Mountaintop the Katori by Hall Printer’S Ad Printer’S Ad LEARNING & EDUCATION Using Theatre As a Catalyst to Inspire Creativity

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Mountaintop The Katori By Hall Printer’s Ad Printer’s Ad LEARNING & EDUCATION Using theatre as a catalyst to inspire creativity.

“ATC’S EDUCATION DEPARTMENT HAS BEEN Each season, oVer NOTHING SHORT OF A MIRACLE.”

-Cheryl Falvo, Crossroads English Chair/ Service Learning Coordinator

Theatre skills help support critical thinking, decision- across making, team work and improvisation. It can bridge the gap from imagination to reality. We inspire students to feel that anything is possible. in

ARE INTRODUCED TO Professional THEATRE through our EDUCATION Programs

FOR MORE INFORMATION ABOUT OUR LEARNING AND EDUCATION PROGRAMS, VISIT EDUCATION.ARIZONATHEATRE.ORG IN THIS ISSUE

October/November 2013

Title Page...... 4 Cast List...... 6 About the Play...... 10 Hate cannot About Arizona Theatre Company...... 13 drive out Board of Trustees...... 16 ATC Leadership...... 20 hate; only The Cast...... 22 The Creative Team ...... 24 love can Corporate and Foundation Donors . . . . . 26 do that. Individual Donors...... 29 Staff...... 38 – Martin Luther King, Jr. Theatre Information ...... 39

Dr. Martin Luther King, Jr.’s “I Have a Dream” speech Washington Mall, August 28, 1963.

1 From the Artistic Director

“Take the first step in faith. You don’t have to see the whole staircase, just take the first step.” – Martin Luther King, Jr.

In her remarkable and fearless play, The Mountaintop, playwright Katori Hall takes us on an imagined journey through the final night in the life of Dr. King. Set in Room 306 of the Lorraine Motel in early April, 1968, on the eve of his assassination, Katori Hall engages in a brave re-imagining of the character of Dr. King. Seeing him as both an exhausted and all-too-human man struggling with events that are out of his control, and as the man of faith who wrestles with his God in a titanic battle of faith, The Mountaintop is a play of huge reach and ambition set in the sort of mundane room we take for granted and pass through every day.

I am thrilled that ATC is again introducing the work of exciting American playwrights to Arizona. The Mountaintop is a play that took the world by surprise, but Ms. Hall is a playwright who has already given us several more plays of depth, intelligence, and gripping theatricality. Opening in a small fringe theatre in London, The Mountaintop won the Olivier Award for Best Play (Britain’s version of the Tony Award) and then went on to Broadway and many other productions around the world. It is always particularly inspiring for all of us at ATC when we can produce the work of provocative, acclaimed new American voices on our stages and have them create dialogue in the community, as with last season’s Clybourne Park by Bruce Norris, or the previous season’s Red by John Logan. I hope that you will findThe Mountaintop to be a play that not only keeps you enthralled in the theatre, but will give you something to chew over and discuss.

The Mountaintop brings a constellation of ATC favorites back to collaborate with us. As you read their biographies in this program, I feel certain that you will agree that these artists have created some of the most memorable and impactful work that ATC has produced during my tenure as Artistic Director. Lou Bellamy, the director, is one of our favorites and a great man of the theatre. If you would like to get a more personal view of Lou, I invite you to view the report about him that was aired on NBC’s Rock Center and can be accessed at http://rockcenter.nbcnews.com/_news/2011/12/26/9725509-on-the-road-with-director-lou-bellamy?lite

At the stirring 50th Anniversary gatherings that marked Dr. King’s “I Have a Dream” speech this past August, we were reminded of the history of that dream and about the ongoing pursuit of its ideals. In The Mountaintop, Katori Hall reminds us that for all the statues and monuments that honor Dr. King, he was a very real and complicated human being struggling like all of us to make sense of the next step in front of us as we journey through life.

David Ira Goldstein Artistic Director

2 WHY GIVE? “BECAUSE IT BRINGS PEOPLE TOGETHER.” -Anonymous ATC Annual Fund Donor

WE APPRECIATE YOUR SUPPORT OF ARIZONA THEATRE COMPANY’S 2014 ANNUAL FUND. THE ANNUAL FUND IS MADE UP OF THOUSANDS OF INDIVIDUAL UNRESTRICTED GIFTS THAT SUPPORT OUR VISION OF TOUCHING LIVES THROUGH THE POWER OF THEATRE. ANNUAL GIFTS ARE AMONG THE MOST IMPORTANT AND VALUABLE TO ATC BECAUSE THEY CAN BE USED WHERE THE NEED IS GREATEST.

WE WOULD LOVE TO HEAR WHY THEATRE MATTERS TO YOU! WHY DO YOU GIVE TO THEATRE? SHARE YOUR STORIES WITH US! EMAIL ANNUAL FUND MANAGER JAMI KOZEMCZAK: [email protected] David Ira Goldstein Jessica L. Andrews Artistic Director Interim Managing Director Presents a co-production with Penumbra Theatre Company Lou Bellamy, Artistic Director Chris Widdess, Managing Director Mountaintop The By Katori Hall

Lou Bellamy...... Director Vicki Smith...... Scenic Designer Kish Finnegan...... Costume Designer Don Darnutzer...... Lighting Designer Martin Gwinup...... Sound & Video Designer Harriet Bass ...... Casting Director Glenn Bruner*...... Production Stage Manager Timothy Toothman* ...... Assistant Stage Manager

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

On this original Arizona Theatre Company and Penumbra Theatre Company co-production, the ATC and PTC Production Staffs are responsible for costume construction, scenic construction, lighting, projections, sound, props, furniture, wigs, scene painting and special effects.

The Mountaintop is presented by special arrangement with Dramatists Play Service, Inc., New York. Original Broadway production produced by Jean Doumanian, Sonia Friedman Productions, Ambassador Theater Group, Raise the Roof 7, Ted Snowdon, Alhadeff Productions/Lauren Doll, B Square + 4 Productions/Broadway Across America, Jacki Barlia Florin/Cooper Federman, Ronie Planalp/Moellenberg Taylor and Marla Rubin Productions/Blumenthal Performing Arts, in association with Scott Delman. The Mountaintop was developed at the Lark Play Development Center, New York City, and was first produced by Theatre 503 in June 2009 and further produced at Trafalgar Studio One in July 2009 by Sonia Friedman Productions and Jean Doumanian, Tali Pelman for Ambassador Theatre Group, Bob Bartner, Freddy DeMann, Jerry Frankel, Ted Snowdon and Marla Rubin Productions, Ltd. The Mountaintop was developed at the 2008 Bay Area Playwrights Festival, a program of the Playwrights Foundation (Amy L. Mueller, Artistic Director).

COVER ART BY: The Oberlander Group

2013-2014 Season Sponsors Production Sponsor I. Michael and Beth Kasser

4 Printer’s Ad Cast List (in order of appearance)

James T. Alfred*...... Dr. Martin Luther King, Jr.

Erika LaVonn*...... Camae

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Time: April 3, 1968

Place: Room 306, Lorraine Motel, Memphis, Tennessee

Additional Staff

Ashley Simon...... Assistant to the Stage Manager

Kathy Maxwell...... Video Design Assistant

Natasha Smith ...... Assistant to the Director

This production of The Mountaintop will play at the Blumenthal Performing Arts Center in Charlotte, North Carolina, February 4 – March 2, 2014 and at The Guthrie Theater in Minneapolis, Minnesota, March 28 – April 20, 2014.

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

To learn more about The Mountaintop, please visit the Education page on our website at arizonatheatre.org for a compre- hensive free Play Guide. The Play Guide contains biographies of Martin Luther King, Jr. and Katori Hall, a timeline of critical events in the Civil Rights Movement, and more. Play Guides are also available in The Temple Lounge for a nominal charge to cover printing.

Penumbra Theatre Company also produces extensive study guides for each of their plays. Additional information available at www.penumbratheatre.org.

