FEP Report of Activities 2011 - 2012 3 4 FEP Report of Activities 2011 - 2012 Foreword by Fergal Tobin, FEP President
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International Survey on Private Copying
International Survey on Private Copying For more information contact WIPO at www.wipo.int Law & Practice 2 012 World Intellectual Property Organization 34, chemin des Colombettes 2012 International Survey on Private Copying – Law & Practice P.O. Box 18 CH-1211 Geneva 20 Switzerland Telephone: +4122 338 91 11 Fax: +4122 733 54 28 WIPO Publication No. 1037E ISBN 978-92-805-2271-6 International Survey on Private Copying Law & Practice 2012 Acknowledgement and thanks for front cover illustrations (Image of headphones courtesy of: www.publicdomainpictures.net/view-image.php?image=2133&picture=headphones by Anna Langova and all other images courtesy of www.copyright-free-images.com) Table of Contents EXECUTIVE SUMMARY 2 1. REVENUES PER CAPITA 12 2. TARIFFS ON BLANK CARRIERS 13 3. TARIFFS ON DEVICES (ALL THE AMOUNTS IN THIS REPORT ARE IN EUROS [€].) 14 4. AUSTRIA 15 5. BELGIUM 20 6. BULGARIA 25 7. BURKINA FASO 30 8. CANADA 33 9. CROATIA 37 10. CZECH REPUBLIC 41 11. CZECH REPUBLIC 45 12. DENMARK 48 13. FINLAND 51 14. FRANCE 56 15. GERMANY 61 16. GREECE 65 17. HUNGARY 69 18. ITALY 74 19. JAPAN 80 20. LATVIA 86 21. LITHUANIA 90 22. NETHERLANDS 97 23. NORWAY 102 24. PARAGUAY 104 25. POLAND 107 26. PORTUGAL 112 International Survey on Private Copying 27. ROMANIA 114 28. RUSSIA 118 29. SLOVAKIA 121 Law & Practice 2012 30. SLOVENIA 124 31. SPAIN 127 32. SWEDEN 132 33. SWITZERLAND 136 34. TURKEY 141 1 35. UNITED STATES OF AMERICA 144 Executive Summary 1. Introduction The present Survey represents a collection of key data on private copying compensation systems around the world. -
European Commission
COMMISSION EUROPEENNE Bruxelles, le 12 septembre 2014 CALENDRIER du 15 au 21 septembre 2014 (Susceptible de modifications en cours de semaine) Déplacements et visites Lundi 15 septembre European Parliament plenary session (15-18/9) Mr José Manuel Durão BARROSO receives Mr Beinigno AQUINO III, President of the Philippines Mr Siim KALLAS receives Mr Román ESCOLANO, Vice-President of the European Investment Bank Mr Jyrki KATAINEN in Portugal: meets with Mr Pedro PASSOS COELHO, Prime Minister of Portugal; speech on “European Banking Union in the making" at the Bank of Portugal Mr Andris PIEBALGS and Ms Kristalina GEORGIEVA participate in the High level EU coordination meeting "A European wide response to the Ebola epidemic" Ms Androulla VASSILIOU visits Cyprus: meets Mr Costas KADIS, Minister of Education and Culture; opens of the Centre of Visual Arts and Research, Nicosia Mr Algirdas ŠEMETA in Vilnius: delivers a keynote speech at the Investors Forum "Europe‘s Competitiveness Recipe" Mr Johannes HAHN in Vienna: gives a key note speech at the conference organized by the Austrian Chamber of Economy: "EU structural funds in the period 2014-2020" with the participation of Mr Reinhold MITTERLEHNER, Minister of Economy Ms Connie HEDEGAARD in Copenhagen (Denmark): intervention at the Conference on Green Mobility in the future Mr László ANDOR delivers key note speech at the session "Integration of People with an Intellectual Disability - Policy-making perspective" at the Scientific Symposium of the 2014 Special Olympics European Summer Games (Antwerp) -
Rethinking Private Copyinc in the Digital Age: an Analysis of the Canadian Approach to Music
RETHINKING PRIVATE COPYINC IN THE DIGITAL AGE: AN ANALYSIS OF THE CANADIAN APPROACH TO MUSIC BY John Davidson A thesis submitted in conformity with the requirements for the degree of Master of Laws Graduate Department of the Faculty of Law University of Toronto O By John Davidson 2001 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliogmphic Services services bibliographiques 395 Wellington Street 395. rue Wellington mwa ON K1A ON4 OtlawaON K1AW canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allouwing the exclusive permettant à la National Library of Cana&. to Biblothèque nationale du Canada de reproduce, loan, distribute 9r seil reproduire, prêter, distribuer ou copies of diis thesis in microform, vendre des copies de cette îhèse sous paper or electronic formats. la forme de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thése ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. RETHINKING PRIVATE COPYING IN THE DIGITAL AGE: AN ANALYSIS OF THE CANADIAN APPROACH TO MUSIC John Davidson B.Comm. (U. Syd.), LL.B. (Hons.) (U. Syd.) Admitted to Practice Law in New South Wales, Australia Master of Laws Faculty of Law University of Toronto 200 1 ABSTRACT Digital technotogy and the Internet in particular have fundamentally altered the dynamics of private copying. -
Celebrate Innovation
