7th AUGUST 2017
BALLYCONNEELY CONNEMARA Monday 7th August & Tuesday 8th August 2017 12.30pm daily 1 DOLAN’S
2 CONNEMARA ART AND ANTIQUES AUCTION Ballyconneely, Connemara
BANK HOLIDAY MONDAY 7TH AUGUST 2017 & TUESDAY 8TH AUGUST 2017 at 12.30pm daily
DAY ONE: Commencing at 12.30pm. Lot 1 - 290
DAY TWO: Commencing at 12.30pm. Lot 300 - 500
ENQUIRIES / BIDS Dolan’s Art Auction House Lissarulla, Carnmore, Co. Galway Tel: +353 (0)91 798 647 Email: [email protected]
PREVIEW View online at www.dolansart.com
VIEWING Ballyconneely, Connemara Thursday 3rd August, 12.00 noon - 7.00pm Auctions Friday 4th August, 10.00am - 7.00pm start Saturday 5th August, 10.00am - 7.00pm pm Sunday 6th August, 10.00am - 7.00pm 12.30 Monday 7th August, 10.00am to start of auction daily Tuesday 8th August, 10.00am to start of auction
All lots are sold subject to the terms and conditions of sale printed in this catalogue. Buyers premium 25% including VAT on each lot. Purchasers will not be charged the 4% artist resale levy. DOLAN’S
Dolan’s have dedicated saleroom telephone lines for all enquiries and bids during the viewing and auction: Telephone 091 798647 086 4098015 Email [email protected] Website www.dolansart.com
N56
N56 Lough Leenane Ballinrobe Letterfack Mask Clifden Cong N56 R345 N84
Ballyconneely Recess R344 R341 N56 Lough R341 Corrib N56 Maam Oughterard Roundstone Cross
R336 N56 R340 DIRECTIONS
Carna N84 From Clifden, take the R341, signposted for Ballyconneely and Roundstone, and R336 Galway follow the road for 9km until you reach Spiddal Barna Ballyconneely village. Ballyconneely
4 7th AUGUST 2017
5 DOLAN’S IMPORTANT INFORMATION FOR PURCHASERS
BUYERS PREMIUM Buyers are reminded that there is a premium payable on the final bid price for each lot. The buyer shall pay a commission to the auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. The auctioneers are happy to execute bids on behalf of the buyer, but if successful, the purchase price payable will be the final bid price, together with the VAT inclusive premium chargeable thereon. VIEWING Please note that viewing finishes at 12.30pm on sale days, Monday 7th August & Tuesday 8th August. It will not be possible to view lots after this time. Please note that imperfections are not stated. It is the responsibility of the purchaser to inspect and ascertain the condition of any or all goods offered for sale in the auction. Ample opportunity for inspection of goods is given to buyers, and each buyer, by making a bid for a lot, acknowledges that they have satisfied themselves fully before bidding, by inspection or otherwise, as to the Conditions of Sale and the physical condition and description of the lot, including but not restricted, to whether the lot is damaged or has been repaired. Please note that all books are sold ‘with all faults’ and not subject to return. All electrical and mechanical items are sold ‘as is’, and no warranty or guarantee comes with these items. It is up to the buyer to satisfy themselves as to whether or not they are in working order. In relation to light fittings, furniture and garden furniture, buyers are reminded that removal of these items is solely at the buyer’s risk and expense. YOU DON’T HAVE TO ATTEND THE SALE TO BID If you are unable to attend the auction, Dolan’s offer the following ways in which you can bid before the sale: ABSENTEE BIDDING If you are unable to attend the auction you may complete an Absentee Bid form, and we will bid on your behalf subject to our Terms and Conditions of Sale. Tel 091 798647 for further details. TELEPHONE BIDDING You may choose to bid by telephone during the course of the auction (subject to our Terms & Conditions of Sale and the availability of telephone lines). Adequate notice is required in order to arrange telephone bidding. Tel 091 798647 for further details. ALL LOTS ARE SOLD SUBJECT TO OUR TERMS & CONDITIONS OF SALE Dolan’s Terms & Conditions of Sale are printed at the back of this catalogue and are available online at www.dolansart.com. Please note that lots 81-82, 94-97, 104-106, 129 - 144 & 159-179 are being sold on behalf of the Dolan family. VAT REGULATIONS No VAT is charged on goods sold in the auction. VAT is only applicable to the auctioneers’ commission charged to the purchaser (i.e. the buyers premium). All lots are sold within the auctioneers’ VAT margin scheme. Revenue regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer. PAYMENT All goods must be paid for, in full, before collection. All accounts must be discharged by certified cheque, bank draft or cash. The auctioneer reserves the right not to release goods until cheque payments have been cleared by the bank. Credit cards are also accepted with a 2.5% surcharge. Non-Irish debit cards will incur a 2.5% surcharge. Payment may also be made by electronic transfer of funds to Dolan’s bank account, full details on request. In certain circumstances, the Auctioneers may require payment to be made by account transfer. Purchasers will NOT be charged the artist’s resale levy, known as the droit de suite. COLLECTION OF LOTS Lots purchased at the sale may be collected on both sale days and on the following day Wednedsay 9th August, 10am - 5pm and thereafter from our office at Lissarulla, Carnmore, Co. Galway. DOLAN’S GUARANTEE OF AUTHENTICITY Dolan’s Art Auction House takes special care to ensure that all works of art offered are as described and are the work of the artists to whom they are attributed. In the event of any work sold from this catalogue to be subsequently proved to be a ‘deliberate forgery’, subject to our Terms and Conditions of Sale (and in particular Condition No 5), as printed in this catalogue, Dolan’s will cancel the sale and refund to the buyer the total amount paid by the buyer to Dolan’s for the item. This guarantee is provided for a period of seven years after the date of the auction and may be extended at Dolan’s discretion. SPECIAL NOTICE TO PURCHASER Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding, if they intend to import such items into another country. FURTHER INFORMATION www.dolansart.com
