Press Contacts: NYC Publicist
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The -
CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator
CAMILLE A. BROWN Choreographer, Performer, Teacher, Cultural Innovator FOUNDER/ARTISTIC DIRECTOR/CHOREOGRAPHER/PERFORMER 2006-present Camille A. Brown & Dancers, contemporary dance company based in New York City www.camilleabrown.org FILM/TELEVISION Ma Rainey’s Black Bottom George C. Wolfe Netflix Jesus Christ Superstar Live David Leveaux NBC BROADWAY Disney’s Aida (Fall 2020) Schele Williams Broadway Theatre TBD Soul Train (2021-22) Kamilah Forbes Broadway Theatre TBD Basquiat (TBD) John Doyle Broadway Theatre TBD Pal Joey (TBD) Tony Goldwyn Broadway Theatre TBD Choir Boy Trip Cullman Samuel Friedman Theatre (MTC) *nominee Tony, Drama Desk Awards Once on This Island Michael Arden Circle in the Square Theatre *nominee Chita Rivera, Outer Critics Circle, Drama Desk Awards A Streetcar Named Desire Emily Mann Broadhurst Theatre OFF-BROADWAY/NEW YORK The Suffragists (October 2020) Leigh Silverman The Public Theater Thoroughly Modern Millie Lear DeBessonet Encores! City Center For Colored Girls Leah Gardiner The Public Theater Porgy and Bess James Robinson The Metropolitan Opera Much Ado About Nothing Kenny Leon Shakespeare in the Park *winner: Audelco Award 2019 Toni Stone Pam McKinnon Roundabout Theatre Company This Ain’t Not Disco Darko Trensjak Atlantic Theatre Company Bella: An American Tall Tale Robert O’Hara Playwrights HoriZons *winner: Lucille Lortel Award 2017 Cabin in the Sky Ruben Santiago-Hudson New York City Center (Encores!) Fortress of Solitude Daniel Aukin The Public Theater *nominee Lucille Lortel Award tick, tick…BOOM! Oliver Butler New York City Center (Encores!) The Box: A Black Comedy Seth Bockley The Irondale Soul Doctor Danny Wise New York Theatre Workshop 450 West 24th Street Suite 1C New York New York 10011 (212) 221-0400 Main (212) 881-9492 Fax www.michaelmooreagency.com Department of Consumer Affairs License #2001545-DCA REGIONAL Treemonisha (May 2022) Camille A. -
Bad Cops: a Study of Career-Ending Misconduct Among New York City Police Officers
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers Author(s): James J. Fyfe ; Robert Kane Document No.: 215795 Date Received: September 2006 Award Number: 96-IJ-CX-0053 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Bad Cops: A Study of Career-Ending Misconduct Among New York City Police Officers James J. Fyfe John Jay College of Criminal Justice and New York City Police Department Robert Kane American University Final Version Submitted to the United States Department of Justice, National Institute of Justice February 2005 This project was supported by Grant No. 1996-IJ-CX-0053 awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. Points of views in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. -
Tape Re Rding
TAPE RE RDING 1,01.00..... vow Tow, low, wow,- loom" i,xnosszyi 'ST szno7 1-8 'any usngZi7 ILO DT/9H .zamats I* A.zaa.zo 'sYz Recording at the Zoo August, 1961 35c WE DON'T CARE IF IT'S SINGLE TRACK Al DUAL Havai EVEN af10 national tape can duplicate national tape can duplicate national tape can duplicate national tape can duplicate national tape can dupl icat national tape can d'plical Major users of magnetic national tape can duplical national tape can duplico' tape look to national tape can ilup!ieal NATIONAL TAPE ii VitivaaI lape err II ii ii plies, national lape eon drlpliral for superior processing national lape can rinrplieu national Jupe ea >r rlllplira +' of tape duplicates II u l i o n a l lap e u rr rl rr li /iea national lape ea a rlrlitlieu national lape eo n il ii pl ;poti Language Laboratories nnlinII al tape eau rlulrliea' Recording Companies a rr 1 if) Ii rI I / II p «' a ìi rl n i pl i e u Radio Stations nufinnal la pc eu i!uiplieu' u e ,r Audio -Visual Producers rl l i ri it a I 1 a p r e a ri el rr l i Vi o (I (I I later rn Background Music Operators ralinnal lape eu Book Publishers a l iriH11I Ill pr l'a rr ' rr l,i,r u Corporations using I it l i anti/ t rpl e rn ll to p iea I tape for intercommunication al i inn l la p( ea a d alit i ea / raliaII aI lape e rlulrliea! Tape Recorder Manufacturers ,rr IloIiUI 1 rr pr eet it el n p/ ire 1 a 1 Ì n il rr I tripe e u rr rl rr a l i e n . -
31St ANNUAL WOMEN of ACHIEVEMENT AWARDS GALA to HONOR
Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] Ailsa Hoke, [email protected] WOMEN’S PROJECT THEATER PRESENTS THE 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA TO HONOR Emmy Award-winning Stage, Screen, and TV Actress & Founder of A Is For.. MARTHA PLIMPTON Celebrated Film, Television and Theater Producer, President of Segal NYC and Gatherer Entertainment JENNA SEGAL Award-Winning Actress, Film Producer, and Director & Founder of The Rainforest Fund TRUDIE STYLER HOSTED BY Celebrated comedienne, Two-time Grammy Nominee & Comedy Central Roast Star LISA LAMPANELLI WITH SPECIAL PERFORMANCES & APPEARANCES BY Fun Home’s Tony Award Nominee & Tony Award Winner BETH MALONE & JEANINE TESORI Acclaimed Dance Company MONICA BILL BARNES & CO. Emmy Award Nominated creator of “Call The Midwife” HEIDI THOMAS AND MORE SOON TO BE ANNOUNCED MONDAY, JUNE 13, 2016 AT THE EDISON BALLROOM, NYC TICKETS AVAILABLE VIA WPTHEATER.ORG (New York, NY) Women’s Project Theater (WP Theater), under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the 31st ANNUAL WOMEN OF ACHIEVEMENT AWARDS GALA. The gala will honor Emmy Award winning actress Martha Plimpton; celebrated film, television and Broadway producer Jenna Segal; and actress, producer, environmentalist and UNICEF ambassador Trudie Styler. Hosted by Grammy nominated comedienne Lisa Lampanelli, with special performances by Fun Home’s Tony Award Nominee Beth Malone and Tony Award winner Jeanine Tesori; dance company Monica Bill Barnes & Co. and a presentation by Emmy Award nominee Heidi Thomas (creator of “Call the Midwife”), the Gala will take place on Monday, June 13, 2016 at 6:30pm at The Edison Ballroom, 240 W 47th Street. -
Profile Season 19-20 Media Release
2019-20: GENERATIONS Brenden Jacobs-Jenkins/ Lynn Nottage/ Paula Vogel FOR IMMEDIATE MEDIA RELEASE: Profile Theatre Press Contact: Jen Mitas, Marketing Consultant [email protected] 503-804-2402 Profile Theatre’s 2019-20 Season Celebrates the Voices and Visions of Three Playwrights Across Generations Lynn Nottage, Paula Vogel and Brenden Jacobs-Jenkins PORTLAND, OREGON. May 20, 2019- PROFILE THEATRE’S next season will fea- ture three of America’s most widely celebrated contemporary playwrights: Branden Jacobs-Jenkins (b. 1984), Lynn Nottage (b. 1964), and Paula Vogel (b. 1951). Profile Theatre is one of only three theaters in the country to dedicate their season to an in-depth exploration of a playwright’s vision, using that unique vision as a lens to broaden perspectives on our shared world. Now, in an innovation that deploys Pro- file’s mission to unique effect, we present Generations: two seasons of plays from three of America’s most beloved playwrights whose plays dramatize life, labor and death in the United States and beyond from three different generational vantage points. These visionaries are all connected through the prizes and programs that have shaped them. A gifted playwright, Vogel mentored a generation of playwrights, including Lynn Nottage, who studied with Vogel at Brown. Jacobs-Jenkins was the Paula Vogel Playwright-in-Residence at the Vineyard Theatre, and was on the Su- san Smith Blackburn committee that awarded the prize to Nottage for Sweat. All Pulitzer Prize nominated (or winning), all heralded for the beauty of their writing, their innovative theatricality and deep humanity, Vogel, Nottage and Jacobs-Jenkins’ work stands as a testament to the brilliance of American theatre. -
Anniversary Season
th ASOLO REPERTORY THEATRE o ANNIVERSARY6 SEASON ASOLO REPERTORY THEATRE th 6oANNIVERSARY DINNER November 26, 2018 The Westin | Sarasota 6pm | Cocktail Reception 7pm | Dinner, Presentation and Award Ceremony • Vic Meyrich Tech Award • Bradford Wallace Acting Award 03 HONOREES Honoring 12 artists who made an indelible impact on the first decade and beyond. 04-05 WELCOME LETTER 06-11 60 YEARS OF HISTORY 12-23 HONOREE INTERVIEWS 24-27 LIST OF PRODUCTIONS From 1959 through today rep 31 TRIBUTES o l aso HONOREES Steve Hogan Assistant Technical Director, 1969-1982 Master Carpenter, 1982-2001 Shop Foreman, 2001-Present Polly Holliday Resident Acting Company, 1962-1972 Vic Meyrich Technical Director, 1968-1992 Production Manager, 1992-2017 Production Manager & Operations Director, 2017-Present Howard Millman Actor, 1959 Managing Director, Stage Director, 1968-1980 Producing Artistic Director, 1995-2006 Stephanie Moss Resident Acting Company, 1969-1970 Assistant Stage Manager, 1972-1990 Bob Naismith Property Master, 1967-2000 Barbara Redmond Resident Acting Company, 1968-2011 Director, Playwright, 1996-2003 Acting Faculty/Head of Acting, FSU/Asolo Conservatory, 1998-2011 Sharon Spelman Resident Acting Company, 1968-1971 and 1996-2010 Eberle Thomas Director, Actor, Playwright, 1960-1966 rep Co-Artistic Director, 1966-1973 Director, Actor, Playwright, 1976-2007 Brad Wallace o Resident Acting Company, 1961-2008 l Marian Wallace Box Office Associate, 1967-1968 Stage Manager, 1968-1969 Production Stage Manager, 1969-2010 John M. Wilson Master Carpenter, 1969-1977 asolorep.org | 03 aso We are grateful you are here tonight to celebrate and support Asolo Rep — MDE/LDG PHOTO WHICH ONE ??? Nationally renowned, world-class theatre, made in Sarasota. -
