Totem Bight State Historical Park Master Development
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March, 2019, 2017 Janiceyfn Members Webster Honouredattended the for Offi Work Cial in Port Alberni Ground Breaking for Fraser River Page 3 the Traverse Trail
Briefl y 1 Volume 9,7, IssueIssue 11 || FebruaryMarch, 2019, 2017 JaniceYFN members Webster honouredattended the for offi work cial in Port Alberni ground breaking for Fraser River Page 3 the Traverse Trail... Sockeye is New Totem Pole WIll Page 3 ours! Promote Our Language ast November, the Maa-nulth people new Language Revolution Language Revitalization To- sea, wind and stars. There is Lreceived great news when Totem Pole has been com- tem Pole will be gifted to the also an eleventh relative that the courts ruled they will have missioned by the First Na- University of Victoria where it will be depicted on the pole: ongoing access to Fraser RiverAtions Education Foundation (FNEF) will stand, with the blessing earthquake, which is sent to Sockeye Salmon. and will be carved by renowned and support of the Esquimalt teach humility and remind hu- Larry Johnson,, NCNNCN SeafoodSeafoodNuu-chah-nulth carver Tim Paul, and Songhees First Nations, in man beings of the all-encom- Development Corporationsays Yuułuʔiłʔath Government recognition of the University’s passing power of the Creator. President, says the ruling notPresident and FNEF volunteer “Oral history, songs, dances, only gives Maa-nulth FirstChief Executive Officer. ceremony, and art were – and Work is progress- The totem pole is being “Oral history, songs, continue to be – the vehicle Nation access to fish outside ing on the The of its traditional territory, butmade in recognition of the dances, ceremony for transmitting history, know- itit setssets thethe stagestage forfor thethe secondsecondUnited Nations’ International ledge, and sovereign rights ʔapsčiik t̓ašii pro- Year of Indigenous Languages from generation to genera- LEO Network inin aa two-parttwo-part disputedispute thatthat and art were - and will draw attention to the tion,” said Paul. -
Totem Poles Raised in Courtyard of the Point Hotel
In This Issue PRSRT STD U.S. POSTAGE Page 2 Saving the Port Gamble Forest PAID Page 6 Point Hotel Artist Profiles Silverdale, WA Page 9 Kyle Loescher Wins World Series Permit # 111 THE OFFICIAL NEWSPAPER OF THE PORT GAMBLE S’KLALLAM TRIBE | WWW.PGST.NSN.US | 360-297-2646 | NOVEMBER 2016 Raising History: Malynn Wilbur-Foster watches her totem pole raised in the courtyard of the new Point Hotel. All of the artists took months to design and carve their pieces at their individual workshops and then transported their work to The Point Hotel for installation. Totem Poles Raised in Courtyard of The Point Hotel Totems from Native artists from around Washington State are installed in advance of November 20 Port Gamble S'Klallam Community Grand Opening On November 20, Port Gamble S'Klallam community members The artists, their work, and the stories behind them, include: and their families will be among the first to experience the brand- new Point Hotel. David Boxley Tsimshian Tribe The day begins at 11 a.m. with a celebration that will include a A Tribute to the S'Klallam brunch reception, tours, dedications, and a night's stay for 40 lucky This 12’ totem depicts a S’Klallam ancestor riding a killer whale folks who won the raffle at October's General Council meeting. atop a thunderbird in human form. All this is in advance of the Hotel's public Grand Opening, which is planned for Friday, November 25. The Point Hotel is currently The inspiration for David’s work comes from his ancestors of taking reservations for December 1 and after. -
George Woodcock's Peoples of the Coast: a Review Article* ROBERT D
George Woodcock's Peoples of the Coast: A Review Article* ROBERT D. LEVINE AND PETER L. MAGNAIR The appearance of George Woodcock's Peoples of the Coast ought to be a source of dismay for social scientists throughout the Northwest — and beyond the Northwest as well, for the willingness of publishers to print such volumes is certainly not confined to this one region. Woodcock's survey of cultures and culture categories on the Northwest Coast is one of the worst discussions of this subject matter available. Thus the need still exists for a non-technical book on Native peoples of the Coast, written for an intelligent lay audience willing to read with thought and care, synthe sizing the knowledge gained by investigators during the past century. Some of the finest fieldworkers in the history of North American ethnology carried out their best research in the Pacific Northwest: Franz Boas, Frederica de Laguna, Viola Garfield, John Swanton and Erna Gunther. Much of this work has been inaccessible to the non-specialist both because of the relative rareness of the original publications outside university libraries and because of the technical difficulty of the publications them selves, whose authors recorded, in minute detail, the tremendous com plexity of coastal societies. A summary and integration of the incredible mass of information we currently possess — and the questions which are still open and seriously debated — obviously would be very welcome. It is impossible for Woodcock's book to fulfill this role. Peoples of the Coast is so shot through with basic errors of fact and major misinterpre tations that another fair-sized volume would be required to list and discuss them all. -
