The Lightning Thief
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Florida-Bred Colt by Amira's Prince (Ire), Commissioner Filly Fastest at Spring Sale's Second Under Tack Session
ftboa.com • Thursday • April 18, 2019 FEC/FTBOA PUBLICATION FOR ADVERTISING INFORMATION or to subscribe, please call Antoinette at 352-732-8858 or email: [email protected] In This Issue: Florida Stallion Bucchero Gets Indiana Honor Santa Anita to Honor Kona Gold Spring Sale Under Tack Schedule Altered Due to Weather Forecast Bellafina Leaves April 29 for Kentucky Oaks Eyeinthesky Completes Florida-bred Mizdirection Double at Aqueduct Amira’s Prince (Ire)/SERITA HULT PHOTO Painting Corners Impressive Gate to Wire Winner of Mizdirection Stakes Florida-bred Colt by Amira’s Kentucky Oaks Leaderboard Kentucky Derby Leaderboard Prince (Ire), Commissioner Tampa Bay Downs Charts Florida Stallion Progeny List Filly Fastest at Spring Sale’s Florida Breeders’ List Second Under Tack Session Wire to Wire Business Place BY OCALA BREEDERS’ SALES bred colt by Amira’s Prince (Ire) out of Featured Advertisers COMPANY PRESS OFFICE _________ Lady Halite, by Medaglia d’Oro, from the family of graded-stakes winning OBS Ocala Stud OCALA, FL graduate Buffalo Man. He was bred in —Enjoying ideal conditions, Pleasant Acres Stallions a colt from the first crop of Pleasant Acres Florida by Beth Bayer and is eligible for Stallions resident Amira’s Prince (Ire) and the rich Florida Sire Stakes series of races. Stonehedge Farm a filly by Commissioner sped quarters in Hip 365, a bay filly by Commissioner Florida Department of Agriculture :20 1/5 to share honors for the fastest work consigned by Q Bar J Thoroughbreds LLC, at the distance at the second session of the is out of Money Madness, by Rahy, a half- FTBOA under tack show for the Ocala Breeders’ sister to stakes placed Feminine Girl. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
1St First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern
1st First Society Handbook AFB Album of Favorite Barber Shop Ballads, Old and Modern. arr. Ozzie Westley (1944) BPC The Barberpole Cat Program and Song Book. (1987) BB1 Barber Shop Ballads: a Book of Close Harmony. ed. Sigmund Spaeth (1925) BB2 Barber Shop Ballads and How to Sing Them. ed. Sigmund Spaeth. (1940) CBB Barber Shop Ballads. (Cole's Universal Library; CUL no. 2) arr. Ozzie Westley (1943?) BC Barber Shop Classics ed. Sigmund Spaeth. (1946) BH Barber Shop Harmony: a Collection of New and Old Favorites For Male Quartets. ed. Sigmund Spaeth. (1942) BM1 Barber Shop Memories, No. 1, arr. Hugo Frey (1949) BM2 Barber Shop Memories, No. 2, arr. Hugo Frey (1951) BM3 Barber Shop Memories, No. 3, arr, Hugo Frey (1975) BP1 Barber Shop Parade of Quartet Hits, no. 1. (1946) BP2 Barber Shop Parade of Quartet Hits, no. 2. (1952) BP Barbershop Potpourri. (1985) BSQU Barber Shop Quartet Unforgettables, John L. Haag (1972) BSF Barber Shop Song Fest Folio. arr. Geoffrey O'Hara. (1948) BSS Barber Shop Songs and "Swipes." arr. Geoffrey O'Hara. (1946) BSS2 Barber Shop Souvenirs, for Male Quartets. New York: M. Witmark (1952) BOB The Best of Barbershop. (1986) BBB Bourne Barbershop Blockbusters (1970) BB Bourne Best Barbershop (1970) CH Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle (1936) CHR Close Harmony: 20 Permanent Song Favorites. arr. Ed Smalle. Revised (1941) CH1 Close Harmony: Male Quartets, Ballads and Funnies with Barber Shop Chords. arr. George Shackley (1925) CHB "Close Harmony" Ballads, for Male Quartets. (1952) CHS Close Harmony Songs (Sacred-Secular-Spirituals - arr. -
Мð°Ñ€Ð²ð¸Ð½ Геð¹ Ðлбуð¼ ÑпиÑ