6COPYRIGHT © 2017 DOLAN’S ART AUCTION HOUSE. ALL RIGHTS RESERVED 7th AUGUST 2017
7 DOLAN’S
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IMPORTANT IRISH ART
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1 A Hornby O Guage Clockwork 5 Corgi Toy of Bedford Truck and 9 Vintage Childs Bulldozer Locomotive, Low Loader/Machinery Carrier, ¤30 - ¤40 and a quantity of carriages, together with an early Dinky original boxes etc Tractor 10 School Bell, ¤100 - ¤120 ¤50 - ¤80 hand held, with wooden handle ¤25 - ¤35 2 Interesting Vintage Set of Building 6 Attractive Victorian Box of Cubed Blocks, Jigsaw Blocks, 11 Malaya Medal to “Sergeant Rickter’s Anchor Blocks, in Inscribed to William Swaine Doherty”, original wooden case, approx. Marsh, from his Papa, on his and 3 WWII Medals & miniatures 13”x9” fourth Birthday, 7th September ¤140 - ¤160 ¤100 - ¤150 1861 ¤180 - ¤250 12 Star of Burma Medal 3 Corgi Toy of Fire Engine, ¤30 - ¤40 in working order 7 Pair of Small Seated Metal ¤50 - ¤80 Cherubs 13 Vintage Brass and Metal cheese ¤80 - ¤120 grater, 4 Painted Cast Iron Doorstop of a approx. 12.5” long Dairy Cow, 8 19th Century Brass and Wood ¤25 - ¤35 approx. 6” high Spirit Level, ¤25 - ¤35 approx. 9” long ¤30 - ¤40 10 IMPERFECTIONS NOT STATED 7th AUGUST 2017
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16 17
18
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22 23
14 Very Interesting Late Victorian 18 A Vintage Crocodile Skin Suitcase, 22 A Victorian Walnut Brass Bound Chemist’s Brass and Wood Pill circa 1920, with brass fittings and Writing Slope, Maker, partially fitted interior, makers with fitted interior, brass lock made by Mawson & Thompson, Barkers of Kensington, approx 16” escutcheon and central brass London c.1900, approx. 12.5” wide shield, approx 11.75” wide, long, with original sliding action ¤120 - ¤160 9”deep, 6”high ¤160 - ¤180 ¤150 - ¤200 19 Set of Three Ashworth Bros 15 Brass Postal Scales, Graduated Meat Plates, 23 Attractive Victorian Dairy Bowl, with weights and makers mark, approx 15” and smaller Hewn from a Single Piece of approx. 8.25” long ¤100 - ¤150 Wood, approx. 17” diameter ¤60 - ¤80 ¤70 - ¤90 20 Regency Rosewood Tea Caddy, 16 A Late Victorian Fire Clay with two interior compartments 24 A Pair of Hand-held Wooden Campagna Shaped Garden Urn, and centre aperture, raised on Printing Blocks, approx 21.5” diameter lobed feet, approx 14” wide 8.5” long and smaller ¤180 - ¤250 ¤140 - ¤180 ¤25 - ¤35
17 A Chinese Export Blue & White 21 Vintage Blue and White Striped 25 Pair of Door Stops Cast Iron Mice, Serving Plate, Rolling Pin and Bowl mounted on stones c.1800, painted with pagodas and ¤50 - ¤60 ¤20 - ¤30 waterside gardens, approx 10.5” wide ¤80 - ¤120 11 DOLAN’S
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29 30 31
32 33 33
34 34 35 26 Irish Silver Teapot, 28 Georgian Silver Sugar 31 Irish Silver, Coffee Pot & Sugar Castor, 6 Serving Spoons, 34 Irish Silver, Bowl, 20th Century, aprox 5” high, London 1820’s, maker James 3 Desert Spoons pre maker Denis Stokes 1799 Le Bass 1840, together with 4 ¤600 - ¤800 ¤250 - ¤350 ¤100 - ¤200 Teaspoons (3 West & Son 1890) 27 Pair of Large Silver 29 Irish Silver, 32 Irish Silver, ¤50 - ¤100 Plated two branch 12 Serving Spoons, 4 Kings Pattern Candlelabra, 1874 Spoons, 1820’s 35 Irish Silver, approx 17.5” high ¤200 - ¤400 ¤100 - ¤200 3 Shovel Spoons 1822 ¤250 - ¤350 ¤50 - ¤100 30 Irish Silver, 33 Irish Silver, 11 Knives, 1820’s 9 Forks, various dates, ¤100 - ¤200 early to mid 1800’s ¤100 - ¤200 12 IMPERFECTIONS NOT STATED 7th AUGUST 2017
36 Silver Sauce Boat, with beaded edge, Birmingham 1902, approx 5.5” long ¤120 - ¤140
37 Elkington Silver Plated Wine Funnel, 36 with unicorn crest, approx 6” 37 high ¤100 - ¤130 38 38 Cased Set of Six Silver Teaspoons, Birmingham 1933 ¤50 - ¤60
39 Silver Plated Toast Rack ¤40 - ¤50 39
40 Cased Silver Condiment Set, comprising pepperettes, salts and mustards, Sheffield 1920, 40 41 with two silver & two plated spoons ¤140 - ¤180
41 Silver Cream Jug, Birmingham 1935 ¤80 - ¤100
42 Set of Four Silver Salts, each with spoon, cased, Chester 43 1907 ¤180 - ¤280
43 Victorian Silver Pedestal 42 Christening Mug with C-scroll 44 handle, the bowl engraved with panels of roses, blank cartouche, London 1874, approx 4.5” high ¤180 - ¤280
45 44 Cased Set of Six Silver Handled 47 Cake Knives 46 ¤60 - ¤80
45 Silver Sauce Boat, Birmingham 1919, approx 6” long ¤150 - ¤250
46 Silver Plated Four Piece Tea Service 49 48 ¤60 - ¤80 50
47 George VI Gravy Boat, 48 Cased Set of Plated 49 Victorian Three 50 Cased Set of Six Sheffield 1946, of plain oval form Fish Knives and Piece Silver Plated Silver Tea Knives, with scroll handle, approx 8” Forks Tea Set, Sheffield 1936 long. ¤40 - ¤60 teapot, sugar & milk ¤80 - ¤100 ¤100 - ¤200 jug ¤80 - ¤100
