Lot Make Model Description Cond Qty Location Price Category We Have No Idea What This Is - Some Sort of Film Sync Unit? UNTESTED, Sold As Is
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Christina Perri 3
MUSIC PRODUCTION GUIDE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS 03|2015 Contents Interview Christina Perri 3 MOTIF Soundset „Air“ by DCP Productions 6 Yamaha Synth Book reloaded 8 VP1 Soundset for MOTIF XF / MOXF 11 MOTIF XS/XF/MOXF Exploring Sound: „Vintage Keyboards“ 15 MOTIF XF / MOXF Performance Soundset „Hybrid Performer“ Part 3 19 Yamaha DTX M12 Touch App 22 The new e-drum kit Yamaha DTX582k 24 CHRISTINA Yamaha KP100 Kick Pad 26 Sounds & Goodies 29 PERRI Imprint 43 DREAMS COME TRUE MUSIC PRODUCTION GUIDE 03|2015 CHRISTINA PERRI - DREAMS COME TRUE “Every time I dream something up, it’s so “I don’t take it lightly,” she says. “I tell everyone, ‘That’s small compared to what actually happens,” the moment my life changed.’ It was incredibly special.” says singer/songwriter Christina Perri. But even as her own life was changing, Perri was changing “Because what actually happens is just other people’s lives through her music. Just a year later, amazing.” her multi-platinum song, “A Thousand Years,” was As an unsigned artist, Christina once dreamed of making released as the second single from the soundtrack album a career out of performing and recording her deeply to The Twilight Saga: Breaking Dawn – Part 1. It achieved personal yet pop-friendly songs. Then one day four years multi-platinum status, with a video that inspired romantic ago, one of her recordings was featured on the hit TV visions among countless Twilight fans. show So You Think You Can Dance, and suddenly she “I had dreamed of having a song on the Twilight stopped dreaming the dream—and began living it. -
880 User Manual
880 Operation Manual START TAP STOP system80.net rev. 01/19 SYSTEM80 Introduction 1 The System80 880 is an analog drum machine for the The 880's sequencer features a familiar interface that Eurorack modular synthesizer format. Its drum voice allows for Rhythm Pattern creation using programmed circuits are based on the TR-808, the classic drum or real-time step entry. Manual Mode can be used for machine made by Roland Corporation between 1980 arrangement and improvisation during live and 1983. Wherever possible, the 880 uses the exact performance. There is also a Rhythm Compose mode same semiconductors specified in the original circuits. that allows patterns to be chained together into longer The sound very closely matches the sound and char- compositions. acter of the two vintage TR-808s that were used as references during the 880's design. Variation in The sequencer has been updated with 12 banks of 16 component tolerances as well as component aging Rhythm Patterns, shuffle, mutes, performance rolls, a may contribute to some perceptable differences in pair of fully assignable trigger outputs, and multiple sound between the 880 and a vintage TR-808. options for syncing to external devices. However, the same holds true for sound comparisons between original TR-808s and other 808 clones. The Eurorack modular synthesizer format invites experimentation and improvisation. The 880 features The 880 features all 16 of the original TR-808's analog 11 indivdual instrument outputs for separate mixing drum voices with one important difference: the five and processing of the sounds, either within a Eurorack switchable voices are controlled with electronic rather system or through other devices, such as filters, than mechanical switches. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Instructions for Midi Interface Roland Tr-808 Drum Machine
INSTRUCTIONS FOR MIDI INTERFACE ROLAND TR-808 DRUM MACHINE USING THE MIDI INTERFACE Your TR808 drum is now equipped to send and receive MIDI information. When turned on the machine will function normally, sending out and receiving MIDI note & velocity information on the channels set in memory. The factory channel settings are: receive chan 10 omni off transmit chan 10 and Stop/start TX/RX enabled Clock information is always sent and Start/stop information is sent and received if enabled. (Not channel sensitive) YOU CAN RETURN TO THE FACTORY MIDI SETTINGS BY SWITCHING THE MACHINE ON WHILST HOLDING THE RED BUTTON PRESSED (hold for a couple of seconds) With the rear panel switch set to normal (up) the TR808 drum will run from its own internal clock and will send out MIDI timing information at a rate determined by the tempo control. With the rear panel switch in the down position however, it will run from MIDI sync at the rate set by the MIDI device connected. If no MIDI timing information ispresent then the TR808 drum will not run. Some drum machines/sequencers may not send start/stop codes, in this case pressing the start switch on the TR808, will make it wait until MIDI clock/sync is present. You can make the TR808 ignore start/stop codes by selecting it from the programming mode described in the next paragraph, when set to disable the TR808 will neither respond to, nor send start/stop codes - when enabled (the default condition) start/stop codes will be both sent and received. -
