Harvest (Online); Bi-Annual Creative sides of Son -Lover Volume 3(2); 2018 THAT'S ALL RIGHT, MAMA: ELVIS PRESLEY, THE THERAPEUTIC SHADOW, THE MOTHER COMPLEX, AND CREATIVE SIDES OF THE SON-LOVER Dr. Ari Katorza Historian, Music Critic & Cultural Studies Scholar, Sapir Academic College Israel Email:
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[email protected] Phone: 972-54-4791459 Abstract More than half a century after his breakthrough to superstardom, Elvis Presley is still a great icon in western civilization. As the "King of rock 'n' roll", he has been a symbol of America's cultural power worldwide. Yet, his is also a tragic story of the hazards surrounding fame, stardom, and the American dream. Yet, surprisingly, in comparison to other twentieth-century cultural giants, such as The Beatles and Bob Dylan, the academia wasn't too generous when it came to Elvis Presley. He was a "name" that was linked to sub-cultural theories and a capitalist product, but the academic research concerning Presley is not rich at all. There are hardly any serious academic writing concerning his music and life. Even though, he is one of the most well-known icons concerning pop culture during the 20th century. This essay is about Elvis Presley and the psychology of the son-lover and the mother complex, and its impact on Presley's early music (1954-1956). I will relate to the historical background and to aspects of his music, but my main focus will be in applying analytical psychology and Jungian theory to understand his familial relationships and habitudes, in order to shed a light on some hidden aspects of his performances, recordings, and the libido of creativity that characterized his early works.