The Tudors at Prayer
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The English Lyrics of the Henry VIII Manuscript
The English Lyrics of the Henry VIII Manuscript by RAYMOND G. SIEMENS B. A. (Hons), The University of Waterloo, 1989 M.A., The University of Alberta, 1991 A THESIS SUBMITTED LN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES, Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May 20, 1997 ©R.G. Siemens, 1997 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or 'by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. /7 v. Department of The University of British Columbia Vancouver, Canada Date DE-6 (2788) Abstract The Henry VIII MS (BL Additional MS 31,922)—a song book with lyrics by Henry VIII, Thomas Wyatt, William Cornish, and other literary figures of the early Henrician court—is a document that contributes greatly to a critical understanding of the connections between poetry, patronage, and power in early Renaissance society because of the prominence of its chief author, the King himself, and the manuscript's reflection of literary, social, and political elements of the early Tudor court. Acknowledging that the contents of the Henry VIII MS have been thoroughly treated as "words for music" by the musicologist John Stevens, whose Music and Poetry in the Early Tudor Court and Music at the Court of Henry VIII are the standard works in the area, my thesis builds on existing scholarship to treat the lyrics of H chiefly as "words," as literary texts. -
The Tallis Scholars 20.00 Concertzaal Nagesprek Met Peter 40 Jaar Bidden, Huilen, Juichen Phillips En Sofie Taes Biografieën Uitvoerders En Programma
zaterdag 05.10.2013 The Tallis Scholars 20.00 Concertzaal Nagesprek met Peter 40 jaar bidden, huilen, juichen Phillips en Sofie Taes Biografieën Uitvoerders en programma The Tallis Scholars (UK) werden in 1973, Peter Phillips (UK) studeerde renaissance Peter Phillips: dirigent Eric Whitacre (1970) veertig jaar geleden dus, opgericht door muziek in Oxford en begon daar uit interesse The Tallis Scholars: Sainte-Chapelle (2013), Belgische première Peter Phillips. Door talloze opnames en voor minder gekend repertoire een eigen Janet Coxwell, Amy Haworth, concerten groeiden ze uit tot een van ensemble. Bijna 2000 concerten en zestig Grace Davidson, Amy Wood: sopraan Michael Tippett (1905-1998) de meest toonaangevende uitvoerders cdopnames later staan The Tallis Scholars aan Caroline Trevor, Matthew Venner: alt Plebs angelica (1943-44) van renaissancepolyfonie en brachten de wereldtop van de vocale muziek. Naast die Christopher Watson, Ashley Turnell: tenor zo dit repertoire onder de aandacht van concerten treedt Peter Phillips geregeld op als Simon Whiteley, Greg Skidmore: bas John Tavener (1944) het grote publiek. De groep geeft zo’n gastdirigent, de afgelopen jaren onder meer Funeral Ikos (1981) zeventig concerten per jaar, veel daarvan bij Collegium Vocale Gent en het Nederlands — in de Verenigde Staten en Japan, en heeft Kamerkoor en nu bij het Chœur de Chambre Arvo Pärt (1935) een sterke band met de serie Choral at de Namur, Musica Reservata Barcelona en Thomas Tallis (ca.1505-1585) Magnificat(1989) Cadogan in Londen. Het jubileumwerk van het Tudor Choir Seattle. In eigen land werkt Loquebantur variis linguis a7 Eric Whitacre op dit programma is zeker niet hij veel met de BBC Singers. -
The Bible in Music
The Bible in Music 115_320-Long.indb5_320-Long.indb i 88/3/15/3/15 66:40:40 AAMM 115_320-Long.indb5_320-Long.indb iiii 88/3/15/3/15 66:40:40 AAMM The Bible in Music A Dictionary of Songs, Works, and More Siobhán Dowling Long John F. A. Sawyer ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 115_320-Long.indb5_320-Long.indb iiiiii 88/3/15/3/15 66:40:40 AAMM Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by Siobhán Dowling Long and John F. A. Sawyer All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dowling Long, Siobhán. The Bible in music : a dictionary of songs, works, and more / Siobhán Dowling Long, John F. A. Sawyer. pages cm Includes bibliographical references and index. ISBN 978-0-8108-8451-9 (cloth : alk. paper) — ISBN 978-0-8108-8452-6 (ebook) 1. Bible in music—Dictionaries. 2. Bible—Songs and music–Dictionaries. I. Sawyer, John F. A. II. Title. ML102.C5L66 2015 781.5'9–dc23 2015012867 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music)