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About the Play

The Man behind the Myth “This isn’t the “I Have a Dream” King. This is King the man, not the myth. I want people to see that this extraordinary man, who is actually quite ordinary, achieved something so great that he actually created a funda- mental shift in how we as a people interact with each other. That’s a beautiful thing. And I want people in the audience to be like, ‘If this man, who was so…so much a human being can achieve such great things then I as this, you know, complicated human being, can create great things too.’” – Katori Hall As playwright Katori Hall states, The Mountaintop invites us to see the man behind the legend that led the United States through the treacherous landscape of the Civil Rights Movement, and introduces us to Martin Luther King, Jr.: the father, the husband, the leader, and the man, with his own doubts and fears that lie beneath the surface of the great American icon. Simultaneously, Hall interweaves a personal story of her past, of her mother and grandmother in Memphis in 1968 who had looked forward to hearing Dr. King speak at the Sanitation Workers Strike. Persuaded to stay Dr. Martin Luther King, Jr. home by threats of potential bombings, missing Dr. King’s “I’ve Been to the Mountaintop” speech became a lifelong regret for Hall’s mother, Carrie Mae. Here, Carrie Mae becomes the hotel maid that shares King’s final hours, as Katori Hall gives her mother the encounter with Dr. King that she never had in real life.

Take the first step in faith. You don’t have to see the whole staircase, just take the first step. – Martin Luther King, Jr.

Bishop Julian Smith, Dr. Martin Luther King, Jr. and Reverend Ralph Abernathy March 28, 1968, during a civil rights march in Memphis, Tennessee.

About the Play

In the speech that Dr. King delivered that day in Memphis, King relates himself to Moses leading his people to the Promised Land, now closer than ever before, and asserts that while they may not arrive together, he is grateful to have journeyed thus far. His words today carry with them the ring of prophesy, history unveiling for us the events following his speech, yet unknown as he spoke those fateful words.

The Strike On February 1, 1968, two sanitation workers were killed by a malfunction- ing garbage truck, prompting nearly two weeks of struggle between the city of Memphis and its sanitation workers to settle safety and wage concerns, and culminating in a city-wide strike. The next two months saw an escalation of protests, from sit-ins to demonstrations, as the sanitation workers and supporters were challenged by the Memphis police and Mayor Henry Loeb. On March 28, Dr. King led a peaceful protest march through the city that was halted with extreme violence and police brutality, resulting in the death of 16-year-old protester, Larry Payne. King returned on April 3 and led the march through Memphis, delivering his famous “I’ve Been to the Mountaintop” at the Mason Temple, the headquarters of Dr. Martin Luther King, Jr. the Church of God in Christ. Delivering his “I Have a Dream” speech at the Lincoln Memorial. Dr. King was assassinated the following evening on his balcony at the Lorraine Motel. Four days later his widow, Coretta Scott King, led a silent crowd of more than 40,000 supporters on a memorial march through the streets of Memphis in support of the Sanitation Workers Strike. An agree- ment was reached, ending the strike, the following week.

11 Founded in 1977 The Stonewall Foundation has been supporting non-profit organizations in the Tucson community for over 30 years. The Stonewall Foundation is unique in that it was established to solely support 16 pre-named organizations, in the areas of arts, health, and education. The Small family who started The Foundation chose causes that were near and dear to their hearts with the intent to provide ongoing operational support for programs or projects that were challenging for the organizations to fund. Arizona Theatre Company is one of the original ten organizations and has been awarded invaluable support from The Stonewall Foundation for decades. They have been a faithful supporter of riveting productions and educational outreach programs. Last season the Foundation supported Next to Normal, the groundbreaking and award-winning musical exploring how one family deals with mental illness. Subsequently, ATC invited several Stonewall Foundation partners to help create community engagement activities around the production of Next to Normal focused on awareness and education of mental illness and community resources available. ATC thanks The Stonewall Foundation this season for its generous sponsorship of The Mountaintop. The Foundation has always been willing to work with ATC to create the best partnership opportunities possible.

Theater brings us into a world of the past, the present and the future all at the same time and in the same place. It introduces us to themes and thought we may not frequent regularly. It shows us a world of imagination and possibility and makes us a better and more cohesive community for supporting a true community treasure. About Arizona Theatre company

Now celebrating 47 years, ATC boasts the largest subscriber base of any performing arts organization in Arizona with more than 130,000 people a year attending performances at the historic Temple of Music and Art in Tucson, and the elegant Herberger Theater Center in Downtown Phoenix. Each season of carefully selected productions reflects the rich variety of world drama – from classics to contemporary plays, from musicals to new works, as audiences enjoy a rich emotional experience that can only be captured through live theatre.

Touching lives through the power of theatre, Arizona Theatre Company (ATC) is the preeminent professional theatre in the State of Arizona. Under the direction of Artistic Director David Ira Goldstein and Interim Managing Director Jessica L. Andrews, ATC operates in two cities – unlike any LORT theatre company in the country.

ATC shares the passion of the theatre through a wide array of outreach programs, educational opportunities, access initiatives and community events. Through school and summer programs, ATC focuses on teaching Arizona’s youth about literacy, cultural development, performing arts, specialty techniques used on stage, and opens their minds to the Taylor Rascher & Lee E. Ernst creative power of dramatic literature. With approximately 450 education in Arizona Theatre Company’s production and community engagement activities annually, ATC reaches far beyond the of Clybourne Park. metropolitan areas of Tucson and Phoenix, enriching the theatre learning experience for current and future audiences. Photo by: Tim Fuller

Our Vision Touching lives through the power of theatre.

Our Mission is to create professional theatre that continually provides new levels of artistic excellence; that resonates locally, in the State of Arizona, and throughout the nation. Arizona Theatre Company strives to: • Produce a broad repertoire ranging from classics to new works; • engage artists to produce theatrical work of the highest caliber; • Provide an educational bridge between our communities and our work; • Assure access to the broadest spectrum of citizens; • Achieve cultural diversity in all endeavors; • Operate from a position of financial strength and fiscal responsibility.

13 THE IMPORTANCE OF BEING EARNEST by Oscar Wilde

SEP 14 – OCT 5, 2013

Xanadu book by Douglass Carter Beane, music & lyrics by Jeff Lynne

NOV 30 – DEC 21, 2013

THE Mountaintop by Katori Hall

OCT 19 – NOV 9, 2013 Other Desert Cities by Jon Robin Baitz

JAN 18 – FEB 8, 2014

Venus In fur by David Ives

APR 5 – APR 26, 2014

Around the world in 80 days written by Mark Brown, based on the novel by Jules Verne

MAR 1 – MAR 22, 2014

2013/14 Arizonatheatre.org SEASON 520-622-2823 2013-2014 Board of Trustees

Peter Akmajian JeSSICA L. Andrews Cameron Artigue Robert Begam Sasha Clements Partner, Udall Law Firm Interim Managing Director, Attorney, Attorney, Begam & Marks Consultant, Golden Eagle Arizona Theatre Company Gammage & Burnham Distributors, Inc.

Lynne Wood Dusenberry Marc Erpenbeck Joanie Flatt Dr. Mary Jo Ghory Robert Glaser University of Arizona Retired President, George Brazil President, Physician Liaison for Principal, Industrial Properties, and Community Volunteer Home Services Flatt & Associates, Ltd. Pediatric Residents at PICOR Commercial Real Tucson Medical Center Estate Services

David Ira Goldstein Jon GrassE` Laura Green I. Michael Kasser Dina Scalone-Romero Artistic Director, Realtor, Long Realty Community Volunteer Real Estate Investment Executive Director of Arizona Theatre Company & Development, Therapeutic Riding Of Tucson Holualoa Arizona, Inc. (TROT)

Susan Segal Michael Seiden Robert Taylor Emeriti Trustees Honorary Trustees Attorney, Gust Rosenfeld PLC Former President Manager of Regulatory Shirley Estes Betsy Bolding & CEO of Western Policy & Public Involvement, Donald Nickerson Joan Kaye Cauthorn International University Salt River Project George Rosenberg Norma Feldman F. William Sheppard Catherine “Rusty” Foley Joe Gootter Sandy Hatfield

Jessica Lazarus Sandra C. Maxfield Emily Rosenberg Pollock Nina Trasoff Our sincere appreciation to photographer T. R. Rudkin. Arlene Webster Ruth A. Zales

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ATC Leadership

David ira Goldstein celebrates his 22nd season as Artistic Director of Arizona Theatre Company. In over two decades, he has produced over 190 mainstage plays, workshops and presentations including acclaimed appearances by the Royal National Theatre of Great Britain and the Theatre Royal Bath. He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona. This season he will direct Xanadu for ATC. He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Next to Normal, The Sunshine Boys, Hair, Much Ado About Nothing, My Fair Lady, Valley Song, The Illusion, The Pajama Game, Side Man, [title of show], How I Learned to Drive, The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M.S. Pinafore, Willi, Dreams From a Summer House, Other People’s Money, The Heidi Chronicles, Noises Off and A Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini, Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America), Inventing van Gogh, Rocket Man, Private Eyes, Over The Moon and Dracula by Steven Dietz, and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher. Mr. Goldstein has been a guest director at theatres all across the country including Arizona Opera, The Pasadena Playhouse, Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, The Repertory Theatre of St. Louis, Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre and Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the US, winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Critics Awards and the Los Angeles Drama Critics Award for Best Production. Before coming to Arizona, Mr. Goldstein was an Associate Artistic Director of ACT Theatre in Seattle. His many productions there included Glengarry Glen Ross, Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St. Paul from 1983-86. Mr. Goldstein holds an MFA from the University of Minnesota. He has been a visiting instructor and director at ASU, University of Washington, University of Minnesota and University of Northern Iowa. He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a proud member of Stage Directors and Choreographers Society, and Actors’ Equity Association. He is married to KJZZ radio announcer Michele Robins. They share their home with their dog and cats: Rio, Cary, Reggie, and Dexter.

