Presents

THE INFILTRATOR

A film by (127 min., USA, 2016) Language: English

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The Infiltrator

SHORT SYNOPSIS Based on a true story, federal agent ROBERT “BOB” MAZUR () goes deep undercover to infiltrate Pablo Escobar’s drug trafficking scene plaguing the nation in 1986 by posing as slick, money-laundering businessman Bob Musella. Teamed with impulsive and streetwise fellow agent EMIR ABREU (John Leguizamo) and KATHY ERTZ (), a rookie undercover agent posing as his fiancé, Mazur befriends Escobar’s top lieutenant ROBERTO ALCAINO (Benjamin Bratt). Navigating a vicious criminal in which the slightest slip-up could cost him his life, Mazur risks it all building a case that leads to indictments of more than 100 drug lords and the corrupt bankers who cleaned their dirty money, along with the collapse of the Bank of Credit and Commerce International, one of the largest money-laundering banks in the world.

LONG SYNOPSIS Confronted with the violent drug trafficking scene plaguing the nation in 1986, federal undercover agent ROBERT “BOB” MAZUR (Oscar nominee and Emmy winner Bryan Cranston) realizes the Medellín Cartel faces an enormous problem of its own: ruthless Colombian kingpin Pablo Escobar and his vicious underlings are making so much money, they literally don’t know what to do with all the cash. Family man by night, nerves-of-steel charmer by day, Mazur convinces his boss BONNI TISCHLER (Oscar nominee Amy Ryan) to follow the money instead of the drugs. Teamed with impulsive, streetwise undercover agent EMIR ABREU (Emmy winner John Leguizamo) and later with KATHY ERTZ (Diane Kruger), a fast-thinking, beautiful rookie undercover agent who poses as his fiancé, Mazur constructs a high-risk David-and-Goliath sting named "Operation C-Chase.” To the investigation, Mazur poses as slick money-laundering businessman Bob Musella. Mazur, a mild-mannered former IRS accountant, creates his flashy alter ego and recruits street-tough mob enforcer DOMINIC (Joseph Gilgun), who has enough street cred to make Musella look legitimate. Abreu, going undercover with his shifty informant,

2 sets up Mazur’s first Cartel meet by convincing lower-echelon money laundering criminals GONZALO MORA JR. (Rubén Ochandiano) and his father GONZALO MORA SR. (Simón Andreu) to grow their operation by doing business with his “boss.” Secretly taping conversations with a covert recording device contained in his briefcase, Musella wins over the father-son team, then moves up another rung when he gains access to the Cartel’s elite. They include Pablo Escobar’s urbane lieutenant ROBERTO ALCAINO (Benjamin Bratt) along with his glamorous wife GLORIA (Elena Anaya). As he ascends the black money market power pyramid, Mazur walks a nerve- wracking tightrope, knowing that the smallest slip-up in his cover story could endanger him and his family. By the time Mazur/Musella penetrates the Cartel’s inner circle, his ability to compartmentalize private and professional identities begins to unravel. Immersed in the luxurious trappings of the Cartel underworld, Mazur/Musella becomes a trusted confidant of the world’s most dangerous and wanted men. Deep undercover in one of the world’s most vicious criminal organizations, Mazur faces a life-or-death question: can he remain faithful to himself when his charismatic creation Bob Musella threatens to takes over every last facet of his being? The Infiltrator is directed by Brad Furman (The Lincoln Lawyer, The Take). The movie stars Oscar nominee and Emmy winner Bryan Cranston (Trumbo, “”), Diane Kruger (Inglourious Basterds), Emmy winner John Leguizamo (Chef), Benjamin Bratt (Traffic, “Law & Order”), Oscar winner Olympia Dukakis (Moonstruck), Elena Anaya, and Oscar nominee Amy Ryan (Gone Baby Gone). The screenplay is written by Ellen Brown Furman and based on the memoir by Robert Mazur. Director of Photography is Joshua Reis (The Lincoln Lawyer). Production designer is Crispian Sallis (Welcome to the Punch, Trauma). Costume designer is Dinah Collin (The Bourne Supremacy, Bloody Sunday). Music is composed by Chris Hajian (The Take, Crown for Christmas). Produced by Miriam Segal, Don Sikorski, Paul M. Brennan and Brad Furman. Executive Producers are Kate Fasulo, Peter Hampden, Scott LaStaiti, Robert Mazur, Norman Merry and Martin Rushton-Turner.

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ABOUT THE PRODUCTION The Infiltrator began to take shape as a movie when director Brad Furman read Robert Mazur’s 2009 memoir The Infiltrator: My Secret Life Inside the Dirty Banks Behind Pablo Escobar's Medellín Cartel. The book, recommended to Furman by his longtime producing partner Don Sikorski, details how Mazur risked his life to expose corrupt banking executives and drug traffickers with minimal resources. As former Senator Bob Kerry said in a Congressional hearing, “Bob Mazur did not have a lot of fancy technology. He had a tape recorder.” Operating largely outside of bureaucratic oversight, Mazur’s low-budget sting led to more than 100 criminal indictments and the collapse of the world’s seventh largest private bank in 1991, when the Bank of Credit and Commerce International (BCCI) forfeited $550 million in U.S. assets after pleading guilty to fraud, larceny and money-laundering. Coming off his critically-acclaimed 2011 thriller The Lincoln Lawyer, Furman was already intrigued with Pablo Escobar when he sparked to The Infiltrator’s potential as a fresh entry point into Narcos subculture. “I was fascinated with Bob’s genius idea to suffocate the cartels by following their money,” Furman says. “I was drawn to his story because it has all these layers of complexity that you might find in movies like Traffic or The Insider.” Furman also admired Mazur’s low-budget approach to undercover, designed to minimize bureaucratic meddling. “Bob shaped this really intimate, personal operation, sort of like an independent film, which allowed him to do things his way. He pulled the strings and blew open a hole into all the corruption at BCCI and the cartels. That's why it became such a fascinating story to me and everybody else.” Furman's agent passed the book to British producer Miriam Segal, who recognized the story's potential. Her Good Films company acquired the rights and compiled a list of potential writers. Furman's mother, short story writer Ellen Brown Furman, got added to the mix, put together a pitch and got the assignment. Director Furman recalls, “In the end, Miriam came to me and said ’I’m hiring your mother because she's the best writer of the bunch.’”

4 Cranston Signs On A few years into Bryan Cranston’s Emmy-winning run in “Breaking Bad,” he made an indelible impression on Furman when he appeared in the director’s second film The Lincoln Lawyer. “That was a tough movie to shoot,” Furman recalls. “The thing that stuck with me afterwards is Bryan’s moral core and just who he is as a man. Bryan’s humble, very much like Bob Mazur, and we built a friendship out of that.” During a casual lunch in New York, where Cranston had portrayed Lyndon Johnson in the Broadway production of “,” Furman brought up The Infiltrator project. “On a complete whim, I told Bryan he’d be perfect for this movie,” Furman recalls. “He said, ‘Let me look at the script.’ Within a week, Bryan said ‘I'm in.’ I was excited beyond belief.” Cranston explains, “The thing that really got to me and made me want to do The Infiltrator is that Bob’s job is to befriend these criminals to the point where they completely trust him. He knows their children, he knows a lot about Roberto and Gloria; it’s true, deeply rooted friendship. And then Bob arrests them. So to me The Infiltrator is a story of friendship and betrayal.” Cranston, who cites The Conversation, The French Connection and All The President’s Men as personal reference points for The Infiltrator, also warmed to the challenge of playing a man who leads two lives. “As his normal self, Bob Mazur is this calm, committed family man to his two children and his wife,” he says. “And then there’s the character of this flamboyant businessman that Bob takes on for work. He flies private jets, goes to strip clubs and the best restaurants, drinks the best wines, plays the big shot, and then he puts all that aside and goes home to his middle-class life. I liked the challenge of blending those two things because it’s hard enough when you have a regular job to balance home and neighborhood and relatives. In that sense I think Bob's very relatable, but then he has the added pressure from the dangerous work he does.” Before production began, Cranston spent several days with Mazur observing his role model up close and personal. “Spending time with Bob, I really got a sense of what it takes to live this dichotomy of two different lifestyles,” Cranston says. “He has this very specific, methodical way about him, I would say that Bob’s actually OCD. He can’t stand

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things that are out of place, like even when he rolls up his sleeves, Bob wants them to have a nice even roll. I thought it was essential to show this in the movie.” Ultimately, Cranston points out, “My job was not to do an impersonation of Bob Mazur. My job was to capture his sensibility and point of view, then fill in the blanks with imagination and research.” On set, Cranston “filled in the blanks” with uncommon intensity, according to producer Segal. “Bryan’s one of the most detailed, textured, unpretentious, honest actors I’ve ever worked with,” she explains. “He’s very low-maintenance and a great leader. I remember it was three in the morning toward the end of filming in Tampa and Bryan’s there talking to the cameraman going, ‘Just take that cutaway, just take that cutaway.’ I kept saying to Brad, ‘It's enough now. We have to wrap.’ So Brad and I went over to Bryan and wrestled him off set, because he threw so much of his heart and soul into this film.”

Living for Adrenalin Emmy winner John Leguizamo, renown for improvisational abilities showcased in his one-man stage shows and movies (Chef, Ice Age) savored the chance to portray Bob’s shoot-from-the-hip undercover partner Emir Abreu. Leguizamo remembers his initial encounter with his real-life role model, now retired and living in Tampa. “When we first met, Emir set up something with the Custom Agent’s office right there in the airport and pretended to be getting arrested for something he was carrying," Leguizamo says. "It was all a joke but we were like ‘What just happened?!’ Emir’s always playing pranks on people.” Leguizamo responded to the contrasting dynamic that marks the relationship between Mazur and Emir. He notes, “These two guys are polar opposites, like Felix and Oscar in ‘The Odd Couple.’ Emir is buoyant, always gushing and full of life. And Bob is very tight, controlled and precise, and they pull off the biggest bank sting in the world.” Mazur confirms, “I'm a dot the ‘I’ cross the ‘T’ kind of person so I liked to plan everything in advance, whereas Emir was this very talented street agent who could walk into a room and handle the situation at the snap of a finger. John really captured the jokester essence of my former partner.”

6 Leguizamo previously worked with Furman in the director’s debut feature The Take. “I’ve never found as much freedom working with a director as I have with Brad,” Leguizamo says. “He’s chasing the same thing I am: Let’s create an experience on film that can’t be had in life. In a way, it’s the same thing that Bob and Emir are doing. We’re chasing the adrenaline.” When Abreu learned that Furman picked Leguizamo to play him on screen, the retired undercover agent was thrilled. “Bob asked me a long time ago who should play me in case they ever make a movie about us and I said ‘John Leguizamo.’ He's like a second cousin to me. John can be joking and jovial and serious all at the same time, plus he has the slang.” The Infiltrator excels at dramatizing the contrast between each agent's distinctive skill set, Abreu says. “As a street guy, I didn't know too much about how to deal with bankers. That ain't my forte. I could work the street but not the banks, which is where Bob did such an excellent job.” Unlike Mazur, Abreu says he had no problem compartmentalizing job and family responsibilities. “My job is one thing and my house is a different ballgame. I'm not taking the ball inside the house. My family never asked me details about what I was doing, although they knew it was something crazy.” Abreu’s talent for shooting from the hip complemented Mazur’s preference for meticulous preparation each time they pulled off a sting. “I feel like if you try to script things, it won't work,” Abreu says. “I remember at an early meeting with the bad guys, Bob said, ‘I want Mora to sit here and I want this other target to sit there’ and I said, ‘No, it doesn't work that way. They sit wherever they want to sit.”

Kruger Channels the Real Kathy Ertz

7 Having appeared in Quentin Tarantino’s taut World War II drama Inglourious Basterds, Diane Kruger has had plenty of experience dramatizing life-or-death scenarios on screen. But when the German-born actress read about undercover agent Kathy Ertz, she was bowled over by her character’s courage. Kruger says, “I couldn't believe what I was reading: Like, this actually happened!” Ertz joined Operation C-Chase after its launch when Mazur concocted a story for the criminals about having a fiancé as an excuse for avoiding sex with a stripper. Beyond the sting's surreal twists and turns, Kruger related deeply to Ertz as a character. “For me, it was really interesting to play this very driven woman in the ‘80s, when it was really a man's world. Then Kathy finds this incredible partner in Bryan’s character Bob Mazur and, as a team, they lived through two exhilarating years. To see the way Kathy slipped in and out of the underworld – there’s a lot of excitement and adrenalin involved in being so close to these criminals. In doing what she did, Kathy truly made a difference.” Kruger spoke to the real Kathy Ertz over the phone and came away deeply impressed with the agent’s level of commitment. “As actors, we get to go home and be ourselves again,” Kruger observes. “It's hard for me to imagine living a completely different life as somebody else over a period of years. What's fake? What’s the real you? Where do you draw the line? Kathy spends two years with somebody she knows is selling drugs but like I say in the film, ‘When you get close to people, you can't help but have feelings for them.’” For her part, Ertz, a pivotal member of the C-Chase team, appreciated enjoyed Kruger portrayal. “Diane is not over the top and I appreciated that. She doesn’t act flamboyant. She complemented the persona of Bryan Cranston as Bob Musella because that’s what my role was.” Ertz offered Kruger invaluable context about the era. “Diane was very interested in the strong feminine aspect of the story but I told her that I was not supposed to be perceived that way, as [my pseudonym] Kathy Erickson. Some of my fellow women agents thought that I did not portray the female agent as strongly as she should have been and some male agents had a perception that I was ‘salad dressing’ as Emir called it. I got a lot of backlash. But I was there to support these guys and I had no problem with it.”

