MARLBOROUGH COLLEGE, June 2019
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Challenge on the Campus
Volume 10 • Issue 3 Summer 2015 URGENCY IN UKRAINE Under Siege and Displaced STRIVING TO PROVIDE Voices of Local Agency Heads SOLIDARITY AND SPIRIT Rock 3,000 at IsraelFest CHALLENGE ON THE CAMPUS Boca Raton, Florida 33428 Florida Raton, Boca Preparing Young People to 9901 Donna Klein Boulevard Klein Donna 9901 Step Up, Speak Out & Act 1 CHAILIFE We’re Saving you a Seat! JOIN US FOR OUR COMMUNITY MISSION TO ISRAEL! PASSENGER B OA R D I N G your naMe here PASS DATE NOVEMBER 13-19, 2015 DATE 11.13.15 - 11.19.15 DEPARTURE USA ARRIVAL TEL AVIV, ISRAEL MISSION CHAIRS KAREN & MARK DERN ADELE & HERMAN LEBERSFELD See the Innovation Nation Enjoy food, wine and culture Meet with security experts Experience outdoor adventures Attend sessions with Celebrate Shabbat in Jerusalem and more! government officials jewishboca.org/spirit For more information, contact Barbara Kabatznik at 561.852.6050 or [email protected]. PRICE: $3,200* per person – land only, double occupancy *$500 subsidy per person available A minimum individual gift of $500 to the 2016 UJA/Jewish Federation of South Palm Beach County Annual Campaign is required to attend. C atCh the Spirit! We’re Saving 6 JOIN US FOR OURyou COMMUNITY MISSIONa STO ISRAEL!eat! 8 PASSENGER B OA R D I N G your naMe here PASS 16 DATE NOVEMBER 13-19, 2015 DATE 11.13.15 - 11.19.15 DEPARTURE USA 36 ARRIVAL TEL AVIV, ISRAEL MISSION CHAIRS KAREN & MARK DERN ADELE & HERMAN LEBERSFELD 44 FEATURES 4 AN URGENT CALL See the Innovation Nation Enjoy food, wine and culture Ukraine in Need Meet with security experts Experience outdoor adventures 6 JOURNEY TO IMPACT Attend sessions with Celebrate Shabbat in Jerusalem and more! Our 2015 Annual Meeting government officials 8 IN SOLIDarity AND SPIRIT CONTENTS IsraelFest 2015 14 THEY STRIVE to PROVIDE Voices of Agency Heads 14 Federation Partnerships 20 Campaign 2015 jewishboca.org/spirit 16 COMMUNITY OF unity For Naftali, Gil-Ad & Eyal 26 Men’s Division For more information, contact Barbara Kabatznik at 561.852.6050 or [email protected]. -
Painted Wood: History and Conservation
PART FOUR Investigations and Treatment 278 Monochromy, Polychromy, and Authenticity The Cloisters’ Standing Bishop Attributed to Tilman Riemenschneider Michele D. Marincola and Jack Soultanian 1975, Standing Bishop was acquired for The Cloisters collection, the Metropolitan Museum of IArt, New York. This piece—considered at purchase to be a mature work of Tilman Riemenschneider (ca. 1460–1531), a leading German mas- ter of Late Gothic sculpture—was intended to complement early works by the artist already in the collection. The sculpture (Fig. 1) is indisputably in the style of Riemenschneider; furthermore, its provenance (established to before 1907) includes the renowned Munich collection of Julius Böhler.1 The Standing Bishop was accepted as an autograph work by the great Riemenschneider scholar Justus Bier (1956), who was reversing his earlier opinion. It has been compared stylistically to a number of works by Riemenschneider from about 1505–10. In the 1970s, a research project was begun by art historians and conservators in Germany to establish the chronology and authorship of a group of sculptures thought to be early works of Riemenschneider. The Cloisters’ sculptures, including the Standing Bishop, were examined as part of the project, and cross sections were sent to Munich for analysis by Hermann Kühn. This research project resulted in an exhibition of the early work of Riemenschneider in Würzburg in 1981; The Cloisters sent two sculptures from its collection, but the loan of the Standing Bishop was not requested. Certain stylistic anomalies of the figure, as well as several Figure 1 technical peculiarities discussed below, contributed to the increasing suspi- Standing Bishop, attributed to Tilman cion that it was not of the period. -
Religion and Geography
