Target Audience the Looney Tunes Show Content

Total Page：16

File Type：pdf, Size：1020Kb

Target Audience the Looney Tunes Show Content

TARGET AUDIENCE Series: Kids 6-11, Parents with Kids 6-11 CONTENT AT A GLANCE WBCP: Boys 4-8, Parents with Kids 4-8 Season Two • Premiered April 2013 in its Tuesday time slot, with 13 new episodes on Cartoon Network in the U.S. THE LOONEY TUNES SHOW • Newly created Merrie Melodies air with select episodes. Season Two • International broadcast markets include UK, France, Germany, The Looney Tunes Show, the half-hour animated comedy Spain, Italy, Australia, Brazil, Mexico, series starring Bugs and Daffy as mismatched suburban Argentina, Canada, Poland and more. roommates, gets even wilder in Season Two. In all-new episodes: Bugs becomes addicted to Porky’s catering, The Looney Tunes Show Delivers on Lola reads the Witch’s spell book to Gossamer as a CN in the U.S. bedtime story (and turns him into a frog), Daffy joins the United States Marine Corps, and Taz, Tweety and Sylvester • Cartoon Network delivers an average of over 1.6 million put aside their differences and make an incredible journey viewers with each original The Looney Tunes Show episode. together to return to their happy homes. “Merrie Melodies” • The Looney Tunes Show is the #1 Show in its time period on (two-minute music videos of original songs) are also back, Cartoon Network with Kids 2-11. featuring Yosemite Sam’s singing mustache, Daffy’s tribute • The Looney Tunes Show continually matches its to his beloved parade float, and Gossamer’s rendition of the Cartoon Network prior year time period ranking with classic Merrie Melodies song, “I Love to Singa”―sung to Boys 6-11. the entire neighborhood. • The premier episode of The Looney Tunes Show Season Two ranked #1 in its time period with Boys 9-14 and #2 on all cable Kids networks with Boys 6-11. Home Video • The LT Show, Season 1, Vol. 3 • The LT Show 3 Pack of Fun • The LT Show, There Goes The Neighborhood, Season 1 Cartoon Universe Live in the U.S. • Cartoon Universe is the ultimate online destination for young fans of The Looney Tunes Show and Scooby-Doo: Mystery Incorporated—a secure social environment kids can enjoy with their favorite characters. • It’s action all the way with customized characters, puzzle-solving, and fast and funny adventures. • Collect achievements, encounter challenges, and buy cool upgrades to enhance the experience! .