Марвин Гей ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) Diana & Marvin https://bg.listvote.com/lists/music/albums/diana-%26-marvin-3511883/songs https://bg.listvote.com/lists/music/albums/a-tribute-to-the-great-nat-%22king%22- A Tribute to the Great Nat "King" Cole cole-3512424/songs Together https://bg.listvote.com/lists/music/albums/together-3512440/songs United https://bg.listvote.com/lists/music/albums/united-3510510/songs You're All I Need https://bg.listvote.com/lists/music/albums/you%27re-all-i-need-3510433/songs https://bg.listvote.com/lists/music/albums/the-soulful-moods-of-marvin-gaye- The Soulful Moods of Marvin Gaye 3512506/songs That's the Way Love Is https://bg.listvote.com/lists/music/albums/that%27s-the-way-love-is-3512570/songs Easy https://bg.listvote.com/lists/music/albums/easy-3510559/songs Vulnerable https://bg.listvote.com/lists/music/albums/vulnerable-2017595/songs Moods of Marvin Gaye https://bg.listvote.com/lists/music/albums/moods-of-marvin-gaye-3512281/songs When I'm Alone I Cry https://bg.listvote.com/lists/music/albums/when-i%27m-alone-i-cry-3512627/songs Take Two https://bg.listvote.com/lists/music/albums/take-two-3510470/songs Hello Broadway https://bg.listvote.com/lists/music/albums/hello-broadway-3512454/songs The Final Concert https://bg.listvote.com/lists/music/albums/the-final-concert-25096195/songs https://bg.listvote.com/lists/music/albums/the-very-best-of-marvin-gaye- The Very Best of Marvin Gaye 7772360/songs You're the Man https://bg.listvote.com/lists/music/albums/you%27re-the-man-65120452/songs -
Box Office 0121 704 6962
SPRING 2017 BOX OFFICE 0121 704 6962 6 GE thecoretheatresolihull.co.uk EE PA UR - S KING ARTH WELCOME! TO THE CORE What a year! We started 2016 being refurbished and month by month we revealed our bright new facilities to both our loyal audiences and new attenders. Some new users may never have stepped into our theatre, had they not been visiting another area of The Core, which is Solihull’s flagship community building. We’ve all settled in well together and new partnerships are being forged all around The Core for the benefits of all our users. Finally, after 20+ years as Solihull Arts Complex, we changed our name and became known as The Core Theatre Solihull! This meant new uniform, new designs and lots of forgetting who we are when answering phones! COUR What doesn’t change is the warm friendly welcome we offer at The Core TYA RD Theatre, in Encore Cafe, at Box Office and at the host of activities and classes we offer G A LL throughout the year. E R With the completion of the Courtyard Gallery our Exhibitions Diary is filling up fast Y (see back cover) and 2017 will bring new opportunities to take part or learn something new. If you have any suggestions for something you’d like to try, and think others might too, from coding to crochet… don’t sit on your idea, please tell us! Email your ideas to: [email protected] Finally, theatre tickets or vouchers are always popular but the big hit of the Autumn has been our scrumptious Cream Teas. -
“What's Going On”—Marvin Gaye (1971)
“What’s Going On”—Marvin Gaye (1971) Added to the National Registry: 2003 Essay by Josiah Howard (guest post)* " WHAT'S GOING ON " MARVIN GAYE 0 I . WHAT 'S GOING ON lSI A C'•,••"".M G•v• fl Ben10nl 2 . WHAT' S I-I A PPENING BROTHER 2.U IJ "v~. M Geve l. F L Y IN' HIGH (IN THE FIIIIENOLV SKYI J ·40 IM Gevd e SAVE THE CHILDREN l e4 ,A C••vetena. M Gave R 8...,M>., S . GOD IS LOVE 2 , Jt '"" G•v• A Ga'l'I E s,o,,.,,J J'l.y•I , M E R C Y,,,.EIIICV,,U !THE ECOLOGY ) J . OS IM Gavtl ,,oduc-.dt>yMa,v,.,Ga~• Original album Original label Marvin Gaye A question mark song and album without the question mark in the title, at the time of its release in 1971, Marvin Gaye’s seminal “What’s Going On” was a not-so-subtle statement record: a watershed musical endeavor that broke with Motown Records’ traditions, spoke directly to the volatile times in which it was conceived, and placed its singer/musician/songwriter in the record books. It also has, over the past half century, been reconsidered, reevaluated and recognized as one of the most substantial Pop/Soul music recordings ever set to wax. But it almost didn't happen. Motown records, “the sound of young America” were, throughout the sixties, the most successful soul music label in the world. It was a strategic triumph that came to pass in part because, with very few exceptions (1963’s “The Great March to Freedom: Martin Luther King Jr Speaks” was one), the label’s music was decidedly uncontroversial. -
Hi-Fi Choice Jul 2016 We Don’T Hesitate to Incorporate It
