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Artsy.Net/Article/Artsy-Editorial-The-Artists-We-Lost-2016
https://www.artsy.net/article/artsy-editorial-the-artists-we-lost-2016 � ARTWORKS AUCTIONS MAGAZINE MORE LOG IN SIGN UP Art The Artists We Lost in 2016 Artsy Editors Dec 20, 2016 8:00 pm As the year comes to a close, we remember some of the most notable artists and creatives who passed away in 2016. They brought to the world pioneering paintings, innovative design, unprecedented architectural feats, and photographs that captured the struggles, fashions, and cultural obsessions of the last century. Among them: Thornton Dial, a self-taught artist from Alabama, made intricate, bold assemblages that powerfully channeled the African- American experience. Marisol and Shirley Jaffe, pioneers of Pop Art and Abstract Expressionism, respectively, helped forge a place for women in both male-dominated movements. Malick Sidibé harnessed the exuberance of post-colonial Mali in his photographic portraits, while Marc Riboud created an international anti- war icon in his image of a Vietnam war protester holding a flower while facing a line of bayonets, and Bill Cunningham chronicled the ever- changing sartorial trappings of the late 20th and early 21st centuries. Premature passings included that of Zaha Hadid, the boundary-pushing, Iraqi-British architect, and Leila Alaoui, a documentary photographer who focused on migration and displacement and died in a terrorist attack, while on assignment for UN Women and Amnesty International in Ouagadougou, Burkina Faso. While these trailblazing artists are no longer with us, their creative spirits live on in the work they left behind, which, collectively, will continue to inspire generations of artists after them. Leila Alaoui �Follow B. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
The Rebuilding and Redecoration of the Holy Apostles in Constantinople: a Reconsideration , Greek, Roman and Byzantine Studies, 23:1 (1982:Spring) P.79
WHARTON EPSTEIN, ANN, The Rebuilding and Redecoration of the Holy Apostles in Constantinople: A Reconsideration , Greek, Roman and Byzantine Studies, 23:1 (1982:Spring) p.79 The Rebuilding and Redecoration of the Holy Apostles in Constantinople: A Reconsideration Ann Wharton Epstein NY MATERIAL REMAINS of the Church of the Holy Apostles in A Constantinople are now inaccessibly buried under the eigh teenth-century Fetih Mosque. l Despite the fact that this great church no longer exists, it continues to concern art and architectural historians for a number of good reasons. After Saint Sophia, the Holy Apostles was the most important church in the capital of the Byzantine Empire, not only because of its size and dedication, but also because of its function as the burial place of the emperors from the fourth to the eleventh century. Furthermore, along with monu ments like the Holy Sepulchre in Jerusalem, the Holy Apostles was one of the most influential buildings of the Middle Ages, providing the model for numerous foundations with Apostolic dedications. Finally, associated with the Holy Apostles is a relatively rich cache of literary sources, including several mediaeval ekphrases or descrip tions. These texts have not merely aroused academic interest~ be cause of their impressionistic form they have also stimulated schol arly imagination. It is not the object of this note to review the various reconstructions of the Holy Apostles that have been put forward. Rather it is simply a reconsideration of the post-ninth century phases of rebuilding and of redecoration that have been postulated by Professor Richard Krautheimer and Professor Ernst Kitzinger respectively.2 These hypotheses deserve close attention as they have considerably influenced the contemporary historiography of Byzantine art. -