8 Ertz also shared with Kruger the way she and Mazur went into “performance” mode before each undercover meeting. “I remember telling Diane each time we had to move from being an agent into our undercover persona, Bob and I had to move into it like an actor who’s portraying another person. We were going to be on stage. There was a cue, I don’t remember exactly what it was – something like ‘Curtains up’ – where we became our roles: ‘I’m Kathy Erickson, he’s Bob Musella and we’re onstage.’ That was a mind trick we used in order to switch.” Operation C-Chase gave Ertz the opportunity to emulate one of her personal role models, fictional crime fighter Emma Peel. As a child, Ertz fell in love with the TV series “The Avengers,” starring as the beautiful and witty secret agent. “I remember watching that show and I wanted to be Emma Peel,” Ertz says. “I got into law enforcement in the first place because I loved the fact that you could be creative.” Ertz put that creativity to work in molding her alter ego Kathy Erickson. “I grew up in a family that mimicked Kathy Erickson’s very closely, in a diplomatic world,” she explains “I was very familiar with Middle Eastern culture, I spoke foreign languages, I had a secondary interest in art. I used those interests to create this image of Kathy Erickson as this mid-twenties young woman who came from a rich, privileged background, worked in a diplomatic environment and wanted to get away from all that by being with this ‘walk the edge’ gentleman Bob Musella.” While Mazur/Musella worked Cartel members for hard evidence that could be used in court, Ertz used her persona to foster a comfort level with the criminals through shopping trips and chit chat. “I could be flippant with the bad buys, ask questions about the most innocuous things, and at the same time I’m retrieving information,” she explains. “I was there to talk about everyday topics so the bad guys could sit back and relax.”

The Smooth Criminal When Benjamin Bratt signed on for The Infiltrator, the half-Peruvian Emmy nominee embraced the opportunity to inhabit a three-dimensional villain in the persona of suave Cartel drug trafficker Robert Alcaino. “I’ve played members of drug cartels in the past but I was willing to explore the material again from a fresh angle because Brad

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Furman and his mother, the screenwriter Ellen Brown Furman, wanted to show the humanity of Robert Alcaino.” The story raised numerous questions about Roberto Alcaino’s character that Bratt, best known for his heroic turn on TV’s “Law & Order” series, wanted to address. “What was it about this guy that made him bad? What made him good? Yes, Roberto Alcaino sells drugs, but he’s also a businessman,” Bratt says. “He loves his wife and children and he’s taking care of his family by filling a vacuum that exists. There’s a line in the film where I say ‘This country put me in the job that I’m in. If there was no demand, there would be no supply. I’m simply fulfilling the supply.’ That’s how Roberto sees it.” During his preparation for the role, Bratt got a chance to hear the actual recordings secretly made by Mazur during his conversations with Alcaino. “As an actor, listening to those tapes was awe-inspiring because you hear Bob pretending to be someone else not just for a day, or a month, or even a year, but for years – and he does it flawlessly. One of the wonderful things about taking on this role was listening to Bob Mazur posing as Bob Musella. I do believe Bob and Roberto developed a real friendship over time but of course it simply couldn’t last because Mazur had to take Alcaino down. Was that a kind of betrayal? Of course it was. I looked at the devastation Bob left in his wake and how his actions affected not only Roberto himself but the innocent members of his family.” Roberto formed a power couple of sorts with his glamorous wife Gloria, played by Spanish actress Elena Anaya. Winner of the 2012 Best Actress Goya Award for Pedro Almodóvar's The Skin I Live In, Anaya says, “Gloria loved to have control. She was the boss of the Alcaino home. It was her mission in life to protect her man Roberto.” Anaya gained insights about Gloria directly from Ertz. “Kathy sent me the most amazing e-mails giving me all kind of detail about their relationship,” Anaya says. “Gloria was touched by the fact that Kathy was going to become like her, the wife of a drug lord. In their shopping trips and the time they spent together, Gloria was training Kathy to be like her.”

10 A Colorful Support Crew Additional to its core cast, The Infiltrator teems with vividly drawn supporting characters operating on both sides of the law. “Brad’s great at casting,” says producer Segal. “Of all the directors I've worked with, Brad has the best eye for casting I’ve ever seen. Every performance in The Infiltrator is nothing less than the best that it could be, whether it’s from actors you know or actors you’ve never seen before.” Furman’s casting choices include Oscar nominee Amy Ryan (Gone Baby Gone), who plays Bob’s boss Bonni Tischler. “Bonni’s a real firecracker and I just wanted to get in there and play her,” says Ryan. “She sees Bob’s operation as a stepping stone to bigger promotions so Bonni wants results. From the get-go, Bonni and Bob can't stand each other, yet they need each other, which probably fuels most of the animosity.” Ryan says, “I wanted to take on the responsibility of portraying this determined woman making her way in a very male-dominated world back in the 1980s. I don't want people to dismiss my character like, 'Oh, she's just a bitch. She's a pain in the ass.' I believe women have to come out swinging, both then, and today. Otherwise they'll get eaten alive.” Joseph Gilgun plays mob enforcer-turned bodyguard Dominic. The slender British actor admits he had qualms about taking on a character with whom he has little in common. “Dom’s described as this thick-set guy with big wrists and forearms,” he says. “If you look at my spindly wrists, I have the figure of somebody who reads books so I started to panic and called Bob. He told me about this guy called Little Danny, who was ruthless, and that made me feel better.” Gilgun points out that Dominic plays a key role in the sting by schooling Mazur on gangster couture and etiquette. “Mobsters are not just looking to make money, they’re looking for mistakes. Everything has to be perfect, from what you’re wearing to the way you talk to the car you’re driving. Dominic introduced Bob to a world where you make one mistake and you’re dead.”

11 Furman cast Academy Award winner Olympia Dukakis (Moonstruck) to portray Bob’s tough Aunt Vicky, who’s more than happy to take part in the sting. “I have been an Olympia Dukakis fan forever,” Furman says. “She’s an amazing actress who plays strong, intelligent women so well, plus I loved how authentically ‘New York’ she was.” Dukakis’ character is based on Mazur’s real-life uncle. “I decided to turn the character of Aunt Vicky from a man to a woman to change the stereotypes usually associated with the Mob,” he explains. “Aunt Vicky is not just some innocent family member,” adds Mrs. Furman. “She’s a woman who deals with killers and ruthless businessmen and wants nothing more than to be involved in a ruse that helps make her nephew a success.” British actress Juliet Aubrey plays Robert Mazur’s wife Evelyn. Winner of a BAFTA Best Actress award for her starring role in BBC's TV production of “Middlemarch,” Aubrey, who has also appeared in such movies Welcome to Sarajevo and The Constant Gardener, brought an understated intensity to her performance. Producer Segal says, “There’s a wonderful scene Ellen wrote between Juliet’s character and Diane’s character which is so beautifully played. It’s one of the things I love about The Infiltrator: the film doesn’t go down the obvious path.”

Flash and Class: The Infiltrator Look In developing a distinctive look for The Infiltrator, filmed largely in London, England with key exteriors filmed on location in Tampa, Florida, Furman steered clear of the overly familiar ‘80s-era iconography popularized by “Miami Vice.” Instead, he worked with storyboard artist Nathan Morse, cinematographer Josh Reis, makeup artist Sharon Martin and British costume designer Dinah Collin to craft his own period-specific aesthetic. “For me,” Furman says, “The '80s can be really cheesy so I wanted to find a way to represent the '80s and make it cool.” Top priority: creating a wardrobe for Cranston that embodied the flashy lifestyle for Mazur’s “Bob Musella” alter ego. “There's a big contrast between Bryan’s look as a Customs officer compared with this superhero money launderer that he invented,”

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explains Emmy winner Collin (“Pride and Prejudice”), whose resume includes Bloody Sunday, The Bourne Supremacy and United 93. “Bob told me he actually spent $12,000 on these Italian suits, so the tailor I worked with produced bold suits made of wonderful fabrics from Saville Row,” she recalls. “There's a dinner suit Bob Musella wears in the movie that has a little bit of sparkle, just enough to give it that kick.” Mazur credits Dominic, the mob enforcer posing as his chauffeur, with invaluable fashion tips. “Dominic told me where to buy my clothes,” says Mazur, who paid for the expensive suits out of his own pocket. “The government does not outfit you with new clothes. As a Customs agent there was no way I would have paid that kind of money for a couple of suits, but this stuff helped keep me alive.” To complete Bob Musella’s underworld ensemble, Collin and her team found a source on the Internet that sold matching pocket scarves and ties. “They were very loud and luscious,” says Collin, who also rounded up snake skin boots for Cranston along with authentic ‘80s shoes purchased at Brixton Village Market vintage flea markets in South London. Cranston weighed in with his own take on the Bob Musella style. “Bryan pointed out at one of the fittings that the shirt collars needed to be more extreme,” Collin recalls. “I hadn’t particularly noticed until we got the shirt-maker to make the longer collar. Then I absolutely understood what Bryan was talking about.” As for Roberto Alcaino’s look as portrayed by Benjamin Bratt, Collin says, “It’s all about Armani. You’ll notice in the wedding, Benjamin sits down in a double-breasted tuxedo without undoing it. He's just such a clothes person, it's wonderful.” Alcaino’s chic wife Gloria, played by Elena Anaya, was modeled partially on Nancy Reagan, Collin explains. “Elena talked to me about how everything needed to match in the same way that Nancy Reagan used to look. She’s very particular, almost like something back in the ‘50s where you've got a matching handbag and you need to wear exactly the right color shoes. All the bits have to work together.” The slightly larger than life aesthetic also extended to characters’ coifs. “We’re living in the world of big hair,” Cranston laughs. “They back-teased my hair to get more volume, which I didn’t know you could do. What you see in the movie, that’s all my own

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hair but when Sharon Martin, our make-up and hair person, back teased it, all of a sudden the volume of hair becomes like a pompadour.” Kruger had her own pop culture references in mind when it came to Kathy’s hairdo. “At the beginning, I wanted my look to be like ‘Cagney & Lacey,’” she laughs. Furman opted for something more subtle. “Brad really does not like the whole perm look and big prints and shoulder pads, so we tried to find a good balance.” Above all, Furman aimed to infuse the film with authenticity. “I wanted to make sure this movie felt grounded and real,” says Furman, who found period inspiration in such films as Donnie Brasco and Scarface. “We played with the flamboyance of the era, but in a subtle way.”

The Fake Identity That Fooled Everybody The Infiltrator details how Mazur developed paperwork, props and mannerisms aimed at selling his fake identity to suspicious drug traffickers. Though he often picked names from tombstones, as depicted in the film, Mazur actually found his “Bob Musella” identity in an archive curated by San Francisco-based marijuana smugglers. “They kept meticulous files of fake identities,” says Mazur. “When I found ‘Robert Musella,’ born in New Jersey just across the river from Staten Island where I'm from, I thought that would be a good pick. There was no death certificate so I started to build on that identity.” During his training with the Criminal Investigation Division of the IRS, before he joined the U.S. Customs Office of Enforcement, Mazur learned an invaluable lesson about creating an undercover alias. “I’ll never forget when an IRS special agent told me ‘Do as much as you can personally to build your own identity and do not rely on the government.’” By way of illustration, Mazur says, “If you let someone in the government get you a credit card, there's going to be a red flag in a file somewhere at American Express saying 'If this card becomes overdrawn, contact Special Agent so and so.' The people I infiltrated had very high-level contacts. They’ve bought presidents of countries. It would be easy for them to get somebody in charge of American Express to give them information.”

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Mazur recruited his friend, the late Eric Wellman, to provide an array of persuasive props. “Eric had an investment company, a mortgage business, a jewelry chain, a Rolls Royce, an air charter service with a private jet, all types of resources that I couldn't have gotten as an agent because law enforcement doesn’t have all that inventory,” Mazur laughs. Former mob enforcer-turned-bodyguard Dominic schooled Mazur in the importance of looking like a big-time operator. “Dominic warned me that if I sit across from some drug trafficker with my legs crossed, they’re going look at the soles of my shoes. I'm not believable as a multimillionaire money launderer if I'm wearing cheap JC Penney shoes with holes in the soles. But if my shoes are Italian made and cost a couple of hundred bucks, that sends a completely different message.” A shrewd understanding of body language also helped Mazur sell himself as trustworthy to drug traffickers like Cartel kingpin Rudy Armbrecht. “When I first met Rudy I needed to have him see me as somebody who was very open and transparent,” Mazur remembers. “I sat on a couch and had both of my arms on the top of the couch. I didn't have my legs crossed and once we started talking, I opened up as much as I could because these are little things people pick up on.” The key piece in Mazur’s undercover tool kit came in the form of a “Renwick” briefcase which contained a tape recorder. The recording device was concealed by a canvas flap held in place by Velcro straps. Mazur endured one spine-chilling close call, dramatized in the film when the straps gave way a few inches from Cartel members. Mazur recalls, “I was in a hotel room with Rudy Armbrecht when I picked up the briefcase lid. The Velcro let loose, the thing fell down and I was looking straight down into the recorder and this nest of wires. I kept talking to Rudy trying to act normal when he got up because he wanted to see some papers in the briefcase. I managed to re-close the compartment within a split second of when Rudy leaned over.” Mazur concludes, “There are a bunch of different ways in which you can get killed and one of them would have been if Rudy had seen that tape recorder.”