OCTOBER 2019 IAN KEATLEY (Director of Music) STEPHEN DISLEY (Assistant Director of Music) GILLY MYERS (Canon Precentor) RACHEL YOUNG (Succentor) ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTING ANTHEMS 4 Friday 5.30pm Evensong (men’s voices) Tallis 35 472 (ii) Octavi toni (Victoria) In manus tuas (Pedro de Cristo) 6 SUNDAY 11.00am Eucharist 37 (1-9) 467; 279 (t. 305); Mass for five voices (Byrd) My soul, there is a country (Hubert Parry) TRINITY 400 (t. 167) Ave verum corpus (Plainsong) XVI 3.00pm Evensong Ayleward 142 CP 478; 500 Short service (Caustun) I was glad (Hubert Parry) 7 Monday 5.30pm Evensong Rawsthorne 47 471 Rawsthorne in D Like as the hart (Noel Rawsthorne) 8 Tuesday 5.30pm Evensong Ayleward 50 252 Walmisley in D minor To this temple (Edward Bairstow) 11 Friday 5.30pm Evensong Ayleward 38 (1-14) 396 Watson in E Thy word is a lantern (Henry Purcell) 12 Saturday 4.00pm Evensong (Hogarth Singers) Wells 66 361 Dyson in F Bogoroditse Devo (Sergei Rachmaninoff) 13 SUNDAY 11.00am Eucharist 100 433 (omit v.5); Missa Brevis ‘Awake, my soul’ For the beauty of the earth (John Rutter) HARVEST CP 272 (t. 237); 265 (Judith Bingham) Hymn to the Virgin (Benjamin Britten) 3.00pm Evensong Shephard 144 CP 448 (t. 265); 235 (omit v.3) Kelly in C Rejoice in the Lord (John Redford) 14 Monday 5.30pm Evensong (men’s voices) Harris 72 247 Wood in E I will lift up mine eyes (Ernest Walker) 15 Tuesday 5.30pm Evensong (men’s voices) Millington 74 245 Secundi toni (Gombert) Alleluia (Igor Stravinsky) THE CATHEDRAL CHOIR IS ON HOLIDAY UNTIL 28 OCTOBER 16 Wednesday 4.00pm Evensong (Tormead School) Terry 119 (81-104) 250 Wood in E flat (no 2) I will sing with the spirit (John Rutter) 18 Friday 5.30pm Evensong (men’s voices) Tallis 103 244 Morley fauxbordons Let us now laud (William Mundy) 20 SUNDAY 11.00am Eucharist (University of London 121 55; CP 346 (tune ii); CP 81 Sumsion in F Notre Père (Maurice Duruflé) TRINITY Church Choir) Ave verum (Camille Saint-Saëns) XVIII 3.00pm Evensong Ferial 149 347 (t. -
Stainer & Bell
STAINER & BELL INFORMATION SHEET ASK 63 MUNDY, William Library Volume: Latin Antiphons and Psalms edited by Frank Ll. Harrison. Stock No. EC2 (printed to demand: comb-bound) Works by William Mundy can also be found in: Consort Songs (edited Philip Brett). Stock No. MB22 Elizabethan Consort Music I (edited Paul Doe). Stock No. MB44 The Gyffard Partbooks I (transcribed and edited by David Mateer). Stock No. EC48 The Gyffard Partbooks II (transcribed and edited by David Mateer). Stock No. EC51 The Mulliner Book (newly transcribed and edited by John Caldwell). Stock No. MB1 Except where an asterisk is shown against a title, our archive and offprint service can usually provide authorised photocopies. Prices are available on application. Individual choral titles from the Early English Church Music series are also available for purchase as Adobe Acrobat PDF files through the secure Stainer & Bell online shop. Please see www.eecm.net for full details. Title Details No. of pages Notes Adhaesit Pavimento SATBB 11 in EC2 Adolescentulus Sum Ego SAATBB 12 in EC2 Alleluya [V. Per te dei genitrix] I 4-part 1 in EC48 Alleluya [V. Per te dei genitrix] II 4-part 1 in EC48 Beati Immaculati SAATB 11 in EC2 Domine, Non Est Exaltatum SATTBB 11 in EC2 Domine, Quis Habitabit SSAATB 25 in EC2 Eructavit Cor Meum SATTBB 24 in EC2 Exurge Christe 4-part 1 in MB1 Exurge Christe (attrib.) 4-part 2 in EC48 Fantasia 5-part 4 in MB44 Fie, fie, my fate Consort song 2 in MB22 In Aeternum SAA (or T) TBB 13 in EC2 In exitu Israel [with BYRD, William 4-part 15 in EC48 and SHEPPARD, -
Consequences of Power
