The Nagapancami As Described in the Puranas and Its Treatment in the Dharmanibandhas
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Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala
Iconography of the Recently Discovered Naga Sculptures from Pamba River Basin, Pathanamthitta District, South Kerala Ambily C.S.1, Ajit Kumar2 and Vinod Pancharath3 1. Excavation Branch II, Archaeological survey of India, Purana Qila, New Delhi – 110001, India (Email: [email protected]) 2. Department of Archaeology, University of Kerala, Kariavattom Campus, Thiruvananthapuram - 695581, Kerala, India (Email: [email protected]) 3. Industrial Design Centre, Indian Institute of Technology, Powai, Mumbai, Maharashtra, India (Email: [email protected]) Received: 25 September 2015; Accepted: 18 October 2015; Revised: 09 November 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 618-634 Abstract: Recent exploration by the first author brought to light interesting Naga sculptures from the middle ranges of Pamba River basin. All the sculptures are made out of granite and can be classified into Nagarajas and Nagayakshis except one which is a female naga devotee. This paper tries to briefly discuss the iconography, chronology and significance of the sculptures. Keywords: Exploration, Pamba River Basin, Kerala, Nagarajas, Nagayakshis, Iconography, Chronology Introduction Pamba is one of the important and third longest rivers in Kerala. It is apparently the river Baris/Bans mentioned in records of Pliny (Menon 1967-62). It originates from Pulachimalai hill in Peermade plateau at an altitude of 1650 MSL and has a length of 176km. It flows through Idukki, Pathanamthitta and Alappuzha districts and finally empties into the Vembanadu Lake. During medieval period Pamba basin harbored prosperous settlement like Kaviyur, Thiruvanmandoor, Perunnayil and Thiruvalla. Naga and yakshi images have earlier been reported from Niranam-Tiruvalla area (Mathew 2006). The present discoveries add to the list of known images. -
Ritual, Self and Yoga: on the Ways and Goals of Salvation in the Kat.Ha Upanis.Ad
Journal of Indian Philosophy (2019) 47:1019–1052 https://doi.org/10.1007/s10781-019-09408-y(0123456789().,-volV)(0123456789().,-volV) Ritual, Self and Yoga: On the Ways and Goals of Salvation in the Kat.ha Upanis.ad Dominik Haas1 Published online: 5 August 2019 © The Author(s) 2019 Abstract Throughout its history, the renowned Katha Upanisad has often been ˙ ˙ described as being both incoherent and contradictory. The aim of this paper is to show to what purpose the text was created. To this end, it discusses the connection of the three paths to salvation depicted in the text, viz. the Agnicayana (a powerful Vedic fire-ritual), the Upanisadic method of self-knowledge, and yoga. The first part ˙ retraces how in the Upanisads, the Agnicayana was transformed into a non-material ˙ or mental ritual and linked with self-knowledge. The second part analyses how the various salvation goals (heaven, the World of Brahman, liberation from rebirth) could be related to each other. First, the authors redefined the Agnicayana’s sal- vation goal, heaven, to make it identical with liberation. Secondly, they introduced self-knowledge and yoga as alternative and equally powerful means to the same end. In practice, however, the new and world-negating methods were implied to be superior to the costly ritual from which they had drawn their authority. Thus, the authors of the Upanisad were more concerned with showing continuity between ˙ different religious approaches than upholding consistency of content. Keywords Agnicayana · Self · Yoga · Immortality · Heaven · Liberation & Dominik Haas [email protected] 1 University of Vienna, Vienna, Austria 123 1020 D. -
Stylesheet IJIE
IRIE International Review of Information Ethics Vol. 9 (08/2008) Patheneni Sivaswaroop: The Internet and Hinduism – A Study Abstract: This paper discusses some results of a sample study on how Hindus are using the internet for religious pur- poses comparing their on-line and off-line religious activities. The behaviour is similar to those reported for different religions from different countries. But it is found that 74% of the sample pray daily, where only 16% go daily to a local temple. This seems to be a major difference between Western and the Hindu religions. In Hinduism going to temple is secondary, as each Hindu house has generally a pooja (room/corner). The survey reports and the uses of the internet by Hindus as well as whether the internet increases religious tolerance or hatred. Agenda: Introduction............................................................................................................................................ 35 Hinduism in the present context............................................................................................................... 36 The Sample ............................................................................................................................................ 37 Conclusions ............................................................................................................................................ 39 Author: Dr P. Sivaswaroop, Deputy Director Regional Centre, Indira Gandhi National Open University, Himayat Nagar, Hyderabad – 500 029. In- -
