The Role of Pennine Madness and Visionary Elements in Jeanette Winterson’S Oranges Are Not the Only Fruit
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Limitless Self: Desire and Transgression in Jeanette Winterson’S Oranges Are Not the Only Fruit and Written on the Body
The Limitless Self: Desire and Transgression in Jeanette Winterson’s Oranges Are Not the Only Fruit and Written on the Body TREBALL DE RECERCA Francesca Castaño Méndez MÀSTER: Construcció I Representació d’Identitats Culturals. ESPECIALITAT: Estudis de parla anglesa. TUTORIA: Gemma López i Ana Moya TABLE OF CONTENTS PRELIMINARIES: “Only by imagining what we might be can we become more than we are”……………………………..............................1 CHAPTER 1: “God owns heaven but He craves the earth: The Quest for the Self in Jeanette Winterson’s Oranges Are Not The Only Fruit”……..…9 1.1: “Like most people I lived for a long time with my mother and father”……….…11 1.2: “Why do you want me to go? I asked the night before”…………………….…...18 1.3: “The heathen were a daily household preoccupation”……………………….…..21 1.4: “It was spring, the ground still had traces of snow, and I was about to be married”……………………………...................................................................23 1.5: “Time is a great deadener. People forget, get bored, grow old, go away”….……26 1.6: “That walls should fall is the consequence of blowing your own trumpet”……..27 1.7: “It all seemed to hinge around the fact that I loved the wrong sort of people”……………………………...................................................................30 1.8: “It is not possible to change anything until you understand the substance you wish to change”……………………………......................................................32 CHAPTER 2: “It’s the clichés that cause the trouble: Love and loss in Jeanette Winterson’s Written on the Body”…………………………….....36 2.1: “Why is the measure of love loss?”…………………………...............................40 2.2: “Written on the body is a secret code only visible in certain lights: the accumulations of a lifetime gather there”..…………………………................50 2.3: “Love is worth it”……………………………......................................................53 CONCLUSIONS: “I’m telling you stories. -
Tales in a Tent': John Sampson's Representation of Romanies
Tales in a Tent': John Sampson's Representation of Romanies by © Michelle Porter A thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts Department of Folklore / Faculty of Arts Memorial University of Newfoundland August, 2011 St. John's, Newfoundland and Labrador -l- Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre r6f6rence ISBN: 978-0-494-81977-7 Our file Notre reference ISBN: 978-0-494-81977-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Centre for New Writing, Bring the Best Known Contemporary Writers Directly with HOME to Manchester to Discuss and Read from Their Work
Venue HOME Time & Date 7pm, Monday 13 March 2017 Price LITERATURE LIVE: SPRING 2017 Centre £10 / £8 These unique literature events, organised by the University’s Tickets are available Centre for New Writing, bring the best known contemporary writers directly with HOME to Manchester to discuss and read from their work. Everyone is for New 0161 200 1500 welcome, and tickets include discounts at the Blackwell bookstall and a complimentary drink at our Literature Live wine receptions. Writing © Mimsy Moller © Mimsy Neil Jordan Jeanette Winterson “In Conversation” with Neil Jordan Neil Jordan was born in 1950 in Sligo. His first book of stories, Night in Tunisia, won the Guardian Fiction Prize in 1979, and his subsequent critically acclaimed novels include The Past, Sunrise with Sea Monster, Shade and, most recently, The Drowned Detective. The films he has written and directed have won multiple awards, including an Academy Award Centre for New Writing (The Crying Game), a Golden Bear at Venice School of Arts, Languages and Cultures (Michael Collins), a Silver Bear at Berlin (The The University of Manchester Butcher Boy) and several BAFTAS (Mona Lisa and Oxford Road © Jillian Edelstein The End of the Affair). Manchester M13 9PL Jordan’s latest novel Carnivalesque is a Box Office: 0161 275 8951 bewitching, modern fairytale exploring identity Email: [email protected] and the loss of innocence and is published in © Sam Churchill February 2017. Jeanette Winterson Online tickets: www.quaytickets.com Jordan will be in conversation with Jeanette -
Creative Writing and Contemporary Literature Postgraduate Brochure 2013
