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Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat
15 Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat No one could accuse the American cultural industries of giving the Iraq War the silent treatment. Between the 24-hour news cycle and fictionalized enter- tainment, war narratives have played a significant and evolving role in the media landscape since the declaration of war in 2003. Iraq War films, on the whole, have failed to impress audiences and critics, with notable exceptions like Kathryn Bigelow’s The Hurt Locker (2008), which won the Oscar for Best Picture, and her follow-up Zero Dark Thirty (2012), which tripled its budget in worldwide box office intake.1 Television, however, has fared better as a vehicle for profitable, war-inspired entertainment, which is perhaps best exemplified by the nine seasons of Fox’s 24 (2001–2010). Situated squarely between these two formats lies the television miniseries, combining seriality with the closed narrative of feature filmmaking to bring to the small screen— and, probably more significantly, to the DVD market—a time-limited story that cultivates a broader and deeper narrative development than a single film, yet maintains a coherent thematic and creative agenda. As a pioneer in both the miniseries format and the more nebulous category of quality television, HBO has taken fresh approaches to representing combat as it unfolds in the twenty-first century.2 These innovations build on yet also depart from the precedent set by Band of Brothers (2001), Steven Spielberg’s WWII project that established HBO’s interest in war-themed miniseries, and the subsequent companion project, The Pacific (2010).3 Stylistically, both Band of Brothers and The Pacific depict WWII combat in ways that recall Spielberg’s blockbuster Saving Private Ryan (1998). -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
James Cromwell
JAMES CROMWELL Film: Jurassic World: Fallen Kingdom Benjamin Lockwood J. A Bayona Amblin Entertainment Marshall Judge Foster Reginald Hudlin Chestnut Ridge Productions The Promise Ambassador Morgenthau Terry George Babieka Big Hero 6 Robert Callaghan (voice) Don Hall/ Chris Williams FortyFour Studios The Trials of Cate McCall Justice Sumpter Karen Moncrieff Sunrise Films Still Mine Craig Morrison Michael McGowan Mulmur Feed Co. Production Cowgirls n' Angels Terence Parker Timothy Armstrong Sense and Sensibility Hide Away The Ancient Mariner Chris Eyre MMC Joule Films Memorial Day Bud Vogel Sam Fischer 7th Sense Films A Year in Morring The Ancient Mariner Chris Eyre MMC Joule Films The Artist Clifton Michel Hazanvicius La Petite Reine Soilders of Fortune Haussman Maksim Korostyshersky Globus Film Secretariat Ogden Phipps Randall Wallace Walt Disney A Lonely Place for Dying Howard Simons Justin Evans Lonely Place Surrogates Older Lionel Canter Jonathan Mostow Touchstone Pictures W. W.H. Bush Oliver Stone Lionsgate Spiderman 3 Cap. Geroge Stacy Sam Raimi Columbia Becoming Jane Rev. Austen Julian Jarrold Hanway Films The Queen Prince Philip Stephen Frears Pathe Pictures Dante's Inferno Virgil Sean Meredith Dante Film I, Robot Dr. Alfred Lanning Alex Proyas Fox The Snow Walker Shepherd Charles Martin Smith Infinity Media The Sum of all Fears Robert Fowler Phil Alden Robinson Paramount Spirit:The Stallion of Cimarron The Colonel Kelly Asbury Dream Works Space Cowboys Bob Gershon Clint Eastwood Mad Chance The Green Mile Warden Hal Moores Frank Dambont Castle Rock The Batchelor Priest Gary Sinyor New Line Snow Falling on Cedars Judge Fielding Scott Hicks Universal The General's Daughter Lt. -
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 Min | MGM | Rated PG-13
SATURDAY MOVIES Hannah and Her Sisters DVD | Color | 1986 | 106 min | MGM | Rated PG-13 November 1, 2 p.m., 6th floor A Woody Allen Manhattan mosaic, Hannah and Her Sisters concerns the lives, loves, and infidelities among a tightly-knit artistic clan. Hannah (Farrow) regularly meets with her sisters Holly (Wiest) and Lee (Hershey) to discuss the week’s events. It’s what they don’t always tell each other that forms the film’s various subplots. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Dianne Wiest, Barbara Hershey, Michael Caine, Max von Sydow, and Carrie Fisher Broadway Danny Rose DVD | Black & White | 1984 | 86 min | MGM | Rated PG November 8, 2 p.m., 6th floor Danny Rose (Allen) is a fourth rate talent agent whose client list is filled with some of the oddest acts in show business. A good-hearted loser, Danny is willing to go to extremes to keep his acts happy and get them jobs. It’s this dedication that gets him in trouble when he becomes involved with his top client’s mistress and some unfriendly gangsters who mistake Danny as her lover. Directed by Woody Allen Starring Woody Allen, Mia Farrow, Nick Apollo Forte, Paul Greco, and Frank Renzulli Film schedule continues on opposite page Elevators access the 6th floor after 1:30 p.m. All programs are free and subject to last minute change or cancellation SATURDAY MOVIES Grumpy Old Men DVD | Color | 1993 | 104 min | Warner Bros. | Rated PG-13 November 15, 2 p.m., 6th floor John and Max are elderly men living next door to each other. -
Graphing Yale's Theatrical History
GRAPHING YALE’S THEATRICAL HISTORY Catherine DeRose Yale University Library Digital Humanities Laboratory Alex O’Keefe Robert B. Haas Family Arts Library Yale Digital Conference | June 14, 2019 Why Ensemble@Yale? THE SUBJECT: DESIRED OUTCOMES: Yale Theatre History ● Increase access to ● DRA 37 Archival Collection minimally-processed ● Department / School of Drama - 1925 archives ● Yale Repertory Theatre - 1966 ● Generate database of ● 100+ world premieres Yale theater history ● Famous alumni ● Answer reference ○ Meryl Streep, Wendy Wasserstein, Angela Bassett, William Ivey Long, Liev Schreiber, questions Sigourney Weaver, Michael Yeargan, Frances McDormand, John Guare, Lupita Nyong’o… Project Background Inspired by NYPL Labs’ Ensemble project ● Limits of OCR ● Importance of human judgment ● Semantic relationships ● Hard for computers to see ● Easy for humans to intuit 2013 Project Background TASKS: LESSONS LEARNED: ● Digitize programs ● Usability testing before going live ● Determine organization and ● Fixing errors/preventing junk presentation data ● Adapt Scribe with customized ● How to decide when marking or workflows for theatrical data transcribing is completed? ○ Mark ○ Transcribe Launched May 2017 Demo - Marking Demo - Transcribing Demo - Transcribing Events Dealing with the Data Steps for Completed Programs ● Initial Cleaning [OpenRefine] ● Removing Duplicates [Excel] ● Program Check [student worker / Excel] ● Normalization to Improve Searching ○ Names and Roles ■ Roles example: shift from ‘scenery’ to ‘set design’ ○ Choosing name -
Atlantic News Courtesy Photo — 44 in CONCERT O Milk Money (1994) Melanie Griffith
This Page © 2004 Connelly Communications, LLC, PO Box 592 Hampton, NH 03843- Contributed items and logos are © and ™ their respective owners Unauthorized reproduction 26 of this page or its contents for republication in whole or in part is strictly prohibited • For permission, call (603) 926-4557 • AN-Mark 9A-EVEN- Rev 12-16-2004 PAGE 26A | ATLANTIC NEWS | NOVEMBER 4, 2005 | VOL 31, NO 44 SEACOAST ENTERTAINMENT &ARTS | ATLANTICNEWS.COM . NOTES ANNUAL CRAFT, 11/9/05 5 PM 5:30 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 FOOD FAIR AMONG THE BEST WBZ-4 Dr. Phil (N) News CBS The Insid- Ent. Still Yes, Dear Criminal Minds “The CSI: NY “Manhattan News Late Show With Late Late SALEM | The 10th annual New (CBS) (CC) News er (N) Tonight Standing (N) Fox” (N) (CC) Manhunt” (N) (CC) (CC) David Letterman (N) Show England Craft and Specialty Food WCVB-5 News News News ABC Wld Inside Chronicle George Freddie Lost “Abandoned” Invasion “Fish Sto- News (:35) (12:06) Jimmy Kim- (ABC) (CC) (CC) (CC) News Edition (CC) Lopez (N) (N) (CC) (N) ’ (HD) (CC) ry” (N) (CC) (CC) Nightline mel Live (N) ’ Fair will be held indoors at the Rock- WCSH-6 News ’ News ’ News ’ NBC 207 Maga- Seinfeld E-Ring “Cemetery The Apprentice: Law & Order “House News ’ The Tonight Show Late Night ingham Park Racetrack in Salem on (CBS) (CC) (CC) (CC) News zine ’ (CC) Wind” (N) (CC) Martha Stewart (N) of Cards” (CC) With Jay Leno (N) Friday through Sunday, November WHDH-7 News ’ News ’ News ’ NBC Access Extra (N) E-Ring “Cemetery The Apprentice: Law & Order “House News ’ The Tonight Show Late Night 11-13, from 10 a.m. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
06 SM 9/21 (TV Guide)
