together Turtles Hotel California Eagles Day Tripper Beatles Love Potion Number 9 Searchers Summer of 69 Brian Adams Please Mr Postman Beatles I’m a Believer Monkies When Im Ded & Gone McGuinness Flint Brown Sugar Stones Tainted Love Soft Cell Sorrow Merseys Keep on Running Spencer Davis Gotta Get Out of This Place Animals Brown Eyed Girl Van Morrison Save the Last Dance for Me Various Take It To The Limit Eagles Stand By Me Various Country Roads John Denver Sunny Afternoon Kinks Money For Nothing Dire Straits Tequila Sunrise Eagles Dont Look Bck In Angr Oasis Please don’t tease Cliff/shadows Juliet Four Pennies I can’t let go Hollies Apache Shadows Honky Tonk Woman Stones Yellow Coldplay Poison Ivy Searchers Move It Cliff/Shadows I Love to Boogie Bolan Jail House Rock Elvis When You Walk in the Room Searchers You Really Got Me Kinks Pretty Woman Orbison Eight Days A Week Beatles When You Say Nthing At All Boyzone Just One Look Hollies Theme For Young Lovers Shadows Do You Wanna Dance Cliff/Shadows Glad All Over Dave Clark Coz I Luv You Slade Twist and Shout Beatles The Locomotion Little Eva/ Kylie I Saw Her Standing There Beatles Sleepwalk Shadows Mustang Sally Commitments I Can’t Let Go Hollies Hi Ho Silver Lining Beck Songs are in no particular order or grouping .
    [Show full text]
  • Please Be Aware That This Play Is Fully Protected by Copyright
    Trying to Get to You 1 PLEASE BE AWARE THAT THIS PLAY IS FULLY PROTECTED BY COPYRIGHT All plays, books, music and other materials published by Heartland Plays, Inc. are fully protected under the copyright laws of the United States of America and all countries which the United States has reciprocal relations including, but not limited to all countries covered by the Pan-American Copyright Convention, The Universal Copyright Convention and the Berne Convention. All rights to the plays and materials on our website are strictly reserved including, and without limitation, professional and amateur performance rights; motion pictures; public reading; radio and television broadcasting; audio and video recording and reproduction of any type known or yet to be invented; information storage and retrieval systems of any type known or yet to be invented; and the rights of translation into any and all languages. No individual or organization whether amateur or stock may perform this or any play published by Heartland Plays, Inc. without first obtaining advance permission from Heartland Plays, Inc. and paying the appropriate fees including Royalties and Single-Use Copyright fees. Heartland Plays, Inc. collects royalties on behalf of the Playwrights whose plays it publishes. Unauthorized copying, transcribing or reproduction of this or any play or excerpt, or storage or transmittal in any form and by any means whether known or yet to be invented, is strictly forbidden except as provided by Agreement with Heartland Plays, Inc. Any unauthorized use is a violation of copyright laws and will be prosecuted to the fullest extent of the law. FIVE SIMPLE RULES TO REMEMBER 1.
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • The Beatles' Here Comes The
    SPEAKER MUSIC by FERGAL KAVANAGH DANIEL FRANCIS alright: this one-word Here comes the sun doo, doo, doo, doo doo, doo, doo, doo: songs often TUNE INTO ENGLISH spelling of ‘all right’, often seen Here comes the sun use vocalizations, or vocables, in in informal writing and in place of lyrics. These are a form And I say it’s alright song, is mostly considered of nonsense16 used in a wide incorrect. Little darling, it’s been a long cold lonely winter variety of music, usually mixed Little darling, it seems like years since it’s been with meaningful text. The Beatles’ darling: this is one of the here most used terms of Here comes the sun doo, doo, doo endearment. It derives, in fact, Here comes the sun Long cold lonely winter: from ‘dear’, which can also adjectives follow a determined Here Comes the Sun mean ‘expensive’. And I say it’s alright order in English. As a general Little darling, the smiles returning to the rule, opinions or attitudes Uno degli ultimi grandi successi del quartetto di Liverpool è una semplice ode all’arrivo it seems like years: it is faces come first, before more neutral, del bel tempo dopo un lungo e freddo inverno. Ha una melodia facile da ricordare e un possible (but not necessary) to factual ones. This is not the Little darling, it feels like years since it’s case here, but it can be testo quasi infantile, eppure ora il suo messaggio acquisisce un nuovo significato. use the present perfect in this phrase: ‘It feels like it’s been been here considered a poetic licence.
    [Show full text]
  • Cashbox Insight&Sound
    " cashbox insight&sound Sparks: Coffee Shop Rock The Hollies — Not Just A Bunch of Pretty Faces For Ron Mael. the Chaplinesque keyboard player of Sparks, it had been a lonq morn- "I'd have to describe our music as middle of the road rock," said Bernie Calvert ing. bassist for the Hollies, as he explained why, after eleven years in the business, the First there was the trading off of stares with a Hyatt House hanger on, followed by Hollies are still around while many groups seem to have vanished off the face of the the frantic checking of a rumor that Robert Plant was in town and had taken a room earth to his like I next ("craziness that don't need"). Fortunately for Ron the rumor proved The Hollies came out of Manchester. England when the British boom first hit the false. shores of America The Beatles led the way along with the Stones. The Dave Clark These distractions out of the way, Ron, along with sibling counterpart Russell, set- Five, The Animals. Gerry and the Pacemakers, Herman's Hermits, Freddy and the tled down with Cash Box to talk about various aspects of their musical career. (A Dreamers, Billy J Kramer, the Searchers, the Bachelors and many more The Hollies career on the rise thanks to the success of “This Town Ain't Big Enough For The Both survived the Mersey Beat boom, Peter Paul & Mary and the American folk craze, Of Us" and "Achoo ') Peter Fonda and the psychedelia, "Yummy, Yummy I've Got Bubblegum In My Tum- "The best way to describe our music is to call it coffee shop rock,” laughed Ron my, "and even today's loud electronic
    [Show full text]
  • MTO 11.4: Spicer, Review of the Beatles As Musicians
    Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]