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Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
A Brief History of the Arts Catalyst
A Brief History of The Arts Catalyst 1 Introduction This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects that we have commissioned over those two decades. Based in London, The Arts Catalyst is one of Our new commissions, exhibitions the UK’s most distinctive arts organisations, and events in 2013 attracted over distinguished by ambitious artists’ projects that engage with the ideas and impact of science. We 57,000 UK visitors. are acknowledged internationally as a pioneer in this field and a leader in experimental art, known In 2013 our previous commissions for our curatorial flair, scale of ambition, and were internationally presented to a critical acuity. For most of our 20 years, the reach of around 30,000 people. programme has been curated and produced by the (founding) director with curator Rob La Frenais, We have facilitated projects and producer Gillean Dickie, and The Arts Catalyst staff presented our commissions in 27 team and associates. countries and all continents, including at major art events such as Our primary focus is new artists’ commissions, Venice Biennale and dOCUMEntA. presented as exhibitions, events and participatory projects, that are accessible, stimulating and artistically relevant. We aim to produce provocative, Our projects receive widespread playful, risk-taking projects that spark dynamic national and international media conversations about our changing world. This is coverage, reaching millions of people. underpinned by research and dialogue between In the last year we had features in The artists and world-class scientists and researchers. Guardian, The Times, Financial Times, Time Out, Wall Street Journal, Wired, The Arts Catalyst has a deep commitment to artists New Scientist, Art Monthly, Blueprint, and artistic process. -
Press Release Adam Chodzko, 2007 (Pdf)
For immediate release 13/11/ 07 THEN, an intriguing new Breaking Ground multi-part public artwork in various locations across Dublin by acclaimed British artist Adam Chodzko. Residents of Ballymun are perplexed this morning by a series of posters, which have mysteriously appeared overnight on hoarding along the Balbutcher Road, announcing a meeting to take place in the foyer of the Hagens Hotel, Måløy, Sogn og Fjordane, on the island of Vågsøy. Yet the photo on the poster seems to be a streetscape in Mexico City, taken in the early ‘70’s. Each afternoon, on the top floor of the recently restored Na Píobairí Uilleann /Uillean Pipers headquarters on Henrietta Street, a new sci-fi film, ‘Around’, documenting the paranormal and uncanny properties of an otherwise unremarkable boundary wall and its effects on an unsuspecting group of individuals, is showing. And visitors to Dublin City Gallery the Hugh Lane, can swap their shoes for someone else’s, which they’ll wear as they walk around the Gallery’s other exhibitions and permanent collection. Meanwhile, preliminary discussions with property developer Mick Wallace are being had, about the possibility of using the name Ballymun in a new development somewhere else in the city, some time in the future. “Adam Chodzko is recognised internationally for his multi-media work which triggers a shift in our perception of where we think we belong in the world. Fact and fiction are provocatively intermixed, and terms such as ‘community’ and ‘the public’ are deviated as we enter a surrealist world which plays on notions that we take for granted and assume that we understand!” says Aisling Prior, curator of Breaking Ground. -
Future Refrains
