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THE BEVIER FAMILY the DESCENDANTS of LOUIS BEVIER, Patentee of New Paltz, New York Compiled by KENNETH E. HASBROUCK a Revision A
THE BEVIER FAMILY THE DESCENDANTS OF LOUIS BEVIER, Patentee of New Paltz, New York Compiled by KENNETH E. HASBROUCK A revision and continuation of "The Bevier Family", by Katherine Bevier, 1916 Published by The Huguenot Historical Society, New Paltz, New York, Inc. 1970 IN APPRECIATION This book has been delayed due to the fact that a genealogist who respects the excellent results of another person's efforts in the past, tends to be hesitant in pro ducing a new work, which must measure up to the standards so capably followed by Miss Katherine Bevier in 1916. However, forty-four years have par -ed, and as I worked on the manuscript, it was definitely evident that a new book would be twice the size of the original "Bevier Family", and Miss Bevier had been hampered by the advent of World War I. The members of the Bevier Family have been a constant inspiration. They have been interested and most cooperative. They have shown in many ways that they wanted a new genealogy. It would be impossible to list all of the people who have contributed material for this work. In a number of instances it has been necessary to complete lines of descent that go back to the third generation. Mrs. David Koch of Terre Haute,Indiana;Mrs. Lois Pennie Knapp of Duluth, Minnesota; Miss Annette I. Yo·,.mg, Poughkeepsie, New York; Mr. Seward Bevier of Jackson, Michigan; Mrs. Charles Stewart of Coon Rapids, Iowa; Miss Katherine T. Terwilliger of Ellenville, New York, members of the family of Miss Katherine Bevier (deceased); Mr. -
The School of Agriculture UNIVERSITY of MINNESOTA
NEWS OF ' \ The School of Agriculture UNIVERSITY OF MINNESOTA Vol. V\(No. 3 UNIVERSITY FARM, ST. PAUL, MINN. Decembd; 1930 Dexterites Introduce Innovation, Model Masculine Modes Boys entertain faculty and student guests with music, exhibits, revue. ~ Style Show Features Dexter Hall Guest Day Yes, a boys' style show ! We'll d0 it. And so it was decided not to hold the traditional Dexter Hall Open House ·but to invite faculty and students to a style show in the Home Economics building, Satur day afternoon, November 15, from 3 to 5 o'clock. And then the com mittees went to work ! Saturday afternoon found them ready to receive their guests. As sisting them were Miss Hognason, Mr. and Mrs. J. 0. Christianson, Miss Matson and Miss Fisher. In the fireplace room, the Dayton Company had set up an exhibit of men's clothing. Don Josephson, Darwin Hall and Roy Lennartson Sport Togs on Display answered questions about color, Standing, reading from left, Julius Goihl, Anton Johnson, Robert style and materials shown in this Norris, Russell Hoven. Seated, Gordon Johnson. display. good, Edmund Jones, Ole Sanness, ence. Twelve manikins made rapid The Maurice L. Rothschild Ooth James Ripley, Clarence Nelson, changes, more rapid than mother ing Company had also installed an Emerson Sartain, Arnold Lexvold, has ever known them to make. But exhibit of men's clothing over which Gilbert Ahlstrand, Ralph Nehl. for their trouble they had the ap Obert Loken and John Marrs kept Robert Flesland, Clifford Gilbert- plause of their fellows and the envy watchful eyes. An especially inter son, Harvey Ditlevson, Howard of every young Lothario there. -
The Burbank-Livington-Griggs House; Historic Treasure on Summit Avenue
THE BURBANK- LIVINGSTON-GRIGGS HOUSE Historic Treasure on Summit .Avenue Christina H. Jacobsen SITUATED high on a bluff commanding a view of European period rooms, complete with original panel St. Paul and the Mississippi River is Minnesota's most ing and matching antique furnishings. Nevertheless, elaborate example of mid-nineteenth century "Italian- her daughter, Mary Griggs Burke, gave the property ate'' architecture. The house, built at 432 Summit to the Minnesota Historical Society in 1968 with the Avenue by James C. Burbank in 1862-63, is a three- hope that the home would be preserved as a "living story gray limestone mansion crowned by a low- house" rather than a museum. Assisted by the Junior pitched roof and a wooden cupola. The bracketed League of St. Paul and the Minneapolis Institute of cornice, round-arched windows, and handsomely pro Arts, the society has opened the mansion, now known portioned belvedere are typical of the villa style so as the Burbank-Livingston-Griggs House, to the public. popular in America between 1850 and 1870. It was one It is intended that it will serve not only as a showpiece of the first homes erected along the tree-lined carriage but as a uniquely gracious setting for certain com way that threaded the bluffs above the frontier com munity events and social activities. mercial center, and for more than a century its owners have contributed, each in his own fashion, to the THE BUILDER whose social as growth of St. Paul and to the way of life that came pirations the house once embodied to be symbolized by Summit Avenue.^ was James Crawford Burbank. -
Human Remains and the Construction of Race and History, 1897-1945
Human Remains and the Construction of Race and History, 1897-1945 By Samuel James Redman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Richard Cándida Smith, Chair Professor Randolph Starn Professor Thomas Biolsi Spring 2012 © 2012 by Samuel James Redman All rights reserved. Abstract Human Remains and the Construction of Race and History, 1897-1945 by Samuel James Redman Doctor of Philosophy in History University of California, Berkeley Professor Richard Cándida Smith, Chair This dissertation examines the use of human remains as tools for research and display over the course of a fifty-year span in the United States. It explores the shift away from racial classification toward emerging ideas regarding human prehistory and evolution. This project serves as both an intellectual history of the discourse surrounding these remains and a cultural history of the exhibitions that millions of visitors encountered at museums and fairs throughout much of the nineteenth and twentieth century. 1 To Emily i Table of Contents Acknowledgements Introduction Chapter 1 – Collecting Bodies for Science in the Late Nineteenth Century Chapter 2 – Salvaging Race and Remains: Collecting, Documenting, and Legislating Bones in the Early 20th Century Chapter 3 – The Mütter Museum: The Medical Body on Display Chapter 4 – The Story of Man Through the Ages: Artistry, Anthropology, and Scientific Certainty on Display Chapter 5 – The Rise and Fall of Scientific Racism and the Changing Meaning of Museum Remains Chapter 6 – Human Remains and the Emerging Study of the Human Prehistory Bibliography ii Acknowledgements Writing a dissertation of this kind is a collaborative process.