Boston Symphony Orchestra Concert Programs, Season 91, 1971-1972
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AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator. -
Boston Symphony Orchestra Concert Programs, Season 87, 1967-1968
1 J MIT t / ^ii "fv :' • "" ..."?;;:.»;:''':•::•> :.:::«:>:: : :- • :/'V *:.:.* : : : ,:.:::,.< ::.:.:.: .;;.;;::*.:?•* :-: ;v $mm a , '.,:•'•- % BOSTON ''•-% m SYMPHONY v. vi ORCHESTRA TUESDAY A SERIES EIGHTY-SEVENTH SEASON 1967-1968 -^^VTW-s^ Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. -
The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-27-2013 Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966-1976 David Allen Chapman Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Music Commons Recommended Citation Chapman, David Allen, "Collaboration, Presence, and Community: The hiP lip Glass Ensemble in Downtown New York, 1966-1976" (2013). All Theses and Dissertations (ETDs). 1098. https://openscholarship.wustl.edu/etd/1098 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Peter Schmelz, Chair Patrick Burke Pannill Camp Mary-Jean Cowell Craig Monson Paul Steinbeck Collaboration, Presence, and Community: The Philip Glass Ensemble in Downtown New York, 1966–1976 by David Allen Chapman, Jr. A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri © Copyright 2013 by David Allen Chapman, Jr. All rights reserved. CONTENTS LIST OF FIGURES .................................................................................................................... -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. -
WNIB Program Schedule July 1971
M K -1 an STEREO TAPE DECKS Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E. Oak 5700 W. Dempster 7045 W. North 779 -6500 337-4150 967-6690 383- 7006 TUESDAY, WEDNESDAY, FRIDAY & SATURDAY 10AM-6PM; MONDAY & THURSDAY 10AM-9PM 9PM BRAHMS 4 Ballades, Op. 10 - Artur Rubinstein,p (RCA 3186) RACHMANINOFF Svm #1 ind, Op. 13 PROGRAM HEDULE - USSR Sym/Yevgeny Svetla~ov (Mel/ Ang 40084) l0:10 BARTOK String Quartet #4. - Juilliard I String Quartet (Col D3L :n 7) fm July, 1971 KODALY Summer Eveniog - MGM Sym/Artur Winograd (MGM E :3631) FRIDAY 2 WNIB Program Schedule is puhlished by Radio Station WNIB, 25 East Chc::tnut, 9 AM GLUCK (horn on this date in 1714) "Don Chicago, Illinois G06.ll. Phone: 337-5252. Subsel'iptlon rates: one year $a. 00: Juan" Ballet - Vienna s:,~11/Rudolf M oralt (West: two years $9. 00; three years $12. 00. XWN 18582) GLUCK Act 2 of ''Orfco ed Euridice" - Barbara Gibson, s (Enridice); Nan Merriman, ms (Orfeo); NBC S'ym & Robert Shaw Chorale/ COVER: "Hooked Rug" by an American artist, 1796, from the American Tex Arturo Toscanini (RCA 1850) tiles Collection at the Art Institute of Chicago. The exhibit, on display through October 31 1971, features a selection of 18th and 19th century quilts and cover 10:30 HUMMEL Piano Concerto in b-Martin lets, needlework, copperplate and roller-printed cottons, and silk weaving. G._lling, p; Innsbruck Sym/Robert Wagner (Vox Courtesy Art Institute of Chicago. PL 12250) 11 A:<.1 BEETHOVEN String Quartet #10 in Eb, Op. -
The Late Choral Works of Igor Stravinsky
THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY _________________________________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ____________________________ by RUSTY DALE ELDER Dr. Michael Budds, Thesis Supervisor DECEMBER 2008 The undersigned, as appointed by the dean of the Graduate School, have examined the thesis entitled THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY presented by Rusty Dale Elder, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________________ Professor Michael Budds ________________________________________ Professor Judith Mabary _______________________________________ Professor Timothy Langen ACKNOWLEDGEMENTS I would like to express my deepest gratitude to each member of the faculty who participated in the creation of this thesis. First and foremost, I wish to recognize the ex- traordinary contribution of Dr. Michael Budds: without his expertise, patience, and en- couragement this study would not have been possible. Also critical to this thesis was Dr. Judith Mabary, whose insightful questions and keen editorial skills greatly improved my text. I also wish to thank Professor Timothy Langen for his thoughtful observations and support. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………...ii ABSTRACT……………………………………………………………………………...v CHAPTER 1. INTRODUCTION: THE PROBLEM OF STRAVINSKY’S LATE WORKS…....1 Methodology The Nature of Relevant Literature 2. “A BAD BOY ALL THE WAY”: STRAVINSKY’S SECOND COMPOSITIONAL CRISIS……………………………………………………....31 3. AFTER THE BOMB: IN MEMORIAM DYLAN THOMAS………………………45 4. “MURDER IN THE CATHEDRAL”: CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS………………………………………………………...60 5. -
Programação Outubro 2012 Abertura 02 Transmissões Diretas 03 Programação Diária 04 - 59