CREATIVE WRITING AND CONTEMPORARY LITERATURE POSTGRADUATE BROCHURE 2013 SCHOOL OF ARTS, LANGUAGES AND CULTURES CREATIVE WRITING AND CONTEMPORARY LITERATURE THE FACTS • Dedicated Centre for New Writing offers world- class resources and support • Pioneering teaching from celebrated contemporary authors and poets • Various short internships in the writing industry • £650 million investment in university facilities for research and study • 4 million books in one of the UK’s best-resourced university libraries • Nationally acclaimed University Careers Service with postgraduate support • Exciting and diverse environment in one of the best student cities in the world www.manchester.ac.uk/alc CONTENTS OUR UNIVERSITY 2 “The University of Manchester CREATIVE WRITING AND CONTEMPORARY LITERATURE AT MANCHESTER 4 provides an enjoyable, dynamic and exciting working environment, TAUGHT COURSES 6 full of enthusiastic people, and TRAINING AND DEVELOPMENT OPPORTUNITIES 10 with a positive attitude towards research and postgraduate study.” ENTRY, FUNDING, TRAINING AND CAREERS 12 SCHOOL CONTACT DETAILS 13 Annette Allen, postgraduate student 2012 SCHOOL OF ARTS, LANGUAGES AND CULTURES 14 FIND OUT MORE ONLINE 16 1 CREATIVE WRITING AND CONTEMPORARY LITERATURE OUR UNIVERSITY Making things happen At Manchester, we are proud of both our academic excellence and a pervasive ‘can-do’ attitude of staff and students that turns enthusiasm into achievement and ground-breaking theory into cutting-edge practice. With research that is internationally renowned across a huge -
THAT AWFUL OCCASION Between Adoption and Authorship in the Life Writing of Jeanette
The connection THAT AWFUL OCCASION between adoption and authorship in the life writing of Jeanette Winterson Radboud Universiteit Nijmegen | Engelstalige Letterkunde | MA Thesis Meike Kersten | s4226674 | [email protected] Supervisor: Dr Dennis Kersten | Second evaluator: Dr Usha Wilbers 14/06/2016 Kersten s4226674/1 Samenvatting met trefwoorden Samenvatting Deze Engelstalige masterscriptie is gebaseerd op de vakgebieden life writing, algemene literatuurtheorie en traumatheorie. Het onderwerp is de wisselwerking tussen een gevoel van roeping of aanleg (auteurschap) enerzijds en een groot verlangen om aan een benauwende omgeving of een pijnlijk verleden te ontsnappen (adoptie in het bijzonder) anderzijds. Hoe draagt de representatie van adoptie als trauma in Jeanette Wintersons semi-autobiografische roman Oranges Are Not the Only Fruit (1985) en in haar memoir Why Be Happy When You Could Be Normal? (2011) bij aan de voorstelling van haar auteurschap? Winterson kan of wil haar adoptietrauma niet verwerken in Oranges, terwijl ze in Why Be Happy narratieve technieken lijkt te gebruiken om het actief te verwerken. Een gedetailleerde lezing toont aan dat trauma aan de basis van een identiteit kan liggen. Dit betekent dat herstel verstrekkende gevolgen heeft voor het zelf van een individu en het auteurschap en auteurspostuur van een auteur. Trefwoorden adoptie, trauma, auteurschap, auteurspostuur, identiteit, het zelf, Jeanette Winterson, life writing, autobiografie, memoir, verwerking, herstel Kersten s4226674/2 Table of contents -
Creative Writing and Screenwriting
GRADUATE SCHOOL SCHOOL OF ARTS, LANGUAGES AND CULTURES Postgraduate Taught Master’s Courses 2017 CREATIVE WRITING AND SCREENWRITING www.manchester.ac.uk/english www.manchester.ac.uk/english YOU’RE BETTER CONNECTED AT MANCHESTER With a breadth of research activity that’s unrivalled in the UK, we work across disciplines and beyond the University, connecting the brightest minds to find innovative solutions to the world’s greatest challenges. Our pioneering taught courses draw upon our world-leading research and our strong links to global industry. You’ll quickly develop skills, knowledge and experience that will make employers sit up and listen. Connect with Manchester, and the world will connect with you. I’ve been able to build good networks and connections in terms of the work I’m doing and “my future ” career. I’ve been able to talk to some outstanding professors and read some world-class journals. Manchester has opened my eyes. Faith Nanyonga, Postgraduate student, The University of Manchester 2 — 3 WELCOME TO THE UNIVERSITY OF MANCHESTER Whether you’re a committed researcher wanting to further the human quest for knowledge, a career-focused professional seeking a specialist qualification, or a burning enthusiast for higher learning and understanding, a postgraduate degree at The University of Manchester will help you to realise your ambitions. We make things happen Our programmes are led by distinguished tutors Our work makes an impact on real lives. We and fellow researchers working at the forefront turn enthusiasm into achievement and ground- of their disciplines, ensuring that your qualification breaking theory into cutting-edge practice. -
Centre for New Writing, Bring a Host of International Literary Stars to Manchester to Discuss and Read from Their Work