Future Refrains ASC Gallery The Chaplin Centre, Taplow House, Thurlow Street, London SE17 2DG; www.ascstudios.co.uk www.PeerSessions.com 18th September – 27th October 2017 Private view – 6-9pm Friday 15th September Event day – Collaboration in Question 1-5:30pm 23rd September Press Release Friendship means sharing a refrain, a semiotic set that allows us to see the same vision and helps us create a world out of chaos.1 Peer Sessions is proud to present Future Refrains, an exhibition at ASC Gallery featuring newly commissioned work funded by Arts Council England. Peer Sessions is a London-based nomadic crit group, established in 2009 by artists Kate Pickering and Charlotte Warne Thomas. Peer Sessions’ monthly meetings provide a forum for artists to come together to discuss and receive feedback on recent work in relation to current concerns in contemporary art and culture. In addition, we organise projects: workshops, exhibitions and residencies focusing on direct artistic collaboration. For Future Refrains, Peer Sessions selected three member artists and invited each to choose a recent MA Fine Art graduate with whom to collaborate. Future Refrains will feature these three new commissions, alongside works from established artists Adam Chodzko and Lindsay Seers, who have each guest moderated recent Peer Sessions crit groups. As part of Future Refrains, a performance and screening day with live panel discussion, Collaboration in Question, on Saturday 23rd September will explore the processes and implications of collaborative practice for this project and in the wider world of contemporary art. Peer Sessions derives its name from the double meaning of the word peer: both in terms of examining something in depth and referring to a group of equals – artists who have recently completed postgraduate education. -
Arts-And-Culture-Autumn-2015.Pdf
WELCOME... This season we present a magnificent feast With a thought provoking selection of of arts and culture events including two talks and debates plus the work of Adam new artistic residencies, a new Creative Chodzko featured at our own Sidney Partner relationship, plus a wonderful Cooper Gallery, there really is something selection of music and theatre as part of for everyone. Canterbury Festival. Join the feast and book your tickets online The autumn programme is always one today! of our busiest and this year there is so much to look forward to. We are proud Sally Abbott, Director of Arts and Culture to announce that we are now the Creative Partner of the Creative Foundation’s Folkestone Book Festival and that Propeller Theatre Company and Reckless Sleepers now have new homes as Associate Companies here. Don’t miss Reckless Sleepers performing The Last Supper – a superb and intimate theatre show designed as a dinner party of last words and last moments from the famous and not so famous from Marilyn Sally Abbott, Director of Arts and Culture (right) Monroe to Beethoven. Sophie Hosking, Arts and Culture Co-ordinator For alternative formats, please email: [email protected] Designed and produced by the Department of Art, Culture and Sport Canterbury Christ Church University. ART 02 MUSIC 07 THEATRE 17 LEARNING 19 WORD 20 DIRECTIONS 22 CALENDAR 24 MICHAEL JANISCH PARADIGM SHIFT Image © Monika Jakobowsk P13 A R T Our visual arts programme contains an extensive and dynamic range of events and exhibitions. We have three dedicated gallery spaces, the Sidney Cooper Gallery, an acclaimed contemporary art space within Canterbury city centre, and The Burton Gallery and The Old Lookout Gallery at Broadstairs, which both offer an exciting range of exhibitions, events and annual publications. -
Clock Tower Index (Nicholas) May 15 75Th Anniversary of Dunkirk Aug 15 News from the University of Kent
The Clock Tower 2019 1911 Project (Ashbee) May 16 11–May 11 1953 Floods Report to the FOMA AGM, 17 April 2012 May 12 Members' Memories of the 1953 Floods (Cox, Rochester City Archives Project: Ongoing Furminger, Evans, Lambourne, Gardner and Conservation Work 2015 Nov 15 Buchanan) Feb 13 Archives Update (Cable and Rouland) Saturday Night and Sunday Morning: The Medway Quarterly Report for the Archives of Great Towns and the East Coast Floods Of 1953 (Joyce) Expectations Aug 11, Nov 11 Feb 13 Update on MALSC Collections catalogued during Water Everywhere: The 1953 Floods in NW Kent 2011 Nov 11 (Crowe) Feb 13 Archives Update (Crowe), Local Studies and Archives report for 2013–14 May 14 Adams’ Garage (Hold that Tiger) (King) Nov 20 Archives Update (Dixon) Apr 06–May 08 Advertisement: Dr Thomas Plume, 1630-1704: His life Diaries