The School of Agriculture UNIVERSITY of MINNESOTA
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THE BEVIER FAMILY the DESCENDANTS of LOUIS BEVIER, Patentee of New Paltz, New York Compiled by KENNETH E. HASBROUCK a Revision A
THE BEVIER FAMILY THE DESCENDANTS OF LOUIS BEVIER, Patentee of New Paltz, New York Compiled by KENNETH E. HASBROUCK A revision and continuation of "The Bevier Family", by Katherine Bevier, 1916 Published by The Huguenot Historical Society, New Paltz, New York, Inc. 1970 IN APPRECIATION This book has been delayed due to the fact that a genealogist who respects the excellent results of another person's efforts in the past, tends to be hesitant in pro ducing a new work, which must measure up to the standards so capably followed by Miss Katherine Bevier in 1916. However, forty-four years have par -ed, and as I worked on the manuscript, it was definitely evident that a new book would be twice the size of the original "Bevier Family", and Miss Bevier had been hampered by the advent of World War I. The members of the Bevier Family have been a constant inspiration. They have been interested and most cooperative. They have shown in many ways that they wanted a new genealogy. It would be impossible to list all of the people who have contributed material for this work. In a number of instances it has been necessary to complete lines of descent that go back to the third generation. Mrs. David Koch of Terre Haute,Indiana;Mrs. Lois Pennie Knapp of Duluth, Minnesota; Miss Annette I. Yo·,.mg, Poughkeepsie, New York; Mr. Seward Bevier of Jackson, Michigan; Mrs. Charles Stewart of Coon Rapids, Iowa; Miss Katherine T. Terwilliger of Ellenville, New York, members of the family of Miss Katherine Bevier (deceased); Mr. -
The Burbank-Livington-Griggs House; Historic Treasure on Summit Avenue
THE BURBANK- LIVINGSTON-GRIGGS HOUSE Historic Treasure on Summit .Avenue Christina H. Jacobsen SITUATED high on a bluff commanding a view of European period rooms, complete with original panel St. Paul and the Mississippi River is Minnesota's most ing and matching antique furnishings. Nevertheless, elaborate example of mid-nineteenth century "Italian- her daughter, Mary Griggs Burke, gave the property ate'' architecture. The house, built at 432 Summit to the Minnesota Historical Society in 1968 with the Avenue by James C. Burbank in 1862-63, is a three- hope that the home would be preserved as a "living story gray limestone mansion crowned by a low- house" rather than a museum. Assisted by the Junior pitched roof and a wooden cupola. The bracketed League of St. Paul and the Minneapolis Institute of cornice, round-arched windows, and handsomely pro Arts, the society has opened the mansion, now known portioned belvedere are typical of the villa style so as the Burbank-Livingston-Griggs House, to the public. popular in America between 1850 and 1870. It was one It is intended that it will serve not only as a showpiece of the first homes erected along the tree-lined carriage but as a uniquely gracious setting for certain com way that threaded the bluffs above the frontier com munity events and social activities. mercial center, and for more than a century its owners have contributed, each in his own fashion, to the THE BUILDER whose social as growth of St. Paul and to the way of life that came pirations the house once embodied to be symbolized by Summit Avenue.^ was James Crawford Burbank. -
Merry Christmas
r\ NEWS OF · a: ' The School of Agricuitu ·e UNIVERSITY OF MINNESOTA Vol. VIII, No. 3 UNIVERSITY FARM, ST. PAUL December, 1931 Rodeo Features Party H onoring New Students Tenderfeet Initiated in Campus Rodeo Merry Christmas "Rodeo" was the magic word Merry Christmas that drew the students to the gym Meny Chrisbnas nasium to the party in honor of the new students on Saturday evening, Merry Christmas October 31. Merry Christmas Flags of all nations hung from the rafters, and decorated the rail Merry Christmas ing on the running track. Behind the bleachers which faced the gates to the chutes at the south end of Merry Christmas the gym was roped off a space for the dance hall. Bordering the walls on the other three sides were booths Merry Christmas gay with streamers of colored paper. At the door, each Jack and Jill was given a package of tickets ad Merry Christmas mitting them to these booths. They satisfied their sweet tooths at the icecream and popcorn counters and the pop bar. Herman Frederick~ Merry Christmas son's accordian attracted them to the dance floor. They consulted Madame ( Ger shooting a nd a band of Indians ''Cabbages" Is Curtain Raiser trude Esteros) and her blinking danced the harvest Pow Wow. In The Dramatic Club made its first black cat about the future. Madame western costume Gail Prushek, presentation of the year, Sunday, was protected from the press of the Bertha Koch and Emma Denison November ro, using as its vehicle crowd by her assistant, Dale Flueg danced the cow girls clog. -
Human Remains and the Construction of Race and History, 1897-1945
Human Remains and the Construction of Race and History, 1897-1945 By Samuel James Redman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Richard Cándida Smith, Chair Professor Randolph Starn Professor Thomas Biolsi Spring 2012 © 2012 by Samuel James Redman All rights reserved. Abstract Human Remains and the Construction of Race and History, 1897-1945 by Samuel James Redman Doctor of Philosophy in History University of California, Berkeley Professor Richard Cándida Smith, Chair This dissertation examines the use of human remains as tools for research and display over the course of a fifty-year span in the United States. It explores the shift away from racial classification toward emerging ideas regarding human prehistory and evolution. This project serves as both an intellectual history of the discourse surrounding these remains and a cultural history of the exhibitions that millions of visitors encountered at museums and fairs throughout much of the nineteenth and twentieth century. 1 To Emily i Table of Contents Acknowledgements Introduction Chapter 1 – Collecting Bodies for Science in the Late Nineteenth Century Chapter 2 – Salvaging Race and Remains: Collecting, Documenting, and Legislating Bones in the Early 20th Century Chapter 3 – The Mütter Museum: The Medical Body on Display Chapter 4 – The Story of Man Through the Ages: Artistry, Anthropology, and Scientific Certainty on Display Chapter 5 – The Rise and Fall of Scientific Racism and the Changing Meaning of Museum Remains Chapter 6 – Human Remains and the Emerging Study of the Human Prehistory Bibliography ii Acknowledgements Writing a dissertation of this kind is a collaborative process.