“Powerful, but with great poise, it is also the life and soul of the party” 6RQXVIDEHU6HUDƂQR7UDGLWLRQ HiFi News - Nick Tate “The Amati is one sexy-sounding speaker.” Sonus faber Amati Tradition HiFi News - Ken Kessler “They have acted as custodians of the Sonus faber ethos” Sonus faber Guarneri Tradition HiFi Plus - Alan Sircom We all want to live “the sweet life” and Sonus faber’s new Homage Tradition loudspeakers let you do just that. Inspired by the work of traditional luthiers in Cremona DQGWKHƂQLVKRIWKHPRGHUQLFRQLF5LYD<DFKWOLQHWKH VWDQGPRXQW*XDUQHULDQGƃRRUVWDQGLQJ$PDWLEXLOG on remarkable loudspeakers from Sonus faber’s past DQGDUHMRLQHGE\WKH6HUDƂQR Designed to ignite musical passion in the listener, but with a sculptural intent that is a perfect foil for even the most design-oriented home. These aren’t simply music makers; in the Homage Tradition series, Sonus faber has created audio art that will look as elegant decades from now as it does today. absolute sounds ltd. International Distributors & Consultants of Specialised Hi-End Audio & Video Systems 58 Durham Road, London, SW20 0TW T: +44 (0)20 89 71 39 09 W: www.absolutesounds.com E: [email protected] For Your Nearest Dealer Please Visit The Absolute Sounds Website One More Time Sometimes perfection needs a few takes Like the best recordings, Chord Company cables “The Shawlines are really top-class are made with care and attention to detail. interconnects... Give them an audition and hear for yourself” Our aim is to get closer to the artist’s intended sound. Every part we use is crucial to the final OUR VERDICT performance. -
ļš Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É— ´È¡¨)
马文·盖伊 音樂專輯 串行 (专辑 & æ—¶é— ´è¡¨) Diana & Marvin https://zh.listvote.com/lists/music/albums/diana-%26-marvin-3511883/songs https://zh.listvote.com/lists/music/albums/a-tribute-to-the-great-nat-%22king%22- A Tribute to the Great Nat "King" Cole cole-3512424/songs Together https://zh.listvote.com/lists/music/albums/together-3512440/songs United https://zh.listvote.com/lists/music/albums/united-3510510/songs You're All I Need https://zh.listvote.com/lists/music/albums/you%27re-all-i-need-3510433/songs https://zh.listvote.com/lists/music/albums/the-soulful-moods-of-marvin-gaye- The Soulful Moods of Marvin Gaye 3512506/songs That's the Way Love Is https://zh.listvote.com/lists/music/albums/that%27s-the-way-love-is-3512570/songs Easy https://zh.listvote.com/lists/music/albums/easy-3510559/songs Vulnerable https://zh.listvote.com/lists/music/albums/vulnerable-2017595/songs Moods of Marvin Gaye https://zh.listvote.com/lists/music/albums/moods-of-marvin-gaye-3512281/songs When I'm Alone I Cry https://zh.listvote.com/lists/music/albums/when-i%27m-alone-i-cry-3512627/songs Take Two https://zh.listvote.com/lists/music/albums/take-two-3510470/songs Hello Broadway https://zh.listvote.com/lists/music/albums/hello-broadway-3512454/songs The Final Concert https://zh.listvote.com/lists/music/albums/the-final-concert-25096195/songs https://zh.listvote.com/lists/music/albums/the-very-best-of-marvin-gaye- The Very Best of Marvin Gaye 7772360/songs You're the Man https://zh.listvote.com/lists/music/albums/you%27re-the-man-65120452/songs -
The Program for Broadway in Detroit at the Fisher Theatre
THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE TheaterWorksUSA Martian Entertainment Greg Schaffert Lang Entertainment Group Lisa Chanel Jennifer Doyle & Roy Lennox Glass Half Full Productions Mary Maggio Tim Schwider Hummel/Greene Van Dean/Meredith Lucio Present The TheaterWorksUSA Production of THE LIGHTNING THIEF THE PERCY JACKSON MUSICAL BOOK BY MUSIC & LYRICS BY JOE TRACZ ROB ROKICKI Adapted from the book, THE LIGHTNING THIEF, by RICK RIORDAN Featuring CHRIS McCARRELL as Percy Jackson with IZZY FIGUEROA JORREL JAVIER RYAN KNOWLES SAM LEICHT SARAH BETH PFEIFER JAMES HAYDEN RODRIGUEZ JALYNN STEELE T. SHYVONNE STEWART KRISTIN STOKES SCENIC DESIGN BY COSTUME DESIGN BY LIGHTING DESIGN BY SOUND DESIGN BY LEE SAVAGE SYDNEY MARESCA DAVID LANDER RYAN RUMERY NEW PUPPETRY DESIGNS BY FIGHT DIRECTION BY HAIR, WIG & MAKEUP DESIGN BY ACHESONWALSH STUDIOS ROD KINTER DAVE BOVA Bank of America applauds Broadway PRODUCTION STAGE MANAGER ASSISTANT STAGE MANAGER COMPANY MANAGER PRODUCTION MANAGER in Detroit for bringing the arts to all VERONICA AGLOW T.J. KEARNEY JENNIFER R. GRAVES BRIAN LYNCH TOUR MARKETING & PRESS NATIONAL PRESS REPRESENTATIVE EXCLUSIVE TOUR DIRECTION When members of the community support the arts, they help inspire and ALLIED TOURING J.T. PUBLIC RELATIONS THE ROAD COMPANY enrich everyone. Artistic diversity can be a powerful force for unity, STEPHEN LINDSAY & BRETT SIROTA creating shared experiences and a desire for excellence. CASTING BY GENERAL MANAGEMENT STEWART/WHITLEY MARTIAN ENTERTAINMENT Bank of America recognizes -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