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54
51 Pair of French Fruitwood Benches, approx 91.5” long
¤300 - ¤400
52 Brass and Copper Coal/Log Buckets, oval with lion mask handles and 53 paw feet, approx 18” long, 11” high
¤150 - ¤200
53 Attractive Vintage Tailor’s Dummy, adjustable height on stand
¤300 - ¤400
54 William Butler Yeats, Collected 52 Poems, the Folio Society London, 2007, with all faults, in attractive binding
¤60 - ¤100
55 Sculpted Figure of a Female Torso, Ceramic Glaze on Terracotta, approx 12.5” (31cm) high
¤280 - ¤350
56 Early 20th Century Mahogany Queen Anne Style Stool, 56 with drop in seat, moulded edge and raised on four cabriole legs, shell carved at the knees, and terminating in pad feet approx 21.5” wide
¤180 - ¤250
57 After Matthew Kendrick RHA 55 THE DEPARTURE OF THE QUEEN & THE ROYAL SQUADRON FROM KINGSTOWN, AUGUST 1849 Handcoloured Engraving 21”x37” (54x94cm) 57 ¤250 - ¤350 14 IMPERFECTIONS NOT STATED 7th AUGUST 2017
58 Large Impressive Cast Metal Live Steam Locomotive, together with a single piece of wooden track, the locomotive approx 19.75” long x 10” high ¤1,000 - ¤1,500
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59 Noah’s Ark, Early to Mid 20th Century, 58 59 complete with Animals, 29” long Hand Painted ¤400 - ¤600
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60 Sporting Interest, Interesting French Medal, 1925/1926, Agricultural Athletics Championship (Championnat D’Athletisme Agricole) ¤50 - ¤80
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61 Pair of Cast Metal Bronzed Hares upon Marble Bases, 62 Seamus O’Beachtain 12” high (2) BOXING MATCH Bronze Sculpture on Marble Plinth ¤180 - ¤250 Approx 8” (20.5cm) high ¤200 - ¤300
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63 John Behan RHA b.1938 FAMINE MOTHER & CHILDREN 63 Bronze Sculpture Approx 15” high
¤2,800 - ¤3,800
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64 A G Eskerri FISHERMEN WITH CREELS Bronze Sculpture 64 Approx 9.5” high Signed
¤800 - ¤1,000
65 A Bronze Bull, raised on a rectangular marble base, approx 19" long
¤650 - ¤850
65
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66 Pair of Garden Lions, in seated position, approx 22.5” high
¤900 - ¤1,000
66A A Composition Garden Figure, in the form of a griffin, approx 21.5" high
66 ¤280 - ¤350
66B After Cecil Aldin MASTER’S FOOTSTEP Early Hand-coloured Print 13.5”x18.5” (34x47cm) In Original Frame
¤400 - ¤500
66C Pair of Decoy Type Painted Wooden Ducks, each approx 15” long
¤80 - ¤120
66D Victorian Cast Iron Foot Scraper, set in a Sandstone Block, approx 13.75 wide, 12” high
¤160 - ¤180 66A 66B
66C 66D
18 IMPERFECTIONS NOT STATED 7th AUGUST 2017
67 Cynthia Moran TWO FOR JOY Bronze Sculpture Approx.13” (33cm) High
¤900 - ¤1,200
67A Cynthia Moran 67A
67 RECLINING FEMALE NUDE Bronze Sculpture Approx 12" long & 12" high overall
¤1,200 - ¤1,400
67B Attractive Pair of Victorian Cast Iron Lions on Plinths, each approx 11.25" long
¤400 - ¤500 67C 67C Original Iron Ships Anchor, approx 34” long 67B
¤140 - ¤180
68 Pair of Ornamental Cannons, Patinated Metal, approx 36.5” Long
¤450 - ¤650
68A Pair of Late 19th Century French Spelter Figures, Woodcutter & Woman Feeding Doves, bronze patination, approx 13" high 68 ¤140 - ¤180
68B A 19th Century Iron Cauldron, approx 17.5” diameter, 13” high
¤80 - ¤120
68C French Spelter Figure of a Soldier and Charging Horse upon a naturalistic base, approx 14" high 68B ¤140 - ¤180
68A
68C
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69 Ken O’Neill 69B Ken O’Neill b.1967 b.1967
FAMILY DAY ON THE BEACH ADMIRING MARILYN Oil on Canvas Oil on Canvas Board 23.75”x35.5” (60.5x90cm) 9.5”x7.5” (24.5x19.5cm) Signed Signed
¤800 - ¤1,200 ¤180 - ¤250
69A Ken O’Neill 69C Ken O’Neill b.1967 b.1967
MONDRIAN THREE CHECKERED PAST Oil on Canvas Oil on Canvas 16”x20” (40.5x51cm) 16”x20” (40.5x51cm) Signed Signed
¤400 - ¤600 ¤400 - ¤600
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69A
69B 69C
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Barbara Rae RA RSA RWS
Barbara Rae was born in 1943 and studied at Edinburgh College of Art from 1961 to 1965 where she was awarded a travel scholarship, taking her, in 1966, to France and Spain. She taught in Edinburgh until 1972, going on to lecture in Drawing, Painting and Printmaking at Aberdeen College from 1972 to 1974 and in Drawing and Painting at Glasgow School of Art from 1975 to 1996. Rae’s work has been included in many solo and group exhibitions both nationally and internationally. Her first solo show was held in 1967 at the New 57 Gallery, Edinburgh. In 1994 and 1999, she won tapestry commissions for The Festival Theatre and for the Royal Scottish Museum in Edinburgh. She has won many awards from, among others, the Scottish Arts Council and the Royal Scottish Academy. Rae’s work is included in many private collections in Britain, Europe and the USA, as well as in many important public and corporate collections. Rae was elected President of the Society of Scottish Artists in 1983. She was made a Member of the Royal Scottish Academy in 1992 and of 70 Barbara Rae RA RSA RWS the Royal Academy in 1996. She has been a Member of the Royal Fine Art b.1943 Commission for Scotland since 1995 and was a Member of the Board of the British School at Rome. In 1999 she was awarded a CBE and received RONDA HILL FARM an Honorary Doctorate from Napier University. She is a leading member Mixed Media & Collage of the Royal Academy. 31.5”x 43.5” (80x111cm)