Is %11V ECLECTIC ENGINEERING
$4.00 August 1985 NEE Volume 16 - Numb W LIKPERFORMANCE VIDEO BROADCAST a li ..;;.wz,z/PW477/757/7/ilionnumoHHIIHftmff-7---WZ., r..t ,Z;fiara7j161"! 17. '"41"1.4t' 1:1161TALA: 0 0 nnnnnnnn MI a' 0 10010.00 o Do SO OM 0 0 1110.13 on on ma." :No OOOOO On OOOOOOOO nfl OOOOOOOOOOOOOO OOOO e_o eam. ' ileCi AN NAlxu 9 is %11v A0631410d 9100 6666 2215i0 t1211 1336 ECLECTIC ENGINEERING - page 30 FROM OSTRHAIRPINAIN W THE SPEED_ OF BEEN For years, sloppy tape transportation and handling have made the audio engineer's day much harder than it had to be. This tormenting state has come to an end with the introduction of Sony's APR-5000 2 -track analog re- corder, available in a center-track time code version. 1 The APR- 5000's precise handling and numerous advanced features make the audio engineer's day run much smoother. For example, the APR- 5000's 16 -bit microprocessor manages audio alignment with a pre- cision that's humanly impossible. And the additional 8 -bit microprocessor opens the way for extremely sophisticated serial communications. In tandem, they reach a truly unique level of intelligence. Not only does the APR -5000 do its job well; it does it consistently. The die-cast deck plate and Sony's long- standing commitment to quality control maintain that the APR-5000 will hardly need time off. All of which results In a consistent sonic perform- ance that'll stand even the most critical audio profes- sionals on their ears. For a demonstration of the re- corder that transports analog audio to a new fidelity high, contact your nearest Sony office: Eastern Region (201) 368 -5000; 40. -
Dynamic BASSYNTH Manual
dynamic BASSYNTH Manual 1.0 BASSYNTH - Manual Contents Installation & Activation .............................................................................................................. 4 Step 1 - Installation: ................................................................................................................ 4 Step 2 - Activation: ................................................................................................................. 4 Batch Re-Save ....................................................................................................................... 5 System Requirements ................................................................................................................ 5 Welcome to BASSYNTH ............................................................................................................ 6 Introduction ................................................................................................................................. 7 Perform Page - Overview ........................................................................................................... 8 Perform Page - Instrument Header ........................................................................................... 9 Preset Browser ......................................................................................................................... 10 Perform Page – Sound Source Browser ................................................................................. 11 Sound Sources – Brief -
Rack Mount Edition by R.Stephen Dunnington
USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F. -
Waves RS124 User Guide
RS124 Compressor User Guide Introduction The Waves RS124 plugin faithfully recreates EMI’s legendary RS124, the primary tube compressor used at Abbey Road Studios in the 1960s. While the original device was produced in limited numbers, the Waves RS124 plugin makes the sound of this rare unit available to modern digital audio workstations. The RS124 plugin offers the gain reduction curve, attack or release, and dynamic frequency response of the original hardware. Every parameter matches the behaviors of its vintage counterpart. 2 RS124 Compressor / User Guide A First-Hand Discovery of a Classic Compressor It was the year 2002, in the control room of Studio Two at Abbey Road, when I first heard the distinctive and downright exciting magic of the RS124 compressor. I was assisting the mighty talented producer Jon Brion for an album by the similarly brilliant Fiona Apple when I was first introduced to the aggressive and beautiful sound of the shamelessly heavily modified Altec 436B compressor. After the exhausting and, at the time I thought, rather excessive request to personally audition every single valve microphone in the building, Jon asked me if we had any RS124s. At this time, I didn’t know what he was talking about. To be fair, the mystic curtain of the RS124 was only publicly lifted once the fantastic Recording the Beatles book was published, but as both authors for said book were currently standing with me in Studio Two’s control room and the book hadn’t yet been written, I can forgive myself for not having a clue what Jon was going on about. -