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Emotional Wear and Tear Working undercover for two years, Mazur struggled to remain cool in the face of life and death situations. “From the outside, it probably looked like I was medicated, but inside my head, fireworks were going off,” says Mazur. During one Cartel meeting, he remembers, “Rudy told me if I ever turned on them, there wasn't a hole deep enough on this planet that I could hide in. I knew the man he used to work for, Gerardo Moncada, was tortured to death. I also knew that if I acted scared, these criminals have a sixth sense – they can smell fear.” Mazur’s high-risk operation made it difficult to lead a normal family life. He explains, “After being away for a month I’d come home with a suitcase full of dirty clothes expecting to immediately resume my position as the dad and husband, but the family had made a tremendous adjustment and everybody was on autopilot.” Mazur’s wife Evelyn remembers what it was like to assume the role of single parent. “When Bob was home physically, he was mentally here maybe 75 percent of the time but he was always thinking, thinking, thinking,” says Mrs. Mazur. “C-Chase was more intense and longer than anything Bob had done before. The kids knew when the strobe light in the closet went on, they had to go to their rooms and be silent. If we were traveling in the car and Bob’s undercover phone went on, the rule was ‘Sit still and don't talk.’” Remarkably cool-headed during most of the undercover mission, Mrs. Mazur admits she did encounter one sticking point when it came to her husband’s alternate identity. “The most challenging part of the whole case, to be honest, was the idea of Bob having a fiancé and planning a wedding. For me, that was like ‘Time out.’” Mazur recalls, “Ev ultimately came to the decision that it would be better for me just to go and stay in deep cover. I could come home when I finished the job and at that point we’d determine whether or not we still had a life together.” Mr. and Mrs. Mazur survived the rigors of Operation C-Chase and three decades later remain a happily married couple.

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Florida War Zone: The Facts on the Ground By the time Mazur and his team launched Operation C-Chase, Florida was reeling from an unprecedented avalanche of drugs, cash and Cartel-related violence. Mazur remembers how the 1979 Dadeland Mall massacre put the community on alert. “This Medellín Cartel hit squad jumped out of this truck in broad daylight with machine guns in the middle of this mall and sprayed the guys they wanted to kill,” he says. “It scared the hell out of the entire town because we never imagined the kind of violence that happened every single day in Colombia would now be exported to Florida.” By 1984, Dade County Florida had become the nation’s most murder-prone metropolitan areas – 23.7 murders per 100,000 population – while Florida’s murder rate was surpassed by only three states. When Mazur launched Operation C-Chase, illegal drugs in Florida generated $420 million in cash transactions every week. ($920 million today, adjusted for inflation.) “In Tampa, Brickell Avenue was lined with offshore banks taking in millions in cash,” Mazur recalls. The money trail first uncovered by Mazur would ultimately reach beyond Cartel malfeasance: BCCI maintained accounts for the CIA that funded the government’s secret Iran Contra operation. Mazur’s mission anticipated a global Narcos economy that has only grown more virulent over the ensuing decades. A recent United Nations report estimates that illegal drugs generate $400 billion in profits annually, with the Department of Justice claiming annual seizures worth roughly $1 billion. Corrupt banking practices have also metastasized, as evidenced by the recent “Panama Papers” leak. Dating back to the 1970s, the secret files document how major international banks continue to hide money in more than 200 secret off-shore shell companies without questioning the sources of their clients’ income. International banks including BNP Paribas, Standard Chartered Bank, Lloyd's, ING, ABN Amro, Credit Suisse, Barclays, RBS, HSBC, UBS, and Wachovia / Wells Fargo have all paid fines for failing to report suspicious money transfers. “We lack the political will to do anything about it,” Mazur observes.

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Fighting the Good Fight One of the finest actors of his generation, Cranston has often played morally complex characters grappling with questions of good and evil. The Infiltrator contributes a thrilling addition to that body of work. Cranston says “The Infiltrator takes the audience on a journey because it’s many things. It’s a bit of a thrill. It's a family drama about a man's character and his drive to achieve something of great benefit. Then there's the danger and intrigue and hubris and greed from the Medellín Cartel where you find all these crazy, unreliable characters. It’s a real rollercoaster ride.” Leguizamo sees The Infiltrator as a little known chapter of The War on Drugs history that offers moviegoers a thrilling perspective on big issues. “The Infiltrator is a very complicated story and that’s the kind of movie I like,” he says. “I’m a grown-up and I like movies for grown-ups. I’m not into kiddie flicks, I don’t like to be spoon fed, I don’t like simplistic plots. I like the fact that this movie works on both the drug deal level and the banking level because I don’t think we’ve ever really seen those two worlds merge and taken down simultaneously. That’s the brilliance of this movie.” Kruger savors The Infiltrator as a period piece of uncommon grit. “It's always a fun ride to be taken back in time and it’s amazing to watch this movie and understand that these things actually happened,” she says. “I love films that are kind of slick and look cool but at the same time, there’s a real sense of gravity to the story.” Director Furman believes the heroes and villains at the heart of The Infiltrator will resonate for contemporary audiences. “Hopefully we’re putting something in the zeitgeist that might create awareness about the kind of corruption and crimes that Bob Mazur started to expose back in the ‘80s,” he says. “Now is the right time to release The Infiltrator because I think people are hungry for a film that dares to be intelligent and trusts them to follow along.”

18 ABOUT THE CAST

BRYAN CRANSTON (Bob Mazur) Bryan Cranston is an Academy Award nominee, a six time Emmy Award winner, a Golden Globe Award winner, and a Tony Award winner. Cranston recently starred as the title character in Jay Roach’s Trumbo. His critically-acclaimed performance garnered him nominations for an Academy Award, a Golden Globe Award, a SAG Award, a BAFTA Award, and a Critics’ Choice Award in 2016 for “Best Actor.” Cranston previously received critical acclaim for his co-starring role in the 2012 Oscar-winning Best Picture, Argo. He played CIA operative Jack O’Donnell opposite star-director , and won a Award for his performance in the film. Cranston will next be seen starring in John Hamburg’s Why Him? alongside in December 2016 as well as Robin Swicord’s independent feature, Wakefield. On stage, Cranston made his Broadway debut as President Lyndon B. Johnson in All the Way by Pulitzer Prize-winning playwright . Cranston won the 2014 Tony Award for his performance, as well as a Drama Desk Award, Outer Critics Circle Award, and Theater World Award for “Outstanding Actor in a Play.” Additionally, All The Way won the Tony Award for “Best Play” and set the record for the highest dollar amount ever generated by a straight play in one eight performance week. Cranston went on to produce the film adaption of the play through his production company, Moon Shot Entertainment, along with ’s Amblin Television and Tale Told Productions, which premiered on HBO in May 2016. For his performance in HBO’s All the Way, Bryan was nominated for a 2016 Television Critics Association Award for “Individual Achievement in Drama.” Moon Shot Entertainment has also developed the animated series “SuperMansion” for , “” for Amazon, and “The Dangerous Book for Boys” for NBC. Cranston’s other feature film credits include: Gareth Edwards’ Godzilla which made over $500 million dollars worldwide, Len Wiseman’s remake of Total Recall, Adam Shankman’s Rock of Ages, Nicholas Winding Refn’s Drive, Steven Soderbergh’s

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Contagion, Andrew Stanton’s John Carter of Mars, Tom Hanks’ , Brad Furman’s The Lincoln Lawyer, Jonathan Dayton & Valerie Faris’ , Wallace Wolodarsky’s Seeing Other People, Steven Spielberg’s , and Tom Hanks’ That Thing You Do!, among others. Cranston has also lent his voice to DreamWorks Animation films 3 and 3: Europe’s Most Wanted, which grossed over $320 and $730 million worldwide respectively. On television, Cranston’s portrayal of Walter White on AMC’s “Breaking Bad” garnered him four Emmy Awards, four SAG Awards and a Golden Globe Award. He holds the honor of being the first actor in a cable series and the second lead actor in the history of the Emmy Awards to receive three consecutive wins. His performance also earned him two additional Emmy Award nominations, three Golden Globe Award nominations, and a Television Critics Association Award. As a producer on “Breaking Bad,” Cranston won two Emmy Awards and a Producers Guild of America (PGA) Award for “Outstanding Drama Series.” He has also been the recipient of three Directors Guild of America (DGA) Award nominations. In 2014, Cranston was nominated for directing an episode of “Breaking Bad” as well as directing an episode of “.” Cranston was previously nominated for a DGA Award for directing “Modern Family” in 2013. Cranston’s career began with a role on the television movie Love Without End, which led to him being signed as an original cast member of ABC's “Loving.” He went on to appear in numerous television series, his roles including: Hal on FOX's “,” which ran for seven seasons and for which Cranston was nominated for a Golden Globe Award and three Emmy Awards; the recurring role of Dentist, Tim Whatley, on “”; on HBO's acclaimed miniseries “From the Earth to the Moon”; and Officer Dickenson in the made-for-television movie I Know My First Name is Steven. Before Cranston got his start in film and television, he starred in several shows including The God of Hell, , The Taming of the Shrew, A Doll's House, Eastern Standard, Wrestlers, and The Steven Weed Show, for which he won a Drama-Logue Award. Cranston’s other credits behind the camera include writing, directing, and starring in the original romantic drama Last Chance as a birthday gift for his wife, Robin Dearden.

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He directed several episodes of “Malcolm in the Middle” and the Comedy Central “Special Unit.” In 2011, Cranston served as an Executive Producer of an exclusive online series called “The Handlers” for Atom.com, and starred in the series as Jack Powers, a politician campaigning for a seat in the State Senate. Cranston also produced an instructional DVD called KidSmartz, which is designed to educate families on how to stay safe from child abduction and Internet predators. KidSmartz raises money for the National Center for Missing & Exploited Children (NCMEC).

JOHN LEGUIZAMO (Emir Abreu) A multi-faceted performer and Emmy Award winner, John Leguizamo has established a career that defies categorization. With boundless and visceral creativity, his work in film, theatre, television, and literature covers a variety of genres, continually threatening to create a few of its own. He will also be seen in Ice Age: Collision Course, set to release on July 22, 2016 and A Conspiracy on Jekyll Island with AnnaSophia Robb, Dianna Agron and Ed Westwick. He will also be featured in ’s hit show “Bloodline” this year. Leguizamo was last seen in his revered one-man show, “Latin History for Morons” at the La Jolla Playhouse, where he delivered his take on 500 years of Latin History spanning the Aztec and Incan Empires to World War II. In 2015, Leguizamo released his novel, Ghetto Klown, the graphic novel adaptation of his award-winning one-man Broadway show. He was also seen in Get Squirrely with Victoria Justice, and “Taxi 22.” In 2014, Leguizamo completed production on Universal Pictures Sisters, opposite and Amy Poehler; the action comedy, American Ultra, with Jesse Eisenberg and Kristen Stewart; Atlas Independent’s The Man On Carrion Road, opposite Patrick Wilson and Jim Belushi; 11:55 Holyoke opposite Victor Almanzar; and in Meadowland alongside Olivia Wilde, which was released at the 2015 Tribeca Film Festival. Leguizamo most recently starred in Fugly, opposite Rosie Perez and Rhada Mitchell, which he also wrote and produced. The film follows Leguizamo’s character, a

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New York comedian, whose near death experience forces him to make difficult life choices. In 2014, Leguizamo also appeared alongside writer/director Jon Favreau in the Open Road feature, Chef, in Universal Pictures breakout comedy hit Ride Along, opposite Ice Cube and , and in the Lionsgate feature, John Wick, with Keanu Reeves. In March of 2015, Leguizamo debuted his 5th HBO solo special, “Ghetto Klown,” an adaptation of his Drama Desk Award-winning one-man stage show of the same name. Leguizamo performed “Ghetto Klown” for New York’s Central Park’s Summerstage 2014 in July. “Tales from a Ghetto Klown,” which featured a behind-the-scenes look at the production, also aired on PBS as a part of its Summer Arts Festival. In 2013, Leguizamo completed production on Stealing Cars, starring William H. Macy and starred in Cymbeline, a modern-day take on William Shakespeare’s play. The film premiered at the 2014 Venice Film Festival. In 2011, Leguizamo returned to Broadway with his new solo play, “Ghetto Klown,” the next chapter in his hugely popular personal and professional story. Directed by Academy Award winner Fisher Stevens, Ghetto Klown follows in the unabashed, uncensored, and uninhibited tradition of Leguizamo’s “Mambo Mouth,” “Spic-O-Rama,” “Freak,” and “Sexaholix… a Love Story.” Other film credits include Walking with Dinosaurs, The Counselor, Kick Ass 2, Love in the Time of Cholera, Vanishing On 7th Street, The Lincoln Lawyer, The Ice Age Franchise, Love In Time Of Cholera, The Happening, Righteous Kill, The Babysitters, The Take and Where God Left His Shoes. In addition, Leguizamo has led his talents to a slew of other films including Miracle at St. Anna, Land of The Dead, Assault On Precinct 13, Sueno, Spun, Summer of Sam, King of The Jungle, Spawn, William Shakespeare's Romeo + Juliet, Dr. Doolittle, Carlito's Way and Casualties of War. For his performance as a sensitive drag queen in Too Wong Foo: Thanks for Everything, Julie Newmar, Leguizamo garnered a Golden Globe nomination for Best Supporting Actor. Leguizamo also picked up ALMA Award nominations for his roles in Moulin Rouge (Best Supporting Actor) and King of the Jungle (Best Lead Actor). He was the recipient of the 2002 ALMA Award for Entertainer of the Year.

