Alice in Chains Hot and Heavy Metal Summer Tour
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Alice in Chains: the Untold Story by David De Sola
Alice in Chains: The Untold Story by David de Sola Ebook Alice in Chains: The Untold Story currently available for review only, if you need complete ebook Alice in Chains: The Untold Story please fill out registration form to access in our databases Download here >> MP3 CD:::+++Publisher:::: Audible Studios on Brilliance Audio; Unabridged edition (August 9, 2016)+++Language:::: English+++ISBN-10:::: 1522699538+++ISBN-13:::: 978-1522699538+++Product Dimensions::::6.5 x 0.6 x 5.5 inches++++++ ISBN10 1522699538 ISBN13 978-1522699 Download here >> Description: Alice in Chains was the first of grunges big four - ahead of Nirvana, Pearl Jam, and Soundgarden - to get a gold record and achieve national recognition. With the charismatic Layne Staley behind the microphone, they became one of the most influential and successful bands to come out of the Seattle music scene. But as the band got bigger, so did its problems. Acclaimed journalist David de Sola follows the members from their inauspicious beginnings at a warehouse under the Ballard Bridge through the history of the band, charting:The local hair metal scene in Seattle during the 1980s.How drugs nearly destroyed the band and claimed the lives of Staley and founding bassist Mike Starr.Jerry Cantrells solo career and Mike Starrs life after being fired from the band.The bands resurrection with William DuVall, the Atlanta singer/guitarist who stepped into Layne Staleys shoes.Based on a wealth of interviews with people with direct knowledge of the band and its history, many of whom are speaking on the record for the first time, Alice in Chains will stand as the definitive Alice in Chains biography for years to come. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Rack Mount Edition by R.Stephen Dunnington
USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F. -
AXS TV Canada Schedule for Mon. November 30, 2020 to Sun. December 6, 2020 Monday November 30, 2020
AXS TV Canada Schedule for Mon. November 30, 2020 to Sun. December 6, 2020 Monday November 30, 2020 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT Final 24 Tom Green Live Keith Moon - On his last night alive, Keith Moon heads to a star-studded party, hosted by his Chris Kattan & Super Dave Osborne - Mirth and monkey business are in store for Tom Green Live friend, Paul McCartney. Surrounded by temptation, he makes an uncharacteristically early with actor/comedian Chris Kattan and hapless daredevil Super Dave Osborne as Tom’s guests. departure from the party, returning home where he takes several handfuls of Hemineverin and falls asleep. Waking up early and disorientated Moon pops more pills and falls asleep again, but 7:00 AM ET / 4:00 AM PT this time he won’t wake again. The Very VERY Best of the 70s Crime Movies - From fraud to mobsters, these movies had audiences of the 70s flocking to 5:00 PM ET / 2:00 PM PT theaters. Find out which 70s crime movies made our list as Morgan Fairchild, Fred Willard, Anson The Day The Rock Star Died Williams, John Schneider, and more give us their opinions! Keith Moon - Keith Moon was an English drummer for the rock music band The Who. Noted for his unique style, alcohol addiction and his eccentric, often self-destructive behaviour, Moon 7:30 AM ET / 4:30 AM PT developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. His TrunkFest with Eddie Trunk drumming continues to be praised by critics and musicians to this day. -
Waves RS124 User Guide
RS124 Compressor User Guide Introduction The Waves RS124 plugin faithfully recreates EMI’s legendary RS124, the primary tube compressor used at Abbey Road Studios in the 1960s. While the original device was produced in limited numbers, the Waves RS124 plugin makes the sound of this rare unit available to modern digital audio workstations. The RS124 plugin offers the gain reduction curve, attack or release, and dynamic frequency response of the original hardware. Every parameter matches the behaviors of its vintage counterpart. 2 RS124 Compressor / User Guide A First-Hand Discovery of a Classic Compressor It was the year 2002, in the control room of Studio Two at Abbey Road, when I first heard the distinctive and downright exciting magic of the RS124 compressor. I was assisting the mighty talented producer Jon Brion for an album by the similarly brilliant Fiona Apple when I was first introduced to the aggressive and beautiful sound of the shamelessly heavily modified Altec 436B compressor. After the exhausting and, at the time I thought, rather excessive request to personally audition every single valve microphone in the building, Jon asked me if we had any RS124s. At this time, I didn’t know what he was talking about. To be fair, the mystic curtain of the RS124 was only publicly lifted once the fantastic Recording the Beatles book was published, but as both authors for said book were currently standing with me in Studio Two’s control room and the book hadn’t yet been written, I can forgive myself for not having a clue what Jon was going on about. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Laterooms.Com - Alice in Chains Ready to Rock Turin Submitted By: Laterooms Ltd Tuesday, 4 May 2010
