THE BEAT of a WHOLE GENERATION a FILM by ROB
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Juliet Ouyoung 917-528-9764
Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions -
Howl": the [Naked] Bodies of Madness
promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/10352/ Published chapter Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK, pp. 53- 72. ISBN 1 901927 25 3 White Rose Research Online [email protected] The dramatic imagery of “Howl”: the [naked] bodies of madness George Rodosthenous …the suffering of America‘s naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities (―Howl‖, 1956) Unlike Arthur Rimbaud who wrote his ―A Season in Hell‖ (1873) when he was only 19 years old, Allen Ginsberg was 29 when he completed his epic poem ―Howl‖ (1956). Both works encapsulate an intense world created by the imagery of words and have inspired and outraged their readers alike. What makes ―Howl‖ relevant to today, 50 years after its first reading, is its honest and personal perspective on life, and its nearly journalistic, but still poetic, approach to depicting a world of madness, deprivation, insanity and jazz. And in that respect, it would be sensible to point out the similarities of Rimbaud‘s concerns with those of Ginsberg‘s. They both managed to create art that changed the status quo of their times and confessed their nightmares in a way that inspired future generations. Yet there is a stark contrast here: for Rimbaud, ―A Season in Hell‖ was his swan song; fortunately, in the case of Ginsberg, he continued to write for decades longer, until his demise in 1997. -
243, Here It Is :: the End Hi, Again
THE POETRY PROJECT NEWSLETTER EDITOR: Ted Dodson REVIEWS EDITOR: Sara Jane Stoner MASTHEAD DESIGN: John Passafume POETRY PROJECT, Ltd. STAFF DIRECTOR: Stacy Szymaszek MANAGING DIRECTOR: Nicole Wallace PROGRAM MANAGER: Simone White COMMUNICATIONS AND MEMBERSHIP COORDINATOR: Laura Henriksen MONDAY NIGHT COORDINATOR: Judah Rubin WEDNESDAY NIGHT COORDINATOR: Simone White FRIDAY NIGHT COORDINATOR: Ariel Goldberg TALK SERIES COORDINATOR: Andrew Durbin BOOKKEEPER: Carlos Estrada VIDEOGRAPHER: Andrea Cruz ARCHIVIST: Will Edmiston INTERNS/VOLUNTEERS: Mel Elberg, Sam Robison, Natalia Vargas-Caba, Michael Valinsky, Pali Sharwani, Viktorsha Uliyanova, Erkinaz Shuminov, Micaela Foley, Shanxing Wang, Cornell Pineada, Carolyn Newmark, Deanna Massell, Phoebe Lifton, Ashleigh Martin, Alissa Gold, Vanessa Funfsinn, and Batya Rosenblum. BOARD OF DIRECTORS: John S. Hall (President), Katy Lederer (Vice-President), Carol Overby (Treasurer), Jo Ann Wasserman (Secretary), Kristine Hsu, Camille Rankine, Claudia La Rocco, Jonathan Morrill, Todd Colby, Erica Hunt, Elinor Nauen, David Wilk, Laura Nicoll, Adam Fitzgerald FRIENDS COMMITTEE: Brooke Alexander, Dianne Benson, Will Creeley, Raymond Foye, Michael Friedman, Ted Greenwald, Steve Hamilton, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Gillian McCain, Eileen Myles, Patricia Spears Jones, Michel de Konkoly Thege, Greg Masters, Ron Padgett, Bob Holman, Paul Slovak, John Yau, Anne Waldman and Hal Willner FUNDERS: Axe-Houghton Foundation; Committee on Poetry; Dr. Gerald J. & Dorothy R. Friedman Foundation, Inc.; -
Allen Ginsberg, Psychiatric Patient and Poet As a Result of Moving to San Francisco in 1954, After His Psychiatric Hospitalizati
Allen Ginsberg, Psychiatric Patient and Poet As a result of moving to San Francisco in 1954, after his psychiatric hospitalization, Allen Ginsberg made a complete transformation from his repressed, fragmented early life to his later life as an openly gay man and public figure in the hippie and environmentalist movements of the 1960s and 1970s. He embodied many contradictory beliefs about himself and his literary abilities. His early life in Paterson, New Jersey, was split between the realization that he was a literary genius (Hadda 237) and the desire to escape his chaotic life as the primary caretaker for his schizophrenic mother (Schumacher 8). This traumatic early life may have lead to the development of borderline personality disorder, which became apparent once he entered Columbia University. Although Ginsberg began writing poetry and protest letters to The New York Times beginning in high school, the turning point in his poetry, from conventional works, such as Dakar Doldrums (1947), to the experimental, such as Howl (1955-1956), came during his eight month long psychiatric hospitalization while a student at Columbia University. Although many critics ignore the importance of this hospitalization, I agree with Janet Hadda, a psychiatrist who examined Ginsberg’s public and private writings, in her assertion that hospitalization was a turning point that allowed Ginsberg to integrate his probable borderline personality disorder with his literary gifts to create a new form of poetry. Ginsberg’s Early Life As a child, Ginsberg expressed a strong desire for a conventional, boring life, where nothing exciting or remarkable ever happened. He frequently escaped the chaos of 2 his mother’s paranoid schizophrenia (Schumacher 11) through compulsive trips to the movies (Hadda 238-39) and through the creation of a puppet show called “A Quiet Evening with the Jones Family” (239). -