Copyright © eit digital 2020. all rights reserved Design: Studio Eyal & Myrthe ISBN/EAN: 978-90-9033712-8 CELEBRATE INNOVATION EIT Digital 2010–2020 EIT Digital IVZW www.eitdigital.eu Rue Guimard 7 | 1040 Brussels, Belgium Preface This book tells the story of how EIT Digital over the past decade became the largest digital innovation ecosystem in Europe, delivering on digital entrepreneurship, innovations, talents and skills. Launched in 2010 as one of the first wave EIT KICs (Knowledge and Innovation Communities), the community set out on a journey of growth. Growth in terms of the community itself, growth in terms of delivery on innovation, entrepreneurship, and talent, and finally growth in terms of impact through its thought leadership. EIT Digital matured against the background of a fast-accelerating digital world and a growing focus on entrepreneurship in Europe. Complementing the strong European research base, this entrepreneurial mindset will strengthen Europe’s position in a digital world driven by data, platforms, and the network economy. Creating a Strong Digital Europe will safeguard European values by being inclusive, fair, and sustainable. The book consists of three parts. Starting with describing the trends of the first decade of this century that preceded the creation of EIT Digital. It follows describing the journey of EIT Digital in the second decade against the background of the fast-developing digital world. The final part is an outlook to the third decade, identifying the main trends and outlining the envisaged further development of EIT Digital. Section page 2000–2010: The age of neTworks 6 2010–2020: The age of plaTforms 32 Beyond 2020: The age of miniaTurisaTion 84 2000–2010 The road to EIT Digital The origin of EIT Digital finds its roots in Harvard professor Clayton Christensen’s theory of innovation. -
Noticias Regul Internacional Julio-Agosto 2014
Seguimiento de Noticias Regulación Internacional Julio – agosto 2014 Sumario Se resumen las noticias sobre distintas iniciativas y novedades regulatorias dadas a conocer a lo largo de los meses de julio y agosto de 2014. Se introduce al final del documento un glosario para mejor comprensión de las abreviaturas y acrónimos empleados. En esta ocasión destacamos la formación de las distintas instituciones europeas con el nombramiento de sus nuevos miembros, además, de las prioridades de la nueva presidencia rotatoria bajo Italia. Asimismo, deben resaltarse tanto la recientemente aprobada nueva ley de renovables alemana como la cobertura muy ajustada que se espera en varios países europeos en los próximos inviernos. Temas de Fondo Comienza la nueva presidencia bajo Italia Los temas energéticos bajo esta presidencia se basarán en cinco puntos: 1. Seguridad de suministro, todo ello influenciado por los problemas del área ruso – ucraniana; 2. Marco de energía y clima 2030 , de modo que se pueda alcanzar un compromiso en el Consejo Informal de Energía y Medioambiente del 6 de octubre y un acuerdo en el Consejo Europeo del 23 y 24 de octubre; 3. Mercado interior , con una nueva comunicación en octubre sobre la evolución del mercado interior; 4. Nuclear , con la revisión de la Directiva de seguridad nuclear y la decisión sobre el proyecto nuclear de Hinkley point C; 5. Combustibles , con la finalización del “fines check” de la industria refinera en Europa, así como, avanzar en la Directiva de calidad de los combustibles y la huella de carbono de los biocombustibles. (Energy post 17.07) Composición de las distintas instituciones europeas. -
Private Copying and Fair Compensation: an Empirical Study of Copyright Levies in Europe
Private Copying and Fair Compensation: An empirical study of copyright levies in Europe Martin Kretschmer Centre for Intellectual Property Policy & Management www.cippm.org.uk Bournemouth University [email protected] WIPO, 15 February 2012 EC levy definition (2006) A private copying levy is a form of indirect remuneration for right holders, based on the premise that some acts of private copying cannot be licensed for practical purposes by the relevant right holders. A copyright levy is typically attached to certain products (equipment or blank media) that can serve to reproduce audio, audio-visual and textual material such as music, films or books. Policy context ESRC Fellowship at UK IPO (2010/11) – UK: What position on EU wide regulation? – UK: Can a private copying exception be introduced without providing compensation? Limitations and exceptions – Are exceptions just a response to market failure? – What activities should be possible without permission? – If without permission, requirement to pay? Empirical approach: If we don’t know how a “regulated” market works, we can’t intervene. Levy history in the EU – 1965: Germany UrhG §53 – 2001: Info Soc Directive (“fair compensation”) – 2006: EC recommendation (almost) – October 2010: ECJ Padawan (“uniform interpretation”, “calculation based on harm”) – May 2011: EC announces “comprehensive legislative action” regarding private copying levies (+ “mediator”) – August 2011: UK commitment to introduce private copying exception without compensation (“Hargreaves”) – [Norway], Finland, -
English and Collections Stream