Copy Link

Recommended publications

The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
[Show full text]
Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon
Goldmark, Daniel. 2005. Tunes for 'Toons: Music and the Hollywood Cartoon. Berkeley and Los Angeles: University of California Press. Reviewed by Kate McQuiston Daniel Goldmark's monograph, the first on music in cartoons, will inter est both a popular and scholarly readership. Tunes for 'Toons offers lively description, analysis, and history, and it makes a tremendous contribution to the scholarly literature by illuminating the working processes and creative tendencies of composers, as well as by unpacking the codes and systems behind cartoons that use familiar classical music and others that use jazz. Goldmark's attention to the industry of animation, his effective use of documentary materials, and his evident enthusiasm for the subject all enhance his work. Useful to anyone interested in the hows and whys of cartoon scoring (especially fans of Merrie Melodies and Tom and Jerry), the book provides rich analyses of individual cartoons, and these interpretations serve as models for understanding other undiscussed cartoons. Goldmark's case studies reveal diversity from one studio to another far surpassing that of classic Hollywood films, which suggests that "the Hollywood Cartoon" may be too narrow a label for the whole group. Goldmark focuses on the cartoons produced during the classic Hollywood era by Hollywood studios, but he also includes cartoons produced by New York studios with parent companies in Los Angeles. He organizes the book into five chapters, each focusing on a composer, musical style, or studio. Each chapter has a well-calibrated, unique scope, which Goldmark consistently supports through evidence from sources such as interviews, detail sheets (blueprints for the action, dialogue, sound effects, and music in a cartoon), and other documents.
[Show full text]
Generic Cartoon Toon World Introduction Cartoons, in Most Places They Are Just Viewed As Comedic Shows and Are Just Watched As Entertainment
Generic Cartoon Toon World Introduction Cartoons, in most places they are just viewed as comedic shows and are just watched as entertainment. However, here in this reality “Toons” are people, a minority group with strange powers who generally work as actors and entertainers producing the various shows that people love. Through cartoon shows such as Bonkers, Animaniacs, Tiny Toons and the Looney Tunes show, you get a glimpse of “the real” world behind the scenes where Toons are people and have there own problems. Unfortunately, the reality is that Toon’s were badly treated for most of their history and for most of the early nineteen hundreds Toons were considered to be nuisances or treated as property to be locked away in their own segregated area. (This is an attempt at covering a wide-variety of cartoons, shows and movies that displayed or had episodes that showed a similar Toons-are-actors-in-a-world-with-humans “behind the scenes”) Animaniacs, Harvey Birdman: Attorney at law, Bonkers, Disney’s house of mouse, Drawn together, Freakazoid, Looney Tunes, Looney Tunes back in action, The Looney Tunes Show, Pinky and the Brain, Space Jam, Space Ghost: Coast to Coast, Son of Zod, Tiny Toons, Who framed Roger rabbit. Sections available Race Companions Background Perks Items Drawbacks Scenarios -contains starting year, tasks, scenarios Timeline - history of this world and some of the major events inside of it Start with: 1000cp Race Human: (free) You start off as a human, you're a boring human. Pick how you look and your sex for free.
[Show full text]
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks.
[Show full text]
Printable Ornament List for Robert Chad
Robert Chad 2014 1495QXE3723 High-Flying Hero Disney The Rocketeer 1LPR3346 Dahlia Mary's Angels 995QRP5933 Frosting Frosty Friend Merry Makers - By Tom Best and Robert Chad 1995QGO1666 Christmas Countdown! 2995QX9023 A Pre-flight Snack 4th in the Once Upon a Christmas series - By Tom Best, Robert Chad, Joanne Eschrich and Jim Kemme 1795QGO1243 Disco Inferno 995QX9076 Dahlia 27th in the Mary's Angels series 1495QXI2736 Sloth The Goonies 1495QXI2443 A Sticky Situation Taz – LOONEY TUNES 1795QXI2433 Weady for Christmas Tweety -- LOONEY TUNES 1495QGO1643 Merry Hanukkah! 1495QGO1663 Partridge on a Par 3 2013 1495QFO5222 Creepy Coffin 1LPR3365 A North Pole Stroll 1795QXG1335 Santa's Magic Bell - By Robert Chad and Valerie Shanks 1995QXG1352 Santa's North Pole Workshop 1795QXG1525 Peppermint Bark - By Robert Chad and Sharon Visker 2495QXG1512 Countdown to Christmas - By Orville Wilson and Robert Chad 1495QXG1362 A Snowman's Joyful Job - By Joanne Eschrich and Robert Chad 2995QX9045 3rd in the Once Upon a Christmas series - By Robert Chad, Tom Best, Julie Forsyth and Jim Kemme 1795QXG1722 I've Been Everywhere 995QX9052 Poinsettia 26th in the Mary's Angels series 1495QXI2032 A Puddy for Tweety Tweety--LOONEY TUNES 1795QXI2042 A "Light" Snack Taz--LOONEY TUNES 1495QXI2035 Merry Christmas, Earthlings! Marvin the Martian - LOONEY TUNES 2012 2295QXG4004 Countdown to Christmas 2995QX8174 Time for Toys 2nd in the Once Upon a Christmas series - By Robert Chad, Orville Wilson and Nello Williams 995QX8271 Sterling Rose 25th in the Mary's Angels series