ATC Leadership

Jessica L. Andrews returns to Arizona Theatre Company having retired from ATC in July 2009 after eleven seasons as Managing Director and three as Executive Director. From September 2010 – September 2011, she returned to ATC as Interim Managing Director. Following her tenure at ATC, she founded jandrews consulting and is currently consulting with Invisible Theatre, Metro Theater Company (St. Louis), and The Mini-Time Machine Museum. She recently completed consultancies with Borderlands Theater, The Loft Cinema, Pan Left Productions, and The University of Arizona Poetry Center through the Tucson Pima Arts Council. She has also worked with The Vineyard Playhouse (Martha’s Vineyard), Emerge! Center Against Domestic Abuse, and Break-Away Tours. In 2008, she received the Governor’s Arts Award and received the 2013 Lumie for Lifetime Achievement from the Tucson Pima Arts Council. In 2007, she was given the Distinguished Achievement in Theatre Management Award from the United States Institute of Theatre Technology and in 2002 she received a Woman on the Move Award from the Tucson YWCA. During her career, Ms. Andrews served on the Executive Committee of the League of Resident Theatres, and on the Board of Directors of Theatre Communications Group. Since her arrival in Arizona, she has served on the Theatre Panel of the Arizona Commission on the Arts, was the president of Arizona Theatre Alliance, on the Board of Directors of the Maricopa Partnership for Arts and Culture, and Arizona Citizens/Action for the Arts, is a member of Photo by: Women at the Top, served as chair of Nonprofit Executives Together, co-chair of Gary Rumack Photography Nature, Arts, Culture, Heritage Organizations and was on the Advisory Board of Arizona Woman Magazine. Also, she chaired a task force for the Pima Cultural Plan and served on the Livable Communities Mobilization Council of the Tucson Regional Economic Organization Blueprint. From 1990-94, Ms. Andrews served as Managing Director of The Shakespeare Theatre and was the Director of the Theater Program for the National Endowment for the Arts from 1987-90. From 1985-87, she was Managing Director of Indiana Repertory Theatre and from 1980-85 was Director of the Theatre Division of FEDAPT, a national service organization. Previously, Ms. Andrews was Managing Director of Geva Theatre Center in Rochester, NY and Hartford Stage Company. In 2010, Ms. Andrews taught a class on Theatre Management and Organization at Arizona State University. She has guest lectured at University of Arizona, Arizona State University and Yale School of Drama, and has been a reader for the Fund for New American Plays at The Kennedy Center. She served as co-chair of the Arts Committee for the 1997 UK/AZ Festival. During the summer of 1995, she taught a class in theatre management at the Centro Nacional de las Artes in Mexico City. She has served on grants panels for nine state arts agencies and on the Theatre Grants Panel for the U.S./Mexico Fund for Culture. She has served on the NEA Theater Program’s Professional Companies Challenge Review, Creation and Presentation, and Education and Access panels, and was an NEA site reporter for the Theater and Musical Theater Program.

The Cast

James T. Alfred (Dr. Martin Luther King, Jr.) is pleased to return to ATC with Katori Hall’s The Mountaintop, having last appeared at ATC in August Wilson’s Ma Rainey’s Black Bottom. Other ATC credits include To Kill a Mockingbird and Jitney. Most recently, Mr. Alfred appeared in the one man show A Brown Tale, written and performed by James T. Alfred and directed by long-time collabora- tor Lou Bellamy at Penumbra Theatre as part of the Claude Edison Purdy Individual Artist Festival. Other theater credits include Steppenwolf Theatre Company, New York’s Public Theater, The Guthrie Theater, Denver Center Theatre Company, Congo Square, Penumbra Theatre Company, Second City, and others. Television credits include Prison Break, ATF (Pilot), and most recently as the ward boss, Kenya Taylor, on the STARZ original series Boss. Mr. Alfred received both the Black Theater Alliance and African American Arts Alliance Best Actor Awards in 2012. He is a graduate of the Institute for Advanced Theater Training and holds an MFA in Acting from the Moscow Art Theatre School. www.jamestalfred.com.

Erika LaVonn (Camae) is grateful for the opportunity to return to ATC, having performed in past productions of A Raisin in the Sun, Crowns and Seven Guitars. Most recently seen as Risa in the 2013 Syracuse Stage production of Two Trains Running, Ms. LaVonn rounded out last year’s work in the world premiere of The Comfort Team at Virginia Stage Company. She has had the blessing of working from coast to coast at theaters including Portland Center Stage, Actors Theatre of Louisville, Kansas City Repertory Theatre, Alabama Shakespeare Theatre, Denver Center Theatre, Baltimore Center Stage, Hartford Stage, The Guthrie Theater, The Kennedy Center, The Plymouth Theater, and The New Amsterdam Theatre in the Broadway production of The Lion King. Television and film credits includeLaw & Order: SVU, Always Outnumbered, The Ditchdigger’s Daughters, and War of the Worlds.

The Creative Team

Katori Hall (Playwright) is a playwright and performer hailing from Memphis, Tennessee. Her award-winning play Hoodoo Love premiered at the Cherry Lane Theatre in 2007. It was developed under Lynn Nottage as part of the theatre’s 2006 Mentor Project. Hoodoo Love received three AUDELCO nominations (Best Actress, Best Supporting Actress, August Wilson Playwright Award). Her other plays include: Remembrance, Hurt Village, Saturday Night/Sunday Morning, On the Chillin’ Circuit and Freedom Train (KCACTF ten minute play national finalist). Her work has been developed and presented at the following venues: American Repertory Theatre, The Kennedy Center, Cherry Lane Theatre, Classical Theatre of Harlem, Schomburg Center, BRICLab, Women’s Project, World Financial Center, Lark Play Development Center, New Professional Theatre, The O’Neill Theatre, The Juilliard School, Stanford University, and Columbia University. She is the recipient of numerous awards, including the Lecompte du Nouy Prize, North Manhattan Arts Alliance Fellowship, New York State Council on the Arts Commission Grant, New Professional Theatre Writers Festival Award, Fellowship of Southern Writers Bryan Family Award in Drama, New York Foundation of the Arts Fellowship in Playwriting and Screenwriting, Royal Court Theatre Residency, and the Lorraine Hansberry Playwriting Award. She has also been a Kennedy Center Playwriting Fellow. As an actor, her credits include: Law & Order: SVU, The President’s Puppets (The Public), Growing Up a Slave (American Place Theatre), Incidents in the Life of a Slave Girl (American Place Theatre), the world premiere of Amerika (Theatre de la Jeune Lune/American Repertory Theatre), Spring Awakening (Moscow Art Theatre School), Ain’t Supposed to Die a Natural Death (Classical Theatre of Harlem), Schooled (WOW Café Theatre), and Black Girl (Sande Shurin Theatre). As a journalist, her work has been published in The Boston Globe, Essence, Newsweek, and The Commercial Appeal. She graduated from Columbia University in 2003 with majors in African-American Studies and Creative Writing. She was awarded top departmental honors from the university’s Institute for Research in African-American Studies (IRAAS). In 2005, she graduated from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University, receiving a Master of Fine Arts in Acting. She is now a student in The Juilliard School’s Lila Acheson Wallace American Playwrights Program. She is a proud member of the Women’s Project Playwrights’ Lab, the Lark Playwrights’ Workshop, and the Dramatists Guild. www.katorihall.com

Lou Bellamy (Director) is the founder and Artistic Director of Penumbra Theatre Company. During his 37- year tenure, Penumbra has evolved into one of America’s premier theaters dedicated to dramatic exploration of the African American experience. Under his leadership, Penumbra has grown to be the largest theater of its kind in America and has produced 35 world premieres, including August Wilson’s first professional production. Penumbra is proud to have produced more of Mr. Wilson’s plays than any other theater in the world. Mr. Bellamy is an OBIE Award-winning director, an accomplished actor, and for 38 years was appointed as an Associate Professor at the University of Minnesota in the Department of Theatre Arts and Dance. Mr. Bellamy most recently directed Two Trains Running at Oregon Shakespeare Festival. Selected directing credits include plays at Arizona Theatre Company, Denver Center for the Performing Arts, Penumbra Theatre, Signature Theatre, The Cleveland Play House, The Guthrie Theater, The Kennedy Center, and Hartford Stage Company.