Introduction and Will Be Subject to Additions and Corrections the Early History of El Museo Del Barrio Is Complex
This timeline and exhibition chronology is in process INTRODUCTION and will be subject to additions and corrections The early history of El Museo del Barrio is complex. as more information comes to light. All artists’ It is intertwined with popular struggles in New York names have been input directly from brochures, City over access to, and control of, educational and catalogues, or other existing archival documentation. cultural resources. Part and parcel of the national We apologize for any oversights, misspellings, or Civil Rights movement, public demonstrations, inconsistencies. A careful reader will note names strikes, boycotts, and sit-ins were held in New York that shift between the Spanish and the Anglicized City between 1966 and 1969. African American and versions. Names have been kept, for the most part, Puerto Rican parents, teachers and community as they are in the original documents. However, these activists in Central and East Harlem demanded variations, in themselves, reveal much about identity that their children— who, by 1967, composed the and cultural awareness during these decades. majority of the public school population—receive an education that acknowledged and addressed their We are grateful for any documentation that can diverse cultural heritages. In 1969, these community- be brought to our attention by the public at large. based groups attained their goal of decentralizing This timeline focuses on the defining institutional the Board of Education. They began to participate landmarks, as well as the major visual arts in structuring school curricula, and directed financial exhibitions. There are numerous events that still resources towards ethnic-specific didactic programs need to be documented and included, such as public that enriched their children’s education. -
Studienraum Study A
B i o - B i BL i o g R a F i s c H e s L e x i Ko n B i o g R a PH i c a L a n d B i BL i o g R a PH i c a L L e x i c o n Kurt Badt concentration camp in Dachau in 1933. Dismissed Paul Frankl Nach künstlerischem Studium an den Kunstge- des Zweiten Weltkrieges 15-monatige Internierung Ruth Kraemer, geb. schweisheimer in 1971 and worked at the Bibliotheca Hertziana Studied art history in Berlin, Heidelberg, Munich, at the Staatliche Museen zu Berlin until 1935. Dis- VERÖFFENTLICHUNGEN \ PUBLICATIONS: Museen, 1932 Habilitation bei Pinder. 1933 Ent- Studied art history from 1918–1921 in Munich after geb. 03.03.1890 in Berlin, from the Bayerisches Nationalmuseum in 1935 by b. 01/02/1878 in Prague; werbeschulen in München und Halle 1928–1933 unter dem Vichy-Regime. 1964 verstarb Heinemann geb. 27.08.1908 in München, in Rome. Received the honorary citizenship of the and Leipzig. Gained doctorate in 1924 under Pinder. missed in 1935 by the National Socialist authorities. Augustin Hirschvogel. Ein Meister der Deutschen lassung als Privatdozent durch die nationalsozia- active service in World War I. Gained doctorate in gest. 22.11.1973 in Überlingen am Bodensee the National Socialist authorities. Emigrated to the d. 04/22/1962 in Princeton, NJ (USA) Studium der Kunstgeschichte in München. 1933 über den sich seit 1957 hinziehenden Entschädi- gest. 27.09.2005 in New York, NY (USA) city of Rome shortly before his death. -
The Tape Artist: Jaime Davidovich at Threewalls