Shri Sai Sat Charitra By
Shri Sai Sat Charitra By Govind Raghunath Dabholkar alias ‘Hemadpant Chapter I ......................................................................................................................................................... 3 Chapter II ........................................................................................................................................................ 6 Chapter III ......................................................................................................................................................11 Chapter IV......................................................................................................................................................15 Chapter V.......................................................................................................................................................20 Chapter VI......................................................................................................................................................26 Chapter VII.....................................................................................................................................................32 Chapter VIII....................................................................................................................................................38 Chapter IX......................................................................................................................................................42 Chapter X.......................................................................................................................................................47 -
Temple Prototype
The Axis and the Perimeter of the Hindu Temple Subhash Kak Louisiana State University, Baton Rouge E-mail: [email protected] Śāstric texts describing the plan of the Hindu temple allude to its astronomical basis, and in this Indian sacred geometry is not different from the sacred geometry of other ancient cultures.1 If astronomical alignments characterize ancient temples of megalithic Europe, Egyptians, Maya, Aztecs, Javanese and Cambodians, they also characterize Indian temples. For example, the garbhagÅha of certain temples is illuminated by the setting sun only on a specific day of the year, or the temple may deviate from the canonical east-west axis and be aligned with a nak¬atra that has astrological significance for the patron or for the chosen deity of the temple. A part of the astronomical knowledge coded in the temple lay-out and form is canonical or traditional, while the rest relates to the times when the temple was erected. The astronomy of the temple provides clues relevant not only to the architecture but also the time when it was built. The Agnicayana altar, the centre of the great ritual of the Vedic times that forms a major portion of the narrative of the Yajurveda, is generally seen as the prototype of the Hindu temple and of Vāstu. The altar is first built of 1,000 bricks in five layers (that symbolically represent the five divisions of the year, the five physical elements, as well as five senses) to specific designs. The Agnicayana ritual is based upon the Vedic division of the universe into three parts, earth, atmosphere, and sky (Figure 1), that are assigned numbers 21, 78, and 261, respectively; these numbers add up to 360, which is symbolic representation of the year. -
The Atharvaveda and Its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen
The Atharvaveda and its Paippalādaśākhā Arlo Griffiths, Annette Schmiedchen To cite this version: Arlo Griffiths, Annette Schmiedchen. The Atharvaveda and its Paippalādaśākhā: Historical and philological papers on a Vedic tradition. Arlo Griffiths; Annette Schmiedchen. 11, Shaker, 2007, Indologica Halensis, 978-3-8322-6255-6. halshs-01929253 HAL Id: halshs-01929253 https://halshs.archives-ouvertes.fr/halshs-01929253 Submitted on 5 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Griffiths, Arlo, and Annette Schmiedchen, eds. 2007. The Atharvaveda and Its Paippalādaśākhā: Historical and Philological Papers on a Vedic Tradition. Indologica Halensis 11. Aachen: Shaker. Contents Arlo Griffiths Prefatory Remarks . III Philipp Kubisch The Metrical and Prosodical Structures of Books I–VII of the Vulgate Atharvavedasam. hita¯ .....................................................1 Alexander Lubotsky PS 8.15. Offense against a Brahmin . 23 Werner Knobl Zwei Studien zum Wortschatz der Paippalada-Sam¯ . hita¯ ..................35 Yasuhiro Tsuchiyama On the meaning of the word r¯as..tr´a: PS 10.4 . 71 Timothy Lubin The N¯ılarudropanis.ad and the Paippal¯adasam. hit¯a: A Critical Edition with Trans- lation of the Upanis.ad and Nar¯ ayan¯ . a’s D¯ıpik¯a ............................81 Arlo Griffiths The Ancillary Literature of the Paippalada¯ School: A Preliminary Survey with an Edition of the Caran. -