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In the summer of 2007, Leguizamo returned to television in Spike TV's limited series “The Kill Point,” in which he played the leader of a gang of bank robbers who had recently returned from serving in Iraq. Additionally, Leguizamo appeared as a guest star in twelve episodes of NBC's cornerstone drama “ER” during the 2005/2006 season, and in 2006 did a guest star arc on the NBC hit “My Name is Earl.” In 1991, Leguizamo created an off-Broadway sensation as the writer and performer of his one-man show “Mambo Mouth,” in which he portrayed seven different characters. He received Obie, Outer Critics Circle and Vanguardia awards for his performance. Leguizamo's second one-man show, “Spic-O-Rama,” had an extended sold-out run in Chicago at the Goodman and Briar Street theaters before opening in New York. The play received numerous accolades including the Dramatists Guild Hull-Warriner Award for Best American Play and the Lucille Lortel Outstanding Achievement Award for Best Broadway Performance. Leguizamo received the for Outstanding New Talent, as well as a Drama Desk Award for Best Solo Performance. “Spic-O-Rama” aired on HBO, receiving four CableACE Awards. “Freak,” Leguizamo's third one-man show, ended a successful run on Broadway in 1998. Billed as a “Semi-Demi-Quasi-Pseudo Autobiography," “Freak” was described as “scathingly funny" (New York Times). Along with the Tony Award nominations for Best Play and Best Performance by a Leading Actor in a Play, Leguizamo won the Drama Desk and the Outer Critic's Circle Awards for Outstanding Solo Performance. A special presentation of “Freak,” directed by Spike Lee, aired on HBO and earned Leguizamo the Emmy Award for Outstanding Performance in a Variety or Music Program as well as a nomination for Outstanding Variety, Music or Comedy Special. In fall of 2001, Leguizamo returned to Broadway with “Sexaholix...a Love Story.” Directed by Peter Askin, the play is based on the sold-out national tour, “John Leguizamo Live!” Leguizamo was nominated for an Outer Critics Circle Award for Outstanding Solo Performance and the show received a Tony nomination for Best Special Theatrical Performance. “Sexaholix” aired as an HBO Special in Spring 2002 and also toured the

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country. Additional stage credits include “A Midsummer Night's Dream” and “La Puta Vida” at the New York Shakespeare Festival and “Parting Gestures” at INTAR. To add to his list of attributes, Leguizamo is also an accomplished author. He recently penned his autobiography Pimps, Hos, Playa Hatas, and All the Rest of My Friends, which was released by Harper Collins in October 2006. The New York Times called the book "brutally funny," while USA Today coined Leguizamo as "one of the most exciting talents to come along in some time." Leguizamo currently resides in with his wife and two children.

DIANE KRUGER (Kathy Ertz) Diane Kruger can next be seen in Sky opposite Norman Reedus and in Disorder opposite Matthias Schoenaerts. She also has Fathers and Daughters opposite Russell Crowe, and Amanda Seyfried, which portrays a story about a Pulitzer-winning writer (Crowe) grappling with being a widower and father after a mental breakdown, while, 27 years later, his grown daughter (Seyfried) struggles to forge connections of her own. In 2013, Kruger made her television debut in the critically acclaimed FX drama “The Bridge” as Detective Sonya Cross, working to hunt down a serial killer operating on both sides of the American-Mexican Border. The show aired for two seasons on FX and won a Peabody Award. Kruger was most recently seen starring opposite Jason Clarke in the Terrence Malick-produced film The Better Angels, which premiered at the Sundance Film Festival and Berlin Film Festival last year. The film focuses on Abraham Lincoln’s youth in the vast wilderness of Indiana and the hardships that shaped him, the tragedy that marked him forever and the two women who guided him to immortality. It was released by Amplify on November 7th, 2014. In 2011, Kruger starred in Quentin Tarantino's critically acclaimed hit Inglourious Basterds, opposite Brad Pitt, Christoph Waltz and . The film premiered at Cannes Film Festival in 2009, then reached number one at the box office, grossing over $300 million worldwide. For her performance, Kruger earned a Screen Actors Guild Award nomination for Outstanding Performance by a Female Actor in a Supporting Role, and won the SAG Award as part of the ensemble cast. Kruger also starred as Marie

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Antoinette in Benoît Jacquot’s film Farewell, My Queen, which opened the 62nd Berlin International Film Festival to rave reviews. Born in Germany, Kruger was first launched to international fame as the infamous Helen in Wolfgang Petersen’s Troy, opposite Brad Pitt and Orlando Bloom. That same year, she starred with Josh Hartnett in Paul McGuigan’s Wicker Park. She has since starred in both the U.S. and in Europe in such films as the Oscar-nominated French film Joyeux Noel; Copying Beethoven, with ; Goodbye Bafana, Bille August’s ode to Nelson Mandela, also starring Joseph Fiennes; and Anything For Her (Pour Elle), from director Fred Cavayé. Kruger’s recent credits include starring as The Seeker in the sci-fi thriller The Host, alongside Saoirse Ronan. Another is a dual role in Mr. Nobody, with Jared Leto, Sarah Polley and Rhys Ifans, and Baltasar Kormakur’s harrowing indie feature about organ trafficking, Inhale, also starring Sam Shepherd, Dermot Mulroney and Patricia Arquette. Kruger also recently starred opposite Djimon Hounsou in the French-filmed action adventure Special Forces, from director Stephane Rybojad and the high grossing Jerry Bruckheimer National Treasure films opposite . Kruger is an ambassador for The Global Fund and a strong supporter of amfAR (The Foundation for AIDS Research), UNICEF and Stand Up to Cancer. She currently resides in .

AMY RYAN (Bonni Tischler) Amy Ryan was most recently seen in theatres in Joachim Trier’s Louder Than Bombs, co-starring with Jesse Eisenberg, and Isabelle Huppert. In 2015, she received the SAG Award for Outstanding Performance by a Cast in A Motion Picture for her work in Alejandro González Iñárritu’s Oscar-winning Birdman opposite Michael Keaton. Her recent films include Steven Spielberg's Bridge of Spies, starring opposite Tom Hanks; Rob Letterman’s Goosebumps co-starring with Jack Black, and Don Verdean, in which she starred with , and Danny McBride. She will next be seen in Rawson Marshall Thurber’s Central Intelligence for New Line, in which she stars with Dwayne Johnson and Kevin Hart. She recently wrapped a starring role in the indie Abundant Acreage Available for writer/director Angus MacLachlan.

25 Ryan is perhaps best known for her acclaimed performance in Ben Affleck’s Gone Baby Gone, for which she was recognized with Academy Award, Golden Globe and SAG Award nominations for Best Supporting Actress. Additionally, she won numerous Best Supporting Actress awards including those from the National Board of Review, the Broadcast Film Critics Association, the New York Film Critics Circle and the L.A. Film Critics. Her other film credits include Breathe In with and Felicity Jones; Clear History directed by Greg Mottola for HBO co-starring with ; Devil’s Knot directed by Atom Egoyan, co-starring with Colin Firth; Tom McCarthy's Win Win; Green Zone; Jack Goes Boating; Changeling; Before The Devil Knows You’re Dead; Capote; Dan In Real Life; War Of The Worlds; and Keane. Ryan made her Broadway debut in Wendy Wasserstein’s “The Sisters Rosensweig.” For her work in the 2000 production of “Uncle Vanya,” she was nominated for a Tony Award for Best Featured Actress in a Play. In 2005, she appeared as Stella in “A Streetcar Named Desire,” earning her second Tony nomination. She also starred in Neil LaBute’s “The Distance from Here” in London’s West End, and Lisa D’Amour’s critically-acclaimed play “Detroit,” directed by Anne Kauffman at Playwrights Horizons. Ryan’s television work includes her memorable portrayals as Holly Flax on “The Office,” Adele on “In Treatment” and Officer Beatrice Beadie Russell on “The Wire.”

OLYMPIA DUKAKIS (Aunt Vicky) Olympia Dukakis is an Academy Award winner for her performance in Moonstruck, a role that also earned her a Golden Globe Award, American Comedy Award, and the Los Angeles Film Critics Award for Best Supporting Actress. She has appeared in more than 60 feature and short films, including Cloudburst (most recent), Mr. Holland’s Opus, Steel Magnolias, Dad, Look Who’s Talking I, II & III, Mighty Aphrodite, Jeffrey, Away from Her, among many others.

BENJAMIN BRATT (Roberto Alcaino) Benjamin Bratt’s diverse career has successfully spanned film and television for more than 20 years. In 2010, Bratt won Cinequest’s Maverick Spirit Award for his work as

26 producer and star of the San Francisco indie hit La Mission. Written and directed by his brother Peter Bratt, the locally produced film garnered much critical praise, winning a Best Indie Film nomination from the NAACP, a GLAAD award nomination, and multiple Imagen Awards, including two for Best Picture and Best Actor. Bratt’s distinguished film career includes the critically acclaimed films Piñero, for which he was lauded for his striking, haunting, and “career defining” performance as the poet- playwright-actor Miguel Piñero; Steven Soderbergh’s Traffic, which received five Academy Award nominations and a Screen Actors Guild Award for Ensemble Cast; and The Woodsman, a festival and critical favorite starring . A veteran of more than 25 films, Bratt’s other work of note includes Curtis Hansen’s The River Wild opposite ; Blood In, Blood Out for director Taylor Hackford; Clear And Present Danger opposite Harrison Ford; the beloved comedy Miss Congeniality with Sandra Bullock; and the theatrical adaptation of the acclaimed novel Love In The Time Of Cholera, co-starring Javier Bardem. Bratt played the voice of Manny in the film Cloudy with A Chance of Meatballs and reprised his role in last year’s sequel, Cloudy with A Chance of Meatballs 2. Audiences will also remember Bratt in Despicable Me 2 as the voice of Eduardo and in The Lesser Blessed which premiered at the Toronto International Film Festival last fall. Prior to that, Bratt also starred in Snitch alongside Dwayne Johnson. Television audiences perhaps best recognize Bratt from his Emmy-nominated role as Detective Rey Curtis on NBC’s long-running drama “Law & Order.” He recently starred in the A&E drama series “The Cleaner,” for which he also served as producer. His portrayal of “extreme interventionist” William Banks garnered him the 2009 Alma Award for Best Actor in a Drama Series. Bratt also starred in the ABC drama “Private Practice” and in a recurring role as Sofia Vergara’s ne’-do-well ex-husband Javier on the smash hit “Modern Family.” Most recently, he co-starred in the Fox series “24: Live Another Day.” Most recently Bratt can be seen in the box office comedy Ride Along 2 opposite Ice Cube and Kevin Hart. He will next be seen in Special Correspondents for director , and Shot Caller - another collaboration with director Ric Roman Waugh.

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A San Francisco native and proud alumnus of American Conservatory Theater’s ATP – he received an honorary M.F.A. in 2008 – Bratt is married to actress Talisa Soto Bratt and resides in Los Angeles with her and their two children.

ELENA ANAYA (Gloria Alcaino) Elena Anaya was born in Palencia, Spain, on July 17th, 1975. An active child, Anaya excelled in karate and mountain climbing. By the time she was 17 Anaya knew that she wanted to channel her energy into being an actress and enrolled in a drama course being given in her local town by actor Manuel Moron. More determined than ever, she then opted out of school, choosing instead to audition for the Royal Academy of Dramatic Art in Madrid. Moron mentioned Anaya's exceptional talent to his agent, who was looking for a young girl to star in the film, Africa. Elena auditioned and the role was hers. Anaya was obliged to leave the Royal Academy when Fernando Leon de Aranoa called her to work in his comedy, Familia. But, aware of the importance of studying, she continued learning at the Juan Carlos Corazza school of acting. Following her feature debut in the 1996 drama África, directed by Alfonso Ungría, Anaya continued to impress with supporting roles in such features as Lagrimas Negras, Finisterre, Las Huellas Borradas and the romantic drama El Invierno De Las Anjanas. In 2000, director Julio Medem cast her as the seductive baby sitter, Belen, in the erotic drama Lucia Y El Sexo (2001). The explosive mixture of innocence and provocation earned her a Goya (Spanish Academy Award) nomination for Best Supporting Actress. She also received the Spanish Actors Union Award for Best Supporting Actress. That same year she was featured in the comedy Sin Noticias De Dios with Penelope Cruz and Victoria Abril. As her star continued to rise thanks to roles in Dos Tipos and Pedro Almodóvar's Talk To Her, it was only a matter of time before she caught the attention of international directors and she was offered the role of Dracula's most possessive bride in 2004's Van Helsing. Then, in 2004, came the action comedy Dead Fish with Gary Oldman, in 2005 the thiller Fragile and the period adventure Capitán Alatriste. In 2007 she starred in Miguel & William and Savage Grace with Julianne Moore.