ANNUAL REPORT 2018 Content President’s foreword by Jean-Michel Jarre CISAC is a unique “united nations” of creators 02 Foreword by Eric Baptiste Pushing for a creators-centric agenda 03 Introduction by Gadi Oron Building a better future for creators of all repertoires 04 CISAC Vice Presidents Champions for creators’ rights internationally 06 Key data The world of CISAC in numbers 08 Key figures 09 CISAC work programme in review 10 Special features Pingyao International Film Festival 29 UNESCO & CISAC team up on transfer of value 30 Algiers Creators Conference 31 CISAC structure and committees CISAC key services CISAC’s structure and committees Transfer of value campaign 32 at a glance 46 Bringing fairness to authors Education in the digital world Public education and raising awareness 48 Audiovisual campaign 34 Creators Councils Fair remuneration for film directors and screenwriter CIAM: Extending international influence 49 Resale right campaign 36 W&DW: New leadership, new frontiers 50 Fair royalties for visual artists CIAGP: Action and transition at the top 51 Private copying campaign 38 Regional Reports A key collections source for creators Asia Pacific 52 Technology and innovation 40 Africa 54 Developing effective data Latin America & the Caribbean 56 management tools Canada/USA 58 Governance 42 Europe 60 Strengthening collective management worldwide CISAC Members 62 Management team and Board 64 Publications 44 Authority, information, awareness Credits 65 CISAC ANNUAL REPORT # 2018 / 1 President’s foreword by Jean-Michel Jarre CISAC is a unique “united nations” of creators As the “United Nations” of creators, CISAC has a unique voice – one which speaks for the whole world, for five repertoires and for four million creators. -
FAQ – Extending the Private Copying Levy to MP3 Players
FAQ – Extending the Private Copying Levy to MP3 Players Why should the private copying levy be extended to MP3 players like the iPod? The private copying levy exists to provide fair compensation to songwriters, composers, music publishers, recording artists, musicians and recording companies for private copies made of their music. Currently, the levy only applies to CD-Rs. The time has come to extend the levy to reflect how private copies of music are actually made today – not how they were made a decade ago. Of the 1.9 billion songs copied annually in Canada, 62% are copied onto MP3 players like the iPod. Modernizing the levy by extending it to MP3 players will bring the current copyright legislation in line with the way people use and copy music today. Why is this so “urgent”? MP3 players have become the method of choice for copying music. The percentage of private copies being made on to CD-Rs is decreasing significantly. Revenue from the current levy has dropped 68% since 2008 and is drying up quickly. Rights holders are no longer being compensated for the majority of private copies being made of their music. Canadians have changed the technology used to copy music – our copyright law needs to change also, so that artists, songwriters and other rights holders can continue to receive the compensation to which they are entitled. Isn’t this just another tax? No. The private copying levy is not a tax. It is a royalty paid to music rights holders. Unlike a tax, which is collected by the government, the private copying levy is collected by the Canadian Private Copying Collective (CPCC) to provide remuneration to rights holders for private copying. -
International Survey on Private Copying
International Survey on Private Copying For more information contact WIPO at www.wipo.int World Intellectual Property Organization Law & Practice 2015 34, chemin des Colombettes P.O. Box 18 CH-1211 Geneva 20 Switzerland Telephone: +4122 338 91 11 Fax: +4122 733 54 28 WIPO Publication No. 1037E/16 ISBN 978-92-805-2707-0 Acknowledgement and thanks for front cover illustrations Acknowledgement and thanks for front right image courtesy of Carlos Porto at FreeDigitalPhotos.net Top image courtesy of Stuart Miles at FreeDigitalPhotos.net centre Top right image courtesy of tungphoto at FreeDigitalPhotos.net Top Lower left Image courtesy of stockimages at FreeDigitalPhotos.net image courtesy of xedos4 at FreeDigitalPhotos.net Lowewr centre Lower right image courtesy of watcharakun at FreeDigitalPhotos.net International Survey on Private Copying Law & Practice 2015 International Survey on Private Copying Law & Practice 2015 International Survey on Private Copying Law & Practice 2015 Table of Contents PREFACE 2 EXECUTIVE SUMMARY 3 1. Introduction 3 2. Methodology and Scope 3 3. Legal background for private copying remuneration 4 4. Practical implementation of compensation systems 7 5. Liability 10 6. Collection and distribution 11 7. Revenue trends 13 8. Conclusion 22 9. Annex 24 1. AUSTRIA 30 2. BELGIUM 37 3. BURKINA FASO 44 4. CANADA 46 5. CROATIA 51 6. CZECH REPUBLIC 56 7. DENMARK 60 8. ESTONIA 64 9. FINLAND 68 10. FRANCE 74 11. GERMANY 81 12. GREECE 85 13. HUNGARY 90 14. ITALY 97 15. JAPAN 103 International Survey on Private Copying 16. LATVIA 109 17. LITHUANIA 112 18. NETHERLANDS 118 19. NORWAY 123 Law & Practice 2015 20. -