Saturday, November 11, 2017, at 8:30 pm The Psalms Experience CONCERT 12 Consequences of Power The Tallis Scholars Peter Phillips, Conductor Introduction by John Schaefer This program is approximately one hour long and will be performed without intermission. Please hold applause until the end of the performance. Please join the artists for a White Light Lounge following the performance. (Program continued) The White Light Festival presentation of The Psalms Experience is supported by The Andrew W. Mellon Foundation. This program is supported as part of the Dutch Culture USA program by the Consulate General of the Netherlands in New York. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Alice Tully Hall, Starr Theater Please make certain all your electronic devices Adrienne Arsht Stage are switched off. WhiteLightFestival.org American Airlines is the Official Airline of Lincoln UPCOMING WHITE LIGHT FESTIVAL EVENTS: Center Sunday, November 12 at 3:00 pm in David Geffen Nespresso is the Official Coffee of Lincoln Center Hall NewYork-Presbyterian is the Official Hospital of Beethoven’s Missa solemnis Lincoln Center Swedish Chamber Orchestra Artist Catering provided by Zabar’s and Zabars.com Thomas Dausgaard , conductor Swedish Radio Choir Peter Dijkstra , choral director Malin Christensson , soprano The Psalms Experience was created and Kristina Hammarström , mezzo-soprano first produced by Tido Visser, managing Michael Weinius , tenor director of the Netherlands Chamber Josef Wagner , bass Choir. BEETHOVEN: Mass in D major (“Missa solemnis”) Pre-concert lecture by Andrew Shenton at 1:45 pm The Netherlands Chamber Choir was supported in the Stanley H. -
Emerald Ensemble September 2017 the Two Elizabeths Program Notes
Emerald Ensemble September 2017 The Two Elizabeths Program Notes with Texts and Translations Dance, clarion air (1952) Michael Tippett (1905–1998) O Lord, give thy Holy Spirit (after 1566) Thomas Tallis (c.1505–1585) Weep, O mine eyes (1599) John Bennet (c.1575–after 1614) Mitte manum tuam (2006) James MacMillan (b.1959) Fair Phyllis I saw sitting all alone (1599) John Farmer (c.1570–c.1605) O Lord, the maker of all thing William Mundy (c.1528–1591) O Care, thou wilt despatch me (1600) Thomas Weelkes (1576–1623) The Song Sung True (2013) Judith Weir (b.1954) 1. Sing — 2. Song — 3. Orpheus — 4. Folk Music intermission Lullabye for Lucy (1981) Peter Maxwell Davies (1934–2016) Come, blessed bird (1601) Edward Johnson (fl.1572–1601) O Lord, make thy servant Elizabeth (c.1570) William Byrd (c.1540–1623) Arise, awake (1601) Thomas Morley (1557/8–1602) Choral Dances, from Gloriana (1953) Benjamin Britten (1913–1976) 1. Time — 2. Concord — 3. Time and Concord — 4. Country Girls — 5. Rustics and Fishermen — 6. Final Dance of Homage The Hills (1953) John Ireland (1879–1962) Andrew Turner, from Five Epigrams (1960) Nicholas Maw (1935–2009) White-flowering days (1953) Gerald Finzi (1901–1956) 1 Dance, clarion air (1952) Michael Tippett (1905–1998) So often we hear stories of wunderkind composers who wrote masterpieces in their teens and twenties—folks like Bach, Handel, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, Prokofiev, Walton, Britten—that we forget about the slew of brilliant composers who were relatively late bloomers, among them Haydn, Bruckner, Mahler, Elgar, Janáček, Vaughan Williams, Pärt, and the present example, Michael Tippett. -
The Tallis Scholars First Congregational Church Peter Phillips, Director the Tallis Scholars Peter Phillips, Director Music for Double Choir