28 In 2008 she was introduced to French audiences in L’instintc De Mort with Vincent Cassel and Gerard Depardieu. She then travelled to Cairo to work in the romantic drama Cairo Time. Agustín Díaz Yanes called her again for his film I Only Want To Walk and she then starred in Gaby Ibanez's thriller Hierro. 2009 brought Anaya and Julio Medem together again to make Room In Rome. The role of Alba earned her Best Actress nominations for both the Spanish Actors Guild and the Goya Awards. She then returned to France to shoot Fred Cavaye's A Bout Portant. In 2010 Pedro Almodóvar offered her the leading role of Vera in his new film The Skin I Live In with Antonio Banderas. This role won her the 2011 Best Actress Goya (Spanish Academy Award). In 2012 she received the honorary Málaga Sur Award at the yearly film festival in Málaga. This same year took Anaya to Argentina to make Pensé Que Iba Haber Fiesta. In 2013 she starred as Lupe in Todos Están Muertos, directed by Beatriz Sanchis. This role won her six Best Actress nominations, the only actress to be nominated for all the awards in the 2015 Spanish Award season.

In 2013 Anaya also starred in the Scottish film Swung. In 2014 she shot Chilean director Matias Bize's La Memoria Del Agua and has recently finished filming Imanol Uribe´s Lejos Del Mar. She recently wrapped the Warner Bros. feature Wonder Woman opposite Gal Gadot.

JASON ISAACS (Mark Jackowski) The Golden Globe, BAFTA, International Emmy and Critic's Circle nominated Jason Isaacs began his acting career at Bristol University where he studied Law, but found himself acting, writing and directing most of the time. After graduation, he trained for three years at London's prestigious Central School of Speech and Drama. In 2000, his breakout role as Colonel William Tavington in Roland Emmerich's feature film The Patriot garnered him numerous nominations including one from the British Film Critics Circle. Two years later, Isaacs began his role as Lucius Malfoy in Harry Potter and The Chamber of Secrets. He went on to reprise the role in Harry Potter and The Goblet of Fire, Harry Potter and The Order Of The , and again in the last two films Harry

29 Potter And The Deathly Hollows: Parts I and II. His other film credits include Black Hawk Down, Green Zone, Peter Pan, Friends With Money, The Tuxedo, Sweet November, Windtalkers, End Of The Affair, Armageddon, Event Horizon, Good, Abduction and Skeletons. On stage he created the role of Louis in the award-winning production of the Pulitzer Prize-winning “Angels in America: Parts 1 and 2” and has performed to packed houses at London’s Royal Court, Almeida, King's Head and Trafalgar theatres. In 2007, he starred in a sell-out run of Pinter’s “The Dumb Waiter” with comedian Lee Evans. Isaacs has won multiple awards and nominations for his television roles including the BAFTA Best Actor nomination for “The Curse of Steptoe” and a Golden Globe nomination for Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television for the BBC's “The State Within.” The critics raved over his performances in “Scars”, Lynda LaPlante’s “Civvies” and as Michael Caffee in three seasons of the Peabody Award-winning “Brotherhood.” He then starred as Jackson Brodie in the BBC’s “Case Histories”, a role that garnered him various other nominations including an International Emmy for Best Leading Actor. “Case Histories” also won the BAFTA Scotland Award for best drama series. He produced and starred as Detective Michael Britten in NBC’s critically acclaimed dual-reality drama “Awake.” He has also appeared in “” and “Entourage.” Isaacs recently appeared in the feature Sweetwater alongside Ed Harris and , which premiered at the 2013 Sundance Film Festival. That year, he completed After the Fall executive produced by Terrence Malick and directed by Saar Klein, Field of Shoes directed by Sean McNamara and London Fields directed by Mathew Cullen. He appeared in the NBC miniseries event “Rosemary’s Baby” in April 2014 and was seen alongside Brad Pitt in Fury in October 2014. He then went on to star in the action-adventure event series “Dig” for USA Network from the minds behind “Heroes” and “Homeland.”

30 SIMÓN ANDREU (Gonzalo Mora Sr.) Simón Andreu is a Majorcan actor who was given his first film role shortly after finishing his studies at drama school. Since then he has appeared in more than 150 films. His command of English and French has allowed him to take part in numerous English and French and Italian productions. Amongst his international credits are Flesh and Blood directed by Paul Verhoeven, Bee Ban Kidron´s On the Edge, The Chronicles of Narnia: Prince Caspian by Andrew Adamson and Lee Tamahori´s Die Another Day by Lee Tamahori. Andreu has also worked with Spain´s most important directors. On television, Andreu has been part of many highly successful series. In 2006 he joined the cast of the TV Series "Amar en Tiempos Revueltos", playing the role of Ildefonso de Suances. In 2008 he played Salvador Martinez in “Sin Tetas no Hay Paraíso.”

He has also taken part in productions such us “Aquí no Hay Quien Viva,” “Un Paso Adelante,” “The Group” and “Borgia,” directed by Tom Fontana. Andreu has also worked in many theatre productions, including “A Man for all Seasons,” “Cena Para Dos,” “La Tragicomedia del Príncipe Carlos and Faust.” More recently, Andreu has appeared in Goya's Ghosts (2006), starring Javier Bardem and Natalie Portman, Little Ashes (2008), and The Way (2010), directed by Emilio Estevez.

31 RUBÉN OCHANDIANO (Gonzalo Mora Jr.) After training in acting, singing and contemporary dance with different teachers, working in successful television series and starring in several theatrical shows, it is on the big screen where Rubén Ochandiano has spent most of his career as an actor, working with the most prestigious directors on the international scene: Pedro Almodóvar, Steven Soderbergh, Alejandro González Iñarritu, Gabriele Salvatores, Montxo Armendáriz, Icíar Bollain, Juan José Campanella, etc. He has been nominated for prestigious awards including the Goya Award, the Award for Best Actor at the Cannes Film Festival or the Spanish Actors Union Award. As a director he debuts with the short film Paradise and receives several awards at a number of international film festivals. Later he adapted for the stage and directed theatrical classics "The Seagull" by Anton Chekhov, and "Antigona" by Jean Anouilh; as well as his own texts "Animal" and "Evolution." For television he has written and directed the miniseries "Crossover" and "Mucha Mierda" (2015). In October 2012 Alfaguara published his first novel, Untitled Love Story getting recognition from critics. In March 2014 he published his second book, Animal, a theatrical text staged by him in autumn 2013. Born in Madrid on October 3rd 1980, Ochandiano collaborates as a writer in prestigious Spanish publications such as El País, GQ, Vanity Fair and Vanidad.

JOSEPH GILGUN (Dominic) Joseph Gilgun is an incredibly talented actor, who really is one of a kind. He is currently shooting the highly anticipated AMC series, “Preacher,” alongside Dominic Cooper and

32 Ruth Negga. “Preacher” has already wowed critics at US previews, and will premiere to the public in May 2016. Gilgun recently played alongside Vin Diesel and Elijah Wood in the Lionsgate feature The Last Witch Hunter. Gilgun is perhaps most well known for playing the much loved Woody in Shane Meadow's award-winning This Is England. Joe first played Woody in the 2006 film and has revisited him in the follow up TV series “This Is England 86,” “This Is England 88” and “This Is England 90.” In 2012, Gilgun was nominated for the BAFTA Best Leading Actor Award for his work on the series. In addition to Woody, Gilgun played series regular Rudy Wade in the BAFTA award-winning television series “Misfits.” Other TV credits include BBC’s ever popular “Ripper Street” and ’s “Shameless.” For film, Gilgun starred opposite Bill Knighy and Immelda Staunton in Matthew Warchus critically acclaimed feature film Pride. Other Film roles include Daniel Barber's Harry Brown opposite Michael Caine, James Mather’s Lock Out, and Reg Traviss’ Screwed.

JULIET AUBREY (Evelyn Mazur) Juliet Aubrey trained at The Royal Central School of Speech and Drama. Awarded a BAFTA (Best Actress) for her performance as Dorothea in the BBC's “Middlemarch,” she has gone on to take leading roles in many highly acclaimed feature films: Welcome To Sarajevo, Iris, The Constant Gardener, Look To The Sky, and Still Crazy amongst them. Awards earned for her performances in these films include: La Boule, The Efebo d'Oro, The Broadcasting Press Guild, and a Golden Globe nomination. Well known recent roles for television include the time travelling villain Helen Cutter in “Primeval,” Marie in “Five Daughters,” Queen Elizabeth in “Bertie and Elizabeth,” Orla Fante in “Hunted,” Isabella In “Measure For Measure,” and Joy in “The Village.” Always returning to the stage, her first love, her theatre credits include “Ivanov” (The National); “Summerfolk” (The National); An Oak Tree (Soho Theatre); “The Three Sisters,” “Twelfth Night,” “Othello,” “Much Ado About Nothing,” and “The Playboy Of The Western World” (Cry Havoc); “The Long Mirror” (Theatre Clwyd); “”

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and “The Lady From The Sea” (The Oxford Stage Company); and “The Collection” (Kings Players). She also spent six months performing with Haris Pasovic's Sarajevo International Theatre Company, in Amsterdam. Aubrey is an activist for human rights, and is Ambassador for Women for Women International. She has Mine, the Fabio Guagliano/ Fabio Resinaro movie, slated for release later this year.

ABOUT THE FILMMAKERS

BRAD FURMAN (Director, Producer) Brad Furman is a director, writer and producer best known for his gritty, thought- provoking, ethereal style. Previously, Furman directed the critically acclaimed The Lincoln Lawyer starring Matthew McConaughey, Marisa Tomei and Ryan Phillippe. Based on the best-selling novel of the same name, the drama followed a defense lawyer who works out of his Lincoln car, and was released by Lionsgate. He also directed the thriller Runner, Runner starring Ben Affleck and , released by 20th Century Fox. His feature directorial debut, The Take, premiered at the 2007 Toronto International Film Festival to rave reviews. Starring John Leguizamo, Tyrese Gibson, and Rosie Perez, the crime drama followed the story of a truck driver who survives a violent hijacking and attempts to track down his attacker. Perez earned an Independent Spirit Award nomination for her moving work in the film, which was released by Destination Films. Furman’s PSA for The Rape Abuse Incest National Network, Unbroken, starring Rachel Bilson, was accepted to the Universal Studios/MVPA Director’s Cuts Film Festival. This gripping and compelling piece led to Furman’s selection as one of the Top Directors of 2004 by the Universal Studios/MVPA panel. In addition to his diverse film work, Furman has established a strong presence in the music industry. He recently helmed ’s “event” music video “What Do You Mean,” the first single off the singer’s record-breaking album Purpose. He followed

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that up working with legendary producer Harvey Weinstein and recording artist Zendaya on the video for the title track “Neverland” off the soundtrack to Broadway’s acclaimed musical “Finding Neverland.” Furman previously directed, wrote and produced the critically acclaimed documentary, Buried Alive In The Blues, which featured BB King, Buddy Guy, Sam Lay and other blues greats. He has also directed a number of music videos for artists including Parachute, Spitfiya (the winner of Showtime’s “The Next Episode”), Linkin Park’s protégé rap group Styles of Beyond, Mr. North, The Marie Sisters, Dr. Dre’s protégé Knock-Turn’al, and New Zealand’s Zed. Born in Philadelphia, Furman is a Founders Scholar graduate of ’s Tisch School of the Arts, and currently resides in Los Angeles.

ELLEN BROWN FURMAN (Writer)

Ellen Brown Furman graduated from Temple University School of Law (cum laude) and was an Editor of Temple Law Review. She practiced trial law in Philadelphia until relocating to San Diego to write fulltime. She received an MFA in Creative Writing from New York University (summa cum laude). Her short stories have appeared in numerous literary journals including Tampa Review, Calyx, Nimrod, and Byline. She is a Pushcart Prize Finalist, a Katherine Anne Porter Prize for Fiction finalist, a two-time Glimmer Train Fiction finalist, a Boston Review finalist, a New Millennium Writings finalist, and two-time SLS finalist. In addition to The Infiltrator, she has written numerous screenplays including two presently in development: Can I Be Honest? and Bigger.

MIRIAM SEGAL (Producer) Miriam Segal is Founder and Lead Producer of independent film company Good Films, which she established in 2007. She came to the world of independent film with over 20 years of film and television experience having produced multiple award-winning serial and long form dramas for BBC Films including “Love Is the Devil” which she worked on with critically acclaimed director John Maybury. Segal will be moving three films into production in the next year, first re-teaming with director Brad Furman in late summer to produce L.A.byrinth, a high-voltage

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investigation into the death of Notorious B.I.G. and the LAPD in the 90’s. Next, she’ll produce Invisible, a London-set drama about economic migration, helmed by Danis Tanovic, director of the Academy Award winning film No Man’s Land. Set to shoot at the beginning of 2017 is The Postcard Killings, based on the #1 New York Times best- selling novel by James Patterson and Liza Marklund which will be directed by two-time Academy Award winner Janusz Kaminski. Prior to The Infiltrator, Segal produced two films under the Good Films banner: a $20 million adaptation of C. P. Taylor’s Good (2008) starring Viggo Mortensen and Jason Isaacs, and the $13 million family-friendly feature The Great Ghost Rescue (2011) directed by the highly acclaimed French director Yann Samuell.