Ib Jorgensen Label Verso
¤2,400 - ¤3,000
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71 Phoebe Cope b.1981
LIME HOUSE Oil on Canvas 23.5”x29.5” (60x75cm) Signed
¤1,000 - ¤1,500
72 Bernard Reynolds b.1952
SUNLIGHT & SHADOW, VILLAGE BEYOND Oil on Board 21”x28.5” (53.5x72.5cm) Signed
¤400 - ¤600
73 Michael Morris 71 b.1979
NEW YORK CITY Oil on Board 15.25”x19” (39x49cm) Signed
¤500 - ¤800
73A Graham Knuttel b.1954
CALLED TO THE BAR Monochrome Artist’s Proof Print 27”x19.5” (68.5x49.5cm) Signed
¤300 - ¤400
72
73 73A
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Charles Harper RHA 74 Charles Harper RHA b.1943 Born on Valencia Island, Co. Kerry in 1943, Charles Harper studied art at the Limerick School of Art and the National College of Art, as FRIENDS & ACQUAINTANCES well as film making in Bonn. He has exhibited widely, in countries Acrylic on Canvas such as India, Switzerland, Italy, Latvia, England, France, the US and 48”x48” (122x122cm) Sweden and is the recipient of many National Awards. Signed & Dated 2013 He was a founder of the EVA exhibitions in Limerick and also a Signed, Inscribed & Dated Verso founding member of Aosdana. Harper has been a member of the Royal Hibernian Academy since 2002, and for many years a Lecturer ¤8,000 - ¤12,000 at Limerick School of Art and Design. His work is included in many important public and private collections including The Irish Museum of Modern Art, San Francisco Museum of Modern Art, RTÉ, Limerick City Art Gallery, Allied Irish Banks, and in many Irish Embassies throughout the world.
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75 Manus Walsh b.1940
JAZZ Pen, Ink & Watercolour 8.5”x12.5” (21.5x31.5cm) Signed
¤400 - ¤600
76 Manus Walsh b.1940
CEOIL AGUS CRAIC Mixed Media 76 77 11”x9.5” (28x24cm) Signed Manus Walsh ¤400 - ¤500 Born in 1940, Manus Walsh began his career in the field of stained 77 Manus Walsh glass, working for the Abbey Stained Glass Studios in Dublin, in b.1940 the sixties. It was during his time there that he met artist, George Campbell, who became his mentor and friend, and also encouraged THE BLUE MANDOLIN him to take up painting full time. Among Manus’s many stained Watercolour glass designs are five windows for Galway Cathedral, and more 8.75”x11” (22x28cm) recently in St John’s Church, Ballyvaughan. The landscape of the Signed Burren has been a constant inspiration to him for the past thirty years and more, and its barren limestone landscape continues ¤400 - ¤500 to be a major influence on his work. Manus has travelled widely, spending considerable periods of time, in both Spain and Chile, and the Spanish landscape, together with the city of Valparaiso continue to be a significant influence. Walsh has exhibited widely at home and abroad, including four exhibitions in South America and numerous one man shows and he is widely regarded as an important contemporary artist.
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78 John Schwatschke
Born in Dublin in 1943, of an Austrian father and Irish mother, the family lived in Carlow for over fifty years. He studied Art and Architecture in Dublin and Munich and originally made his name as a portrait painter, including many prominent individuals: Ingrid Bergman, Robert Mitchum, Harold Robbins, the Duke of Edinburgh and Eamon de Valera to name but a few. Having worked in Saudi Arabia, he kept an art studio in Provence in the 1970’s, where he was a neighbour of Picasso, and Le Musee Schwatschke was established, while his work was promoted by noted Paris dealer Iris Clert. He later moved his studio to Santa Barbara, before finally returning to Ireland. Schwatschke is well known for his caricatures, which as works of art, are always intensely personal and somehow universal.
78 John Schwatschke 78A John Schwatschke b.1943 b.1943
CYCLING ALONG THE CELLIST Oil on Canvas Oil on Canvas 23.75”x29.5” (60x75cm) 29.5”x23.5” (75x60cm) Signed & Dated Signed Signed & Inscribed Verso Signed & Inscribed Verso
¤600 - ¤800 ¤600 - ¤800 78A
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79 80 79 Graham Knuttel b.1954
SUNLIT SHEEP Oil on Canvas 14”x11” (35.5x28cm) Signed
¤800 - ¤1,000
80 Graham Knuttel b.1954
HEAD CHEF Oil on Canvas 14”x11” (35.25x28cm) Signed
¤800 - ¤1,000
81 Jack Donovan 1934 - 2014
TWO ROSED IN A WHITE MUG Oil on Board 13”x11.5” (33x29cm) Signed with initials and dated (20)09
¤1,000 - ¤1,200
81
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Kenneth Webb RWA FRSA RUA 82 Kenneth Webb RWA FRSA ARUA b.1927 b.1927
Established with an international reputation and represented worldwide, SWEETPEA Kenneth Webb is now 90 years of age. He has painted all of his life and Oil on Canvas has produced an outstanding body of work. Born in London, Webb came to 13.75"x9.5" (35x24cm) the Ulster College of Art in 1953 as Head of the Painting School. In 1957 he Signed founded the Irish School of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his works, there is real sense of place, a sense of ¤4,000 - ¤5,000 the most subtle aspects of Ireland’s magical and mysterious landscape fused with sensuality and colour.