Vicki Smith (Scenic Designer) returns to ATC where she designed Ma Rainey’s Black Bottom; The Kite Runner; A Raisin in the Sun; Jitney; Touch the Names; Love, Janis; Hank Williams: Lost Highway; Dirty Blonde; Master Class; The Last Night of Ballyhoo; Fences; and many others. She has also designed for Denver Center Theatre Company, Kansas City Repertory Theatre, Seattle Repertory Theatre, Actors Theatre of Louisville, The Repertory Theatre of St. Louis, Geva Theatre Center, Penumbra Theatre Company, Milwaukee Repertory Theater, Dallas Theater Center, Alabama Shakespeare Festival and The Children’s Theatre Company, among many others. Ms. Smith was Associate Designer at American Conservatory Theater from 1980-1983. She received a Drama-Logue Award for Cyrano, Bay Area Theatre Critics Circle Awards for Execution of Justice and The Kite Runner, and Denver Drama Critics Circle Awards for I’m Not Rappaport and Pierre, which was selected for the Prague Quadrennial Design Exposition 2007.

The Creative Team

Kish Finnegan (Costume Designer) has been with Arizona Theatre Company since 1989 and is the Costume Design Manager. Her ATC costume designs include: The Sunshine Boys, Next to Normal, God of Carnage, Woody Guthrie’s American Song, [title of show], The Kite Runner, Hair, Touch the Names, Molly’s Delicious, Tuesdays with Morrie, Copenhagen and 2 Pianos 4 Hands, among many others. Ms. Finnegan also enjoys designing costumes for children’s theatre including Seussical, Never Ending Story, Lyle Crocodile, Junie B. Jones and Go Dog Go at Childsplay and Sabunana for Arts For All/Third Street Kids. A graduate of California Institute of the Arts, she began her career in Los Angeles in both theatre and film, designing for a variety of projects, from animated bears to MTV. She also designed for the Burbank Repertory Theatre and the Chamber Theatre, where she won the Los Angeles Drama-Logue Award for Costume Design.

Don Darnutzer (Lighting Designer) has designed 58 shows for ATC since 1981. His most recent designs include Sherlock Holmes and the Adventure of The Suicide Club; Ma Rainey’s Black Bottom; Touch the Names; Love, Janis; and I Am My Own Wife. He designed the lighting for Broadway’s production of It Ain’t Nothin’ But the Blues and Off-Broadway’s Hank Williams: Lost Highway, Almost Heaven and The Immigrant. He has worked for American Conservatory Theater, The Guthrie Theater, The Kennedy Center for the Performing Arts, Oregon Shakespeare Festival, Cleveland Play House, New Orleans Opera, Denver Center Theatre Company, Portland Opera, Kansas City Repertory Theatre, Alley Theatre, Seattle Repertory Theatre, BB King’s Blues Club in NYC, Palm Beach Opera, Shakespeare Theatre Company, The Repertory Theatre of St. Louis, Actors Theatre of Louisville, Coconut Grove Playhouse and Geva Theatre Center.

Martin Gwinup (Sound and Video Designer) has designed Projections and Media for The Turn of the Screw (Palm Beach Opera); Johnny Baseball (Park Square Theatre); Black Nativity, Redshirts and Sleep Deprivation (Penumbra Theatre Company); Redshirts (Round House Theatre); Dragon Wings (Children’s Theatre Company); and I Wish You Love (Hartford Stage and The Kennedy Center). Mr. Gwinup’s sound designs have also been heard in Two Trains Running (Oregon Shakespeare Festival); Fences, Radio Golf, Whipping Man, Black Pearl Sings, Blue, Ain’t Misbehavin’, and Get Ready (Penumbra Theatre Company); Grandchildren of the Buffalo Soldiers (Trinity Repertory Company); Collected Stories, The Play About the Baby, and Dinner with Friends (Eye of the Storm); Civil Ceremonies and These Shining Lives (The History Theatre); and Blues in the Night (Ordway Center). Mr. Gwinup is an Associate Professor at the University of Minnesota in Sound Technology and Design, Video Production, and Multimedia Design and Technology. He holds a BFA in Design & Technology from Emporia State University, and an MFA in Technical Design and Production from the Yale School of Drama.

Harriet Bass (Casting Director) has been an independent New York casting director since 1989, casting for theatre, film and television. In New York City, Ms. Bass has cast for ABC/TV, Fox Television Studios, Joseph Papps’s Public Theatre: NEW WORK NOW, The Minetta Lane Theatre, The Women’s Project, La Mamma E.T.C., New York Women in Film and Television, and The Jewish Repertory Theatre. She has cast the last three of the late August Wilson’s ten part play series: the original and touring productions of Radio Golf, the Broadway production of Gem of the Ocean, and the Off-Broadway production of Jitney. Selected regional casting credits include: Mark Taper Forum, Hartford Stage, Arena Stage, Trinity Repertory Company, San Jose Repertory Theatre, Geva Theatre, Syracuse Stage, Pittsburgh Public Theater, Merrimack Repertory Theatre, Long Wharf Theatre, Alliance Theatre, The Goodman Theatre, Kansas City Repertory Theatre, Baltimore Center Stage, Huntington Theatre Company, Virginia Stage Company, Dallas Theatre Company, Berkeley Repertory Theatre, Portland Center Stage, and Playmakers Repertory Company. Feature films credits include: Pushing Hands directed by Ang Lee; Underheat, starring Lee Grant; First We Take Manhattan, produced by Golden Harvest Inc; and Graves End, directed by Sal Stabile.

The Creative Team

Glenn Bruner (Production Stage Manager) is in his 17th season at ATC where he has stage managed over 50 productions, including Clybourne Park, The Sunshine Boys, Next to Normal, The Great Gatsby, The Mystery of Irma Vep, The Kite Runner, Hair, The Pajama Game, The Pirates of Penzance, 2 Pianos 4 Hands and the world premieres of Jeffery Hatcher’s Sherlock Holmes and the Adventure of The Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh and Over the Moon. Mr. Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, Pasadena Playhouse, CENTERSTAGE, Studio Arena Theatre, and Maine’s Portland Stage Company. He was the Assistant Stage Manager for the world premiere of On the Waterfront at The Cleveland Play House and stage managed the Off-Broadway premiere of Alan Ayckbourn’s Season’s Greetings. He has been the voice for many radio and television commercials and worked for Texas Public Radio in his hometown of San Antonio. Mr. Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association. He has been a member of AEA since 1981.

Timothy Toothman (Stage Manager) is the Artistic Associate at ATC. He most recently stage managed ATC’s productions of Freud’s Last Session, Lombardi and God of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for the Geva Theatre Center in Rochester, NY and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors. He has also managed producing and presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr. Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts. Mr. Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard.

Ashley Simon (Assistant to the Stage Manager) was Assistant to the Stage Manager for Arizona Theatre Company’s The Sunshine Boys, Jane Austen’s Emma, Next to Normal, Red, The 39 Steps, Daddy Long Legs, Sherlock Holmes and the Adventure of The Suicide Club, Lost in Yonkers, Woody Guthrie’s American Song, Backwards in High Heels, The Glass Menagerie, Ain’t Misbehavin’, The Kite Runner, A Raisin in the Sun, Hair and The Lady with All the Answers. She was also the Production Stage Manager for ATC’s Summer on Stage 2010, 2011, 2012 and 2013. Other credits include stage managing The Real Inspector Hound, The Decameron, The Four of Us, Othello and Immortal Longings with The Rogue Theatre and The Mousetrap, Same Time Next Year and Forever Plaid at The Theater Barn in the Berkshires. At Florida Stage, she was Assistant to the Stage Manager for the world premiere of Deborah Zoe Laufer’s End Days.