JOSHUA REIS (Director of Photography) Joshua Reis is a Local 600 Union Cinematographer based in Los Angeles and San Francisco, . Joshua has been working professionally around the globe as a cinematographer for nearly ten years. He has been collaborating with some of the biggest artists, directors, and brand names in the industry working on; music videos, commercials, and features. Joshua is verse in lighting for film, Super 35, Super 16, and digital formats. He enjoys employing a wide variety of cinematic styles including: glossy, soft beauty, noir, natural minimalism, and drama. Reis’s multifaceted background also includes large format photography, black and white darkroom printing, motion graphic design, and digital illustration. All these multifaceted skills and experience allow him to create cutting edge work. This gives him a competitive edge in an ever changing advertising ecosystem of deliverables ranging from the big screen theater, broadcast television, HDTV, web, viral, to wireless portable devices. Reis excels at many different aesthetics and genres. He loves the slick and glossy music video lighting as much as the gritty and flashy hand crank hyper aesthetic. Reis is well diverse in post workflows so he understands how to adapt and maximize the best quality from the latest digital codecs. Reis grew up near Lake Tahoe, California where he seasonal participated in outdoor sports. He came to Los Angeles in 2000 to attend the University of Southern California where he studied fine art and cinema. During his tenure at USC, he focused on

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photography, specializing in 4x5, 6x7, Neopan and Tri-X black and white printing via traditional darkroom methods. Reis also studied motion and graphic design giving him knowledge into post production and finishing processes. Meanwhile, he began DPing short films and music videos for his peers. By graduation, he had assembled an impressive cinematography reel. After graduation, he continued to build his cinematography reel. In 2005, he purchased an Arri SR3 Super 16 camera. To better understand lighting and camera, Reis worked as a camera assistant for a couple of years as an apprentice under a handful of seasoned and well respected Directors of Photography. Today, he owns and operates an Epic camera package in addition to his film camera. He takes great pride in his work and his skills are in great demand for commercials and music videos, having worked with such performers as Eminem, Katie Perry, Justin Bieber, And Imagine Dragons. He looks forward to the future and has begun moving into features films. He shot 2nd unit work for Brad Furman on The Lincoln Lawyer. He was excited to collaborate with Director Brad Furman on The Infiltrator, and this marked the first time Brad and Joshua collaborated as Director and First Unit DP on a feature film.

CRISPIAN SALLIS (Production Designer) A three-time Oscar-nominated and Emmy-winning set decorator, Crispian Sallis served as production designer for Eran Creevy’s Welcome To The Punch starring James McAvoy and , as well as Chris Menges Crisscross starring and produced by Goldie Hawn. Other films Crispian has designed include Shane Meadow’s A Room For Romeo Brass and Once Upon A Time In The Midlands, Marc Evans’ My Little Eye and Trauma starring Colin Firth, starring John Malkovich, and Keeping Mum starring Kristin Scott Thomas and . He was nominated for Academy Awards for Best Art Direction for James Cameron’s Aliens, Bruce Beresford’s Driving Miss Daisy and Ridley Scott’s Gladiator and was nominated two years in succession for a Primetime Emmy Award for Showtime’s "The Tudors," winning one. Other films Sallis has set decorated include Brian Helgeland’s recent Legend starring Tom Hardy as the Kray brothers, Oliver Stone’s JFK, Terry Gilliam’s Twelve

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Monkeys, Ridley Scott’s Hannibal and Tony Scott’s Revenge as well as James Bond films, Octopussy and A View To A Kill, and Top Secret among many others. Sallis started in the film industry straight from school as Michael Winner’s P.A. on The Big Sleep starring Robert Mitchum and before joining Ridley Scott’s Alien as the Runner in the production office before he was moved to the Art Department where he has worked ever since. Sallis has just completed designing Sony Crackle’s new drama, “Startup,” written and directed by Ben Ketai, in Puerto Rico.

DINAH COLLIN (Costume Designer) Dinah Collin’s costumes have featured in some of the most seminal television dramas and films for over the past two decades. Perhaps her most well know television work was in the BBC’s 1995 version of “Pride and Prejudice,” for which she won an Emmy Award for Best Costume. She’s also won a BAFTA for BBC2’s “Portrait of a Marriage.” As her career progressed Collin began to transfer her talents to Film. During this time she established her working relationship with the director Paul Greengrass making the costumes for multi award winning films such as Bloody Sunday, The Bourne Supremacy and United 93. She also designed costumes for Roman Polanski’s The Ghost with Ewan McGregor and Pierce Brosnan and Venus in Fur, which was in competition for Palme D’Or in Cannes 2013. In 2016 Collin’s work was seen on the big screen in Dad’s Army, a film remake of the classic British , staring Catherine Zeta-Jones and . She is currently involved in My Cousin Rachel directed by Roger Michel. Her most recent theatre credit was Glyndebourne Festival Opera 2012 “Cunning Little Vixen,” directed by Melly Still. Prior to this she worked on the National Theatre’s adaptation of Terry Pratchett’s novel “Nation,” also directed by Melly Still, and Nicholas Hytner’s “Much Ado about Nothing” starring Zoe Wanamaker and .

CHRIS HAJIAN (Composer) Born and raised in Queens, New York, Chris Hajian began his musical education at the age of five, studying trumpet under his father, Edward, a professional musician in New

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York City. Hajian’s formal training started at New York’s “Famed” High School of the Performing Arts, and continued at the Manhattan School of Music, where he studied classical composition. Hajian’s composition roots began in the indie film movement of the 90’s. Most notably, he composed the score to Ten Benny, starring Adrian Brody, that was selected for the 1996 Sundance Film Festival. He then composed the provocative score for Mr. Vincent that premiered at Sundance year. His career started to blossom as he worked steadily composing for film, television, and documentaries. He composed music for HBO’s “Naked States” and sequel “Naked World,” about the work of photographer Spencer Tunick. Television films include scores to “My Date with the President’s Daughter.” He composed a period orchestral score for “Samantha: An American Girl Holiday” (Revolution Studios – Exec. Producer Julia Roberts), “Felicity: An American Girl Adventure” and “Molly: An American Girl on the Homefront.” Feature films include Inspector Gadget 2 (Disney) which he recorded in Australia with an 80-piece orchestra. Next came the cinema vérité drama The Take (theatrical release 2008) starring John Leguizamo and Rosie Perez, directed by Brad Furman (2007 Toronto Film Festival). Also in 2008, Hajian scored Yonkers Joe (Tribeca Film Festival 2008). This film stars Chazz Palmenteri and Christine Lahti. In 2009, Nursery University, a documentary feature which chronicles the stories of various New York City parents on their quests to get their children into nursery school, had its television debut on the Showtime network. Also in 2009, Hajian scored the dark comedy feature Ex-Terminators, starring Heather Graham and Jennifer Coolidge. It premiered at the South-by-Southwest Film Festival. Next up, Hajian took on the dogs in Disney’s Beverly Hills Chihuahua 2. He composed the score for an intriguing documentary titled Unraveled, directed by Marc Simon. The film chronicles the life of the corrupt lawyer Marc Dreier, who pleaded guilty on May 11, 2009 to charges in the United states district Court for the Southern District of NY, including conspiracy to commit security fraud and wire fraud in a scheme to sell $700 million in fictitious notes. It had its broadcast premiere on the Showtime network. 2010 saw the release of the feature Documentary First Position directed by Bess Kargman. In 2012, he scored Kinderblock 66: Return To Buchenwald, narrated by Liev Scrieber, as well as the feature documentary Men Of The Cloth, premiered at the

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Montclair Film Festival in 2014. His most recent documentary score is Laddie, about the life of iconic Hollywood producer Alan Ladd Jr. Currently Hajian is scoring the television series “Start Up” for Sony/Crackle. Created and directed by Ben Ketai, the series stars Martin Freeman and launches in August 2016. In addition to his composing career, Hajian is a steering committee member of the Society of Composer’s and Lyricist’s in NYC and heads up their very successful Mentor Program. He is also very involved in various Music Advocacy groups. He teaches Film Composition at NYU. Hajian is represented by Patty Macmillan at Allegro Talent Group in Los Angeles.

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Directed by BRAD FURMAN

Screenplay by ELLEN BROWN FURMAN

Based on the book on ROBERT MAZUR

Producer Miriam Segal p.g.a.

Produced by BRAD FURMAN p.g.a. DON SIKORSKI p.g.a.

Produced by PAUL BRENNAN

Executive Produced by Martin Rushton-Turner

Executive Producers CAMELA GALANO PETER HAMPDEN NORMAN MERRY KATE FASULO JILL MORRIS SCOTT LASTAITI BRYAN CRANSTON ROBERT MAZUR

Co-Producers PAULA TURNBULL NICOLE BOCCUMINI JESS FUERST MATT RUSKIN

Director of Photography JOSHUA REIS

Production Designer CRISPIAN SALLIS

Editors DAVID ROSENBLOOM A.C.E. LUIS CARBALLAR JEFF MCEVOY

Costume Designer DINAH COLLIN

Make Up and Hair Designer SHARON MARTIN

Original Music by Chris Hajian

41 Casting by GAIL STEVENS CDG JEANNE MCCARTHY C.S.A.

Line Producer ROBERT HOW

Unit Production Manager TIM WELLSPRING

First Assistant Director DOMINIC FYSH

Second Assistant Director EMMA STOKES

CAST IN ORDER OF APPEARANCE

Robert Mazur BRYAN CRANSTON Bowling Alley Waitress LEANNE BEST Frankie DANIEL MAYS Steve Cook TOM VAUGHAN-LAWLOR Scott Mazur NIALL HAYES Andrea Mazur LARA DECARO Evelyn Mazur JULIET AUBREY Aunt Vicky OLYMPIA DUKAKIS Bonni Tischler AMY RYAN Emir Abreu JOHN LEGUIZAMO Dominic JOSEPH GILGUN Mark Jackowski JASON ISAACS Attorney RICHARD KATZ Federal Court Judge FRED FURMAN The Informant JUAN CELY Saul Mineroff DAVID HOROVITCH Eric Wellman MARK HOLDEN Gonzalo Mora Jr. RUBÉN OCHANDIANO Gonzalo Mora Sr. SIMON ANDREU Miss Wilson JESSICA L. FUERST Lee Palmer CHRISTIAN CONTRERAS Dancer 1 (Café de la Musica) SAMYA BOULAHRI Dancer 2 (Café de la Musica) JASMINE JARDOT Mr. X PAUL BRIGHTWELL Lau XARAH XAVIER Kathy Ertz DIANE KRUGER Ocean Bird Airlines Receptionist STEPHANIE CALLAHAN

42 Akbar Bilgrami ART MALIK Amjad Awan SAïD TAGHMAOUI Ian Howard TIM DUTTON Cake Waiter STEWART O’REILLY Lola – Emir Lap Dancer EKATERINA ZALITKO Laura Sherman ASHLEY BANNERMAN Barry Seal MICHAEL PARÉ Rudy Ambrecht CARSTEN HAYES Santerian Priest MIGUEL RUIZ Businessman/Joshua Baron RONALD FOX Joe ANDY BECKWITH Roberto Alcaino BENJAMIN BRATT Gloria Alcaino ELENA ANAYA Bianca Alcaino JORDAN LOUGHRAN Mora’s Henchman MATT STIRLING Nazir Chinoy NABIL MASSAD Gerardo Moncada CESARE TAURASI Agha Hasan Abedi REZ KABIR Farhana Awan DINITA GOHIL William von Raab MITCH MULLEN Wedding Priest NATHAN MORSE

Show Girls (Café de la Musica & Parisian Club) C/O CABERET ROUGE GEORGIA BRAITHWAITE • NATALIE DAVIS • LUCY DEAN • KATHERINE DERRY LAUREN GRIGG • KIRI JONES • MARIANNE PRINELLE & ELLIE SPICER

Stunt Performers MARK ARCHER • JONATHAN COHEN • JASON CURLE • BEN DIMMOCK • LEVAN DORAN BRADLEY FARMER • LYNDON HELLEWELL • AL HOLLAND • ROB HUNT • GEORGE KIRBY KIM MCGARRITY • BELINDA MCGINLEY • RAY NICHOLAS • IAN PEAD • GEMITA SAMARRA MATT SHERREN • MATT STIRLING • JOHN STREET • ROY TAYLOR • AARAN TOPHAM PABLO VERDEJO • CALVIN WARRINGTON-HEASMAN • LEO WOODRUFF

Stunt Coordinator ROWLEY IRLAM Assistant Stunt Coordinator RICHARD BRADSHAW Stunt Department Coordinator LEONA MCCARRON

Casting Associate REBECCA FARHALL Dialect Coach JO CAMERON BROWN

Art Director KAREN WAKEFIELD

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Standby Art Director LISA MCDIARMID Assistant Art Director SARAH FINLAY

Graphic Designer LIZ COLBERT Assistant Graphic Designer NATASHA JONES

Art Department Coordinator TANITH JAMES

Art Department Assistant CLAIRE SHAKESPEARE Art Department Runner SARA TADDEI

A Camera Operator JOSHUA REIS B Camera/Steadicam Operators GERRY VASBENTER

DAVE HAMILTON-GREEN C Camera Operator RODRIGO GUTIERREZ

First Assistant: A Camera TIM BATTERSBY

First Assistant: B Camera DERMOT HICKEY First Assistant: C Camera RAY MEERE

Second Assistant: A Camera PHOEBE ARNSTEIN Second Assistant: B Camera ELLIOT PURVIS

Second Assistants: C Camera KAT SPENCER

HARRY YOUNG JAMIESON

ANDREW JONES

Camera Trainee ZOE ROBERTS LAURA GALLOP

Additional DP/Operator TIM WOOSTER

Production Sound Mixer ROBERT SHARMAN AMPAS CAS

First Assistant Sound TOM HARRISON

Second Assistant Sound JO VALE Re-Recording Mixers PAUL COTTERELL

PAUL CARTER

Workflow Supervisor ADAM SHELL Digital Imaging Technician KIER GARNET-LAWSON

Video Playback LIZZIE KELLY Video Assistant CRAIG LUCK

Script Supervisor TIM WOOSTER

Gaffer ALAN MARTIN

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Best Boy LEE MARTIN Chargehand Electrician DAVE MOORE

