Writing the Bicycle
Writing the Bicycle: Women, Rhetoric, and Technology in Late Nineteenth-Century America Sarah Overbaugh Hallenbeck A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by: Jane Danielewicz Jordynn Jack Daniel Anderson Jane Thrailkill Beverly Taylor ABSTRACT Sarah Overbaugh Hallenbeck Writing the Bicycle: Women, Rhetoric, and Technology in Late Nineteenth-Century America (Under the direction of Jane Danielewicz and Jordynn Jack) This project examines the intersections among rhetoric, gender, and technology, examining in particular the ways that American women appropriated the new technology of the bicycle at the turn of the twentieth century. It asks: how are technologies shaped by discourse that emanates both from within and beyond professional boundaries? In what ways do technologies, in turn, reshape the social networks in which they emerge—making available new arguments and rendering others less persuasive? And to what extent are these arguments furthered by the changed conditions of embodiment and materiality that new technologies often initiate? Writing the Bicycle: Women, Rhetoric and Technology in Late Nineteenth- Century America addresses these questions by considering how women’s interactions with the bicycle allowed them to make new claims about their minds and bodies, and transformed the gender order in the process. The introduction, “Rhetoric, Gender, Technology,” provides an overview of the three broad conversations to which the project primarily contributes: science and technology studies, feminist historiography, and rhetorical theory. In addition, it outlines a “techno-feminist” materialist methodology that emphasizes the material ii and rhetorical agency of users in shaping technologies beyond their initial design and distribution phases.
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