Park, C. (2004) Religion and geography. Chapter 17 in Hinnells, J. (ed) Routledge Companion to the Study of Religion. London: Routledge RELIGION AND GEOGRAPHY Chris Park Lancaster University INTRODUCTION At first sight religion and geography have little in common with one another. Most people interested in the study of religion have little interest in the study of geography, and vice versa. So why include this chapter? The main reason is that some of the many interesting questions about how religion develops, spreads and impacts on people's lives are rooted in geographical factors (what happens where), and they can be studied from a geographical perspective. That few geographers have seized this challenge is puzzling, but it should not detract us from exploring some of the important themes. The central focus of this chapter is on space, place and location - where things happen, and why they happen there. The choice of what material to include and what to leave out, given the space available, is not an easy one. It has been guided mainly by the decision to illustrate the types of studies geographers have engaged in, particularly those which look at spatial patterns and distributions of religion, and at how these change through time. The real value of most geographical studies of religion in is describing spatial patterns, partly because these are often interesting in their own right but also because patterns often suggest processes and causes. Definitions It is important, at the outset, to try and define the two main terms we are using - geography and religion. What do we mean by 'geography'? Many different definitions have been offered in the past, but it will suit our purpose here to simply define geography as "the study of space and place, and of movements between places". -
Here a More Joyous Scene Unfolds
HOWARD LOUThAN From the Rhine to the Vistula The Low Countries, Germany and Religious Reform in Renaissance Poland The construction had lasted more than a decade and had engaged the ener- gies of an entire workshop. The result, though, pleased the city council beyond measure. Worshippers entered the church early to stare open-mouthed at what was the largest altarpiece ever assembled. The figures of the central panel measured nearly three meters high. But it was not the monumentality as much as the altar’s sheer emotive power that left a lasting impression on the believers. The German artist who had so patiently and skillfully shepherded this project to completion had created a moving tableau that captured both the sorrow and joy of the Virgin’s earthly passing. In the hour of her death, the grieving Apostles have come to join her and share her last moments. A bearded Saint Paul supports her sagging body while to her immediate right a distraught Peter casts his melancholy eyes down to the book he is holding. To her left the Apostle John visibly shaken grabs his robe in distress. Others of the twelve, though, have turned their gaze upwards where a more joyous scene unfolds. There surrounded by angels, Mary is received by her son in heaven. The pres- entation reaches its climax above this depiction of her apotheosis, indeed above the central panel itself. Here the Virgin is flanked by a series of life-size figures who witness her glorious coronation. Though altarpieces of this type could be found up and down the Rhine, a closer examination of this wooden monument would show that the saints surrounding the Virgin were neither those of Brabant or Cologne but of Poland, and the artist, Veit Stoss (c. -
Graphic Art and Drawing (Warsaw, 1-3 Dec 10)
Graphic Art and Drawing (Warsaw, 1-3 Dec 10) Jolanta Talbierska Conference: Graphic Art and Drawing. Methodology, Methods and Terminology Theory and Praxis Speaking and Discussion: Polish, possible English (Speakers from abroad) Date: 1-3 December 2010 Place: Poland, Warsaw, The University of Warsaw Library Dobra street 56/66, PL 00-312 Warszawa, room 316, IIId level Conference Event: Vernissage of Printmaking competition for the young Polish artists: Towards the old masters of printmaking... Date: 2 December 2010 Place: Poland, Warsaw, The University of Warsaw Library Dobra street 56/66, PL 00-312 Warszawa,hall on IIId level Concept and conference curator: Jolanta Talbierska Ph.D., the Head of the Print Room of the University of Warsaw Library; [email protected] Conference secretary and contact: Mrs. Zofia Kajczuk, [email protected] phone (+48 22) 55 25834; fax: (+48 22) 55 25659 The Print Room of the University of Warsaw