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83 Markey Robinson 1918 - 1999
FLOWER GARDEN, MOTHER & CHILDREN Mixed Media 31”x11.25” (79x28.5cm) Signed Verso
¤1,200 - ¤1,800
Markey Robinson
A primitive painter, a colourful character, a man of great complexity - these are all descriptions which have been used to describe Markey Robinson over the years. Born in Belfast in 1918; Markey Robinson is regarded as one of the great Northern Masters. In a sixty year career, Markey’s unique and vibrant paintings fully demonstrate his genius for composition. His signature style and his range of themes are readily identifiable - rural landscapes, women in shawls and sad-looking clowns. His work has been seen far & wide, as far back as 1956, Markey exhibited work at the Salon des Independants in Paris and he is represented in many public and private collections around the globe. This present work is in all likelihood a self portrait, as Markey was a keen and capable boxer in his youth. Art Historian, Susan Stairs in her biography on Markey probably summed him up best when she said of him, ‘there is a genius in our midst’. 83
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Henry Morgan 84 Henry Morgan b.1952 Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School of Art and was awarded a scholarship to Oslo University. WATERFALL II Since his return to Ireland, having completed a BA in Fine Art, he has Oil on Canvas exhibited extensively both at home and abroad and has been a regular 24”x30” (61x76cm) exhibitor at the Irish Exhibition of Living Art, The Royal Hibernian Signed & Dated Academy, EVA in Limerick, among many others. Henry has been inspired by the local landscape from the Burren to the Clare Glens and ¤1,400 - ¤2,400 the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art. A contemporary artist of substance, his work is now included in many public and private collections.
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85
Arthur K Maderson 85 Arthur K Maderson b.1942 Born in 1942 in London, Arthur Maderson studied Fine Art from 1959 to 1963 at Camberwell School of Art, London, where in 1963 he TOWARDS THE POINT OF SUNSET, ON won the Anna Berry Award in open competition with graduates from THE DORDOGNE all leading art schools in England. Although Maderson continued to Oil on Board paint on a regular basis, it was only in 1982, at the age of 40 that he 30.5”x42.75” (77.5x108.5cm) felt sufficiently confident to exhibit. From this period, he has enjoyed Signed considerable success, and this success has been replicated in Ireland, Signed & Inscribed Verso where his reputation as a painter of distinction and passion is firmly established. He works at a frantic pace with dedication, determination ¤3,500 - ¤4,500 and unflagging vigour, and now divides his time between his home in Ireland and a small hamlet high in a largely unpopulated mountainous region of the Cevenne, in the South of France. Arthur Maderson has exhibited at the Royal Hibernian Academy, The Royal West of England Academy and the Royal Academy and he has represented Ireland in many prestigious exhibitions. Arthur Maderson is an outstanding artist of his generation.
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Carina Scott
Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses at the RDS and with her Connemara ponies at the French Championships. Painting in both Ireland and France, her adopted country, Carina Scott is continually inspired by the landscape & light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced 85A Carina Scott by the strong light and colour of southern Europe. With her b.1963 bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of CONNEMARA MOONLIGHT paint and her palette knife work are exquisite, testament to Oil on Canvas Board the flair, vigour and enthusiasm with which she constantly 20”x30” (51x76cm) works. Her reputation as an artist has grown steadily, with Signed successful shows in Ireland and abroad and the success she has enjoyed is well deserved. ¤1,000 - ¤1,500
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86 86 John Morris b.1958
SUMMER LIGHT NEAR ROUNDSTONE Oil on Board 39”x47” (99x120cm) Signed Signed & Inscribed Verso
¤1,500 - ¤3,000
87 87A
87 Aidan Bradley 87A Henry Morgan 88 Arthur K Maderson b. 1961 b.1952 b.1942
GEORGIAN DUBLIN TWILIGHT BURREN UNDER A TREE, PROVENCE Oil on Board Oil Oil on Board 45.5”x30.25” 19.5”x19.5” (49.5x49.5cm) 21.25”x11.5” (54x29.5cm) (115.5x77cm) Signed Signed & Dated (20)09 Signed & Dated Signed & Inscribed Verso ¤700 - ¤1,000 ¤400 - ¤600 ¤1,800 - ¤2,800
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88 Arthur K Maderson
Born in 1942 in London, Arthur Maderson studied Fine Art from 1959 to 1963 at Camberwell School of Art, London, where in 1963 he won the Anna Berry Award in open competition with graduates from all leading art schools in England. Although Maderson continued to paint on a regular basis, it was only in 1982, at the age of 40 that he felt sufficiently confident to exhibit. From this period, he has enjoyed considerable success, and this success has been replicated in Ireland, where his reputation as a painter of distinction and passion is firmly established. He works at a frantic pace with dedication, determination and unflagging vigour, and now divides his time between his home in Ireland and a small hamlet high in a largely unpopulated mountainous region of the Cevenne, in the South of France. Arthur Maderson has exhibited at the Royal Hibernian Academy, The Royal West of England Academy and the Royal Academy and he has represented Ireland in many prestigious exhibitions. Arthur Maderson is an outstanding artist of his generation.