'Blurred Lines' of Marvin Gaye's
Adamson Article (Do Not Delete) 2/21/2018 3:22 PM THE ‘BLURRED LINES’ OF MARVIN GAYE’S ‘HERE, MY DEAR’: MUSIC AS A TORTIOUS ACT, DIVORCE NARRATIVE AND FIRST AMENDMENT TOTEM BRYAN ADAMSON INTRODUCTION ............................................................................... 2 I.HERE, MY DEAR .............................................................................. 7 A. THE BACKSTORY ............................................................. 7 B. THE ALBUM .................................................................... 10 II.HERE, MY DEAR AS GENDER PERFORMANCE ...................... 17 III.PRELIMINARY ISSUES ON THE GAYES’ LEGAL STATUS AND THE NEWSWORTHINESS OF THEIR DIVORCE ..... 23 A. MARVIN’S LEGAL STATUS ............................................ 25 B. THE PUBLIC FIGURE-PRIVATE PERSON CONTINUUM .................................................................. 27 C. DIVORCE AS A MATTER OF PUBLIC INTEREST OR CONCERN ....................................................................... 30 D. CONCLUSION ................................................................. 33 IV.THE TORTS ................................................................................. 34 A. DEFAMATION ................................................................. 34 1. Unprivileged False Statement of Fact ......................... 34 2. Publication .................................................................. 35 3. “Of or Concerning” the Plaintiff ................................. 36 4. Harm .......................................................................... -
Modern Theatre: Actor’S Musical Requirements in the Educational Process of Kazakhstan
International Research Journal of Arts and Social Sciences, Vol. 2(9) pp. 220-227, October, 2013 DOI: http:/dx.doi.org/10.14303/irjass.2013.067 Available online http://www.interesjournals.org/IRJASS Copyright © 2013 International Research Journals Review Modern theatre: actor’s musical requirements in the educational process of Kazakhstan *Kabyl Khalykov and Y еslam Nurtazin 407/54, Seifullin str., 050050, Almaty, Kazakhstan *Corresponding author Email:[email protected] Accepted October 14, 2013 The article is devoted to the problem of investigation of the popular genre of musical and its development, particularities of the specifics of the musical theatre in its merger with the contemporary music, comparison and application of the classical elements of choreographic art. At this stage of the development of this genre, there is a problem aroused of specific merging of economics and art, in other words, “popularization” of musical. Based on popularization of the new musical-dramatic genre, there appears a new fusion of art and production, management, advertising and mass media. Amongst these, the problem of performing mastership of musical actors in Kazakhstan is being studied. The aim of the article is to achieve a theoretical discourse of particularities, history of development and popularization of the new scenic genre of musicals. The task of the investigation are studying the activity of the founders of musical, collation and analysis of works, theories of theatrical art, anthologies, memoirs, articles and theater productions; assessment of musical and autonomous art forms (synthesis of acting art, choreography, singing, stage design, drama, music composition); analysis of characteristic of the activities of the musical founders (Leonard Bernstein, Andrew Webber, Riccardo, Richard Rogers, Irving Berlin, Cole Porter).The result of solving these tasks should be the formation of the cohesive picture of the history of the development of the musical, as well as its current position in the arena and in the Kazakh theatrical art.