Penumbra Theatre Company (Co-Producer) was founded in 1976 by Lou Bellamy to make socially responsible art – art that demanded a response, art with intent, art that could create change. At a time when roles for black artists were limited to stereo- types and comical representations, Penumbra produced theatre that roared with authenticity through the unrestrained and rich voice of black artists and playwrights. This respect for cultural authenticity became Penumbra’s signature style – and demand for it has reached new heights from theatres around the country fostering collaborations, new productions, tours and awards. In 2006, Penumbra’s first national tour was co-produced with Trinity Repertory Company in the staging ofGrandchildren of the Buffalo Soldiers. Since then Mr. Bellamy and Penumbra have journeyed with Round House Theatre in Bethesda, Maryland, The Kennedy Center in Washington DC, Oregon Shakespeare Festival in Ashland, Oregon, The Cleveland Play House in Cleveland, Ohio, and Kansas City Repertory Theatre in Kansas City, Missouri. This season, Penumbra joins forces with Arizona Theatre Company, Blumenthal Performing Arts in Charlotte, North Carolina, and The Guthrie Theater in Minneapolis, Minnesota. For the latest news and updates, visit www.penumbratheatre.org.

The Actors and Stage Managers The Director is a member of the The Scenic, Costume, Lighting and employed in these productions are Stage Directors and Choreographers Sound Designers in LORT Theatres members of Actors’ Equity Association, Society, an independent national are represented by Union Scenic the Union of Professional Actors and labor union. Artists Local USA-829, IATSE. Stage Managers in the United States.

25 Donors CORPORATE AND FOUNDATION

Annual Fund Donors $5,500 – $9,999 $1,000 – $1,749 Arizona Community Foundation Actors’ Equity Foundation, Inc. ATC is proud to acknowledge the The David C. and Lura M. Lovell The Donald Pitt Family Foundation following organizations that made Foundation Horizon Moving Systems contributions to our annual fund Esser Design Margaret Mellon Hitchcock Foundation from September 1, 2012 through Gammage & Burnham Oro Valley Community Foundation September 1, 2013. Marshall Foundation The Schneider Group The Max and Victoria Dreyfus Foundation Inc. $25,000 and Up Renaissance Phoenix Downtown Hotel $500 – $999 APS ACP Computer Services Arizona Commission on the Arts $3,500 – $5,499 Arlene and Morton Scult The Flinn Foundation Philanthropic Fund City of Glendale The Hearst Foundation The Harold and Jean Grossman Family Freeport-McMoRan Copper & Gold Foundation The Margaret E. Mooney Foundation Foundation Miraval Arizona Resort & Spa The Phoebe R. and John D. Lewis Jewish Community Foundation of Foundation Phoenix Office of Arts and Culture Southern Arizona Russ and Carolyn Russo Scholarship Salt River Project Kohl Family Foundation Foundation Side by Side Foundation Lewis and Roca LLP The Shubert Foundation The Maurice and Meta Gross Foundation $250 – $499 The Stonewall Foundation Joseph and May Winston Foundation The Virginia G. Piper Charitable Trust Airtronics, Inc. Zazu Pannee Park Regent Bliss/ReBar $1,750 – $3,499 Copy Graphix Community Partnership of Hardt and Associations Public Affairs, LLC $10,000 – $24,999 Southern Arizona, Inc. House and Garden Furniture Enterprise Holdings Foundation American Express Maly and Associates Evo-Ora Foundation BMO Private Bank Mothers for Wellness Foundation Golden Eagle Distributors, Inc. Community Foundation for Southern Palomar Group Clinic, Inc. Arizona Jim Click Automotive Team Pella Rolscreen Foundation Cox Charities The John and Helen Murphey Foundation Policy Development Group The Diamond Foundation The Learning Curve Downtown Kitchen + Cocktails PICOR Charitable Foundation EB Lane Raytheon Systems Company Frances Chapin Foundation Smokin Armadillos Foundation Sheraton Phoenix Downtown Hotel Tancer Law Firm Tucson Pima Arts Council Tucson Lifestyle Magazine US Airways United Healthcare of Arizona, Inc. Wells Fargo Watermill Financial

26 Printer’s Ad BE A PART OF ATC’S CIRCLES MEMBERS AND EXPERIENCE the POWER of THEATRE

WHEN YOU’RE A CIRCLES MEMBER: You go behind the scenes. You enjoy the highest level of customer service. You interact with theatre patrons such as yourself. Through your generous support, you’ll help ATC produce thrilling and engaging work and continue our learning and education programs.

ANGELS $25,000 and above

PLAYWRIGHT’S GUILD $10,000

PRODUCER’S CIRCLE $5,500

DESIGNER’S CIRCLE $3,500

DIRECTOR’S CIRCLE $1,750

FOR MORE INFORMATION, VISIT DONATE.ARIZONATHEATRE.ORG Donors INDIVIDUAL

Annual Fund Donors Designer’s Circle Louise and Don Doran Bruce L. and Lynne Wood Dusenberry $3,500 – $5,499 ATC is proud to acknowledge the Marc and Margaret Erpenbeck following donors who made contributions Anonymous Catherine “Rusty” Foley to our annual fund from September 1, Bruce and Jane Cole Heidi and Larry Fredrick 2012 through September 1, 2013. Norma and Stanley G. Feldman Ellis F. Friedman and Irene Stern Friedman Kate Garner Ted and Barb Frohling Angels Babs and Jay Glaser Henry and Judy Gallin Drs. Steven and Marta Ketchel $25,000 and Up Dr. Janis Wolfe Gasch and Mr. Daniel Gasch Susan and Jeffrey Rein Gail and Patric Giclas Anonymous (3) Sally and Clive Sherling Davie Glaser Paul D. and Mary Jan Bancroft TR Rudkin and Rene Stone Ellyn and Jeff Gold Shirley Estes Drs. Helen and John Schaefer Paulette and Joe Gootter Laurie and Rob Glaser F. William Sheppard and Range P. Shaw Michael and Lauren Gordon Mr. and Mrs. I. Michael Kasser Mrs. Robert K. Swanson Leslie Hall and Ted Jarvi Peggy and Emerson Knowles Michael Willoughby Hazel Hare Ann C. and Frederick A. Lynn Allan and Diana Winston William and Theresa Hawgood Jim and Dolly Moran Gary Wolff and Sandy Gibson Elizabeth and Keith Hege Joseph Huang and Karen Rigby Playwright’s Guild Director’s Circle Kay Juhan $10,000 – $24,999 $1,750 – $3,499 Bill and Jamie Kelley Ruth and Ronald Kolker Paul and Alice Baker Anonymous (2) Drs. Paul and Mary Koss Robert Begam Roberta Aidem Carole and Rich Kraemer Kerstin Block Jessica L. Andrews and Donald and Joan Diamond Timothy W. Toothman Michael and Tracy Levy Laura Grafman Cameron and Mary Artigue Lori Mackstaller, MD Tom and Cathy Kelly Alan and Char Augenstein Nora and Phil Mazur Mr. and Mrs. Richard Lehmann Beth A. Cooper Elyce and Mark Metzner Dr. and Mrs. Robert G. Maxfield Barbara and Frank Bennett Thelma Miller Marilyn Papp Howard and Joy Berlin Flora Muller Ben and Sally Perks Denise Birger Brian and Nina Munson Robert and Penny Sarver Dr. Jose M. and Mrs. Frances A. Burruel Don and Peg Nickerson Enid and Michael Seiden Joan Kaye Cauthorn Dr. and Mrs. Charles Otto Janos and Rebecca Wilder Robert and Nancy Clark Linda and Fred A. Nachman Chris and Sasha Clements Matthew and Mary Palenica Producer’s Circle Ginny Clements John and Jennifer Rawicz Samantha Conlin Drs. Kathryn L. Reed and Steven Goldman $5,500 – $9,999 Jacklyn Connoy and William Maguire Ken and Judy Ryan Anonymous Len and Doris Coris Annette and Bob Sandler Christine and John R. Augustine Bob and Vanne Cowie Dina Scalone-Romero and Fernando Romero Joanie L. Flatt Mark and Julie Deatherage William C. and Deborah Chisholm Scott Dr. Mary Jo Ghory Dino DeConcini and Elizabeth Lewis D. Schorr and Suzanne R. Schorr Bruce and Edythe Gissing Murfee-DeConcini Trisa and Andrew Schorr Judith Hardes Bill and Donna Dehn Susan and Dick Segal Dr. Douglas Holsclaw, Jr. Don and Jonaé DeLong Daniel J. and Evelyn G. Simon Bill Lewis and Rick Underwood Michael and Geri DeMuro Rica and Harvey Spivack Jack and Becky Moseley Susan and Barclay Dick Richard P. Stahl John and Vicki Ratliff Darryl and Mary Ann Dobras Richard and Phyllis Stern