Library, the oldest public collection of prints, drawings and architectural drawings in Poland, organises a conference "Methodology, Methods and Terminology of Graphic Art and Drawing. Theory and Praxis" that will be held on 1-3 December 2010. The conference will be a main event, that close jubilee year of the University of Warsaw Library - the 10th anniversary of its establishment at its new building at Dobra Street. This is the first academic conference in Poland, considered to works on paper - prints and drawings, their methodology, methods and terminology. Against general presence of prints and drawings in research in different fields, as well as creating museum and library database, demanding standardisation, the most important goal is taking effort of unification of terminology. -
Poland: Remnants of a Great Empire
Poland: Remnants of a Great Empire Christopher Wood In different political forms from 1386 to the late 18th century, Poland-Lithuania constituted one of the most powerful entities in Eurasia, with territories at times stretching from the Baltic Sea to the Dniepr River close to its Black Sea mouth near Yalta. Poland: Remnants of a Great Empire Page 1 Poland-Lithuania, enriched in particular by grain exports to hungry Western and Southern Europe, produced a lustrous architectural culture. This was seen especially in the old capital Kraków, that, unlike Warsaw, was spared the ravages of World War II. Founded in the 7th century, this fine city was capital of the Kingdom of Poland from 1038 until it ceded this status to Warsaw in 1569. Kraków boasts a superb Gothic, Renaissance and Baroque architectural culture Clustered on Wawel Hill above the merchant city are the various sections of the royal residence, Wawel Castle, and the lustrous Royal Archcathedral Basilica of Saints Stanislaus and Wenceslaus. Founded in the 11th century, this fine church is compose of Romanesque, Gothic, Renaissance and Baroque elements. Its masterpieces are its incredibly rich royal tombs. The great treasure of the castle, on the other hand, is Leonardo’s Lady with an Ermine (1489-90), a portrait of Cecilia Gallerani, the mistress of Ludovico Sforza, Duke of Milan; it was acquired by the Polish Prince Adam Jerzy Czartoryski in 1798. Poland: Remnants of a Great Empire Page 2 Among Kraków’s other architectural masterpieces are Gothic St. Mary's Basilica (c.1347) and Town Hall Tower (c.1300) and its Renaissance Cloth Hall, all in the Main Market Square. -
Early Renaissance Altarpieces in Transylvania: Materials and Technological Characteristics
Early Renaissance altarpieces in Transylvania: materials and technological characteristics Cristina Serendan, David Hradil, Janka Hradilová and Joseph Cannataci ABSTRACT This contribution focuses on the identification of the materials and technological characteristics of painting workshops active in Transylvania in the first decades of the sixteenth century. The first group of workshops considered was located in Sighişoara, one of which is known to have been run by Johannes Stoss. The altarpieces in the second group are attributed to the workshop of Vincentius, a painter in Sibiu, who signed and dated several altarpieces and one fresco painting still preserved in the region. Extensive research carried out during the past five years has brought to light important new evidence regarding particular features and similarities in the preparatory layers, gilding techniques and paint application. Complementary analytical methods and close visual examination were used to identify the structure and the composition of the grounds, poliments and precious metals on the painted panels. The results point to technological features common to the workshops, such as red poliments pigmented with iron oxides and cinnabar, and to complementary ‘fingerprint’ characteristics that can occasionally be corroborative, including gilding techniques associated with coloured glazes, red underdrawing and particular techniques of paint application. Introduction 2008 it was suggested that the woodwork itself forms part of the evidence that two or more autonomous but collaborat- -
Orthodox Jewish Men in an Egalitarian World