R0693-05.Pdf
I' i\ FILE NO .._O;:..=5:....:::1..;::..62;;;;..4:..- _ RESOLUTION NO. ----------------~ 1 [Howl Week.] 2 3 Resolution declaring the week of October 2-9 Howl Week in the City and County of San 4 Francisco to commemorate the 50th anniversary of the first reading of Allen Ginsberg's 5 classic American poem about the Beat Generation. 6 7 WHEREAS, Allen Ginsberg wrote Howl in San Francisco, 50 years ago in 1955; and 8 ! WHEREAS, Mr. Ginsberg read Howl for the first time at the Six Gallery on Fillmore 9 I Street in San Francisco on October 7, 1955; and 10 WHEREAS, The Six Gallery reading marked the birth of the Beat Generation and the 11 I start not only of Mr. Ginsberg's career, but also of the poetry careers of Michael McClure, 12 Gary Snyder, Jack Kerouac, Philip Whalen; and 13 14 WHEREAS, Howl was published by Lawrence Ferlinghetti at City Lights and has sold 15 nearly one million copies in the Pocket Poets Series; and 16 WHEREAS, Howl rejuvenated American poetry and marked the start of an American 17 Cultural Revolution; and 18 WHEREAS, The City and County of San Francisco is proud to call Allen Ginsberg one 19 of its most beloved poets and Howl one of its signature poems; and, 20 WHEREAS, October 7,2005 will mark the 50th anniversary of the first reading of 21 HOWL; and 22 WHEREAS, Supervisor Michela Alioto-Pier will dedicate a plaque on October 7,2005 23 at the site of Six Gallery; now, therefore, be it 24 25 SUPERVISOR PESKIN BOARD OF SUPERVISORS Page 1 9/20/2005 \\bdusupu01.svr\data\graups\pElskin\iagislatiarlire.soll.ltrons\2005\!lo\l'lf week 9.20,05.6(J-(; 1 RESOLVED, That the San Francisco Board of Supervisors declares the week of 2 October 2-9 Howl Week to commemorate the 50th anniversary of this classic of 20th century 3 American literature. -
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (Guest Post)*
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (guest post)* Allen Ginsberg, c. 1959 The Poem That Changed America It is hard nowadays to imagine a poem having the sort of impact that Allen Ginsberg’s “Howl” had after its publication in 1956. It was a seismic event on the landscape of Western culture, shaping the counterculture and influencing artists for generations to come. Even now, more than 60 years later, its opening line is perhaps the most recognizable in American literature: “I saw the best minds of my generation destroyed by madness…” Certainly, in the 20h century, only T.S. Eliot’s “The Waste Land” can rival Ginsberg’s masterpiece in terms of literary significance, and even then, it is less frequently imitated. If imitation is the highest form of flattery, then Allen Ginsberg must be the most revered writer since Hemingway. He was certainly the most recognizable poet on the planet until his death in 1997. His bushy black beard and shining bald head were frequently seen at protests, on posters, in newspapers, and on television, as he told anyone who would listen his views on poetry and politics. Alongside Jack Kerouac’s 1957 novel, “On the Road,” “Howl” helped launch the Beat Generation into the public consciousness. It was the first major post-WWII cultural movement in the United States and it later spawned the hippies of the 1960s, and influenced everyone from Bob Dylan to John Lennon. Later, Ginsberg and his Beat friends remained an influence on the punk and grunge movements, along with most other musical genres. -
CORY Mccrum ABDO 818.752.9450 – Home 818.625.3883 – Mobile
CORY McCRUM ABDO 818.752.9450 – Home 818.625.3883 – Mobile July 2009 POST PRODUCTION SUPERVISOR Independent Feature Zanuck Productions – “GET LOW” Film November Dean Zanuck, 2009 Dir: Aaron Producer Schneider Richard Rothschild, Line Producer K5 International & Sony Picture Classics June 2009 POST PRODUCTION PRODUCER ASC & PGA Camera Revelations Assessment Entertainment Camera Assessment Series Collaboration & Assessment for Lori McCreary CEO Digital and Film Cameras November ASSOCIATE PRODUCER LifeTime Movie For Sony Television 2008 – “Georgia O’Keeffe” Television April 2009 Dir: Bob Balaban October POST PRODUCTION SUPERVISOR Independent Animals Are People 2008 – “Magic” Feature Film Too, Inc. November Dir: Robert Davi 2008 October ASSOCIATE PRODUCER Feature Film Yari Film Group 2007 – “The Lonely Maiden” Dir: Peter Hewitt August 2008 November POST PRODUCTION SUPERVISOR Feature Film Yari Film Group 2007 – “Real Men Cry” Dir: Brian Goodman August 2008 Cory McCrum Page 2 December ASSOCIATE PRODUCER HBO Movie HBO Films 2006 – “Bernard and Doris” December Dir: Bob Balaban 2007 2007 POST PRODUCTION SUPERVISOR Feature Film Good Looking Ink “Mysterious” Productions Dir: Stewart Raffill 2005 – POST PRODUCTION SUPERVISOR Feature Film Mandate Films, December “Stranger Than Fiction” Distribution – Sony 2006 Dir: Marc Forster Pictures 2004 – POST PRODUCTION SUPERVISOR Feature Film Stay, Inc. 2005 “STAY” New Regency Dir: Marc Forster Distribution – 20 th Century Fox 2003 POST PRODUCTION SUPERVISOR Feature Film Bad Santa “Bad Santa” Productions, Dir: -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
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This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student.