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89
Carina Scott 89 Carina Scott Born in 1963, Carina Scott is both artist and musician, and b.1963 all the while a breeder of quality Irish sport horses. With a strong musical background, Carina, as an artist & painter, MOONLIGHT, CONNEMARA FOAL is largely self taught and her pedigree as a creative artist Oil on Canvas mirrors her success with her horses at the RDS and with her 21.25”x25.5” (54x65cm) Connemara ponies at the French Championships. Painting Signed in both Ireland and France, her adopted country, Carina Scott is continually inspired by the landscape & light, by ¤800 - ¤1,200 the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, influenced 89A Carina Scott by the strong light and colour of southern Europe. With her b.1963 bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of CONNEMARA GALLOPING paint and her palette knife work are exquisite, testament to Limited Edition Colour Print the flair, vigour and enthusiasm with which she constantly 20.5”x15.5” (51.5x39.5cm) works. Her reputation as an artist has grown steadily, with Signed & Inscribed successful shows in Ireland and abroad and the success she has enjoyed is well deserved. ¤100 - ¤200
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90
90 John Behan RHA b.1938
MAN & BULL Bronze Sculpture Approx 20” high overall Signed & Dated 2007
¤3,500 - ¤4,500
37 DOLAN’S
91
91 Oyster Perpetual Date Just Rolex Stainless Steel Watch with a White Gold Bezel
In Original Case
¤800 - ¤1,200
38 7th AUGUST 2017
92 Chanel Flap Bag
Special Edition, 2.55 Style, Fall Texas Collection 2014, Original Dust Bag with Authenticity Card
Purchased from Chanel, 57th Street, New York City
The 2.55 Style relates to the date of creation of this style of bag in February 1955 92 ¤800 - ¤1,200
93 Cartier Handbag with Cartier Panther
In Bordeaux Leather, Original Dust Bag with Authenticity Card
Purchased from Cartier, 5th 93 Avenue, New York City
¤600 - ¤800
39 DOLAN’S
John Shinnors Child in Interior - Resurrection Series (1978)
This large, impressive work offers the sense of Shinnors at his most enigmatic. Two figures confront us in an interior, perhaps a domestic, space. Here it is not just that the relationship between the figures implies a mystery, Each of the figures in themselves, as they are themselves constituted, are full of sense of the mysterious. The central front figure of a child/clown, seemingly sightless, anxiously reaches out into the dark space on its left and the blinding lights on its right. Its features are disguised by shapes that represent some kind of superimposed helmet or mask. The head and body of the second figure that lurks just behind, almost lost in the darks of the background, seem contorted into a cave-like hollow space and set on a plinth. He (so, it seems a ‘he’) wears military apparel and decorations; war medals - such as an eagle appear on his chest. Further back in the enclosed space we find details of furniture, ie. chair legs and backs, the scale of which helps to emphasise the dominant effect of the figures. This is a scene of the extra-ordinary, full of a dramatic sense of the uncanny, of a foreboding, similar to that of what today’s audience often enjoys in the stories offered by programmes like the X-files.
The literal – visual references made in the work are especially elusive and ambiguous but the emotions and mood represented in the work through the design priorities that Shinnors offers are definite and precise. Strong dramatic tonal contrasts are here given in an impressive vertical symmetry devoted to cool light green/blue greys that play against rich, warm, sienna and umber darks. A great variety of intense touches of red, blue, yellow and purple hues flash in these darks. No shape of any size lacks interest as a shape in itself or lacks a clearly assigned colour hue and temperature. A deliberate texture has been applied to the board support as a preparatory surface. This active regard for the all design elements as Shinnors brings them into play within the painting helps to explain the high level of success achieved.
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94
94 John Shinnors b.1950
CHILD IN INTERIOR Oil on Board 30”x26” (76x66cm) Signed and Dated (19)78 in Original Artist’s Frame
¤14,000 - ¤18,000
41 DOLAN’S
95 George Campbell RHA, RUA 1917-1979
CLIFDEN TOWN Mixed Media 12.5”x15.5” (32x39.5cm) Signed
¤1,200 - ¤1,500 95
96 Gerard Dillon 1916-1971
MONASTERBOICE CROSS CARVING Watercolour 9.25”x13.5 (23.5x34cm) Signed Original Artist’s Label Verso, Signed & Inscribed
¤1,000 - ¤1,500 96
97 George Campbell RHA RUA 1917 - 1974
FIGURES CUTTING TURF,WITH DONKEY & CART, CONNEMARA Pen, Ink & Wash 7”x9.25” (17.5x23cm) Signed
¤750 - ¤850 97
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98
98 John Shinnors b.1950
HALF MOON - LOOP HEAD Oil on Fabric, Laid on Board 12”x13” (30.5x33cm) Signed Signed, Inscribed & Dated 1996 Verso
¤5,000 - ¤6,000
43 DOLAN’S
99
99 Donald Teskey RHA 100 Donald Teskey RHA 101 Donald Teskey RHA b.1956 b.1956 b.1956
NIGHT WALKERS CURVE OF THE BAY INAGH VALLEY Oil on Paper Acrylic on Paper Acrylic on Paper Approx 22.25”x30.75” 15”x16.25” (38x41cm) 9”x12” (22.5x30.5cm) (57x78.5cm) Signed Signed Signed & Dated (19)98 Rubicon Gallery Label Inscribed Verso Signed & Inscribed Verso, Verso Rubicon Gallery Label ¤4,700 - ¤5,400 ¤7,000 - ¤8,000 ¤10,000 - ¤12,000