LITERATURE LIVE: Centre SPRING 2018 These unique literature events, organised by The University of for New Manchester’s Centre for New Writing, bring a host of international literary stars to Manchester to discuss and read from their work. Writing Anniversary Season Throughout the 2017/2018 season we celebrate the Centre for New Writing’s tenth year anniversary. Danez Smith: Don’t Call Us Dead Venue International Part of Manchester Literature Festival Anthony Burgess Manchester Foundation Time & Date 7pm, Monday named as a Hong © David 22 January 2018 (doors open at 6.30pm) UNESCO Price City of Literature £7 / £5 The University of Manchester is proud to be part of the city-wide consortium that led the successful bid to join UNESCO’s worldwide Creative Cities network as a City of Literature. This is a cause for great celebration, which will help us to strengthen our university’s many partnerships with the city and its communities. Our staff and student writers know that Manchester is a City of Literature, a place whose graduates include Anthony Burgess and the war poet Alun Lewis, Jeanette Winterson, Booker winner Barry Unsworth and bestseller Sophie Hannah. We all benefit from the presence in Danez Smith the city of great publishers like Carcanet and Comma and from what this announcement We are thrilled to welcome to Manchester acclaimed American poet Danez Smith. recognises – the enormous array of literary events, festivals and opportunities for A founding member of the Dark Noise Collective, Danez is an electrifying performer engagement with new writing and new audiences which Manchester offers. -
Composing the Postmodern Self in Three Works of 1980S British Literature Jonathan Hill East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2017 Composing the Postmodern Self in Three Works of 1980s British Literature Jonathan Hill East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Literature in English, British Isles Commons Recommended Citation Hill, Jonathan, "Composing the Postmodern Self in Three Works of 1980s British Literature" (2017). Electronic Theses and Dissertations. Paper 3247. https://dc.etsu.edu/etd/3247 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Composing the Postmodern Self in Three Works of 1980s British Literature _____________________ A thesis presented to the faculty of the Department of Literature and Language East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in English _____________________ by Jonathan Hill May 2017 _____________________ Daniel Westover, Ph.D., Chair Jesse Graves, Ph.D. Scott Honeycutt, Ph.D. Keywords: self-composition, postmodernism, R.S. Thomas, Jeanette Winterson, J.L. Carr, liminality, technologies of the self ABSTRACT Composing the Postmodern Self in Three Works of 1980s British Literature by Jonathan Hill This thesis utilizes Foucault’s concept of “technologies of the self” to examine three texts from 1980s British literature for the ways that postmodern writers compose the self. -
Gendered Interests and Distant Things in Jeanette Winterson's Oranges
Queer Objects: Gendered Interests and Distant Things in Jeanette Winterson’s Oranges Are Not the Only Fruit Jesse Bordwin Contemporary Literature, Volume 60, Number 2, Summer 2019, pp. 227-252 (Article) Published by University of Wisconsin Press For additional information about this article https://muse.jhu.edu/article/757961 [ Access provided at 28 Jun 2020 05:35 GMT from University of Virginia Libraries & (Viva) ] JESSE BORDWIN Queer Objects: Gendered Interests and Distant Things in Jeanette Winterson’s Oranges Are Not the Only Fruit ecent materialist literary criticism has freed the fictional object from its old duties―simulating verisimilitude or standing in for capital and commodity―and illuminated R the structural, affective, and aesthetic roles of things in literature. But these newly visible objects are not easily interpolated into existing critical frameworks because they are neither properly material and independent from subjective description, perception, and concern nor entirely comfortable in the humanistic fabric of the novel. One practice well suited to describe such things is new feminist materialism, an umbrella phrase for a set of practices that share the goals of moving feminist theory beyond the impasse of the linguistic turn and reconciling the insights of constructionism with the thingness of the world. By balancing language and mat- ter, new feminist materialism seems well situated to describe ob- jects embedded in the aesthetic world of the novel.1 Yet a lingering 1. If new feminist materialism is particularly evocative for literary scholars because of its insistence on “the deconstruction of the material/discursive dichotomy that retains both elements without privileging either,” we should also recognize the critical prac- tices that proved foundational for new feminist materialism but fall outside the pur- view of this essay (Alaimo and Hekman 6). -
Grazer Linguistische Studien 50 (Herbst 1998) London 1997, 229 Pp