of Marjorie Gunn (1910–1923) Aug 12 and legacies in Essex, Kent and Cambridge Nov 20 Archives Update (Lambourne) Aug 08, Nov 08 Albert Edward Godfrey Howes, (Sept. 1897 – Oct. An Artist's View of Rochester's Great Legacy (Ellwood, 1917) (Gardner) May 19 GAvA; Short Brothers) Aug 06 The All Saints' Players, Chatham (Cole) May 14 Aspects of Huguenot Society. A talk by Amy Adams, Amateur Dramatics in Medway Huguenot Museum, Rochester (Thomas) Nov 15 Part 1 Feb 14 Asquith Camile Xavier: His struggle for Racial Equality Part 2 May 14 (Clement) Nov 20 Am Dram Footnotes (Thomas) Feb 14 The Astonishing Discovery at St. John’s Church, An Alternative Coronation, Gillingham 1953 Aug 13 Chatham (Gardner) Nov 19, Feb 20 An Appeal to FOMA Members for Further Information! Attention Will Adams Descendants! May 19 (Cole ) Nov 19 Aubry's Long Life (Joyce) Aug 16 Andrew Ashbee Book Signing Aug 16 Aviation in Kent (Smith) June 06 An Appeal for the Missing Families of the Gillingham Park Tragedy of 1929 (Nutton) May 11 Back Cover An Astonishing Discovery at St. -
O/S 310, Luton Road
Full Property Address Property Reference Number Primary Liable party name Current Rateable Value (3208/0061) O/S 310, Luton Road, Chatham, Kent, ME4 5BX 0445031001N Clear Channel Uk Ltd 600 Arqiva Roof Top (Shared 166074), Strood Ate, St Mary'S Road, Strood, Rochester, Kent, ME2 4DF 2635000070 Arqiva Ltd 41750 Pt 1st Flr, Medway Arts Centre, The Brook, Dock Road, Chatham, Kent, ME4 4SE 0254080310N Medway Council - Culture And Community Finance Team 4900 (3208/0058) O/S 92, Chatham Hill, Chatham, Kent, ME5 7AL 0211009420N Clear Channel Uk Ltd 600 (3208/0059) Adj Upper Luton Road/, Luton Road, Chatham, Kent, ME4 5AA 0444081210N Clear Channel Uk Ltd 600 (3208/0060) Opp York Hill, Luton Road, Chatham, Kent, ME4 5AA 0445081010N Clear Channel Uk Ltd 600 (3208/0062) O/S Crest Hotel, Maidstone Road, Chatham, Kent, ME5 9SE 0450083301N Clear Channel Uk Ltd 600 (3208/0064) O/S, 304, City Way, Rochester, Kent, ME1 2BL 1240030420N Clear Channel Uk Ltd 600 (3208/0067) O/S 120, Bligh Way, Strood, Rochester, Kent, ME2 2XG 2157000121N Clear Channel Uk Ltd 300 (3208/0068) Opp Whitegates Service Station, Gravesend Road, Strood, Rochester, Kent, ME2 3PW 2393011811N Clear Channel Uk Ltd 600 (3208/0069) Opp, 3, High Street, Strood, Rochester, Kent, ME2 4AB 2419000020N Clear Channel Uk Ltd 600 (3208/0072) O/S Post Office, North Street, Strood, Rochester, Kent, ME2 4SX 2546001520N Clear Channel Uk Ltd 300 (3208/0073) Opp St Marys Road, North Street, Strood, Rochester, Kent, ME2 4SN 2546001620N Clear Channel Uk Ltd 300 (3208/0074) O/S, 118, Watling Street, Strood, -
This World & Nearer Ones Nyc's First
FOR IMMEDIATE RELEASE MEDIA CONTACT Nicholas Weist, Creative Time [email protected] 212.206.6674 x 205 CREATIVE TIME PRESENTS PLOT09: THIS WORLD & NEARER ONES NYC’S FIRST PUBLIC ART QUADRENNIAL, ON GOVERNORS ISLAND, NYC 19 public art commissions by major international artists Free, Opening June 27 Work by Mark Wallinger, Lawrence Weiner, Anthony McCall, Krzysztof Wodiczko, Patti Smith, AA Bronson, and more PLOT09: This World & Nearer Ones Opening June 27 Free and open to the public Fridays 11-4 and Saturdays and Sundays, 12-6 Digital press center: http://creativetime.org/programs/archive/2009/GI/ (May 29, 2009 New York, NY) Creative Time is pleased to announce its new public art quadrennial: PLOT, taking place on historic Governors Island and featuring international artists responding to the island with new, site-responsive artworks. The first edition of PLOT, This World & Nearer Ones, is curated by Mark Beasley. The project is produced in association with Governors Island Preservation and Education Corporation, the National Park Service, NYC & Company, and the Office of the Mayor. PLOT09 will draw thousands to Governors Island to explore the artwork and numerous other public programs. PLOT09 is free and open to the public, and will open on June 27. This World & Nearer Ones will intervene in the architectural and natural fabric of the island, transforming its historic buildings and vast lawns—from the iconic Fort Jay to St. Cornelius Chapel—through installation, performance, video, and auditory works, inviting audiences to reconsider the island’s past and future. PLOT09 will feature artists from 9 different countries, including Edgar Arceneaux, AA Bronson and Peter Hobbs, The Bruce High Quality Foundation, Adam Chodzko, Tue Greenfort, Jill Magid, Teresa Margolles, Anthony McCall, Nils Norman, Susan Philipsz, Patti Smith and Jesse Smith, Tercerunquinto, Tris Vonna-Michell, Mark Wallinger, Klaus Weber, Lawrence Weiner, Judi Werthein, Guido van der Werve, and Krzysztof Wodiczko, realizing temporary projects in various sites throughout Governors Island. -