29 Printer’s Ad Donors INDIVIDUAL

Director’s Circle John and Eileen Lamse Leslie Dashew and Jack Salisbury CONTINUED Rob and Jenni Leinbach Stephen and Ruth Dickstein Ellen Walling Lewis Sharon and Gordon Dicosola $1,750 – $3,499 Herb and Nancy Lienenbrugger Sally and Ralph Duchin Robert and Shoshana Tancer Edith E. Luty Gail E. Dunlap Robert Taylor Alex and Matt Miller Dean Fink and Ryan Chase David and Dawn Veldhuizen Rosanna Miller Dr. and Mrs. John H. Finley Dr. Richard and Madeleine Wachter Dr. James E. Nation Helen V. Fisher Russell and Kay Weed Carl and Carolyn Nau Lazard Flot Richard and Nancy Weiss Jeanne Pickering and Mike Andrew Robert F. Ford and Denise Andre Ford Nancy and Jeff Werner Mr. Bruce Raskin and Ms. Carol Fink John and Louise Francesconi James Wezelman Charles and Linda Redman Mr. and Mrs. Vincent Fulginiti George and Bobbe Rosenberg Ira and Cheryl Gaines Backers Tom and Eileen Rotkis Drs. Margot W. and J.D. Garcia $1,000 – $1,749 Toby and Michael Rozen Bob Greenberg Drs. Adib and Vivi Sabbagh Jennifer Gross and Jerry LeFevre Anonymous (3) Claire and Henry Sargent Rita C. Hagel Affinity Eye Care, Dr. Robert Mulgrew John U. Sands Anne and David Hameroff Judy and Rory Albert Dr. William and Joanne Sibley Ms. Athia Hardt Mr. A. Frederick Banfield and Ms. Eileen M. Fitzmaurice Susan S. Small Kathy Haun, The Haun Family Trust Bill and Barbara Bickel Sarah Smallhouse Michael and Phyllis Hawkins Mr. and Mrs. Edwin L. Biggers D. Rae Turley John L. Hay and Ruth M. Murphy Allan and Barbara Bowermaster Gerald Turmarkin Les and Suzanne Hayt Ellen E. Bussing Mr. and Mrs. Don Underwood Susan B. Hazan and Michael T. Burns Shirley J. Chann Richard and Linda Warren Donald Henke Don and Susan Cogman Judy Wisniewski Harriet and Robert Hirsch Mark Cole Sharon and Jesse Hise Jan Copeland Patrons Dr. Arnold and Carol Hollander Bob and JoAnne Hungate Mr. and Mrs. William Cullen $500 – $999 Bruce and Katie Dusenberry David and Lori Iaconis Anonymous (4) Fractured Earth Tile & Stone, Kevin Jay and Debra Barone-Jay Elizabeth Miller Sandra L. Abbey Karen and Chuck Jonaitis Todd Franks and Nancy Bodinet Judy Ackerman and Richard Epstein Joseph Kalt Mr. and Mrs. Tom Godfrey Larry Allen Valerian and Mira Kaplan Dr. Robert W. Gore John and Joyce Anicker Raymond Kemp and Rick Douglas Dr. and Mrs. Thomas Grogan Ann Arbitman Joseph Kendhammer Mr. and Mrs. Edward J. Harrison Richard and Ann Bates Bruce Kilbride and Lynn Krabbe Katharine W. Hazen David and Bonnie Bickford Anne L. Kleindienst and Stephen W. Myers Elliott and Sandra Heiman Martha V. Brightwell George and Maria Knecht Stephen and Amanda Heitz Dr. Janis M. Burt and Dr. Stephen H. Wright Bill and Linda Knox Mr. and Mrs. William C. Heller, Jr. Shirley and Roland Calhoun Barbara Koval Harriet and Robert Hirsch Paul and Vicki Chandler Arvie and Karen Lake Peggy Hitchcock Paul and Susan Charlton Bob and Sherrie Lane Ed and Sandra Holland Ed and Arlene Cohen Arlene and Michael Lanes Leonard and Marcelle Joffe Kris and Earl Cohen Sally Lanyon Carol and Foster Kivel Mr. and Mrs. Duane Cote Barb and Dex Laske Janice and Al Kivel Joan Coyne Anne Leary and Bill Hemelt Gaby Klein Harlan and Gayla Crossman Dr. Alan Levenson Don Klomp Barbara and John Cummings Sharon Lewis and Mayor Shanken

31 Join us for a drink or a bite to eat while at the theatre!

ATC’s Temple Lounge is open for every performance an hour and a half before curtain and at intermission. All proceeds support ATC’s outreach and education programs. Donors INDIVIDUAL

Patrons CONTINUED David and Nancy Ulmer Margo S. Desmond Bob and Emily Vincent Scott DeWald and Deborah Jamieson $500 – $999 Carol Vivona Larry V. and Judith C. East Jacklin and Nils Lindfors Polly Weber Hal and Jan Eastin Sam and Judy Linhart Steve and Linda Wegener Mr. Michael Elert and Dr. Honora Norton Lura Lovell Dr. Andrew Weil Mario and Elaine Espericueta Dorothy and Lyman Manser Mark and Taryn Westergaard Claude W. Evering and Janet K. Martin Dorothy and Roy Mayeske Andrew and Judy Winsberg John Ezell Andy McKnight Ruth Zales and Kenneth Greenfield Ronna Fickbohm and Jeff Willis Gregory and Emma Melikian Ms. Nancy Fintzy Richard and Kathryn Merkel Friends Sherman & Sarilyn Fogel Patricia A. and John H. Messamer Dr. and Mrs. Walter Forred $250 – $499 Jeffrey and Barbara Minker Drs. David William and Virginia Ramos Foster Peggy and Gerry Murphy Anonymous (7) Mr. and Mrs. Michael P. Fox Essie and George Nadler Daniel and Aubrey Abrams Pamela Frame Pat and Wayne Needham Nancy and Daniel Alcombright Annette and Leonard Frankel Jordan and Jean Nerenberg Corbett and Pat Alley David Gantz and Cate Fagan Parviz Nikravesh and Agnes Stahlschmidt Jean and Charles Ares Lee and Susan Garcia Chuck and Susan Ott Lee and Gay Ashton Becky and Dave Gaspar Bill and Kathie Peterson Lyn L. Ashton M. Joyce Geyser Timothy and Dee Putty Mary M. Ausman Ann and Arthur Goldberg Will Rapp and Kathy Kolbe Mr. Herbert Barkan Elaine and Stanley Goldberg Ronald and Janet Reimer Emery and Jackie Barker Muriel and Marc Goldfeder Ron Robinette and Sharon Roediger Mark and Jan Beck Barmann Ari Goldfein Dr. and Mrs. Mark and Lynn Roosa Mr. and Mrs. Robert Barnes Dr. Gerald Golner Herschel and Jill Rosenzweig Ms. Judith H. Barron Alan and Ann Grove Russell and Carolyn Russo Char and Gerry Bates Andy and Sara Gyorke Sue and Bill Samuels Ginger and Brian Bates Michael Hamant, MD and Vance, Louise and Camille Sanders Mathis and Barbara Becker Lynnell Gardner, MD Barbara Sattler and Kenney Hegland Tony Beram Kenneth and Marian Handy Alfred and Doris Schiller Al and Susie Bergesen Jan and Rich Hardy Jerusha Schmalzel Mr. and Mrs. Russell Bishop Nat Hathaway Dr. and Mrs. Fred Schwartz Phylis and Gary Bolno Steve and Patsy Hazen Arlene and Morton Scult Philanthropic Fund Sharon Briskman John and Patricia Hemann Lex and Carol Sears Laura and Arch Brown Dr. and Mrs. Arthur Herbst Dr. and Mrs. J. F. Seeger Joseph Buckley Susan E. Hetherington Drs. David Siegel and Linda Riordan Kim and Sue Burroughs Tom and Sandy Hicks KC Skinner Herb and Sylvia Burton Mr. and Mrs. William Hicks III Lin and Bob Spangler Tyna Callahan and Dimitri Voulgaropoulos Mrs. Dolores D. Hillenbrand Ronald and Dawnelle Spaulding Mr. and Mrs. John Carhart Greg and Marcia Hilliard Mr. and Mrs. David J. Sterle Dr. and Mrs. Willard T. Carleton Ms. Michele Himovitz Darryl and Helen Stern Marilyn Carney Marjorie Hoffman Mr. and Mrs. E. Stoetzel Betty Jo and Keith Charles Robert C. Holl Mary P. Sullivan Shirlee Cobb Sharon Hollinger Robert and Beth Taylor Joyce Cohen Hon. Margaret M. Houghton and Mrs. Susan and Mr. Glyn Thickett M. Elaine Conlon Mr. Bert Falbaum Hugh and Allyn Thompson Mr. and Mrs. William T. Corbin J. Hufford-Jensen and G. Kroening Joyce Tokar and F. David Jones Rudy and Judie Cosentino Darrell and Frances Hutchinson Joell and Mary Turner Pennie Dehoff John Irby and Norizan Osman

33 HOW Does a company achIEve 47 years of professional theatre? Touching lives through the power of theatre is possible through the generosity of patrons like you.