BK-7M Using Your Digital Piano, MIDI MIDI out MIDI in Accordion, Etc., You Need to Connect It As Follows: 1
BK-7m_UK.book Page 1 Tuesday, January 4, 2011 9:25 AM Owner’s Manual r BK-7m_UK.book Page 2 Tuesday, January 4, 2011 9:25 AM WARNING – To reduce the risk of fire or electric shock, do not expose this device to rain or moisture. ForFor EU EU Countriescountries This product complies with the requirements of European Directive EMC 2004/108/EC. ForFor the the USA USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: — Reorient or relocate the receiving antenna. — Increase the separation between the equipment and receiver. — Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. — Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. -
Novation Drumstation Rack Drum Synthesizer
Owners Manual BASS DRUM SNARE DRUM TOM TOMSR'SHOT H'CLAP C'BELL HI HAT CYMBALS C'NGAS M'CAS CLAVES 808 1 2 3 DRUM SELECT FRONT CUT CONT / VELOCITY PROGRAM MIDI RX CH 909 4 5 6 010 MIDI TX CH 55010550105 5 01055010550105501055010 NOTE-OFF REC GEN MIDI SET OUTPUT SET VOLUME DRUM KIT UTILITY TUNELEVEL TUNE LEVEL TUNE LEVEL TUNE LEVEL TUNELEVEL TUNE / TONE LEVEL TUNE LEVEL 7 8 9 EDIT WRITE SAVE ASSIGN BANK DISTORTION DEMO 0 SELECT PROTECT ENABLE SAVE TYPE TRIGGER SAVE AUDITION LOW MID HIGH R'SHTH'CLP C'BLL CLOSED OPEN CRASH RIDE LOW MID HIGH C'NGAS M'CAS CL'VES COMPARE START STOP WRITE 0 10 0 10 0 10 0 10 0 10123 0 10 0 10 123 HEADPHONES WRITE DATA ENTRYAUTO TRIGGER MODE ATTACK / TONE DECAYTONE SNAPPY DECAYSELECT SELECT DECAYSELECT DECAY SELECT CONGA SELECT SELECT Table of Tom Toms Section 22 Rimshot / Handclap / Cowbell Section 24 Contents Hi Hat Section 25 Cymbals Section 26 Introduction Section 1 Congas / Maracas / Claves Section 28 Front Panel Controls 2 Utility Mode 30 Rear Panel Connections 3 Operation 30 Connections & Setting up 4 Drum Select 31 Applications - Basic 5 Front Cut 32 Applications - Advanced 6 Controller / Velocity 33 Master Volume Section 7 Note Off Recognition 35 Data Entry / Program Section 8 General MIDI Setup 36 Keypad 8 Output Set 37 Audition - Auto Trigger Button 9 Assign Bank 39 Mode Button - Program Change 10 Distortion 40 Midi TX & RX Channels 11 Factory Demo 40 Selecting Utility Mode 11 Din Sync Output 41 Saving System Exclusive Data Dumps 11 Controller Map 42 Loading System Exclusive Data Dumps 12 Factory Program List 44 Editing & Writing Programs 13 Factory Demo Guide 45 Compare Function 14 MIDI Implementation 46 Voice Architecture / ASM 15 MIDI Precussion Map 47 TR808 & TR909 Notes 16 Troubleshooting Guide 48 Bass Drum Section 18 Specification 49 Snare Drum Section 20 * TR808 & TR909 are trademarks of Roland Corporation, Japan Thank you for buying the Novation DrumStation Rack drum synthesizer. -
GAVIN FRIDAY Peek Aboo
edition October - December 2012 peek free of charge, not for sale 07 music quarterly published music magazine aboo magazine GAVIN FRIDAY BLANCMANGE AGENT SIDE GRINDER THE BOLLOCK BROTHERS THE BREATH OF LIFE + MIREXXX + SIMI NAH + DARK POEM + EISENFUNK + IKE YARD + JOB KARMA + METROLAND + 7JK + THE PLUTO FESTIVAL - 1 - WOOL-E-TOP 10 WOOL-E-TIPS Best Selling Releases DARK POEM (July/Aug/Sept 2012) TALES FROM THE SHADES 1. DIVE STACKS Dive Box (8CD) VOICES 2. SONAR Cut Us Up (CD) 3. VARIOUS ARTISTS Miniroboter (LP) 4. TROPIC OF CANCER Permissions Of Love (12”) 5. VARIOUS ARTISTS Something Cold (LP) 6. SSLEEPING DESIRESS Because we can’t choose not one, but two Wool-E A Voice (7”) tips!!! ‘Tales From The Shades’ is the debut CD by Ant- 7. VARIOUS ARTISTS werp-based ‘Fairyelectro’ band Dark Poem. Doomy tribal The Scrap Mag (CD) pop with heavenly voices set to a dark ambient-like under- 8. LOWER SYNTH DEPARTMENT score, with enough rough hooks to keep you wandering through their fairy wood. Beware of the Forrest Nymphs!!! Plaster Mould(LP) Our second tip also resides in Antwerp, ‘Voices’ is the 9. BONJOUR TRISTESSE debut LP of Stacks aka Sis Mathé of indie noiserockers On Not Knowing Who We Are (LP) White Circle Crime Club. Touches of John Maus, Molly 10. GAY CAT PARK Nilsson, Future Islands or even Former Ghosts come to mind. So if you like your synthpop bombastic and emo- Synthetic Woman (LP) tional, straight from the heart, then Stacks is your man or your band ;-) The Wool-E Shop - Emiel Lossystraat 17 - 9040 Ghent - Belgium VAT BE 0642.425.654