SHOVELL and the LONGITUDE How the Death of Crayford’S Famous Admiral Shaped the Modern World
SHOVELL AND THE LONGITUDE How the death of Crayford’s famous admiral shaped the modern world Written by Peter Daniel With Illustrations by Michael Foreman Contents 1 A Forgotten Hero 15 Ships Boy 21 South American Adventure 27 Midshipman Shovell 33 Fame at Tripoli 39 Captain 42 The Glorious Revolution 44 Gunnery on the Edgar 48 William of Orange and the Troubles of Northern Ireland 53 Cape Barfleur The Five Days Battle 19-23 May 1692 56 Shovell comes to Crayford 60 A Favourite of Queen Anne 65 Rear Admiral of England 67 The Wreck of the Association 74 Timeline: Sir Cloudsley Shovell 76 The Longitude Problem 78 The Lunar Distance Method 79 The Timekeeper Method 86 The Discovery of the Association Wreck 90 Education Activities 91 Writing a Newspaper Article 96 Design a Coat of Arms 99 Latitude & Longitude 102 Playwriting www.shovell1714.crayfordhistory.co.uk Introduction July 8th 2014 marks the tercentenary of the Longitude Act (1714) that established a prize for whoever could identify an accurate method for sailors to calculate their longitude. Crayford Town Archive thus have a wonderful opportunity to tell the story of Sir Cloudesley Shovell, Lord of the Manor of Crayford and Rear Admiral of England, whose death aboard his flagship Association in 1707 instigated this act. Shovell, of humble birth, entered the navy as a boy (1662) and came to national prominence in the wars against the Barbary pirates. Detested by Pepys, hated by James II, Shovell became the finest seaman of Queen Anne’s age. In 1695 he moved to Crayford after becoming the local M.P. -
Press Release 9.Pdf
Bad Behaviour from the Arts Council Collection A new National Touring Exhibition from the Hayward Gallery Bad Behaviour charts a subversive streak in contemporary art, focusing on a generation of artists who challenge conventions and overturn established principles and social codes. Featuring over 50 works from the Arts Council Collection, mostly recent acquisitions, this new National Touring Exhibition from the Hayward Gallery, South Bank Centre presents contemporary British sculpture, installation, photography and video from the 80s to now. It opens at Longside Gallery in November before touring extensively around the UK. Some artists take the term ‘bad behaviour’ literally. In Gilbert & George’s Gordon’s Makes Us Drunk a camera is directed on the artists as they become increasingly intoxicated, drinking glass after glass of neat gin. A giant plastic gnome is covered with cigarettes by Sarah Lucas for her sculpture Willy, while Ultralow sees Jim Lambie smoking his way through an packet of Silk Cut Ultralows, one after the other, in the dark. Several of the works challenge national institutions with anti-establishment sentiment. Although politically subversive in content they retain a tongue-in-cheek cynicism. Jonathan Parsons’s Achrome reduces the Union Flag to a representation of the original drained of all its colour while Jason Coburn makes a drawing on covertly obtained Ministry of Defence headed notepaper. Gregory Green reminds us of political unrest with his installation of an impromptu bomb-making factory. Other artists borrow the language of protest sloganeering to make works whose messages are de-politicised and obscured in their present context. The rhetoric of protest is the inspiration for Bob and Roberta Smith’s video Make Art not War, where the artist assumes the role of a crazed political orator.