Tlingit Tote
After 88 years in Greeley, a campus icon will return home The story of how the the Native American Graves Bear Clan Totem, which Protection and Repatriation generations of UNC stu- Tlingit Tote ... Act, enacted by Congress in dents called Totem Teddy, 1990. disappeared from its home The university will honor in Angoon, Alaska, is lost the claim, says UNC in the mists of time. Some President Kay Norton, who say a smallpox epidemic became involved when she early in the 20th century was the institution's general forced the Tlingit Indians to counsel. abandon their village. When "It's absolutely the right they later returned, the thing to do ," Norton says. totem was gone. Others "The totem is clearly an suggest that profiteers spir important cultural and spiri ited it away in the middle tual artifact to the Tlingits, of the night. and that is where it This much we know is belongs." true - it arrived in Greeley Over the years, Totem on the back of a trailer Teddy has had several shortly before Christmas in homes on campus. Its most 1914. Alumnus Andrew recent is in the atrium in the Thompson, then superinten University Center. It was a dant of schools in the south touchstone for generations eastern district of Alaska, of university students, who shipped the totem to his used it as a gathering place alma mater as a gift, perhaps and celebrated it as a point as the start of a museum col of pride. During the early lection. Contemporary 1960s after then-President reports are vague on the William Ross had details of how Thompson sequestered the totem in came by it. -
Gitxaała Use and Occupancy in the Area of the Proposed Northern Gateway Pipeline Tanker Routes
Gitxaała Use and Occupancy in the area of the proposed Northern Gateway Pipeline Tanker Routes Prepared on behalf of Gitxaała Nation Charles R. Menzies, PhD December 18, 2011 Table of Contents Gitxaała Use and Occupancy in the area of the proposed Northern Gateway Pipeline Tanker Routes......................................................................................................... 0 1. Qualifications.................................................................................................................................2 2. Major sources of knowledge with respect to Gitxaała .....................................................3 3. The transmission of Gitxaala oral history, culture, language and knowledge ........6 3.1 Basis of evidence......................................................................................................................................6 3.2 Oral history and the transmission of narratives ........................................................................7 4. An overview of the early history of contact between Europeans and the Gitxaała. .............................................................................................................................................................. 10 5. An Ethnographic Description of Gitxaała.......................................................................... 11 5.1 Gitxaała Language ................................................................................................................................ 11 5.2 Social organization -
Some Totem Poles Around Juneau Can You Find These Poles? Check Them Off When You’Ve Seen Them! Downtown
Some Totem Poles around Juneau Can you find these poles? Check them off when you’ve seen them! Downtown Four Story Totem Location: Outside Juneau-Douglas City Museum, Fourth and Main Streets Carver: Haida carver John Wallace of Hydaburg, 1940. Harnessing the Atom Totem Location: Outside Juneau-Douglas City Museum, Calhoun and Main Streets Carver: Tlingit master carver Amos Wallace of Juneau, 1967, installed 1976 The Wasgo Totem Pole or Old Witch Totem Location: State Office Building, Main lobby, Eighth Floor, Fourth and Calhoun Streets Carver: Haida carver Dwight Wallace, 1880, installed 1977 Friendship Totem Location: Juneau Courthouse Lobby, on Fourth Street between Main and Seward Carver: Tlingit carver Leo Jacobs of Haines, in association with carvers from the Alaska Indian Arts Inc. of Port Chilkoot, mid-1960s. The Family Location: Capital School Playground, Seward and 6th