Electricians LEE BAKER • GARY MOORE • MATTHEW MARTIN

Electrician/Genny Operator SEAN DAVIS Rigging Gaffer JASON MARTIN

Rigging Electricians NEIL BLACKMAN RICKY COLLINS

Key Grip PHIL KENYON Grip AARON MCDONAGH

Grip Assistant JAMES STARR

Hod Rigger Michael Seymour Standby Rigger James Dillimore

Special Effects MARK HOLT SFX Lead Special Effects Technician KYLE MAY

Special Effects Technician NEIL REYNOLDS SFX Trainee ALICE GRIDLEY

Production Coordinators ALICE SYED SCOTT EATON

Key Assistant Production Coordinator MARIANA MARSH Assistant Production Coordinator ALEX TAYLOR

Production Secretary CATRIONA SCOTT

Production Assistant KATIE ORGAN Production Trainee CONOR HARRINGTON

Production Assistant, Good Films SONNY GILL Additional Assistants FRED TILBY-JONES

SAM HENSHAW CATHERINE HOUGH

Assistant to the Producer ABIGAIL MANSON

Supervising Location Manager STEVE MORTIMORE Key Assistant Location Manager LYNSEY COSFORD Assistant Location Manager KATRINA DAY

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Unit Manager ANDY REEVE Assistant Unit Manager LEON KEEGAN

Location Assistant ANNA VAHRMAN Assistant Location Manager (Hornbey) CAT HO Hornsey) Location Scout STEPHEN PARKER

Location Marshalls OLIVIA MCKELL JEROME CANT

Floor Second Assistant Director TOM BROWNE Crowd Second Assistant Director AMY STARES

Crowd Third Assistant Director RORY BROADFOOT Set Production Assistants LOTTIE MILLAR

ENNIS ALHASHIMI

Base Production Assistant ASHLEY WILD Stand In (Bob Mazur) SAM HARE

Stand In (Kathy Ertz) MARINA CURRELL

Hair and Make Up Artists NIAMH O’LOAN CATRIONA JOHNSTONE

Make Up Department Junior LACEY RIXSON Crowd Hair and Make Up Supervisor SOPHIE SLOTOVER

DAILY HAIR AND MAKE UP ARTISTS NUIRA MBOMIO • NORA ROBERTSON • BELINDA PARRISH

Associate Costume Designer RICHARD COOKE Costume Supervisor ANNIE CRAWFORD

Costume Buyer ALISON LEWIS Principal Costume Standbys ALISA WINDSOR

LIZZIE MOUL

Costume Standby CATHERINE HIBBERT Crowd Costume Assistant KITTY BENNETT

Daily Set Costumer YANNICK GONDRAN

Set Decorator CATHY COSGROVE Production Buyer TERRY JONES Assistant Production Buyer LEAH BEARDMORE Petty Cash Buyer NAOMI LEIGH Set Decorating Assistant DIEGO DE LAJONQUIERE

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Prop Master BARRY GIBBS

Prop Storeman JASON HOPPERTON

Props Coordinator HAYLEY GIBBS Chargehand Standby Props MARK FRUIN

Standby Props GEORGE THOMSON

Chargehand Props ROY CHAPMAN DARRYL PATERSON

DRESSING PROPS CARL PETERS • COLIN ELLIS • GARRY DAWSON • ANTHONY FRYER DENIS HOPPERTON • WILL BOTTON • CLIVE WILSON • STAN COOK

Practical Electrician MATT HALL

Picture Vehicle Supervisor IAN CLARKE

Picture Vehicle Coordinator SEAN THORNTON

Construction Manager DAN CRANDON

HOD Construction TIM POWIS

CHARGEHAND CARPENTERS DAN MARSDEN • CARADOC CURTIS-ROUSE GEORGE AUGSBURGER • JO WATTS • MARK WALLIS TOM NEWTON-CHANCE • TIM COOK

HOD Scenic Painter LARA MURRAY

Chargehand Scenic Painters CLARE HOLLAND NIGEL KIRK Painters AL BAKER

JOE VASSALLO

Construction Riggers DARREN FLINDAL

PAUL WELLSTEAD

Health and Safety SAFETY GUYS

Health and Safety Consultants CLEM LENEGHAN CARLY GILBERT

Unit Nurse TRICIA JOYCE

Transport Coordinator BARRIE WILLIAMS

Driver, Bryan Cranston GLENN CHARTER

Driver, Diane Kruger FERGUS COTTER

UNIT DRIVERS GRAHAM ASHLEY • HASSAN BLAL • LOUISE CORNWELL

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Minibuses Provided by ECH SERVICES

Facilities Provided by ON SET

Facilities Captain RICCI “RIC” TITCOMBE Camera Truck Driver STEVE LEWIS Facilities Drivers IAN WILLIAMS

JACK WILKINS

Catering Provided by RED CHUTNEY

CHEFS FIONA GILBERT • LAURA GILBERT BARRY FALL • BEN PARKER • VICKI BEEVER PAUL BURGESS • WAYNE SMITH

Travel & Accommodation by MEDIACOM 24-7 LTD

Security Provided by ABOVE THE LINE

Security Manager STEVE COLE

Still Photographers LIAM DANIEL

NICK WALL

Film Solutions Online Posting NICK BULL

Unit Publicity by DDA PUBLICITY VP/Publicity AIMEE ANDERSON

Unit Publicist SOPHIE HUNT Consultant LAWRENCE ATKINSON

Social Media and Digital Publicist BEN HAYES

EPK – PMA Film and Television PIP AYERS MATT MCNALLY

SCRIPT CLEARANCES CASSANDRA SIGSGAARD • MARTIN HEBERDEN • PHILIP BALL

Annotated Script by LYNN RAWLINS

Production Accountant LOUISE O’MALLEY

First Assistant Accountant GARETH BROCK

ASSISTANT ACCOUNTANTS DAVID DANISOVSZKY • JOANNA PRICE • RUBY AVARDS

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Cashier KHOA DONG

Post Production Accountant FARNAZ DONOVAN

TAMPA UNIT

Unit Production Manager CARLA AUCION First Assistant Director PHILIP A. PATTERSON

Second Assistant Director MEAGHAN F. MCLAUGHLIN Second Second Assistant Director KATYE KALIVODA

SET PAS MILENA DEVINCENZO • KATE COTTON • EMERALD BLACK OMAR MENDEZ • MIKE CRANMER • ARTHUR CURRAN PATTI WILEY • JUSTIN BOWSER • MATHEW TODD DECESARE

Production Office Coordinator KAREN BOSMA

Assistant Production Office Coordinator JESSICA MASON

Production Secretary ELIZABETH TATRO

Production Consultant LAUREN PEPIN

OFFICE PRODUCTION ASSISTANTS JAIME STRIBY • JENNIFER BURKLEY • DYLAN STINSON

Art Director ANDREW WHITE

Graphic Designer GAILLYN PENA

Location Manager SHERRILL SMITH

ASSISTANT LOCATION MANAGERS GUY BALSON • STACEY MCGILLIS ELIZABETH OVERCAST • ANDREW PATTERSON

Location Production Assistant KHRIS COLGATE

Location Scout STUART SMITH

Accountant CHRISTOPHER CONKLING

First Assistant Accountant DONNA FARMER

Payroll Accountant ROBERT M. JOHNSTON

B Camera/Steadicam Operator KIRK GARDNER

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First Assistant: A Camera DAVID LANDRETH Second Assistant: A Camera MARVIN LEE

First Assistant: B Camera JOHN OLIVERI Second Assistant: B Camera WILLEM VANVARK

Russian Arm Operator MICHAEL JORDAN

Flight Head Operator RICK COTTRELL

Digital Imaging Technician JOSEPH B. DARE Video Playback Operator ALEX HURLEY

VTR/Playback Assistant JASON DOWLING Dailies Colorist JEREMY VOISSEM

Best Boy Electrician MARC WOSTAK

ELECTRICIANS STEPHANIE POWER • DAVE SONNENBERG HUMBERTO RECIO • GORDY JORIAN

Rigging Gaffer KEN PALLADINO Best Boy Rigging Electrician RICHARD FALK

RIGGING ELECTRICIANS BRYANT DIAZ • KEITH RANDO • ANDY SEELY • ADAM ROBACK

Key Grip JOEL WHEATLEY Best Boy Grip SHILOH ECK

A Dolly Grip MATT LEBEAU B Dolly Grip DANNY MALLORY

GRIPS BARRY LOPEZ • TOM WHEATLEY • DOUGLAS FENCLAU

Key Rigging Grip PATRICK MENG Rigging Best Boy DON GURZELL

Rigging Grips RODNEY BRANDENBURGH CLAYTON MENG

Boom Operator MICHAEL SCHMIDT Sound Utility JACOB KEMP

Set Decorator Buyer JANE JOHNSON

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Lead Man MARK DANE On Set Dresser DAN WILKERSON

Key Set Dresser JOHN KUPFER

SET DRESSERS RICK KRUDER • RON ERDBERG • SCOTT MURRAY

Construction Coordinator MICHAEL J. EDLING Scenic Artists LEWIS BOWEN

GENESSA PROCTOR Construction Foreman DOUGLAS WINTERS

Greens Coordinator DANIEL GILLOOLY

Greens Foreman ROBERT LORING Greensman DANNY CHAVEZ

Assistant Costume Designer STEPHANIE POLO Costume Supervisor SUZY FREEMAN

Key Set Costumer EMAE VILLALOBOS Set Costumer VIVIANNA PASQUAL

Background Costumer SUSIE MINOR

Seamstress SIMONE SMITH Costume PA BEN WAX

Head Hair CAROL RASKIN Key Make-Up Artist DIANA THOMAS-MADISON

Key Hair Stylist PAULETTE SCHOEN Additional Make-Up Artist ALLYSON CAREY

Additional Assistant Hair ANNA HILTON

Special Effects Foreman JAMES CARTER

Special Effects Technician JEREMY BROCK

Prop Master KURT THORESEN Assistant Prop Master JIM WILLIAMS

Prop Assistant JOE SMITH Armorer JOHN RUSNAK

Still Photographer DAVID LEE

EXTRAS CASTING BILL MARINELLA • ANDREA HUME • LEE ANN HARVEY

Set Medics IAN KEMP

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MIKE SCHAER Craft Service JESSICA TRIPOD

Caterer SON OF A CHEF

Stunt Coordinator ERIC MIRANDA Assistant Stunt Coordinator ROSIE BERNHARD

STUNT PERFORMERS DON ABBATIELLO • TOM AKOS • CARRIE AMSTUTZ • CHICK BERNHARD • KAIL BUTLER STEPHEN L. COHEN • RAUL COLON • RONALD FOX • DAVE KRAMER • R.T. LOVATTO RICHARD MARRERO • ANTONY MATOS • TONY MCFARR • CHRISTOPHER MORENA • KEVIN MORGAN • MANDY MORGAN • TRAVOR MURRAY • LOGAN NEWELL • BOBBY ORE • ERIC SALAS • ROBERT SHAVERS • MARC B. SUMMERS • BOBBY TALBERT • DAVE TOMMASI

Russian Arm Driver GRADY BISHOP

Picture Car Coordinator MARC WEINSTEIN Picture Car Wrangler ROBERT BYRD

Transportation Coordinator JAY PALOMINO Transportation Captain JOHN KESTNER

Transportation Dispatcher CECILIA PALOMINO

DRIVERS NELSON ANTINORI • OSCAR BOLIVAR • JEFFREY BYERS • ARTHUR D. CARRENO • WALTER ESKEW • ORLANDO FERNANDEZ • RALPH FERNANDEZ • OLIE GONZALEZ • JOSEPH T. HATFIELD • JULI KESTNER • JAMES KNAUER • KEITH MORRIS • EDWARD NESPECA • ROLAND PALOMINO • WALTER RUIZ • JOHN SCHAEFER • DONALD F. SMITH JR • DONALD J. SMITH • REINALDO SUAREZ • EDUARDO VALDES • STEVE VALDEZ • DAVID ZYDORSKI

Tampa Film Commissioner DALE GORDON

Insurance Provided by MEDIA INSURANCE BROKERS LTD

Auditors SAFFREY CHAMPNESS NIGEL BURKE • ANTON BERDITCHEVSKI

Accountancy Services LEIGH SAXTON GREEN TIM SAXTON

Production Banking by BARCLAYS RICHARD WOOLFORD

UK Production Legal FRASER BLOOM

US Production Legal Services BRUNS BRENNAN & BERRY PLLC HAMISH BERRY • EUGENE PIKULIN

US Legal Services, Labor & Employment KAUFF MCGUIRE & MARGOLIS LLP

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ANDREW C. KURLAND • WILLIAM E. ZUCKERMAN

Legal Services Provided By LEE & THOMPSON LLP SAM TATTON-BROWN • ANNABELLE DUCROSS

Production Financing Provided by BANK LEUMI GUILLAUME DE CHALENDAR

STUART WOODWARD VICKY SKEA

Legal Services for Bank Luemi by SHERIDANS JAMES KAY • NICK MAHARA • NADIA LACHMAN

Completion Guarantor FILM FINANCES Production Executives DAVID KORDA & ALI MOSHREF