M. Witzel Report on the Atirātra Ritual Held in Kerala in April 2011 Due to Generous Support from SAI, in April 2011 a Group Of
M. Witzel Report on the Atirātra ritual held in Kerala in April 2011 Due to generous support from SAI, in April 2011 a group of Harvard graduate students and I had the chance to attend a two-week 3000-year old Indian ritual, the Atirātra Agnicayana, held at Panjal in Kerala for the first time since 1975. This ritual is carried out very rarely: the last ones were performed in 1901, 1956, and in 1975, which I could not attend at the time. Therefore I was especially glad that I was able to attend this year’s performance, along with our graduate students. It was for them, just as for me, a unique chance to observe and record, at great length, this complex ritual that has been performed in its ancient form since about 1000 B.C.E. In preparation for our attendance we had studied the relevant texts that are available in print. The 12 days of ritual are summed up in the Baudhāyana Śrauta Sūtra (c. 500 BCE). It records minutely all the steps that have to be undertaken in its performance. This involves 17 priests, who have to be specially trained for this it long ritual. However, they are specialists in the recitation of Vedic texts that they have learned in family based special schools since their childhood. They therefore know the texts by heart, including the very intricate way of singing a large number of Vedic melodies (Sāman). When we arrived just before the ritual began, the offering ground in a large rice field had been well prepared, tents and sheds had been erected for the visitors, but especially so for the actual performance of the ritual. -
The Meaningless of Ritual
Numen, Vol XXVI, Fase, ι THE MEANINGLESSNESS OF RITUAL FRITS STAAL svarge'pi pipilikûh santi "even in heaven there are ants" Sanskrit Proverb The Agnkayana, a 300oyear-old Vedic ritual, was performed in 1975 in a village in southwest India by Nambudiri brahmins. This event, which lasted twelve days, was filmed, photographed, recorded and extensively documented. From twenty hours of rough footage, Robert Gardner and I produced a 45^minute film, "Altar of Fire." Two records are planned with selections from the eighty hours of recorded recitation and chant. Photographs of the ceremonies were taken by Adelaide de Menil. In collaboration with the chief Nam- budiri ritualists and other scholars, I am preparing a definite account of the ceremonies, which will appear in two illustrated volumes entitled: "Agni — The Vedic Ritual of the Fire Altar." I shall here be concerned not with empirical description, but with theoretical implications. Vedic ritual is not only the oldest surviving ritual of mankind; it also provides the best source material for a theory of ritual. This is not because it is close to any alleged "originär' ritual. Vedic ritual is not primitive and not an C/r-ritual. It is sophis ticated and already the product of a long development. But it is the largest, most elaborate and (on account of the Sanskrit manuals) best documented among the rituals of man. Hubert and Mauss, who noted these facts in 1909, used the Vedic animal sacrifice as source material for the construction of a ritual paradigm ("un scheme abstrait du sacrifice").1 However, they did not know that these rituals are still performed, so that many data were inaccessible to them. -
The Divine Life.Cdr
SPIRITUAL CALENDAR 2021—2022 THE DIVINE LIFE SOCIETY, P.O. SHIVANANDANAGAR—249 192, DISTT. TEHRI-GARHWAL, UTTARAKHAND, INDIA 2021 JULY APRIL 5 Mon Ekadasi 7 Wed Ekadasi 7 Wed Pradosha Puja 9 Fri Pradosha Puja 9 Fri Amavasya 11/12 S/Mon Amavasya 10 Sat Amavasya 12 Mon Somavati Amavasya 20 Tue Harishayani Ekadasi 13 Tue Ugadi; Lunar New Year's Day; 21 Wed Chaturmasya Vrata Vasanta Navaratri Begins; Begins; Pradosha Puja 14 Wed Mesha Sankranti 23/24 F/Sat Purnima (4.41 a.m.) 24 Sat Sri Guru Purnima; Sri 21 Wed Sri Ramanavami Vyasa Puja; Sri Guru Puja 23 Fri Ekadasi 24 Sat Pradosha Puja AUGUST 25 Sun Mahaveer Jayanti 2 Mon 58th Anniversary of 26/27 M/Tue Purnima Punyatithi Aradhana of 27 Tue Purnima; Sri Hanuman H.H. Sri Swami Jayanti Sivanandaji Maharaj 4 Wed Ekadasi MAY 5 Thu Pradosha Puja 7 Fri Ekadasi; Sri 8 Sun Amavasya Vallabhacharya Jayanti 13 Fri Naga Panchami 8 Sat Pradosha Puja 15 Sun Tulsidas Jayanti; 11 Tue Amavasya Independence Day 14 Fri Akshaya Tritiya; 18 Wed Ekadasi Parashurama Jayanti 20 Fri Pradosha Puja 17 Mon Sri Adi Shankaracharya 21/22 S/Sun Purnima Jayanti 22 Sun Purnima; Raksha 18 Tue Sri Ramanujacharya Bandhan Jayanti; Sri Ganga Saptami 30 Mon Sri Krishna Jayanti 22 Sat Ekadasi 24 Mon Pradosha Puja SEPTEMBER 25 Tue Sri Narasimha Jayanti 2 Thu Ekadasi 26 Wed Purnima; Sri Buddha 4 Sat Pradosha Puja Jayanti 5 Sun 13th Anniversary of Punyatithi Aradhana of JUNE H.H. Sri Swami 1 Tue Anniversary of Sannyasa Chidanandaji Maharaj Diksha of H.H. -
Snakes, Dragons and Cultures