http://www.chicagotribune.com/entertainment/ct-jaime-davidovich-threewalls-review-20150319-column.html Arts & Entertainment The tape artist: Jaime Davidovich at Threewalls Jaime Dal/idol/ich,as his alter�o Dr. Vldeovich.(AccuSoft Inc., All right, Courtesyof the artistand Henri) JOEL SHAPIRO By Lori Waxman THE BRONZES 227 State Street • Madison. WI TIU.YU SHARE THIS VIISC�NS/-•CON-N Jaime Davidovich's decades in video "# f ADVERTISEMENT MARCH 19, 201S, 4:03 PM here once was a time when artists, some artists at least, believed in television. Not in T an ironic way, as successful satirists like Stephen Colbert or the makers of "The Simpsons" do, but sincerely, as a means of broadcasting visual experiments to an interested public at large. This time was the 1970s, when television was still transmitted via radiowaves and on-demand was a thing of the future. Back then, an Argentinian artist named Jaime Davidovich, who had moved to New York City in 1963 as a painter of monochromes, began to organize and star in artist-made television. In 1976, he co-founded Cable SoHo, which is exactly what it sounds like. Two years later he became president of the Artists' Television Network, a group dedicated to developing the medium artistically and to distributing contemporary arts programming to a broad viewership. Between 1979 and 1984, he produced "The Live! Show," a half-hour avant-garde variety program that was as much about art as it was art itself. A rotating selection of Davidovich's videos is currently screening at Threewalls as part of "Outreach: Jaime Davidovich, 1974-1984," curated by Daniel R. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York City Permalink https://escholarship.org/uc/item/3x19f20h Author Schmitz, Sandra Elizabeth Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Saving Carnegie Hall: A Case Study of Historic Preservation in Postwar New York A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Sandra Elizabeth Schmitz June 2015 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Jason Weems Dr. Catherine Gudis Copyright by Sandra Elizabeth Schmitz 2015 The Thesis of Sandra Elizabeth Schmitz is approved: Committee Chairperson University of California, Riverside Acknowledgements I would like to thank my thesis advisor, Dr. Patricia Morton, for helping me to arrive at this topic and for providing encouragement and support along the way. I’m incredibly grateful for the time she took to share her knowledgeable insight and provide thorough feedback. Committee members Dr. Jason Weems and Dr. Catherine Gudis also brought valuable depth to my project through their knowledge of American architecture, urbanism, and preservation. The department of Art History at the University of California, Riverside (UCR) made this project possible by providing me with a travel grant to conduct research in New York City. Carnegie Hall’s archivists graciously guided my research at the beginning of this project and provided more information than I could fit in this thesis. I could not have accomplished this project without the support of Stacie, Hannah, Leah, and all the friends who helped me stay grounded through the last two years of writing, editing, and talking about architecture. -
El Museo Del Barrio Announces 2017 Summer
EL MUSEO DEL BARRIO ANNOUNCES 2017 SUMMER EXHIBITIONS NKAME: A RETROSPECTIVE OF CUBAN PRINTMAKER BELKIS AYÓN and UPTOWN: NASTY WOMEN/BAD HOMBRES OPENING ON JUNE 13th, ON VIEW THROUGH NOVEMBER 5th PRESS AND VIP PREVIEW Monday, June 12th 6-7pm | Remarks at 6.45pm Opening continues until 9pm El Museo del Barrio 1230 Fifth Avenue RSVP to [email protected] La Sentencia. Belkis Ayón. 1993. Collograph. 96 x 67 cm. The Street Becomes, Jaime Permuth. 2017 Collection of the Belkis Ayón Estate. Courtesy of El Museo Digital pigment prints on handmade Japanese del Barrio. paper. 22 x 17 in. Courtesy of the artist. El Museo del Barrio present their two summer exhibitions, showcasing a multitude of artists who explore themes ranging from the power of the media and the legacies of racism, to Afro-Cuban mythology. 