Streets Carver: Tlingit artist Michael L. Beasley, 1996 Box of Daylight and Eagle/Bear Totems Location: Sealaska Corp. Building, One Sealaska Plaza Carver: Box of Daylight: Tlingit carvers Nathan Jackson and Steven Brown, 1984. Eagle/ Bear: Haida artist Warren Peele,1984. Raven and Tl'anax'eet'ák'w (Wealth Bringer) Totem Location; Mount Roberts Tramway, 490 S. Franklin St. Carver: Tlingit carver Stephen Jackson of Ketchikan, raised in 2000 Aak'w Tribe Totem Location: Juneau Douglas High School commons, 1639 Glacier Ave. Carver: Tlingit carver Nathan Jackson, with the assistance of Steven C. Brown, 1980-81 Legends and Beliefs, Creation of Killer Whale and Strongman Totems Location: Goldbelt Place, 801 10th St. Carvers: Tlingit carvers Ray Peck and Jim Marks, 1981 Raven and Eagle Totem Location: Federal building lobby, 709 W. -
THE KWAKIUTL TOTEM POLE and ITS SYMBOLIC VALUE Redacted for Privacy Abstract Approved: (John A
AN ABSTRACT OF THE THESIS OF Marie Mauzefor the degree of Master of Arts Interdisciplinary Studies: in Anthropology, History, Education, Art presented on August 18, 1975 Title: THE KWAKIUTL TOTEM POLE AND ITS SYMBOLIC VALUE Redacted for Privacy Abstract approved: (John A. Dunn) The antiquity of the Northwest Coast Indian pole is the subject of a great deal of controversy. A few viewpoints referring to that topic are given. The symbolic value of the Kwakiutl totem pole is examined with respect to art, style and culture; more generally "primitive" art is considered as being completely integrated with the major aspects of human existence. Theories concerning totemism are described here and totemism among the Kwakiutl is examined with re- spect to the social structure, mythology, the poles, and their inter- relationships. The Kwakiutl Totem Pole and Its Symbolic Value by Marie - France Mauze A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Completed August 18, 1975 Commencement June 1976 APPROVED: Redacted for Privacy Associate( ofessor of Anthropology for Privacy (Redacted Chairman and Professor History Redacted for Privacy Professor of Education Redacted for Privacy Dean ;t College of Liberal Ar s Redacted for Privacy Chairman of Orrisciplinary Studies Redacted for Privacy Dian of 13raduate5Xchoot Date thesis is presented August 18, 1975 Typed by Secretarial Services for Marie Mauze TABLE OF CONTENTS Introduction 1 I. Northwest Coast Pole Antiquity 5 II. Iconography 11 Social Analysis 11 Art and Material Symbolism 13 Toward a Definition 15 Technique 17 Organization of Spaces and Forms 19 Material Symbolism 22 III. -
Native American Totem Poles
Native American Totem Poles Totem poles are sculptures carved from large trees, such as the Western Red Cedar. In North America, totem poles are part of the cultures of many indigenous people – the people who first lived in America before Europeans arrived a few hundred years ago. Totem poles serve many purposes beyond their beauty, and their meanings are as varied as the cultures that make them. There are many types of totem poles. Some totem poles represent stories or important events. On these poles, each figure on the totem represents part of a story. Other totem poles are put in front of a family's home to represent the owner's family or social status. Memorial poles are carved in honour of a family member who has passed away. Another interesting type of totem pole is the shame pole. Shame poles are carved to embarrass and ridicule someone who has done something wrong. Shame poles are taken down once the person has made up for what they did . A famous shame pole erected in Cordova, Alaska, included the face of an oil company businessman. It is said to represent the unpaid debt the oil company owes for damages caused by the oil spill in Valdez, Alaska. Colours used to paint totem poles were limited. Artists relied on natural ingredients and colours. Black was the most common, made by grinding soot, graphite or charcoal. Red came from red ochre, a clay-like material. Common figures found on totem poles include the raven (a symbol of The Creator), the eagle (representing peace and friendship), the killer whale (a symbol of strength), the thunderbird, the beaver, the bear, the wolf and the frog. -
Proquest Dissertations
Singing to Remember, Singing to Heal: Ts'msyen Music in Public Schools Anne B. Hill B.G.S., Simon Fraser University, 1999 A.R.C.T., Royal Conservatory of Music, 2006 Thesis Submitted in Partial Fulfillment Of The Requirements For The Degree Of Master of Arts In Interdisciplinary Studies The University of Northern British Columbia April 2009 © Anne B. Hill, 2009 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-48789-1 Our file Notre reference ISBN: 978-0-494-48789-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Franz Boas and Tsimshian Mythology Ralph Maud Potlatch at Gitsegukla