Th e Men’s Section HBI Series on Jewish Women Shulamit Reinharz, General Editor Sylvia Barack Fishman, Associate Editor Th e HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fi lls major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. Th e HBI Series on Jewish Women is supported by a generous gift from Dr. Laura S. Schor. For the complete list of books that are available in this series, please see www.upne.com Elana Maryles Sztokman Harriet Hartman and Moshe Hartman, Th e Men’s Section: Orthodox Jewish Men in Gender and American Jews: Patterns in an Egalitarian World Work, Education, and Family in Contem- porary Life Sharon Faye Koren Forsaken: Th e Menstruant in Medieval Dvora E. Weisberg, Levirate Marriage Jewish Mysticism and the Family in Ancient Judaism Sonja M. Hedgepeth and Rochelle G. Ellen M. Umansky and Dianne Ashton, Saidel, editors, Sexual Violence against editors, Four Centuries of Jewish Women’s Jewish Women during the Holocaust Spirituality: A Sourcebook Julia R. Lieberman, editor Carole S. Kessner, Marie Syrkin: Values Sephardi Family Life in the Early Modern Beyond the Self Diaspora Ruth Kark, Margalit Shilo, and Galit Derek Rubin, editor Hasan-Rokem, editors, Jewish Women in Promised Lands: New Jewish American Pre-State Israel: Life History, Politics, and Fiction on Longing and Belonging Culture Carol K. -
75 Years and Beyond
75 YEARS AND BEYOND BERNARD REVEL GRADUATE SCHOOL OF JEWISH STUDIES YESHIVA UNIVERSITY 75 YEARS AND BEYOND 75 YEARS AND BEYOND 75 YEARS AND BEYOND RICHARD M. JOEL President, Yeshiva University I have developed a keen interest in the remarkable legacy of the first president of Yeshiva University. Through his unique vision and untiring commitment, Dr. Bernard Revel made it his mission to build, sustain and grow Yeshiva into the first college of its kind in the world. When pondering the extent of his legacy, one must consider not only Dr. Revel’s profound rabbinic scholarship, but his academic Jewish scholarship as well. From the beginning, he proffered a vision in which the world of Torah in all its facets and forms of study could be explored and celebrated at this institution; how fitting, therefore, that our graduate school of Jewish studies everlastingly bears his name and imprint. The Bernard Revel Graduate School of Jewish Studies, founded more than 75 years ago, finds itself in the midst of a spectacular renaissance. The quality of both our senior faculty, and a brilliant cadre of junior faculty, enables Revel to have an impact far beyond its boundaries. Our prestigious academic programs are simply unmatched. We’re seeing an extraordinary increase not only in students pursuing master’s degrees, but aspiring scholars who are working on their doctorates; so many of them have entered and enriched our communities with their immense knowledge and tremendous scholarly output. Within Yeshiva, Revel’s vertical integration throughout the Jewish studies programs at this university has further fostered the sacred Torah Umadda conversation in inestimable ways. -
By Proxy: Arlington Arts Center’S First Online Exhibition
FOR IMMEDIATE RELEASE Arlington Arts Center Media Contact: Laura Devereux 703 248 6800 [email protected] www.arlingtonartscenter.org BY PROXY: ARLINGTON ARTS CENTER’S FIRST ONLINE EXHIBITION BY PROXY On view: July 9 – September 7, 2020 Exhibition Launch: Thursday / July 9 / 6-6:30pm EXHIBITION WEBSITE arlingtonartscenter.org/exhibitions/current BY PROXY ARTISTS Gal Cohen, Maps Glover, Jeremy Hutchison, Mariah Anne Johnson, Ivetta Sunyoung Kang, and My Husband Gal Cohen, Sharon’s House of Dreams by Quarantine Dream House Machine ARLINGTON, VA – Featuring new and recently created work, By Proxy explores the tension between solitude and solidarity that has characterized public and private life for many people since the onset of the COVID-19 pandemic. While the experience of quarantine has brought on a heightened sense of isolation, at least for those who are in a position to stay home, the pandemic has also made strikingly clear the limitations of the individualist ethos that has long dominated the American imagination. This period of isolation from one another has only served as a reminder of our need for both direct personal contact and, on a broader scale, for social solidarity and mutual aid. The work in By Proxy exists along this spectrum, from the sense of isolation to the desire for connection and communication. Presented entirely online, the show can’t help but grapple with the mediated togetherness offered by technology. Several artists in the exhibition take advantage of social media and other technological platforms in order to engage with wider audiences and launch interactive projects. These artists reimagine the possibility of social practice for an age of physical distancing, collaborating and creating relationships with participants from afar. -