Above: Taylor Rascher & Lee E. Ernst in Arizona Theatre Company’s Clybourne Park. Photo by Tim Fuller.

ABOVE: Jevetta Steele in Arizona Theatre Company’s Ma Rainey’s Black Bottom. PHoto by Tim Fuller.

Above: Denis Arndt in Arizona Theatre Company’s Red. Above: Shannon Stoeke & Anneliese van der Pol in Arizona Photo by Tim Fuller. Theatre Company’s Jane Austen’s Emma. Photo by Tim Fuller.

Donate online at donate.arizonatheatre.org or call jill bishop at 520-884-8210 ext. 7301 Printer’s Ad Donors INDIVIDUAL

Friends CONTINUED Valla J. Merriman Lois and Lowell Sorenson Robert and Belle Merwitzer Kirtlye Spear and Neil Powell $250 – $499 Debra and Jeffrey Messing Jeff and Jenny Prileson Lisa and Gary Israel Art and Sue Meyer Dr. and Mrs. Carroll Rinehart Abe Jacob Dr. Don and Judith Miles Bill and Eileen Roeske Jeff and Deborah Jacob Mr. and Mrs. Fred Mills Dr. and Mrs. J.M. Santiago Dr. Leo M. Jacques Joe and Michelle Millstone Dr. Frances Schulter-Ellis Helen and Bob Jennette Mr. and Mrs. George Mink James Seward and Julie Karcis Ms. Kimberly Johnson Phyllis and Harold Morgan Mark and Gloria Spies Marcia Jones Shirley G. Muney Vicki Steadman Mr. and Mrs. Robert Jones Dana and Rick Naimark Claire Steigerwald Mr. and Mrs. Paul Julian Sandra Neale Mr. and Mrs. James E. Stoetzl Gary and Lee Ana Kains Caren and Thomas Newman Morton and Nina Susman Reland and Nancy Kane Maureen Hayes O’Brien Jay Sykes Howard and Sharon Kaste Betty Olwin David and Linda Tansik David and Lisa Keene John Parente Philip and Mary Taylor Darrell and Susan Kidd Sydney Pearl Edy Thogerson Susan Knowlton and Don Bourque Phil and Vicki Pepper Anne and Steve Thomas Jami Kozemczak Martha and Terry Allen Perl Stephen and Susan Thompson Jessica and Steve Kozloff Clyde and Jane Perlee Neil and Marge Thornton TamarRala Kreisworth and Peter DeLuca Mr. and Mrs. Charles M. Pettis Mr. and Mrs. Richard Tofel Alan Kruse Mitzi and Jim Pickard Stephen and Shannon Trezza Lynne Lagarde Richard S. Plattner Graham and Kathleen Tubbs Drs. Arlyn and Joyce Larson Robert and Sheila Press Bruce and Catherine Uhl Lynn C. Larson Linda and Dennis Primavera Maria A. Velez Barbara J. Lashmet Sandra L. Rausch Tony and Rita Vickers John LaWall, M.D. and Anita Gross, Ph.D. Dr. and Mrs. John W. Reich Charles and Ruth Waldron Jessica Lazarus John and Jennifer Reid Barbara and John Walker Mr. and Mrs. Jesse Lee Mr. and Mrs. Eugene R. Rice Kenneth and Margaret Welch Marianne Leedy Bill and Shirley Richards Ronald and Diane Weintraub James K. LeValley and Nancy Philippi Lynda and Ed Rogoff Elliott and Wendy Weiss Helaine Levy and Steve Alley Mr. and Mrs. James Ronstadt Richard and Stephanie Weiss Nancy and John Lewis Dr. and Mrs. Morley Rosenfield Constance C. Whitehead and M.P. Capp Janice Linn and Richard Pincus Arnold and Carol Rudoff Mr. and Mrs. Preston Whitt Stacy and Susan Litvak Jennifer and Charles Sands Bernie and Libby Weiner Sharon Lytle-Breen Dr. and Mrs. Harry Schlosser Thomas and Kay Williams Marigale Maly Lyle and Gail Schultz David L. Windsor Martin Mannlein and Paul and Jacqueline Schulz Brad Wines Barbara Stern Mannlein Susan and Ford Schumann Ann and Van Wolf Mr. and Mrs. Thom Mansur Mr. and Mrs. Marc Schwimmer Jacqueline Zocco Stan Marks Marvin Siegel and Eileen Bloom Alice Mason Mr. and Mrs. Ken Skotak Rudy and Maria Mathews Steve and Anita Slaughter Alan S. and Judi E. Max John and Phyllis Smiley Ms. Elsa McTavish Mr. and Mrs. C.J. Snider Lynda Menis Dr. Richard Sobonya and Jean and Walt Merkel Katherine Scoggin-Sobonya

36 Donors INDIVIDUAL

Gifts In Honor Of Gifts In Memory Of THE LEGACY CIRCLE Lorraine Beaudoin by Annette Taylor William Arbitman by Ann Arbitman Cameron and Mary Artigue Brach William Blaney-Koen’s 2nd birthday Eddie Basha by Sherri Basha Linda Beck by Mike and Gerry Koen Chuck G. Brinig by Halsy Taylor Helen and Bob Begam Mark Cole by Sandy Chamberlain Dee Colpas by Marcie Colpas Dr. and Mrs. James F. Blute, III Erin Erickson by Frank and Barbara Bennett Sean Dever by Norma Dever Betsy Bolding Henry Gallin by Mark and Sheila Fenton, Dorothy Finley by Jessica L. Andrews and Mr. and Mrs. Vincent Buonomano* Barry and Adrian Glickson, Ms. Lynda Thal Timothy W. Toothman Joan Kaye Cauthorn David Ira Goldstein by Bill Sheppard and Adele Furman by Mrs. Ina Shivack Jacklyn Connoy and William Maguire Range Shaw, and The Kasser Family Allen Glaser by Jessica L. Andrews and Beth and Michael Kasser by Carolee Asia Len and Doris Coris Timothy W. Toothman Lorenzo and Slivy Edmonds Cotton and Keisha Horton Roberta Glaser by Mark Cole, Michael and Randall Kincaid by Bill Sheppard and Enid Seiden, Mark and Lynn Thomas, Virginia Dayton* Range Shaw Jessica L. Andrews and Timothy W. Mrs. Dorothy M. DeMiller Sally Lehmann by Bill Sheppard and Toothman, David Ira Goldstein and Carol Fink Range Shaw Michele Robins Goldstein, The Kasser Ted and Barb Frohling Karen Scates by Betsy Bolding Family and C&W/PICOR Harry and Lois Garrett John Schaefer by Janis Gasch Leona Gilman by George and Carolyn Edlin Dr. Mary Jo Ghory Mike Seiden by Susan and Richard Jack and Rina Ginocchio by Jim and Judy Riddle Mr. Terrence M. Hanson Bookspan Mr. and Mrs. Edward J. Harrison Bill Sheppard and Range Shaw by David Glaser by Davie Glaser Raymond Kemp and Rick Douglas Lucille Hathaway by Nat Hathaway Mrs. Arthur Henderson* Jeannette Markowitz by Andrew F. Holtz Darryl and Helen Stern Ms. Tana Jones Robert O. Hoover by Susan Hoover Mrs. Theodosia P. Joyce* Michael and Mildred Karlson by Michael Mr. and Mrs. I. Michael Kasser Karlson Everett L. King* Shirley Mieras by Barbra Brewster Maxine and Jonathan Marshall* Our parents by Herbert and Aphrodite Rubin Les and Phyllis Minsuk L. Roy Papp by David Ira Goldstein and Joan A. Morris Michele Robins Goldstein, Bill Sheppard Melvin E. Mounts and Range Shaw Peggy and Gerry Murphy Charlie Pulaski by Bill Sheppard and Range Shaw Don and Peg Nickerson James F. Ramsey by Jackson Skog Martha and Terry Allen Perl Gertrude “Trudy” Shapiro by Arizona John D. Ratliff, Jr. and Vicki Ratliff Theatre Company staff, Dale and Ann Ron Robinette and Sharon Roediger Woodbeck, Jessica L. Andrews and Arnold and Carol Rudoff Timothy W. Toothman, Alan and Char Robert V. Schauer* Augenstein, George and Bobbe Rosenberg, John and Jennifer Rawicz, William C. and Deborah Chisholm Scott Ann C. Lynn and Frederick A. Lynn, F. William Sheppard Kerstin Block, Mark Cole, Robert and Daniel J. and Evelyn G. Simon Laurie Glaser, Bill Sheppard and Range George E. and Margorie G. Springer* Shaw, Mary Jo Ghory, and The Kasser Family Robert and Shoshana Tancer Larry Smith by Frank Davis, and Bill Roy Nelson Van Note Sheppard and Range Shaw Jessica Spencer Walker* J.J. Wolkin by Hazel Wolkin Linda and Richard H. Whitney