Grazer Linguistische Studien 50 (Herbst 1998) 135 Anthony Sampson: THE SCHOLAR GYPSY. THE QUEST FOR A FAMILY SECRET. John Murray, London 1997, 229 pp. The book under review is a biography of John Sampson, written by his grandson. John Sampson (1862-1931) is the author of the monumental The Dialect of the Gypsies of Wales (1926, Oxford, reprinted 1968, Oxford). It is monumental in two senses: it is the tombstone of a Romani dialect which is now, in all likelihood, extinct, and it is the most impressive grammar of any Romani dialect ever written. Someone once said about it "It is the only dictionary I know which is really good reading wherever you open it" (Charles Reilly, quoted on p.152). Linguists with no special interest in Romani find a very good grammar. The book, even the 1926 reprint, is a collector's item but very hard to find. The Welsh Romani book is a remarkable achievement for a man who had to quit school when he was fourteen, when he became an apprentice lithographer and engraver. The book covers the historical phonology of the development of Indic to Romani and a detailed and illustrative grammar (230 pages), and a very complete dictionary of 410 pages, with many example sentences. Sampson said about these: "Every Roman¯ sentence given in the Grammar or Vocabulary is a spontaneous utterance of some Welsh Gypsy ..." (p. x). An unpublished English-to-Romani index covers an estimated 20.000 English for which a meaning is given in Romani. In addition there is a classified index of etymons of all the roots. -
0023-51641650115K.Pdf
VIKTORIJA KROMBHOLC i ARIJANA L. CVIJANOVIĆ University of Novi Sad, Faculty of Philosophy – Department of English Studies, Novi Sad DOI 10.5937/kultura1650115K UDK 821.111.09-31 Винтерсон Џ. originalan naučni rad WHATAPPEARSISNOTWHAT IS:JEANETTEWINTERSON’S ART&LIESANDTHEPASSION Abstract:Itwouldbenomistaketostatethatamongthecommonest routes contemporary literature in English takes is one of asserting history’sandreality’sfictionalityanddissolvingtheboundarybetween real and imaginary. The route is certainly common enough in the work of the controversial British author Jeanette Winterson, whose proseisaneverendinginterplaybetweenfactandfiction,realityand fantasy.Winterson’scriticallyneglectedArt&Lies(1995)epitomises thedisintegrationofclearcutlinesbetween(auto)biography,history andfictionthroughasetofbinarieslikeart/life,art/lie,orfact/fiction, transformingourideasoftruthandlie.SimilarconcernsinformThe Passion (1987), which is more universally praised. The parallels between the two works suggest a continuum in Winterson’s literary explorations of the nature of truth and reality, the status of fiction andhistoricalrecord,andtheusefulnessofbinariesandlabels.This paper aims at exploring how these polyphonic prose pieces rebel againstsinglepointsofview,redefinethenotionsofhistoryasfactand storytellingasfabrication,andexhibitapreferenceforthetruthofthe imaginationandunofcialperspectives. Key words: Art & Lies, fiction, history, Jeanette Winterson, The Passion. For decades now, literature has been indulging in an “assault onthedividinglineoffictionandnonfiction”1,resultingina hostofnonfictionnovelsorfactionnarratives,autobiographical fictionandfictionalautobiographies,aswellasotherhybridtexts combiningfictionalandnonfictionalresources.Thistendency 1 Cobley,P.(2001)Narrative,LondonandNewYork:Routledge,p.182. -
Augustus John
Augustus John: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: John, Augustus, 1878-1961 Title: Augustus John Art Collection Dates: 1903-1946 Extent: 1 box (10 items) Abstract: The Collection consists of ten portraits on paper (drawings, etchings, and reproductive prints) of well-known English contemporaries of John, including James Joyce, Ottoline Morrell, and W. B. Yeats. Access: Open for research. A minimum of twenty-four hours is required to pull art materials to the Reading Room. Administrative Information Acquisition: Purchases (R938, R1252, R3785, R4731, R5180) and gift (R2767) Processed by: Helen Young, 1997 Repository: Harry Ransom Center, The University of Texas at Austin John, Augustus, 1878-1961 Biographical Sketch Augustus Edwin John was born January 4, 1878, at Tenby, Pembrokeshire, to Edwin William John and Augusta Smith. In 1894 he began four years of studies at the Slade School of Fine Art in London, where he worked under Henry Tonks and Frederick Brown. During his time at the Slade School, John also studied the works of the Old Masters at the National Gallery. After suffering a head injury while swimming at Pembrokeshire in 1897, the quality of John's artwork, as well as his appearance and personality, changed. His methodical style became freer and bolder, and his work started to gain notice. In 1898, John won the Slade Prize for his Moses and the Brazen Serpent . John left the Slade School in 1898, and he held his first one-man exhibition in 1899 at the Carfax Gallery in London. Later that same year he traveled on the continent, part of the time with a group consisting of the artist brothers Sir William Rothenstein and Albert Rutherston, William Orpen, Sir Charles Conder, and Ida Nettleship (a fellow Slade student).