LateRooms.com - Alice in Chains ready to rock Turin Submitted by: LateRooms Ltd Tuesday, 4 May 2010 Seattle grunge legends Alice in Chains are set to play in Turin this summer, a gig that could provide the perfect opportunity for guests at Turin hotels (http://www.laterooms.com/en/k13666314_turin-hotels.aspx) to dust off their ripped jeans and enjoy an evening of quality alternative music. The band is set to play Colonia Sonora on Wednesday June 9th, with founding member Jerry Cantrell still rocking away alongside William DuVall, who joined the band in 2005 after the death of original vocalist Layne Staley. Fans in the crowd may be pleased to hear that if they are enthusiastic enough they may be treated to an extended set, with the band revealing on their blog that this was the case at a recent gig in St Augustine, Florida. "On a night like tonight, when the crowd is great and the band is a little extra pumped up, they add a song to the encore," they remarked. Attendees can expect to hear songs from the group's back a catalogue of hits, which stretches over more than 25 years and includes hit albums such as their eponymous Alice in Chains record and Jar of Flies. This week, the band confirmed on their official website that they are set to headline Blackdiamondskye in Autumn, with Mastodon and the Deftones providing support. Entrance to the show costs €34.50 (£29.80), with tickets available online. To make the most of the Alice in Chains concert – you should consider booking your hotel Torino (http://www.laterooms.com/it/k13666314_hotel-torino.aspx) to avoid disappointment. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
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Here Information Was Modified Due to One of the Error Types Noted Above
The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum The Beatles Recording Reference Manual Volume 1 My Bonnie through Beatles For Sale (1961-1964) Corrigendum Jerry Hammack Edited by Gillian G. Gaar The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum Copyright © 2021 Jerry Hammack All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by reviewers, who may quote brief passages in a review. Library of Congress Control Number: 2017909370 CreateSpace Independent Publishing Platform, North Charleston, SC Hammack, Jerry, 1961- The Beatles Recording Reference Manual: Volume 1: My Bonnie through Beatles For Sale (1961-1964) Corrigendum Gearfab Books, Ltd. Toronto, Ontario, Canada The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum iii The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum About this Corrigendum ____________________________________________________________________________________________________________ It’s clear, I’m not perfect. In researching, writing, editing and producing The Beatles Recording Reference Manuals, I made some errors. Some of these errors were of omission, some were of misinterpretations of information that I was challenged on and found my conclusions wanting, and others were bothersome copy/paste issues that were not caught in the proofing stage of book production. Regardless of their type or nature, I take responsibility for them all. I know these books are not cheap to own, and I also know that Beatles fans interested in this material are some of the most detail-oriented fans in the world. -
Metallica Celebrate 30
METALLICA CELEBRATE 30-YEAR ANNIVERSARY AT THE FILLMORE IN SAN FRANCISCO WITH SPECIAL GUESTS OZZY OSBOURNE, DAVE MUSTAINE, JASON NEWSTED, LOU REED, MARIANNE FAITHFULL, KID ROCK, AND MORE BAND TO RELEASE BEYOND MAGNETIC EP FEATURING FOUR PREVIOUSLY UNRELEASED SONGS EXCLUSIVELY ON ITUNES FOR ONE WEEK LOS ANGELES, CA – December 12, 2011 – Metallica celebrated its 30th anniversary as a band last week, performing four shows at the Fillmore Theatre in San Francisco, CA, exclusively for members of their fan club, the Metallica Club. In August, Metallica Club members around the world were able to enter a lottery for a chance to purchase tickets to all the Fillmore shows at a cost of $19.81 for a four-pack of tickets to all of the shows. Single show tickets were $6. All four of the shows immediately sold out. Last week, Metallica welcomed these fans from around the globe to join them in the celebration where there were no repeats in the set lists for the four night stand, aside from the established show closer of “Seek & Destroy,” playing close to 80 different songs. Each night at the Fillmore was hosted by comedian Jim Breuer and opened by the Rebel Souls Brass Band performing Metallica songs. This was followed by fan club winners invited on stage to play “Crash Course Trivia” and “Name That Riff” games where they were able to win exclusive 30th anniversary prizes and memorabilia. Metallica also invited many special guests relevant to their 30 years to the stage to perform with them. The list of guests included Apocalyptica, Armored Saint, Geezer Butler, John Bush, Bif Byford, Jerry Cantrell, Nick “Animal” Culmer, Glenn Danzig, Death Angel, King Diamond, Diamond Head, Marianne Faithfull, Lloyd Grant, Rob Halford, Ray Haller, Pepper Keenan, Kid Rock, Laaz Rockit, John Marshall, Jim Martin, Mercyful Fate, Ron McGovney, Dave Mustaine, Jason Newsted, Ozzy Osbourne, Soul Rebels Brass Band, Lou Reed, Bob Rock, Gary Rossington, and Hugh Tanner.