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100
101
45 DOLAN’S
102 102 Mary Swanzy HRHA 1882 - 1978 COASTAL SCENE WITH MOUNTAINS Oil on Canvas Board 9.75”x19” (25x48cm) Provenance, Christie's, King Street, London, Mary Swanzy Studio Sale, 10th May 2007, lot 332, with Studio Stamp & Christies Label Verso ¤2,000 - ¤2,400
103 Tony O’Malley HRHA 1913 - 2003 FARM HOUSE & TREES Pen & Ink Drawing 11.75”x7” (30x18cm) Signed with Initials ¤480 - ¤550
104 Douglas Alexander EARLY MORNING, OUGHTERARD Watercolour 10”x14.25” (25x36cm) Signed Victor Waddington Galleries label verso ¤350 - ¤450
103 104
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105 105 Sir William Orpen RA RWS RHA 1878 - 1931
CONNEMARA Pen & Wash on Paper 8”x6.5” (20.5x16.5cm) Signed & Inscribed by the artist and dated 1926’
¤2,200 - ¤2,600
47 DOLAN’S
106
106 Patrick Hennessy RHA 1915-1980
CONNEMARA BOGPOOLS Oil on Canvas 24.5”x29.5” (62x75cm) Signed
¤6,000 - ¤8,000
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107
107 Arthur Armstrong RHA 106 Patrick Hennessy RHA 1924-1996 1915-1980 TWIN BAYS, CONNEMARA CONNEMARA BOGPOOLS Oil on Board Oil on Canvas 23.75”x29.75” (60x75.5cm) 24.5”x29.5” (62x75cm) Signed Signed Inscribed with Title Verso
¤6,000 - ¤8,000 ¤1,800 - ¤2,400
49 DOLAN’S
108
Henry Morgan 108 Henry Morgan b.1952 Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School of WATERFALL Art and was awarded a scholarship to Oslo Oil on Canvas University. Since his return to Ireland, having 30”x38” (76.5x96.5cm) completed a BA in Fine Art, he has exhibited Signed & Dated extensively both at home and abroad and has Inscribed Royal Hibernian been a regular exhibitor at the Irish Exhibition Accademy Verso of Living Art, The Royal Hibernian Academy, EVA in Limerick, among many others. Henry ¤3,500 - ¤4,500 has been inspired by the local landscape from the Burren to the Clare Glens and the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art. A contemporary artist of substance, his work is now included in many public and private collections.
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109 Henry Morgan b.1952
CASCADE I Oil on Canvas 30”x38” (76.5x96.5cm) Signed & Dated
¤3,000 - ¤4,000
109
110 Henry Morgan b.1952
CASCADE II Oil on Canvas 30”x38” (76.5x96.5cm) Signed & Dated
¤2,500 - ¤3,000
111 Art Volumes: The Silent Companion, An Illustrated History of the Watercolour Society of Ireland; Danger, Women Artists At 110 Work, with all faults [2 vols]
¤40 - ¤50
51 DOLAN’S
112 112 Sean McSweeney HRHA b.1935
MOONLIT SHORELINE Oil on Board 14”x18” (35.5x45.5cm) Signed & Dated (19)91 Signed, Inscribed & Dated Verso
¤3,000 - ¤4,000
113 Charlotte Kelly
WINTER DAWN Oil on Linen 11.75"x11.75" (30x30cm) Signed
¤800 - ¤1,200
113
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114
Carina Scott
Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality Irish sport horses. 114 Carina Scott With a strong musical background, Carina, as an artist & b.1963 painter, is largely self taught and her pedigree as a creative artist mirrors her success with her horses at the RDS and GREEN & BLUE BOGSCAPE with her Connemara ponies at the French Championships. Oil on Canvas Board Painting in both Ireland and France, her adopted country, 16”x12” (40x30cm) Carina Scott is continually inspired by the landscape & Signed light, by the seasons and the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish palette, ¤1,000 - ¤1,500 influenced by the strong light and colour of southern Europe. With her bold use of paint, Scott captures the light and mood of the Irish landscape and of the creatures she portrays. Her use of paint and her palette knife work are exquisite, testament to the flair, vigour and enthusiasm with which she constantly works. Her reputation as an artist has grown steadily, with successful shows in Ireland and abroad and the success she has enjoyed is well deserved.
53 DOLAN’S
115
115 Cecil Maguire RUA b.1930 116 Cecil Maguire RUA, HORSE FAIR, CO GALWAY Towards a Oil on Board Retrospective, 17.5”x23.75” (44.5x60.5cm) Volume, Published, Signed & Dated (19)87 Signed by the artist Signed, Inscribed & Dated Verso ¤50 - ¤80 ¤7,500 - ¤10,000
116
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117
117 Frank Egginton RCA FIAL 1908 - 1990
GEESE ON THE SHORE, NEAR RENVYLE Watercolour 14.5”x20.75” (37x52.5cm) Signed Provenance: General Sir Miles Dempsey GBE, KCB, DSO, MC, Commander of The British 2nd Army at D Day.
¤1,200 - ¤1,500
118 Frank Egginton
Born in 1908, Frank Egginton is the son of Wycliffe Egginton 1875-1951 and 118 Frank Egginton RCA FIAL the uncle of Robert Egginton. Frank first visited Co Donegal in 1930 and (1908 - 1990) exhibited in the Royal Hibernian Academy in 1932 and the Royal Scottish Academy from 1936. During the second World War, he worked in Mackies’ AUTUMN, CO SLIGO Foundry in Belfast which was converted to produce military aircraft. In Watercolour 1952, he held a joint exhibition with Howard Knee at the Victor Waddington 14.5”x20.5” (37x52cm) Galleries, Dublin. An outstanding watercolour artist, Frank occasionally Signed worked in oils, but watercolour was his true strength and always his first choice. His father, Wycliffe, was a member of the Royal Institute of Oil ¤750 - ¤850 Painters and he too was a very fine watercolourist. Frank lived much of his life in Dunfanaghy, Co Donegal and died in 1990.