P2P and the Future of Private Copying Peter K
Texas A&M University School of Law Texas A&M Law Scholarship Faculty Scholarship 2005 P2P and the Future of Private Copying Peter K. Yu [email protected] Follow this and additional works at: https://scholarship.law.tamu.edu/facscholar Part of the Intellectual Property Law Commons, and the Internet Law Commons Recommended Citation Peter K. Yu, P2P and the Future of Private Copying, 76 U. Colo. L. Rev. 653 (2005). Available at: https://scholarship.law.tamu.edu/facscholar/383 This Article is brought to you for free and open access by Texas A&M Law Scholarship. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Texas A&M Law Scholarship. For more information, please contact [email protected]. P2P AND THE FUTURE OF PRIVATE COPYING PETER K. Yu* TABLE OF CONTENTS INTRODUCTION ..................................................................................... 654 I. THE 2003 COPYRIGHT WARS ......................................................... 658 I. THE FUTURE P2P FILE-SHARING WARS ......................................... 676 A . Dom estic Challenges ............................................................... 676 1. Proliferation of New P2P Technologies ............................ 676 2. Transnational Nature of the Future Copyright Wars ......... 677 3. Increased Political Alienation of the Recording Industry. 679 4. Counterattacks and Setbacks ............................................. 685 B. InternationalChallenges ......................................................... 686 1. Heightened -
FEP REPORT of ACTIVITIES 2010-2011 3 FOREWORD by Fergal Tobin, FEP President
Federation of European Publishers Fédération des éditeurs Européens RepoRt oF ActivitiEs MAY 2010 - APRIL 2011 31, Rue Montoyer, box 8 • BE-1000 Brussels • TEL. 32 2 770.11.10 FAX. 32 2 771.20.71 E-mail: [email protected] • Website: www.fep-fee.eu Report of activities May 2010 - April 2011 1 Table of content Foreword by Fergal Tobin, FEP President ................................................................................................................................................... 5 FEP Networks ....................................................................................................................................................................................................... 7 FEP Meets ............................................................................................................................................................................................................... 7 FEP in Brussels and in Europe ......................................................................................................................................................................... 7 FEP Statistics ......................................................................................................................................................................................................... 8 DG CULTURE AND EDUCATION .................................................................................................................................................................... 9 Multilingualism -
Copyright, Competition and Development
Copyright, Competition and Development Report by the Max Planck Institute for Intellectual Property and Competition Law, Munich December 2013 Preliminary note: The preparation of this Report has been mandated by the World Intellectual Property Organization to the Max Planck Institute and has been released in December 2013. Most of the information that is provided in the Report was collected in the second half of 2012 and has only partially been updated until summer 2013. This Report is authored by Professor Josef Drexl, Director of the Max Planck Institute. Many other scholars at the Institute took part in the research that led to this report. These include in particular Doreen Antony, Daria Kim and Moses Muchiri, as well as Dr Mor Bakhoum, Filipe Fischmann, Dr Kaya Köklü, Julia Molestina, Dr Sylvie Nérisson, Souheir Nadde‐Phlix, Dr Gintarė Surblytė and Dr Silke von Lewinski. The author will be happy to receive comments on the Report. These may relate to any corrections that are needed regarding the cases cited in the Report or additional cases that would be interesting and that have come up more recently. It is planned to publish the Report in a revised version in form of a book at a later stage. Comments can be sent to [email protected]. As regards agency and court decisions, the author would highly appreciate if these decisions were delivered in electronic form. Structure of this Document: Summary of the Report 2 Report 13 Annex: Questionnaire 277 1 Summary of the Report 1 Introduction (1) This text presents a summary of the Report of the Max Planck Institute for Intellectual Property and Competition Law on “Copyright, Competition and Development”.