A Raisin in the Sun 2
s A TEACHER’S GUIDE TO THE SIGNET AND PLUME EDITIONS OF THE SCREENPLAY LORRAINE HANSBERRY’S RAISIN IN THE SUN By DIANA MITCHELL, Ph.D SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to Lorraine Hansberry’s A Raisin in the Sun 2 INTRODUCTION The certainty that the ideals of “life, liberty, and the pursuit of happiness” can become reality for anyone willing to work for them is what we call the American dream. For many, the dream does come true. For many it does not. Lorraine Hansberry knew about disappointment, false hope, and despair. For many of her African-American ancestors who had come north for a better life only to find exploitation and frustration, the dream had become a nightmare. In contemporary terms, she chronicles their nightmare in A Raisin in the Sun, an epic story of the Younger family struggling to realize the dream by escaping ghetto life. Hansberry’s screenplay not only tells the story of the Youngers but reveals the plight of all who have failed dreams. Her cosmic vision gives Raisin its power. For high school juniors who often study U.S. history concurrently with American literature, this previously unpublished version of the screenplay allows students to read an engrossing American play, while they experience a culture that either mirrors their own lives or provides a window into a world of people who are more similar to them than they are different from them. -
Remembering St. Thomas More's Vocation Veryl Victoria Miles
Notre Dame Journal of Law, Ethics & Public Policy Volume 20 Article 16 Issue 1 Symposium on Law & Politics as Vocation February 2014 A Legal Career for All Seasons: Remembering St. Thomas More's Vocation Veryl Victoria Miles Follow this and additional works at: http://scholarship.law.nd.edu/ndjlepp Recommended Citation Veryl V. Miles, A Legal Career for All Seasons: Remembering St. Thomas More's Vocation, 20 Notre Dame J.L. Ethics & Pub. Pol'y 419 (2006). Available at: http://scholarship.law.nd.edu/ndjlepp/vol20/iss1/16 This Speech is brought to you for free and open access by the Notre Dame Journal of Law, Ethics & Public Policy at NDLScholarship. It has been accepted for inclusion in Notre Dame Journal of Law, Ethics & Public Policy by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. A LEGAL CAREER FOR ALL SEASONS: REMEMBERING ST. THOMAS MORE'S VOCATION VERYL VICTORIA MILES* The vast majority of the work taking place in most law schools is the preparation of law students for the practice of law; namely, to teach legal theory and doctrine, legal analysis, writing, and advocacy. In sum, the goal of most law schools is to teach the many different skills required in law practice and the profes- sional rules of legal ethics. What appears to be lacking in the preparation of future lawyers are lessons on how to incorporate this vast amount of specialized learning and skill in ways that will be harmonious with the personal, moral, and ethical values that they possessed at the commencement of their legal education. -
Broadway Buzz- Spring Awakening
Broadway Buzz- Spring Awakening THEATER MAY NEVER BE THE SAME “If you have just one night to spend in the theater,” the New York Post says, “awake yourself with SPRING AWAKENING” as the Key Bank Broadway Series continues at PlayhouseSquare March 3-15, 2009. Awards Winner of 8 Tony Awards, 4 Drama Desk Awards, a Grammy Award, New York Times Drama Critics Award, a Drama League Award and 3 Outer Critics Circle Awards, SPRING AWAKENING has won best musical, best book of a musical, best choreography, best score, best orchestration, best director, best lighting and best featured actor. “Everything combines for a show that bursts off the stage with heart and Photo: Blake Bashoff Read More... Should sex education be a mandatory part of high school curriculum? Buzz Extra is a publication of the Arts Yes Education Department at PlayhouseSquare No Vice President of Theatricals: Gina Vernaci Director of Arts Education: Colleen Porter Director of Ticket Sales & Marketing: Spring Awakening Videos, Photos, Music Autumn Kiser Spring Awakening on Facebook Editors: Spring Awakening Parents Guide Linda Jackson, Cindi Szymanski Writer: Robin Pease Photos: Paul Kolnik http://www.playhousesquare.org/bbuzz/springawakening/index.html[2/24/2009 12:49:26 PM] Broadway Buzz- Spring Awakening Home Theater May Never Be the Same Talking with Christy Altomare Download and read the printable version of the Buzz (535Kb in PDF format) here Banned! The Gospel According to Spring Awakening A Chorus Line Legally Blonde The Musical Ripped from the Headlines Radio City Christmas Spectacular Frost/ Nixon Enrich Your Experience: Broadway Buzz Events Spring Awakening Teen Night We welcome your feedback and suggestions for the Buzz Extra.