PROGRAMAÇÃO OUTUBRO 2012 ABERTURA 02 TRANSMISSÕES DIRETAS 03 PROGRAMAÇÃO DIÁRIA 04 - 59 EM DESTAQUE TONS CONHECIDOS 14 TONS DA NOITE 18 TONS RECENTES 22 TONS DA VOZ 30 TONS AO VIVO 36 OUTROS TONS 42 TONS DE IDEIAS 50 TONS MUNDO 56 TEATRO SEM FIOS 08 CICLO CAMILO CASTELO BRANCO NO CCB 46 GEORG SOLTI 61 MAPA DE FREQUÊNCIAS 62 CONTACTOS E FICHA TÉCNICA 64 ABREVIATURAS Acad. Academia; Adapt. Adaptação; al alaúde; Arr. Arranjo; B Baixo; B.C. Baixo contínuo; bat bateria; bnd bandolim; BT Barítono; c/ com; CA Contralto; cb contrabaixo; c’ing corne inglês; cI clarinete; crv cravo; CT Contra-tenor; Dir. Direção; esp espineta; fag fagote; Fil. Filarmónica; fI flauta; flb flauta de bisel; Grav. Gravação; guit guitarra; hpa harpa; hrm harmónica; MS Meio-soprano; Nac. Nacional; ob oboé; Op. Opus; órg órgão; Orq. Orquestra; p/ para; perc percussão; pn piano; pnf pianoforte; Póst. Póstumo; Real. Realização; S Soprano; sax saxofone; Sinf. Sinfónica; T Tenor; tb tuba; tímp tímpanos; tpa trompa; Trad. Tradução; Transc. Transcrição; trb trombone; trp trompete; trv traverso; viu vihuela; vl violino; vla viola; vlag viola da gamba; vlc violoncelo Áudio disponível na Internet TRANSMISSÕES DIRETAS CONCERTOS ANTENA 2 Dia 03 19h00 Academia das Ciências de Lisboa João Madureira e Rachmaninov * Ana Telles (pn) ABERTURA Dia 17 19h00 Instituto Francês de Portugal, Lisboa Dia 1 de outubro é dia Internacional da Música, e se este for o mote, os Concertos Antena 2 e Janácek, E. Satie, Sibelius, S. Joplin, H. Villa- os Concertos Abertos contribuem, dominando as transmissões diretas neste primeiro mês -Lobos, E. -
Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990, Subscription
BOSTON SYMPHONY ORCHESTRA SBJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 ^r^ After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
The Houston Symphony
UNIVERSITY MUSICAL SOCIETY THE HOUSTON SYMPHONY Christoph Eschenbach Conductor and Pianist Thursday Evening, March 7, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Carnival Overture, Op. 92 Dvorak Concerto for Piano and Orchestra No. 23 in A major, K. Mozart Allegro Adagio Allegro assai Christoph Eschenbach INTERMISSION Symphony No. 1 in C minor, Op. 68 ........ Brahms Un poco sostenuto, allegro Andante sostenuto Un poco allegretto e grazioso Adagio, piu andante; allegro non troppo, ma con brio Christoph Eschenbach plays the Steinway piano available through Hammell Music, Inc., Livonia. The Houston Symphony's 1991 Northeast Tour is sponsored by Enron Corporation. The Houston Symphony records exclusively for Virgin Classics. The Houston Symphony is represented by Columbia Artists Management Inc., New York City. The box office in the outer lobby is open during intermission for tickets to upcoming concerts. Copies of this title page are available in larger print; please contact an usher. Twenty-ninth Concert of the 112th Season 112th Annual Choral Union Series Program Notes Carnival Overture, Op. 92 Carnival was dedicated to the Czech ANTONIN DVORAK (1849-1904) University in Prague and was conducted by the composer at the premiere in April 1892 as part of a farewell concert prior to his ature, Life, and Love" that American tour. All three overtures figured is the title Dvorak initially prominently in the concerts that Dvorak planned for a series of three conducted during that visit, but Carnival concert overtures he com established its preeminence then and has held posed in 1891 and 1892. Per it steadfastly. hapsN because Simrock published them with Dvorak's score calls for piccolo, flutes, separate opus numbers, In Nature's Realm, oboes, English horn, clarinets, bassoons, four Op. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. -
Musicians from Marlboro Nicholas Phan, Tenor Michelle Ross, Violin Carmit Zori, Violin Rebecca Albers, Viola Alice Yoo, Cello Lydia Brown, Piano
WILLIAM aND ADELINE CROFT MEMORIAL FUND iN tHE LIBRARY oF CONGRESS MUSICIANS FROM MARLBORO NICHOLAS PHAN, TENOR MICHELLE ROSS, VIOLIN CARMIT ZORI, vIOLIN REBECCA ALBERS, vIOLA ALICE YOO, cELLO LYDIA BROWN, PIANO Wednesday, January 25, 2017 ~ 8:00 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The WILLIAM AND ADELINE CROFT MEMORIAL FUND was established in 1981 to enhance the concert series, to enlarge the audience for chamber music through broadcasting and recording, and to enrich the Library's collections of musical rarities. Adeline Jewel Croft, a pianist and teacher, and her husband William were for more than forty years regular and enthusiastic members of the audience at the Library of Congress. Nightcap Conversation with the Artists Coolidge Auditorium, immediately following the concert This concert is co-presented with THE BILL AND MARY MEYER CONCERT SERIES FREER GALLERY OF ART AND ARTHUR M. SACKLER GALLERY Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. -
Boston Symphony Orchestra Concert Programs, Season 90, 1970-1971
' S88t^^ : HI • BOSTON SYMPHONY ORCHE STRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY -SATURDAY 22 1970-1971 NINETIETH ANNIVERSARY SEASON STRADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN RICHARD P. CHAPMAN EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. NOONAN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS THEODORE P. FERRIS IRVING W. RABB SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B. CABOT EDWARD A.