n8 BC STUDIES ... I had been thinking about the book is aimed, will be able to critically glyphs all morning after finally being assess its lack of scholarship. This can ferried across" Too bad he didn't take only lead to entrenching preconceptions the time to speak with the Edgars, who about, and ignorance of, First Nations have intimate knowledge of the area in British Columbia. The sad thing is and the tliiy'aa'a of Clo-oose. that, although this result is no doubt Serious students will find little of the furthest thing from Johnson's value in this book, and it is unlikely intention, it will be the legacy of his that the general public, at whom the book. Transmission Difficulties: Franz Boas and Tsimshian Mythology Ralph Maud Burnaby: Talonbooks, 2000.174 pp. Illus. $16.95 paper. Potlatch at Gitsegukla: William Beynon's 1Ç45 Field Notebooks Margaret Anderson and Marjorie Halpin, Editors Vancouver: UBC Press, 2000. 283 pp. Illus., maps. $29.95 paper. REGNA DARNELL University of Western Ontario OTH VOLUMES REVIEWED here respects the integrity of Beynon's parti explore the present utility and cipant-observation documentation, B quality of Tsimshian archival simultaneously reassessing and con- and published materials. There the re textualizing it relative to other extant semblance ends. The scholarly methods work on the Gitksan and closely related and standpoints are diametrically op peoples. Beynon was invited to the pot- posed; a rhetoric of continuity and latches primarily in his chiefly capacity, respect for tradition contrasts sharply although he was also an ethnographer with one of revolutionary discontinuity. -
Totem Pole Lesson Plan
Totem Pole Lesson Plan Teacher: Carly Burton Title: Pacific Northwest Totem Poles Grade Level: 4th Grade Brief History/ Background: Totem Poles are Native American structures that are large carved monuments. They are most commonly found in the Pacific Northwest. The Pacific Northwest is considered western North America bounded by the Pacific Ocean to the west and loosely, by the Rocky Mountains on the east. The Pacific Northwest includes the U.S. states of Oregon and Washington and the Canadian province of British Columbia. Totem poles are carved out of large tree trunk (red cedar) and may include figures such as animals, like fish, plants, insects, and humans. Totem poles were used as welcome signs into a village, to honor a member of the village who is no longer with them, or to portray cultural beliefs. They can be very colorful and show a lot of expression. In this lesson we will use collage to create totem poles. Collage is a technique where artwork is made from assembling different types of materials, that create and new whole. A collage may include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects. The term collage was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th. PA Standards: 1. 9.1.3.C. Recognize and use fundamental vocabulary within each art form 2. 9.1.3.E. Demonstrate the ability to define object, express emotion, illustrate and action or relate and experience though creation of works of art 3. -
1001 Curious Things: Tales from Ye
WashingtonHistory.org 1001 CURIOUS THINGS Tales from Ye Olde Curiosity Shop By Kate Duncan COLUMBIA The Magazine of Northwest History, Summer 2003: Vol. 17, No. 2 For decades throughout the 20th Century a visit to Seattle mandated a stop at Ye Olde Curiosity Shop. There, in the reassuring familiarity of a jumble of Curios, the inquisitive visitor Could enCounter the world of people from unfamiliar and exotiC places, purChase Curios from across the globe, and gaze in amazement at the rare, the exotiC, the minusCule, the gigantiC. Visitors could stroke the jawbone of a whale and marvel at the entire Lord's Prayer written on the head of a pin. They Could imagine arduous life in the ArCtiC, the mystery of totem poles in a misty Northwest Coast forest, or the terror of enCountering headhunters in the jungles of ECuador. There was even a mermaid. Although proprietor John E. Standley Chose to Cite the year 1899—perhaps in an attempt to romantiCally assoCiate his shop with the previous century—reCent genealogiCal research has clarified that it was 1901 when he opened what beCame known as Ye Olde Curiosity Shop in the rough, young Coastal town of Seattle. The shop quiCkly beCame a hallmark tourist destination and over the years provided indelible memories for millions of visitors and, for many, mementos of the experience. Despite vying for spaCe with exotiCa from all Corners of the globe, Native AmeriCan material quiCkly beCame the mainstay of the shop's identity and stock. Timing and loCation were critical. Positioned on the Seattle waterfront, just steps away from where whalers, traders, government personnel posted to the north, gold seekers, and even an oCCasional explorer doCked, the shop welComed them all.