Cal Performances Presents Program Saturday, March 28, 2009, 8pm The Tallis Scholars First Congregational Church Peter Phillips, director The Tallis Scholars Peter Phillips, director Music for Double Choir PROGRAM Giovanni Pierluigi da Palestrina (c.1525–1594) Surge, illuminare (part 1) Peter Philips (c.1560–1628) Ecce vicit Leo Philips Ave Jesu Christe Orlande de Lassus (c.1532–1594) Missa Bel’ Amfitrit’ altera INTERMISSION Orlando Gibbons (1583–1625) O clap your hands Dominique Phinot (c.1510– c.1556) Lamentations R. Haughton Sopranos Alonso Lobo (c.1555–1617) Ave Maria Janet Coxwell, Amy Haworth, Cecilia Osmond, Amy Wood Altos Jean Mouton (c.1459–1522) Nesciens Mater Patrick Craig, Caroline Trevor Tenors Hieronymus Praetorius (1560–1629) Magnificat IV Mark Dobell, Simon Wall Basses Donald Greig, Robert Macdonald In North America, The Tallis Scholars are managed by International Arts Foundation, Inc., 121 West 27th Street, Suite 703, New York, New York 10001-6262, [email protected]. Cal Performances’ 2008–2009 season is sponsored by Wells Fargo Bank. Please visit The Tallis Scholars’ newly designed website at www.gimell.com. For additional information, please visit thetallisscholars.co.uk. 10 CAL PERFORMANCES CAL PERFORMANCES 11 Program Notes Program Notes Arise and Shine, O Jerusalem the two men, however, can be seen in the wider Orlando Gibbons shows us a more sophisticated, time, and slowly increase the intensity of the music range of rhythmic gestures used by Philips, and the later example of double-choir writing. -
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 Email: [email protected]
Guild Music Limited Guild Catalogue 36 Central Avenue, West Molesey, Surrey, KT8 2QZ, UK Tel: +44 (0)20 8404 8307 email: [email protected] CD-No. Title Composer/Track Artists GMCD 7101 Canticum Novum My soul, there is a country - Charles H.H.Parry; All Wisdom cometh from the Lord - Philip The Girl Choristers, The Boy Choristers and The Lay Vicars of Moore; Tomorrow shall be my dancing day - John Gardner; Psalm Prelude (2nd Set, No.1) - Salisbury Cathedral directed by Richard Seal / David Halls Organ / Herbert Howells; Quem vidistis pastores dicite - Francis Poulenc; Videntes stellam - Francis Martin Ings Trumpet Poulenc; The old order changeth - Richard Shepard; Even such is time - Robert Chilcott; Paean - Kenneth Leighton; When I survey the wondrous Cross - Malcolm Archer; Magnificat (Salisbury Service) - Richard Lloyd; A Hymn to the Virgin - Benjamin Britten; Pastorale - Percy Whitlock; Psalm 23 (Chant) - Henry Walford Davies; Love's endeavour, love's expense - Barry Rose; Ye Choirs of new Jerusalem - Richard Shepard GMCD 7102 Coronation Anthems & Hymns “Jubilant” Fanfare - Arthur Bliss; I was glad when they said unto me - Charles H.H. Parry; O The Choir of St Paul’s Cathedral directed by Barry Rose / Christopher taste and see - Ralph Vaughan Williams; Credo from the “Mass in G minor” - Ralph Vaughan Dearnley Organ Williams; Praise, my soul, the King of heaven - John Goss; Trumpet Tune f GMCD 7103 In Dulci Jubilo Ad Libitum/O Come, all ye faithful - Hark! the Herald-Angels Sing - Once in Royal David's city - - Festive & Christmas Music - Paul Plunkett Trumpets & Rudolf Lutz The First Nowell - Ding Dong! Merrily on High - Away in a Manger - Angels from the Realms Organ of Glory - Noël Op. -
Music at Grace 2016-2017
Music at Grace 2016-2017 WELCOME Dear Friends, We are delighted to welcome you to this season of Music at Grace! The coming year continues our tradition of offering glorious sacred choral music at the Sunday Eucharist, Evensong, Lessons and Carols, and in concert. In addition, we are thrilled to announce the debut of Collegium Ancora: Rhode Island’s Professional Chamber Choir, Ensemble-in-Residence at Grace Church. We also welcome the Brown University Chorus and Schola Cantorum of Boston to Grace on April 7 for a gala concert performance of Bach’s monumental St. Matthew Passion. And our Thursdays at Noon concert series resumes in September! This booklet outlines the musical offering for the coming season, particularly the 10 AM Holy Eucharist on Sunday mornings. Also included is an envelope for your support of Music at Grace. Whether you are a parishioner or a friend of music, we hope you will consider making a donation to support our musical presence in Downcity Providence, for the worship or concert setting. A return envelope is enclosed for your convenience, and names listed will be included in the programs for special services and concerts. We wish to remind parishioners of Grace church that any gift made to Music at Grace should be in addition to your regular Stewardship pledge which is so important to the church. We hope that you will walk through our historic doors on Westminster Street in downtown Providence for worship or concert, or both very soon! The Reverend Canon Jonathan Huyck+ Rector Vincent Edwards Director of Music MUSIC -