Jerusalem on the Map Basic Facts and Trends 1967-1996 Maya
The Jerusalem Institute tor Israel Studies Founded by the Charles H. Revson Foundation Jerusalem on the Map Basic Facts and Trends 1967-1996 Maya Choshen The Jerusalem Institute for Israel Studies Founded by the Charles H. Revson Foundation, N.Y. Jerusalem on the Map Basic Facts and Trends 1967-1996 Maya Choshen Maps: Israel Kimhi Graphic design: Naama Shahar 1998 The Jerusalem Institute for Israel Studies Founded by the Charles H. Revson Foundation, N.Y. Jerusalem on the Map Basic Facts and Trends 1967-1996 Maya Choshen Maps: Israel Kimhi Graphic design & production: Naama Shahar This publication was aided by a grant from the Charles H. Revson Foundation, New York The author assumes sole responsibility for all statements made © 1998, The Jerusalem institute for Israel Studies The Hay Elyachar House 20a Radak St., 92186 Jerusalem http://www.jiis.org.il ISSN 0333-9831 Acknowledgments I would like to thank Israel Kimhi for preparing the maps and making important comments about the text; Naama Shahar for graphic design and production; Esti Boehm for textual design; Michal Korah for research assistance and proofreading; and Ralf Mandel for the English translation. Maya Choshen Contents Introduction 1 Jerusalem as a National, Historical, and Religious Center 2 Area and Municipal Boundaries 4 Infrastructure and Economic Features 7 Economic Status of the Population 10 Tourism 13 The Educational System in Jerusalem 16 Higher Education 18 Planning and Construction 1. Introduction 19 2. Jewish Building 20 3. Arab Building 21 4. Housing Density 22 Population Trends in Jerusalem 24 1. Changes in the Size and Growth of the Population of Jerusalem 24 2. -
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The Edah Journal A Forum of Modern Orthodox Discourse The Mission of Edah is to express and deepen the values of Modern Orthodoxy, educating and empowering Jews to address Modern Orthodox concerns. Fully committed to Torah, halakhah, and the quest for qedushah, Edah values open intellectual inquiry and expression in both secular and religious arenas; engagement with the social, political, and technological realities of the modern world; the religious significance of the State of Israel; and the unity of Kelal Yisrael. The Edah Journal 5:1 Edah, Inc. © 2005 Tammuz 5765 The Edah Journal A Forum of Modern Orthodox Discourse Statement of Purpose The Edah Journal is a forum for discussion of Orthodox Judaism’s engagement with modernity. It is Edah’s conviction that such discourse is vital to nurturing the spiritual and religious experiences of Modern Orthodox Jews. Committed to the norms of halakhah and Torah, The Edah Journal is dedicated to free inquiry and will Statement of Purpose of Purpose Statement be ever mindful that, “Truth is the seal of the Holy One, Blessed be He.” Editorial Board Eugene Korn - Editor Naftali Harcsztark – Associate Editor Joel Linsider – Text Editor Moshe Halbertal (Israel) Richard Joel Norma Baumel Joseph Simcha Krauss Barry Levy Dov Linzer Tamar Ross (Israel) Directions for Submissions The Edah Journal invites submissions of original scholarly and popular essays, as well as new English translations of Hebrew works. Popular essays should be between 800-2000 words. The journal particularly welcomes halakhic, philosophic, and literary studies relating to qedushah in modern experience, the religious significance of The Edah Journal the State of Israel, Jewish ethics, emerging Torah conceptions of and opportunities for women, Talmud Torah as an intellectual and spiritual discipline, pluralism, and Judaism’s relation to gentiles and contemporary culture.