[Show full text]
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
[Show full text]
July 26, 2013 Bugs Bunny and the NSO Come to Wolf Trap
July 26, 2013 Bugs Bunny and the NSO come to Wolf Trap By Roger Catlin For a generation of Americans, the earliest love of classical music came not through shared family symphony experiences or early childhood music appreciation classes, but through mayhem-laced TV cartoons, often involving a bunny in drag. Walt Disney may have taken the high road to classical music interpretation through some early Silly Symphony cartoons and “Fantasia” (which in its first run was a flop). But it was Warner Bros. and particularly the animators behind Bugs Bunny who may have been the most successful in drumming key classical passages into the heads of impressionable audiences when the studio’s theatrical cartoons of the 1940s and ’50s were incessantly replayed on TV in the ’60s. Warner Bros. - Still image from the 1950's Merrie Melodies short, “What's Opera, Doc?” Even today, the most serious gray-haired music lover, sitting in the world’s most august concert halls, may be listening to the timeless refrains of Rossini or Wagner only to have the phrase “Kill the Wabbit!” come to mind. Conductor George Daugherty has embraced this meld of classical knowledge and pop-culture conditioning and celebrates it in his “Bugs Bunny at the Symphony.” Its first tour, in 1990, was such a success that it spawned, as most successes in Hollywood do, a sequel. “Bugs Bunny at the Symphony II” comes to Wolf Trap on Thursday and Friday, with Daugherty conducting the National Symphony Orchestra. In its honor, we pause to hail the greatest uses of classical music by Warner Bros.
[Show full text]
America Animated: Nationalist Ideology in Warner
AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Except where reference is made to the work of others, the work described in this thesis is my own or was done in collaboration with my advisory committee. This thesis does not include proprietary or classified information. ___________________________ Megan Elizabeth Rector Certificate of Approval: ____________________________ ____________________________ Susan Brinson Kristen Hoerl, Chair Professor Assistant Professor Communication and Journalism Communication and Journalism _________________________ ____________________________ George Plasketes George T. Flowers Professor Dean Communication and Journalism Graduate School AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector A Thesis Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Master of the Arts Auburn, Alabama December 19, 2008 AMERICA ANIMATED: NATIONALIST IDEOLOGY IN WARNER BROTHERS’ ANIMANIACS Megan Elizabeth Rector Permission is granted to Auburn University to make copies of this thesis at its discretion, upon request of individuals or institutions at their expense. The author reserves all publication rights. _____________________________ Signature of Author _____________________________ Date of Graduation iii VITA Megan Elizabeth Rector, daughter of Timothy Lawrence Rector and Susan Andrea Rector, was born June 6, 1984, in Jacksonville, Florida. She graduated from Lewis-Palmer High School with distinction
[Show full text]
Precious Metals Catalogue Looney Tunes
Precious Metals Catalogue Looney Tunes Precious Metals Catalogue — Looney Tunes Contents 1.1 Looney Tunes — Merrie Melodies .............................................................. 3 1.2 Looney Tunes — 4 Coin Set ..................................................................... 4 1.3 Looney Tunes — Gold Coin and Watch — Bugs Bunny and Friends ........................ 5 1.4 Looney Tunes — Tweety Bird .................................................................. 6 CONFIDENTIAL | http://www.cibc.com/preciousmetals Precious Metals Catalogue — Looney Tunes 3 Looney Tunes 1.1 Looney Tunes — Merrie Melodies Front Side: Description Faithfully rendered in rich detail, the characters are seen emerging from the circular opening towards the viewer. Bugs Bunny stands in the centre in a true entertainer’s pose, while below him sits the Tasmanian Devil. Peering over Bugs’ shoulder is the amorous skunk, Pepé Le Pew and Pussyfoot. Also appearing over Bugs’ shoulder is Daffy Duck and Sylvester, both bearing wide smiles. Last but not least is Tweety. Back Side: Specifications Approximate: No. 144947 Mintage 12,500 Composition: 99.9% Pure Silver Finish: Proof Weight (g): 31.39 Diameter (mm): 38 Edge: Serrated Certificate: Serialized Face Value: 20 Dollars Artist: Warner Bros. (reverse), Susanna Blunt (obverse) CONFIDENTIAL | http://www.cibc.com/preciousmetals Precious Metals Catalogue — Looney Tunes 4 1.2 Looney Tunes — 4 Coin Set Front Side: Description From 1942 until the late 1960s, Looney Tunes were the most popular animated shorts to be shown in film theatres. But as the golden era wound down, television would be the one to keep the laughs going by introducing the characters and their (mis)adventures to new generations. In keeping with the playful nature of Looney Tunes, each coin features a hidden surprise element—look closely.