1230 Fifth Avenue 212.831.7272 New York, NY 10029 www.elmuseo.org FOR IMMEDIATE RELEASE: New York, NY, June 2, 2017 – Opening on June 13th, in conjunction with the annual Museum Mile Festival, El Museo del Barrio presents their two summer exhibitions: Nkame: A Retrospective of Cuban Printmaker Belkis Ayón and uptown: nasty women/bad hombres. These two exhibitions, on view through November 5th, present both local and international stories—while Nkame: A Retrospective of Cuban Printmaker Belkis Ayón represents the first ever U.S. retrospective of Cuban artist Belkis Ayon, uptown: nasty women/bad hombres presents a powerful group show of local artists living and working in uptown Manhattan. ABOUT NKAME: A RETROSPECTIVE OF CUBAN PRINTMAKER BELKIS AYÓN Nkame: A Retrospective of Cuban Printmaker Belkis Ayón is a landmark retrospective, the first in the U.S. -
Erfurter Stadtgeschichte: Das Leben Der Juden in Der Zeit Vom 11. Bis 15
Christoph Wirth Erfurter Stadtgeschichte: Das Leben der Juden in Erfurt in der Zeit vom 11. bis 15. Jahrhundert Eine Spurensuche Erfurter Synagoge (1357 bis 1458) Inhaltsverzeichnis 1. Der mittelalterliche jüdische Friedhof S. 1 2. Das jüdische Viertel in Erfurt S. 10 2. 1. Lage des jüdischen Viertels S. 10 2. 2. Alte Synagoge und Synagoge von 1357 S. 13 2. 3. Rituelles Bad (Mikwe) S. 18 2. 4. Jüdisches Gemeindehaus S. 20 3. Zeugnisse über Juden in Erfurt vor 1349 S. 21 4. Rechtsstellung der Erfurter Juden vor 1349 S. 24 5. Berufliche Tätigkeiten der Erfurter Juden S. 27 6. Pogrome an Erfurter Juden vor 1349 S. 30 7. Das Pogrom von 1349 S. 34 8. Wiederansiedlung von Juden in Erfurt nach S. 39 dem Pogrom von 1349 9. Vertreibung der Erfurter Juden S. 44 Literaturverzeichnis S. 47 Abbildungen S. 55 Abbildungsverzeichnis S. 61 1 Das Leben der Juden in Erfurt in der Zeit vom 11. bis 15. Jahrhundert – Eine Spurensuche 1. Der mittelalterliche jüdische Friedhof Erstmals wurde der mittelalterliche jüdische Friedhof in Erfurt 1287 in einer Einigung zwischen dem Mainzer Erzbischof und der Stadt Erfurt erwähnt, worin der Erzbischof bezeugte, „keine Forderungen mehr wegen der Juden zu Erfurt, insbesondere wegen deren Kirchhof (Friedhof, A. d. V.) oder ihrer Synagoge stellen“ zu wollen. „Wie die Synagoge, so bestand auch der Kirchhof zu dieser Zeit schon länger. Aufgefundene Grabsteine können bis in die 1250-er Jahre zurückdatiert werden.“ 1 Die Bezeichnung der jüdischen Gemeinschaft in Erfurt als Kehila – Gemeinde – in den 1270-er Jahren verweist nach Angaben von Maike Lämmerhirt in ihrem 2010 veröffentlichten Aufsatz „Zur Geschichte der Juden in Erfurt“ darauf, dass zu dieser Zeit in Erfurt „eine vollausgebildete Gemeinde mit Friedhof bestand. -
Section Date Title Box Folder Notes Daily 1962 February 19
Ada Louise Huxtable New York Times bibliography Ada Louise Huxtable papers, 1859-2013, bulk 1954-2012 The Getty Research Institute, Los Angeles, accession no. 2013.M.9 For more information about the Ada Louise Huxtable papers, see the collection finding aid To access physical materials on site, go to the library catalog record for this collection and click "Request." Click here for the access policy. Section Date Title Box Folder Notes Daily 1962 February 19 Art: Wright Mythology 16 4 Daily 1962 April 29 Controversy Widens on Design of Development in Washington 16 4 Daily 1962 June 1 Kennedy Adopts Architects' Plan to Give Capital a Modern Look 16 4 Daily 1962 November 11 Federal Pavilion for New York World's Fair Is Nearing a Decision 16 4 Daily 1963 January 26 A Fair U.S. Pavilion 16 4 Daily 1963 May 28 Bold Harvard Structure 16 4 Daily 1963 June 21 Litho City: Hit or Flop? 16 4 Daily 1963 August 14 Chicago Saves Its Past 16 4 Daily 1963 August 20 Plan for Rebuilding Pennsylvania Ave. Is Near Completion 16 4 Daily 1963 October 5 Architecture: Designs for American Synagogues 16 4 Daily 1963 October 10 Upheaval at Battery 16 4 Daily 1963 October 16 Planner Defends Cars in Midtown 16 4 Daily 1963 October 24 Architecture: Virtues of Planned City 16 4 Daily 1963 November 7 Complex in Boston Is Radically Designed 16 4 Daily 1963 November 9 Yale to Dedicate 3D New Building 16 4 Daily 1963 November 24 Renewal Project Splits Cleveland 16 4 Review of Great American Mansions Daily 1963 November 26 End Papers 16 4 by Merrill Folsom. -