Page 6 THE NORTON TELEGRAM Tuesday, September 21, 2004 Monday Evening September 27, 2004 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 KHGI/ABC The Benefactor Monday Night Football:Cowboys @ Redskins Jimmy K KBSH/CBS Still Stand Listen Up Raymond Two Men CSI Miami Local Late Show Late Late KSNK/NBC Fear Factor Las Vegas LAX Local Tonight Show Conan FOX North Shore Renovate My Family Local Local Local Local Local Local Cable Channels A&E Parole Squad Plots Gotti Airline Airline Crossing Jordan Parole Squad AMC The Wrecking Crew Mother, Jugs and Speed Sixteen Candles ANIM Growing Up Lynx Growing Up Rhino Miami Animal Police Growing Up Lynx Growing Up Rhino CNN Paula Zahn Now Larry King Live Newsnight Lou Dobbs Larry King DISC Monster House Monster Garage American Chopper Monster House Monster Garage Norton TV DISN Disney Movie: TBA Raven Sis Bug Juice Lizzie Boy Meets Even E! THS E!ES Dr. 90210 Howard Stern SNL ESPN Monday Night Countdown Hustle EOE Special Sportscenter ESPN2 Hustle WNBA Playoffs Shootarou Dream Job Hustle FAM The Karate Kid Whose Lin The 700 Club Funniest Funniest FX The Animal Fear Factor King of the Hill Cops HGTV Smrt Dsgn Decor Ce Organize Dsgn Chal Dsgn Dim Dsgn Dme To Go Hunters Smrt Dsgn Decor Ce HIST UFO Files Deep Sea Detectives Investigating History Tactical To Practical UFO Files LIFE Too Young to be a Dad Torn Apart How Clea Golden Nanny Nanny MTV MTV Special Road Rules The Osbo Real World Video Clash Listings: NICK SpongeBo Drake Full Hous Full Hous Threes Threes Threes Threes Threes Threes SCI Stargate -
Term Association Modelling in Information Retrieval
TERM ASSOCIATION MODELLING IN INFORMATION RETRIEVAL JIASHU ZHAO A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN COMPUTER SCIENCE AND ENGINEERING YORK UNIVERSITY TORONTO, ONTARIO MARCH 2015 c Jiashu Zhao 2015 Abstract Many traditional Information Retrieval (IR) models assume that query terms are in- dependent of each other. For those models, a document is normally represented as a bag of words/terms and their frequencies. Although traditional retrieval models can achieve reasonably good performance in many applications, the corresponding inde- pendence assumption has limitations. There are some recent studies that investigate how to model term associations/dependencies by proximity measures. However, the modeling of term associations theoretically under the probabilistic retrieval frame- work is still largely unexplored. In this thesis, I propose a new concept named Cross Term, to model term prox- imity, with the aim of boosting retrieval performance. With Cross Terms, the asso- ciation of multiple query terms can be modeled in the same way as a simple unigram term. In particular, an occurrence of a query term is assumed to have an impact on its neighboring text. The degree of the query term impact gradually weakens with increasing distance from the place of occurrence. Shape functions are used to ii characterize such impacts. Based on this assumption, I first propose a bigram CRoss TErm Retrieval (CRT ER2) model for probabilistic IR and a Language model based LM model CRT ER2 . Specifically, a bigram Cross Term occurs when the correspond- ing query terms appear close to each other, and its impact can be modeled by the intersection of the respective shape functions of the query terms. -
Thomas R. Dickens
Thomas R. Dickens Producer / Director Special Visual Effects Supervisor For nearly twenty years, Thomas R. Dickens has been extremely active in the design and creation of special effects that have been seen in an expanding list of major feature films and television shows. His credits are listed on the following pages. Now he brings his own award-winning film Alien Grey: Zone-X to the big screen. “With Alien Grey: Zone-X I have created a film that I know will stimulate and inspire the science fiction audience. Our concept can be expanded to create a series of films to meet our audience demand, and can also be adapted as a television series,” notes Dickens. Learn more about Thomas A. Dickens, on IMDB: www.IMDB.com/name/nm1309777/ Full info on Alien Grey: Zone-X www.AGZ-X.com Mesozoic, Inc. Website: www.Mesozoic.biz Thomas R. Dickens / MESOZOIC, INC. 6154 West 76th Street; Westchester, California 90045 Cellular Phone: (310) 463-7159 Additional Phone/Fax: (310) 410-0720 E-Mail: [email protected] Website: www.Mesozoic.biz * VFX Supervision/CG Supervision * 3D CGI Modeling/Texturing/Rigging/Animation/Compositing * Concept Design/Illustration/Painting * Maquette/Digitizing Sculpture * Full/Stop Motion Effects/Puppets/Animation Thomas R. Dickens / MESOZOIC, INC. 6154 West 76th Street, Westchester, California 90045 Cellular Phone: (310) 463-7159 Additional Phone/Fax: (310) 410-0720 E-Mail: [email protected] Website: www.Mesozoic.biz IMDB: www.IMDB.com/name/nm1309777/ * VFX Supervision/CG Supervision * 3D CGI Modeling/Texturing/Rigging/Animation/Compositing -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27
BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.