Post Production Executive RUTH HODGSON Legal JAMES SHIRRAS & TATIANA WAIT

Collection Agent FREEWAY CAM B.V. Sales Agent, US Rights WILLIAM MORRIS ENDEAVOR

Developed by INGENIOUS MEDIA

POST PRODUCTION

Additional Editing BEN CALLAHAN

First Assistant Editors FIONA DESOUZA JOE ROSENBLOOM

Associate Editor JO-ANNE DIXON

Post Production Consultancy STEEPLE POST LTD STEVE HARROW

CHRIS NIXON Post Production Assistant LISA AQUILINO Continuity Script SAPEX SCRIPTS

Worldwide Technical Delivery SCHEDULE 2

POST PRODUCTION SERVICES BY LIPSYNC POST

Senior Post Producer LISA JORDAN

Post Producer PAUL DRAY

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Colourists SAM CHYNOWETH JAMIE WELSH

Head of DI JAMES CLARKE DI Coordinator ABIGAIL MCKENZIE

Senior DI Editor WILL CHETWYND

DI Editor BEN NORTH

D-LAB OPERATORS THOMAS WADDINGTON • MATT ROBERTS REUBEN YARWOOD • JOSH KELLY • KATIE CROFT

Head of VT RICK WHITE

VT OPERATORS WILL AKBAR • MARK LANGLEY-SMITH • CALLUM GRANT

Titles by LIPSYNC DESIGN

Head of Design HOWARD WATKINS Senior Designer JULIA HALL

Designer/Animators SIMON EDWARDS GARETH TANSEY

Sound by LIPSYNC POST

Supervising Dialogue Editor PAUL COTTERELL Supervising Effects Editor PAUL CARTER

Dialogue and ADR Editor JAMES HAYDAY Mix Technicians TUSHAR MANEK WILL MILLER Additional Dialogue Editor MATT DAVIES Additional ADR Mixer KIMBERLEY HARRIS

Voice Casting and Loop Group SYNC OR SWIM, JAY BENEDICT

Re-Recorded at TWICKENHAM STUDIOS

Additional Sound Editing by Phaze UK

Foley Recoded at SHEPPERTON STUDIOS

Foley Mixer GLEN GATHARD JEMMA RILEY-TOLCH

Foley Editor LILLY BLAZEWICZ Foley Artist PETER BURGIS JACK STEW Visual Effects by LIPSYNC POST

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Visual Effects Supervisor UEL HORMANN Visual Effects Producer ANDY BURROW

Visual Effects Executive Producer SHANAULLAH UMERJI Development Producer EMMA CUMMINS

Visual Effects Coordinators GEORGE STONE BELINDA CUMMING CG Artists JEFF NORTH IAN WARD

DIGITAL COMPOSITORS LUKE BUTLER • ANDY QUINN • JAMES ELSTER GARTH REILLY • YUKO KIMOTO • NIKOLAY KOLEV BRUCE HARRIS • ERI ADACHI • TIM BARTER • DAVID SHERE ADRIAN BANTON • KIA COATES • JAMES MCPHERSON

MUSIC

Music Supervisors SETH HARRIS BRAD FURMAN

Music Consultants BRIAN WATERS CHRIS PICCARO

Music Services Provided by CUTTING EDGE

Music Clearance and Licensing CHRIS PICCARO Executive Music Producers JAMES GIBB

RICHARD COOK Music Business & Legal Executive MALEK ADEL Music Editor STUART MORTON

Original Score Produced by CHRIS HAJIAN

Synth Programming CHRIS HAJIAN TRISTAN CLOPET Additional Music TRISTAN CLOPET Lead Orchestrator JOANNE HARRIS Additional Orchestrations CHRIS HAJIAN GREG PLISKA Conductor JOANNE HARRIS Music Contractor NICOLE GARCIA Score Preparation DARREN OTERO Mix Preparation Assistant MOGHUL VEYRON

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Pro Tools Session Prep RUSS FLYNN BEN LINDELL

Score Recorded and Mixed by FRANK WOLF

Assistant Engineers KEITH UKRISNA JOSH MARGOLIS

Recording Session Coordinator SHANNON DOE EWING All Music Recorded and Mixed at SONIC FUEL STUDIOS

Score Published by FIRST SCORE MUSIC LIMITED

“TOM SAWYER” WRITTEN BY ALEX LIFESON, GEDDY LEE, NEIL PEART, & PYE DUBOIS PERFORMED BY RUSH COURTESY OF ANTHEM RECORDS/OLE & ISLAND DEF JAM MUSIC GROUP UNDER LICENSE FROM UNIVERSAL MUSIC OPERATIONS LTD, ANTHEM RECORDS/ OLE & OLE CORE MUSIC PUBLISHING © 1981, OLE CORE MUSIC PUBLISHING (SESAC/SOCAN) ALL RIGHTS RESERVED, USED BY PERMISSION ADMINISTERED BY OLE

“KISS OFF” “LUCKY LOU” WRITTEN BY GORDON GANO WRITTEN & PERFORMED BY JODY WILLIAMS PERFORMED BY VIOLENT FEMMES COURTESY OF MCA RECORDS INC. COURTESY OF WARNER MUSIC UK LTD UNDER LICENSE FROM UNIVERSAL MUSIC OPERATIONS LTD. PUBLISHED BY GORNO MUSIC / SONY/ATV TUNES LLC PUBLISHED BY TRISTAN MUSIC LTD./ARC MUSIC

“I’M CONTROLLED BY YOUR LOVE” WRITTEN BY CLARENCE REID, JOHNNY PEARSALL, & WILLIE CLARKE “PAPA UPA - EL MESIAS - EL PATILLERO” PERFORMED BY HELENE SMITH WRITTEN BY F.R. MACHUCA COURTESY OF THE NUMERO GROUP PERFORMED BY KNIGHTSBRIDGE BY ARRANGEMENT WITH BANK ROBBER MUSIC PUBLISHED BY SONY/ATV TREE PUBLISHING

“PUSHERMAN” “BROTHERS ON THE SLIDE” WRITTEN & PERFORMED BY CURTIS MAYFIELD WRITTEN BY BASIL SWABE & JULIAN CHAPMAN COURTESY OF WARNER MUSIC UK LTD PERFORMED BY CYMANDE © 1972 (RENEWED) WARNER-TAMERLANE PUBLISHING COURTESY OF JOHN SCHROEDER ENTERPRISES LIMITED CORP. (BMI) ALL RIGHTS ADMINISTERED BY WARNER/ BY ARRANGEMENT WITH MUSIC MEDIA AGENTS CHAPPELL NORTH AMERICA LTD PUBLISHED BY SONY/ATV MUSIC PUBLISHING ALLEGRO (UK)

“I CAN’T WAIT” (RE-RECORD) “BROTHERS ON THE SLIDE” WRITTEN BY JOHN SMITH WRITTEN BY BASIL SWABE & JULIAN CHAPMAN PERFORMED BY CYMANDE PERFORMED BY NU SHOOZ COURTESY OF JOHN SCHROEDER ENTERPRISES LIMITED COURTESY OF NU SHOOZ ORCHESTRA LLC BY ARRANGEMENT WITH MUSIC MEDIA AGENTS BY ARRANGEMENT WITH SPIRIT ONE MUSIC PUBLISHED BY SONY/ATV MUSIC PUBLISHING ALLEGRO (UK)

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“EVERYBODY KNOWS” WRITTEN BY LEONARD COHEN & SHARON ROBINSON PERFORMED BY LEONARD COHEN “HEAVY CROSS” PERFORMED BY NU SHOOZ WRITTEN BY ALLYCE ENGELSON & LUKE MERTZ COURTESY OF SONY MUSIC ENTERTAINMENT CANADA/SMI PERFORMED BY MOTION CNTRL NY © SHARON ROBINSON SONGS (ASCAP) COURTESY OF MOTION CNTRL ADMINISTERED BY WIXEN MUSIC UK LTD. PUBLISHED BY SONY/ATV SONGS LLC

“LA VIDA ES MUY BONITA” “ALCAINO’S DINNER” WRITTEN BY PAULINO SALGADO ‘BATATA’ WRITTEN & PERFORMED BY BERND SCHOENHART PERFORMED BY BATATA Y SU RUMBA PALENQUERA COURTESY OF CUTTING EDGE MUSIC (HOLDINGS) LTD. COURTESY OF PALENQUE RECORDS BY ARRANGEMENT WITH FINE GOLD MUSIC

"QUE NADIE SEPA MI SUFRIR" (LUKE MOELLMAN REMIX) VOCALS BY LIV PERKINS PRODUCED BY LUKE MOELLMAN “EMINENCE FRONT” MIXED BY BEN LINDELL WRITTEN BY PETE TOWNSHEND RECORDED AND ENGINEERED BY KEITH UKRISNA & JOSH PERFORMED BY THE WHO MARGOLIS COURTESY OF POLYDOR UK LTD, WRITTEN BY ENRIQUE DIZEO & ANGEL AMATO CABRAL PUBLISHED BY SPIRIT FOUR MUSIC O/B/O SPIRIT © WARNER CHAPPELL MUSIC ARGENTINA (SADAIC) SERVICES HOLDINGS, S.À.R.L. ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. PUBLISHED BY BOURNE CO. (ASCAP)

ADDITIONAL FOOTAGE PROVIDED BY NBC UNIVERSAL ARCHIVES WOLFSON ARCHIVES

FOOTAGE FROM ‘GARDEN OF EVIL’ COURTESY OF TWENTIETH CENTURY FOX. ALL RIGHTS RESERVED FLEXJET, 3DF AND JET FOOTAGE SHOT BY ROGER TONRY

IMAGERY SUPPLIED BY GETTY IMAGES DANIEL LUPERCIO MAGAZINE MATERIALS COURTESY OF CONDÉ NAST

CAMERAS AND LIGHTING SUPPLIED BY FILMSCAPE

THE PRODUCER WOULD LIKE TO PERSONALLY THANK MARTIN RUSHTON-TURNER HOWARD SMITH HARDY SPRANGER GEORGE AUSTIN HICHEM ZEBIDI SCOTT COLLINS PETER RAVEN AND STUART MANASHIL • STUART ROSENTHAL AND RICHARD THOMPSON

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DR. MADHU GHOSH AND MRS. SILA GHOSH • BOB AND EV MAZUR

WITH SPECIAL THANKS (UK) ATTWOOD AND SAWYER • BUCKLEY LONDON • CARAT THE COPTHORNE EFFINGHAM PARK HOTEL - STEPHANIE SPERRY AND TEAM CONSIDER GRAPHIC DESIGN STUDIO • CORBIS • DENNIS BASSO • DANIEL BERNATO & TEAM AT RUNWAY • DONNA KARAN • ELLIE SAAB • EVERYTHING POLE DANCING • FENDI • FERMOB SUN LOUNGERS • FILMFIXER • GAETANO PERRONE • HERVE LEGER • HORNSEY TOWN ARTS CENTRE - NICK SAITH • JIMMY CHOO • LA PERLA • LUXOTICA • MATTHEW WILLIAMSON MAUREEN HUMBER AND RESIDENTS OF BIRCH TREE WALK • MIKIMOTO • MONT BLANC PENS JOY MONTGOMERY • NAGRA SNN RECORDING DEVICE • RING MAGAZINE THE SHERATON SKYLINE HOTEL HEATHROW • KRISTINA SCHMIDT AND TEAM • SUSAN CAPLAN WADDESDON MANOR - SUZY BARON AND TEAM • SWAROVSKI • TATEOSSIAN • TEMPERLEY WESTMINSTER SPECIAL EVENTS – NIGEL GALE • WILTON’S MUSIC HALL – BECKY RUFFEL WITH SPECIAL THANKS (TAMPA) CIGAR CITY BREWING • CITY OF TAMPA – MAYOR BUCKHORN CITY OF TAMPA – TRAFFIC AND ENGINEERING • DAN HEPLAR • ENTERPRISE RENTAL • FDOT FILM ST.PETERSBURG/CLEARWATER • FILM TAMPA BAY HILLSBOROUGH COUNTY BOCC – COMMISSIONER KEN HAGAN • MAINSAIL MANAGEMENT PEPIN DISTRIBUTING • PORT TAMPA BAY • SEMINOLE HARD ROCK CASINO & HOTEL TAMPA BAY LIGHTNING • TAMPA BAY MAGAZINE • TAMPA BAY RAYS • TAMPA FIRE RESCUE TAMPA HILLSBOROUGH EDC • TAMPA POLICE DEPARTMENT • THE BOURGEOIS PIG THE EPICUREAN HOTEL • THE TAMPA THEATRE • THE TAMPA TRIBUNE TRICKEY JENNUS • UNIVERSITY OF TAMPA • VISIT TAMPA BAY THE WILSON COMPANY. YBOR CITY DEVELOPMENT CORPORATION

THE BURGER KING ® TRADEMARK AND IMAGES ARE USED WITH PERMISSION FROM BURGER KING CORPORATION. ALL RIGHTS RESERVED

FILMED ON LOCATION IN LONDON, UK & TAMPA, USA INSPIRED BY THE BOOK “THE INFILTRATOR”

OWNERSHIP OF THIS MOTION PICTURE IS PROTECTED BY COPYRIGHT AND OTHER APPLICABLE LAWS AND ANY UNAUTHORISED DUPLICATION DISTRIBUTION OR EXHIBITION OF THIS MOTION PICTURE COULD RESULT IN CRIMINAL PROSECUTION AS WELL AS CIVIL LIABILITY. © 2016 INFILTRATOR FILMS LTD. ALL RIGHTS RESERVED

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