The New York City Landmarks Preservation Act and New Challenges to Historic Preservation, 19 J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brooklyn Law School: BrooklynWorks Journal of Law and Policy Volume 19 | Issue 1 Article 11 2010 Smash or Save: The ewN York City Landmarks Preservation Act and New Challenges to Historic Preservation Rebecca Birmingham Follow this and additional works at: https://brooklynworks.brooklaw.edu/jlp Recommended Citation Rebecca Birmingham, Smash or Save: The New York City Landmarks Preservation Act and New Challenges to Historic Preservation, 19 J. L. & Pol'y (2010). Available at: https://brooklynworks.brooklaw.edu/jlp/vol19/iss1/11 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Journal of Law and Policy by an authorized editor of BrooklynWorks. SMASH OR SAVE: THE NEW YORK CITY LANDMARKS PRESERVATION ACT AND NEW CHALLENGES TO HISTORIC PRESERVATION Rebecca Birmingham* “[W]e will probably be judged not by the monuments we build but by those we have destroyed. Ada Louise Huxtable, Farewell to Penn Station”1 INTRODUCTION A demolition crew lops a meticulously maintained cornice off an architecturally unique building.2 A church begs for permission to erect a soaring office tower next to a turn-of-the-century chapel.3 A pop star wields her considerable clout to finagle a dispensation to install historically inappropriate windows in her Brooklyn brownstone.4 These are just a few examples of the most recent challenges * J.D. Candidate, Brooklyn Law School, 2011; B.A., Individualized Study, New York University, 2008. Many thanks to the editorial staff at the Journal of Law and Policy for their input and suggestions. -
Fall BOOKS 2011
CHICAGO F ChiCago FA l l BOOKS 2011 A ll 2011 INTERNATIONA l EDITION IntErnatIonaL EdItIon University of Chicago Press Chicago of University Street 60th East 1427 60637 IL Chicago, Fall 2011 Guide to Subjects Contents African American Studies 24 Jewish Studies 104 African Studies 72 Law 33, 91, 101 General Interest 1 Special Interest 31 American History 7, 22, 25, 40–43, Linguistics 131–133 45, 64, 81–82, 88, 93, 98–99, 136 Paperbacks 77 Literary Criticism 16, 51–55, 57, 79, Distributed Books 105 Anthropology 37, 66, 72–73, 127, 130, 103–104, 137, 142 137, 142 Ordering Information 143 Literature 2, 14, 23, 99, 108–109, 126 Author Index 144 Archaeology 97 Mathematics 75 Title Index 145 Architecture 50, 80, 89, 120, 142 Media 56 Art 1, 15–16, 38, 51–52, 68, 74, 110, 115–116, 122–126, 139–140, 142 Media Studies 142 Asian Studies 60, 65–66, 89, 116 Medicine 41 Biography 1, 39 Memoir 106 Business 17 Music 3, 60, 82 Children’s 130 Mystery 87 Classics 14, 44, 49, 57 Nature 4–5, 8–9, 13, 88, 93, 118, 141 Criminology 75–76 Philosophy 18, 46–48, 51, 57, 71, 74, 92, 95, 98, 100, 113, 115, 123, 132–133, Current Events 56, 60, 91, 95 142 Drama 117, 142 Photography 4, 5, 8, 9, 56, 111, 118, 119, 121, 128, 142 Economics 20, 36, 66, 75–76, 86, 95, 101–102, 113, 138 Poetry 29, 30, 96, 110, 128, 141 Education 58, 59, 91, 131, 142 Political Science 21, 24, 28, 32, 34–36, 46, 71, 73, 137–138 European History 20, 44, 73–74, 78, 106–107 Psychology 36, 47, 58, 125 Fiction 90, 112, 114–115, 117, 124 Reference 19, 21, 94, 97, 129, 134–135 Film Studies 60, 83,