[Show full text]
Bugs Bunny Stamps Now Available Nationwide Forever Stamps Celebrate ‘Wascally Wabbit’ Who Has Gleefully Foiled Foes and Delighted Cartoon Audiences for 80 Years
FOR IMMEDIATE RELEASE Contact: Mauresa R. Pittman July 27, 2020 (O) 202-268-2220 [email protected] usps.com/news Bugs Bunny Stamps Now Available Nationwide Forever Stamps Celebrate ‘Wascally Wabbit’ who has gleefully foiled foes and delighted cartoon audiences for 80 years. WASHINGTON, DC — The U.S. Postal Service issued the Bugs Bunny commemorative Forever stamps today, the character’s 80th birthday. The Bugs Bunny stamps were dedicated in a virtual ceremony and are now being sold at Post Office locations nationwide and online at usps.com/bugsbunny80. “It’s a special privilege to celebrate the 80th anniversary of one of the most popular and iconic characters in history”, said dedicating official Kristin Seaver, chief information officer and executive vice president, U.S. Postal Service. “Bugs is both timeless and timely, a quick-change artist who can get out of a jam, win any battle, through his wits and clever disguises. He simply summons up whatever talent, costume or personality is needed to escape every perilous situation.” Seaver was joined for the ceremony by Pete Browngardt, executive producer of “Looney Tunes Cartoons,” and Alex Kirwan, supervising producer of “Looney Tunes Cartoons.” The virtual stamp event can be viewed on the Postal Service’s Facebook and Twitter pages. The stamp artwork was developed in partnership with Warner Bros. Consumer Products, featuring work from Warner Bros. Animation artists. The stamps show iconic moments of Bugs Bunny’s career. The Warner Bros. Animation artists also created the sketches on the back of the stamp pane. Greg Breeding was the designer, and William J.
[Show full text]
My Back Pages | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "My Back Pages" By: Craig Fischer Fischer, C. (2013). “My Back Pages." The Comics Journal, February 4, 2013. Version of record available at: http:// www.tcj.com/my-back-pages/ My Back Pages | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← Seep, You Seepers Of The Seeping Gore Cactus Face → Zap: An Unpublished Spain Rodriguez Interview In celebration of the release of the Comics Journal Library book of Zap Monsters Eat Critics interviews, we present this unpublished interview with the late Spain Rodriguez. It does not appear in the Zap Interviews book. Continue reading → My Back Pages BY CRAIG FISCHER FEB 4, 2013 Don Draper: “In Greek, ‘nostalgia’ literally means ‘the pain from an old wound.’ It’s a twinge in your heart far more powerful than memory alone.” 1. In 1992, I was dawdling my way through a Ph.D. program in English at the University of Illinois. I had trouble focusing on my work that year, because back in my hometown of Buffalo, New York, my mother was dying of cancer. She was first diagnosed with breast cancer in 1985, while I was still living at home but poised to start graduate school at Illinois in the fall. When my parents told me about the cancer, I said that I wouldn’t go to graduate school, that I would stay and care for my mom, but they said “No.” They were insistent that I begin my adult life and career, and they also realized that my offer to remain in Buffalo was based as much on my fear of an unknown direction for my life as it was in some sort of noble self-sacrifice.
[Show full text]
Animation Voice-Over Workshop with Bob Bergen
Animation Voice-over Workshop with Bob Bergen and Casting/Voice Director, Collette Sunderman ! Saturday & Sunday, Nov. 8 & 9, 2014: 10am to 5pm John Marshall Media, 630 Ninth Ave., New York, NY WORKSHOP DETAILS: On Sat., Nov. 8, Bob will guide & direct you with animation audition copy, preparing you to showcase your characters for Collette on Sun., Nov. 9. Collette will then add her own adjustments & ideas, as she directs your characters to the next level. Two-time Emmy nominated actor Bob Sunday concludes with a Q&A with both Bob and Collette. This Bergen is one of the most in-demand is a great opportunity to ask those questions we rarely get the animation voice artists in the opportunity to do with a casting director, such as: business. Credits include: CN’s CLARENCE, ROBOT CHICKEN, ! STAR WARS: THE CLONE WARS, What makes a great audition great? THE LOONEY TUNES SHOW, UP!, ! How much creativity are we expected to bring to the WALL-E, SPIRITED AWAY, script. Can we ad-lib? GREMLINS, WRECK IT RALPH, ! Should we slate in character? CURIOUS GEORGE, GREMLINS, ! What are the most common mistakes that sabotage an TINKER BELL, TANGLED, and THE SANTA CLAUSE 2 & 3, to name a actor’s career? few! ! How can an actor stay on your radar without being a pest? www.BobBergen.com/ ! AND more! Cost: $850 for the 2-day workshop if paid by check / $875 if paid by Paypal. $250 to reserve your spot; balance due one month prior. SPACE IS LIMITED!! Emmy nominated Voice & Casting Director Collette Sunderman began her career at Hanna- Barbera Studios over 20 years ago.
[Show full text]