Nagapanchami 081/070816 nag PanChmi: snakes, dragons and Cultures Jawhar Sircar Ananda Bazar Patrika, 7th August 2016 (English Version) The month of Shravan brings joy to poets and also to farmers, but it also brings numerous snakes out of their flooded homes, triggering both fear and worship. This explains why many Indians celebrate Naga Panchami on Shravan Shukla Panchami, on the 7th of August this year. The snake is more than just an awe-inspiring creature: it actually marks different stages in the gradual evolution of the Indian mind, over centuries and millennia. We could begin from Janamejaya who personified the Western-Aryan hatred for the serpent, but we will reach a stage when the same animal found veneration, as Naga-raja or Manasa. The two, incidentally, are quite different, as one is a male snake and the other is surely a female deity. One can forgive this mistake, because it is not very safe to get too close to examine a snake's gender, even while worshipping. The serpent bears evidence of many conflicts, like the one between the wheat-eating Indo-Europeans of the West and the rice-loving civilisations of the East. After all, rice cultivation was hardly possible without water and this necessitated a better adjustment with eco-systems where snakes lived in plenty, but were not usually aggressive or venomous, unless attacked. In its legends are traces of the perennial struggle between ‘formal’ and ‘folk’ cultures. Manasa in Bengal was primarily folk, but later formalized as Padmavati, who was born from Shiva’s semen that fell on a lotus plant. -
The Turning Point in a Living Tradition (PDF)
The Turning Point in a Living Tradition Somayāgam 2003 T. P. Mahadevan & Frits Staal 1. Introduction During April 7–12, 2003, a “Somayāgam,” i.e., agniṣṭoma-somayāga, was per- formed by Nambudiri Brahmans in Trichur in central Kerala, formerly the Cochin State. 1 It was preceded by “Ādhānam,” i.e., agnyādhāna or punarādheya, on April 6. The location of the ceremonies was the “Vadakke Madham Brahmaswam,” the Northern (vadakke) of two Vedic institutions within Trichur town where the Ṛgve- da has been taught to young pupils for four centuries or more. (The Southern Mad- ham is for saṁnyāsins of which there is at present one.) The last performance of Somayāgam was in 1984. It is one of two large Vedic rituals that are preserved in the Nambudiri community, the other being the 12-day “Agni” or atirātra-agnicayana. One of the many characteristic differences bet- ween the two rituals is that there are twelve “Soma-sequences” in the somayāga and twenty-nine in the atirātra-agnicayana. A soma sequence consists of a Sāma- veda chant (stotra or stuti, as the Nambudiris call it), ṚṚgveda recitation (śastra), soma offerings to the deities and soma drinking by the Yajamāna and his priests. The first twelve soma sequences of the agnicayana are similar to the twelve se- quences of the somayāga, but all of them are not the same. And only a ritualist who has performed a Somayāga and become a Somayāji, is eligible for an Agnica- yana and to become an Akkitiri. The authors of the present article were both able to attend the 2003 ceremonies at Trichur but Mahadevan (TP) could spend more time than Staal (FS) in Kerala 1 We are profoundly grateful to Vaidikan Taikkat Nilakanthan Nambudiri, Vaidikan for the 2003 Somayāgam, and to Shri O.N.Damodaran Nambudiripad, Vice President of the Vadakke Madham Brahmaswam, for welcoming us on the occasion of the Somayāgam performance and assisting us in countless ways. -
Five Shravana Mondays - Sri Rudrabhishekam Shravana Monday Rudrabhishekam for Lord Shiva’S Grace and Blessings
Five Shravana Mondays - Sri Rudrabhishekam Shravana Monday Rudrabhishekam for Lord Shiva’s grace and blessings Performing the Shravana Monday Pradosha Abhishekam to Lord Shiva, you will gain Lord Shiva’s blessings and reap the benefits in a timely manner. “Rajatha Bilvapatra Special Puja” (silver bael leaves puja) will also be performed. For those who perform abhishekam to Lord Shiva during this vratam on Shravana Monday evenings, you will be bestowed with money, grains, children, wife, relationship, happiness and wealth endlessly. This puja gives amazing results. According to ancient scriptures, for those who perform Pradosha Vratam on Shravana Mondays for 21 years, you will get the darshan of Lord Shiva Himself. Those who have not been able to perform this vratam for a long time should commence the vratam and perform it as long as possible. The month of Shravana begins on Sunday, August 8 with the first Monday puja beginning on Monday, August 9. 1. August 9th, Monday – for those in Ashlesha star, puja on this day will cure all doshas. 2. August 16th, Monday - Ashtami – for those in Anuradha star, puja on this day will bestow Akhanda (abundance) Aishwarya (wealth) Yoga to them. (Star on this day is Anuradha) 3. August 23rd, Monday - for those in Shatabhisha Star the homam and puja on this day bestows Mahadaishwarya (great wealth). 4. August 30th, Monday - Rohini Star - Kritika morning, Sri Mahalakshmi Yoga gives all good luck. Page 1 of 6 Five Shravana Tuesdays - Sri Mangala Gowri Devi Puja Sri Sugandha Kumkum and Silver Lotuses Puja When Sri Mangala Gowri Devi is worshiped on Shravana Tuesdays it is known as ‘Sarvaarthi Hara’; meaning all kinds of aarti (afflictions), anguish and distress will be removed.