*Indicates individuals whose gifts have been realized.

STAFF

David Ira Goldstein Jessica L. Andrews Artistic Director Interim Managing Director

ARTISTIC ADMINISTRATION

Associate Artistic Director Company Management Intern Board Liaison Mary Bertlshofer Stephen Wrentmore Katheryn Parades Artistic Associate Playwright in Residence ACCessibility Consultants Tim Toothman Elaine Romero Accessibility Coordinator Public Relations Company Manager Resident Costume Designer Eileen Bagnall EB Lane Robyn Lambert Kish Finnegan FINANCE Graphic Design Literary Associate Resident Sound Designer Esser Design Katherine Monberg Brian Jerome Peterson Senior Accounting Associate Yvette Miranda WEBSITE SUPPORT Artistic Intern Resident Lighting Designer Susana Diaz Natasha Smith T. Greg Squires Accounting Associate Jon Campbell, Jr. IT Support Sasiadeks Information Technologies THE TEMPLE LOUNGE Auditors PRODUCTION Manager Beach, Fleischman & Co. Emily Nelson-Lucas Creative Consultants Production Manager Assistant Production Manager Assistant Manager The Oberlander Group David A. Cap Christopher Gerling Sara Kavitch FACILITIES – TUCSON Concessionaires Maintenance Supervisor Stage Management Costume Shop Christine Badke, Bernadette Capos- sela, Kirsten Corral, Alison Doran, Dani- Horace Ashley Production Stage Manager Costume Shop Manager, elle Gifford, Kimberly Grygutis, Cynthia Maintenance Technicians Glenn Bruner Construction Hough, Miray Rhoads, Rebecca Smiley, Dean Morgan, Raymond Martinez Terresa Tauzin, Caitlin Tavenner Stage Managers Barbara Tanzillo Timothy Toothman, Brenda Michard Costume Shop Manager, FRONT DESK Pat Boysen, Helen Daniels, Barb Assistants to the Design Kish Finnegan Dominick-Price, Ellen Gurewitz, Stage Manager Nancy Kupers, Susan Tomilinson Emma DeVore, Ashley Simon Draper Phyllis Davies Scene Shop Wardrobe Supervisor Education Technical Director Lisa A. Leonhardt Matthew Saxton Education Manager Education AssociateS Wigmasters April Jackson Amber Tibbitts, Bryanna Patrick Assistant Technical Director Athena Hagen, Amanda Gran Phillip Blackwood Prop Shop Master Carpenter EXTERNAL AFFAIRS Jared Strickland Properties Master Carpenters Paul Lucas Development Ticket Services & House Management Nick Duggan, Scott Greenleaf, Assistant Properties Master Director of Major Gifts Scott Huartson, Russell Long James Cox Jill Bishop Ticket Services Manager Geri Silvi Scenic Artist Properties Artisans Director of Development Amy Novelli Jesse Augustine, Heather Cap Claudia Vazquez box office Manager – Tucson Becca Moore Stage Carpenter – Tucson Sound Annual Fund Manager Sean Maynard Jami Kozemczak Customer Service Sound Supervisor Development and Marketing RepresentativeS – Tucson Lighting Brian Jerome Peterson Michi Yamasaki, Carrie Luker Associate Manager Lighting Supervisor Assistant Sound Supervisor Kay Dawson Customer Service T. Greg Squires Ken Erickson Development Coordinator – Representatives – Phoenix Master Electrician Production Sound Engineer Pam Beitman, Linda Schwartz Timothy Smith Tucson Mathew DeVore Mary Bertlshofer Ticket Services Associate – Electrician Sound Board Operator – Development Assistant Tucson Russell Long PhOENIX Terresa Tauzin Debbie Archuleta Light Board Operator – Billy Lopez Ticket Services Associate – Phoenix Sound Assistant Marketing Phoenix Kat Seaton John Howard Director of Marketing Debra Field Matthew Graber Box Office Agents – Tucson Director of Sales and Christy Hunt, Sara Kavitch Business Development Front of House and Rentals Zacory Boatright Coordinator – Tucson Don Gest Audience engagement House Managers – Tucson Audience engagement Staff Dan Horner, Sonja Reinhardt Freda Ganem 38 theatre information

The Temple of Music and Art The Temple of Music and Art is a beautifully refurbished 1927 theatre, built in the Spanish Colonial style that flavors so much of our city. ATC has identified the following services and policies to ensure your comfort and enhance your experience at the theatre:

Theatre Policies Latecomers will be seated only at an appropriate and pre-determined break in action. In order to not disturb patrons who are already enjoying the performance, latecomers may be seated in alternate locations until intermission. As a courtesy to our patrons and the actors, the use of cameras, recording devices and cellular phones is not permitted within the theatre. Please restrict cellular phone use to the courtyard, only. Children under five are not permitted in the theatre during performances. Emergency calls may also be made to the House Manager’s direct line: 520-884-4868. Smoking is not permitted anywhere within the building. Designated smoking areas are located in the front of the theatre, only. In the event of smoking onstage, a sign will be posted in the lobby. ATC Contact Information

Special Services Administrative Offices The theatre is equipped with an in-house infrared transmission system for 343 S. Scott Avenue, Tucson, AZ 85701 use by patrons with partial hearing loss or limited range of hearing. Phone 520-884-8210 Fax 520-628-9129 Complimentary assisted listening headsets are available before every performance at the Box Office. Please be prepared to leave a driver’s Box Office license or other form of identification while using your headset. Every 330 S. Scott Avenue, Tucson, AZ 85701 production is available in American Sign Language. For information on the Phone 520-622-2823 dates of our ASL performances, please contact the Box Office. An in-house Fax 520-884-1496 FM broadcast system is used to provide a running audio description of the www.arizonatheatre.org movement and activities onstage for patrons with limited vision. Pre-show [email protected] tactile tours of the backstage area and a pre-show narration about our building, the performers, and interpretive information about the play itself are all available upon request. Contact the Box Office to make your reservation. Coordinated with the action onstage, those in open-captioned seating will be able to read the play’s dialogue displayed in large green letters on an LED screen. For open-captioned performance dates, contact the Box Office. Large print and Braille playbills are available for all performances in the House Manager’s office in the lobby of the theatre. Accessible seating is available via the Box Office for all performances. If you would like seating assistance at the theatre, please contact the House Manager at 520-884-4868. The balcony of the Temple of Music and Art is not accessible by elevator.

39 Printer’s Ad TOUCHING LIVES THROUGH the POWER of THEATRE

RICH WITH EMOTION, MAGIC & SWEAT. SUCH IS THE EXHILARATING AIR OF THE THEATRE. WITH EVERY PERFORMANCE, THE AIR IS FILLED WITH MORE THAN MERE OXYGEN. IT IS DELICIOUSLY CHARGED WITH THE CHOICES OF THE MOMENT. AND WITH EACH SINGULAR, SATISFYING , BREATH TIMOTHY FITZ-GERALD, DANNY BOLERO & JULIA TILLEY IN ATC’S WE ARE TRANSPORTED. PRODUCTION OF THE FANTASTICKS. PHOTO BY TIM FULLER. Printer’s Ad Printer’s Ad Printer’s Ad