The Tallis Scholars
Friday, April 10, 2015, 8pm First Congregational Church The Tallis Scholars Peter Phillips, director Soprano Alto Tenor Amy Haworth Caroline Trevor Christopher Watson Emma Walshe Clare Wilkinson Simon Wall Emily Atkinson Bass Ruth Provost Tim Scott Whiteley Rob Macdonald PROGRAM Josquin Des Prez (ca. 1450/1455–1521) Gaude virgo Josquin Missa Pange lingua Kyrie Gloria Credo Santus Benedictus Agnus Dei INTERMISSION William Byrd (ca. 1543–1623) Cunctis diebus Nico Muhly (b. 1981) Recordare, domine (2013) Arvo Pärt (b. 1935) Tribute to Caesar (1997) Byrd Diliges dominum Byrd Tribue, domine Cal Performances’ 2014–2015 season is sponsored by Wells Fargo. 26 CAL PERFORMANCES PROGRAM NOTES he end of all our exploring will be Josquin, who built on the cantus firmus tradi- Tto arrive where we started and know the tion of the 15th century, developing the freer place for the first time.” So writes T. S. Eliot in parody and paraphrase mass techniques. A cel- his Four Quartets, and so it is with tonight’s ebrated example of the latter, the Missa Pange concert. A program of cycles and circles, of Lingua treats its plainsong hymn with great revisions and reinventions, this evening’s flexibility, often quoting more directly from performance finds history repeating in works it at the start of a movement—as we see here from the Renaissance and the present day. in opening soprano line of the Gloria—before Setting the music of William Byrd against moving into much more loosely developmen- Nico Muhly, the expressive beauty of Josquin tal counterpoint. Also of note is the equality of against the ascetic restraint of Arvo Pärt, the imitative (often canonic) vocal lines, and exposes the common musical fabric of two the textural variety Josquin creates with so few ages, exploring the long shadow cast by the voices, only rarely bringing all four together. -
Masterpieces for Double Choir
Miller Theatre at Columbia University 2012-13 | 24th Season Early Music Masterpieces for Double Choir The Tallis Scholars Peter Phillips, director Saturday, December 1, 8:00 p.m. Church of St. Mary the Virgin Miller Theatre at Columbia University 2012-13 | 24th Season Early Music Masterpieces for Double Choir The Tallis Scholars Peter Phillips, director Saturday, December 1, 8:00 p.m. Church of St. Mary the Virgin Magnificat Octavi Toni (à 8) Sebastián de Vivanco (1551-1622) Osculetur me Orlande de Lassus (c. 1532-1594) Missa Osculetur me Lassus INTERMISSION I am the true vine Arvo Pärt (b. 1935) Tribute to Caesar Pärt Sancte Deus Thomas Tallis (c. 1505-1585) Magnificat quinti toni Hieronymus Praetorius (1560-1629) interspersed with Jospeh lieber, Joseph mein and In dulci jubilo Please note that photography and the use of recording devices are not permitted. Remember to turn off all cellular phones and pagers before this evening’s performance begins. Large print programs are available upon request. For more information or to arrange accommodations, please call 212-854-7799. About the Program “…the end of all our exploring will be to arrive where we started and know the place for the first time.” So writes T.S. Eliot in hisFour Quartets, and so it is with tonight’s concert. The evening is book-ended by two thrilling double-choir Magnificats. But while Vivan- co’s setting of this joyful annunciation text leaves the story unfinished, the Praetorius Magnificat with which we close incorporates two Christmas carols among its verses. The promise of the annunciation is fulfilled in the miracle of the Virgin Birth, just as the renaissance textures of Vivanco find themselves fulfilled and transformed in the proto- Baroque music of Praetorius.