55 DOLAN’S
118A Ian Cryer ROI b.1959
THE ENGINE WORKSHOP Oil on Canvas Board 17.5”x15.5” (45x40cm) Signed
¤800 - ¤1,000
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57 DOLAN’S
119
119A 119 John Skelton 119A Maurice C Wilks RUA ARHA 1910 - 1984 BOY FISHING Oil on Board HORN HEAD FROM PORTNABLAGH 13.5”x17.25” (34x44cm) Watercolour Signed 5”x7.25” (12.5x18.5cm) Signed ¤800 - ¤1,200 ¤400 - ¤600
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119B
119C
119B Desmond Turner RUA 119C Harold Dearden ARCA 1923 - 2011 1888 - 1962
ACHILL ISLAND WORKING THE LAND Oil on Canvas Oil on Board 19.5”x29.5” (49.5x74.5cm) 10.5”x12.5” (27x32cm) Signed Signed
¤600 - ¤800 ¤350 - ¤450
59 DOLAN’S
120
121 121A
120 Robert Egginton 121 Robert Egginton 121A Robert Egginton b.1943 b.1943 b.1943
OLD HARBOUR, ROUNDSTONE SENNEN COVE RENVYLE BEACH Watercolour Watercolour Watercolour 17.5”x23.5” (44.5x59.5cm) 13.75”x19.75” (35x50cm) 13.75”x19.75” (35x50cm) Signed Signed Signed
¤750 - ¤1,000 ¤600 - ¤800 ¤600 - ¤800
60 7th AUGUST 2017
122 Robert Egginton b.1943
OLD HARBOUR, ROUNDSTONE Watercolour 17.5”x23.5” (44.5x59.5cm) Signed
¤700 - ¤900 122
123 Robert Egginton b.1943
MANNIN BAY, BALLYCONNEELY Watercolour 17.5”x23.5” (44.5x59.5cm) Signed
¤700 - ¤900 123
Robert Egginton
Born in 1943, into an artistic family, Robert Egginton is the nephew of Frank Egginton (1908–1990) and the grandson of Wycliffe Egginton, R.I. (1875-1951). Robert’s artistic lineage has stood him well and he has developed his own distinctive style. A superb watercolourist, strong on composition and technique, his depiction of the Irish landscape is vivid and robust, bridging the traditional and the contemporary.
61 DOLAN’S
124 Maurice C Wilks RUA ARHA 1910 - 1984
ERVALLAGH, ROUNDSTONE Oil on Canvas 13.5”x17.5” (34.5x44.5cm Signed Signed & Inscribed Verso
¤2,400 - ¤2,800 124
125 Martin Gale RHA b.1949
MAYO SHED Oil on Canvas Board 10”x12” (25x30cm) Signed & Dated 2000
¤2,000 - ¤2,400 125
62 7th AUGUST 2017
126 Eileen Meagher b.1946
ROUNDSTONE BOG, CONNEMARA Oil on Canvas 17.5”x23.5” (44.5x59.5cm) Signed Signed, Inscribed & Dated 2008 Verso
¤1,400 - ¤2,000 126
127 Liam Jones
THE TWELVE BENS, CONNEMARA Oil on Canvas 19.75”x29.5” (50.5x74.5cm) Signed
¤700 - ¤900 127
63 DOLAN’S
128
Sian Maguire 128 Sian Maguire 129 Maurice C Wilks RUA ARHA b.1965 1910 - 1984 Sian Maguire lives and works in Italy but has an instinctive feeling THE TWELVE BENS, FROM CALM MORNING, KYLEMORE, for the atmospheric tones and INISHNEE CONNEMARA colours of Connemara, spending Oil on Canvas Oil on Canvas Board each summer in the West of Ireland 15.5”x23.25” (39x59cm) 11.75”x15.75” (30x40cm) since the 1960’s. Following in her Signed & Dated (20)14 Signed father’s footsteps, Sian Maguire has Signed & Inscribed Verso Inscribed Verso established herself as an up and coming Irish artist. ¤900 - ¤1,200 ¤900 - ¤1,200
130 Bridget Ryan 131 Bridget Ryan
FARM ON THE HILL PATCHWORK FIELDS, Oil on Board CONNEMARA Bridget Ryan 15.75”x18.5” (40x47cm) Oil on Canvas Board Signed 12.5”x15.5” (31.5x39cm) Signed Bridget Ryan was born and raised ¤400 - ¤600 in the Connemara village of ¤400 - ¤600 Cornamona on the northern shores of Lough Corrib. She is intrigued 132 Bridget Ryan by the abandoned farmhouses that 133 Bridget Ryan surround her in Galway and Mayo. RED SHEDS, CONNEMARA Many of these have survived since Oil on Canvas FARMYARD famine times and she is inspired 16”x20” (40.5x50.5cm) Oil on Board by their thick stone walls and their Signed 15.5”x18.5” (39.5x47cm) simple solid structure. From such Signed desolation, Bridie, in a bold and ¤400 - ¤600 primitive style, captures a sense of ¤400 - ¤600 mystery, and portrays a beauty in these abandoned structures. 64 7th AUGUST 2017
129
130 131
132 133
65 DOLAN’S
134 Norman J McCaig 140 Jerry Marjoram 1929 - 2001 b.1936
ROUNDSTONE COTTAGES IN THE HARBOUR WEST Oil on Canvas Board Oil on Canvas 11.5”x15.5” 9.5”x13” (29.5x39.5cm) (24.5x34.5”cm) Signed Signed ¤900 - ¤1,200 In Attractive Gilt Frame 135 Fergal Nally ¤350 - ¤450
EVENING SKY, DUN 140A Jerry Marjoram LAOGHAIRE b.1936 Oil on Canvas 11.5”x15.5” CONNEMARA BOG (29.5x39.5cm) STREAM Signed Oil on Canvas ¤400 - ¤600 9.5”x13.5” 134 (24.5x34.5cm) 136 Albert W Ayling Signed d. 1905 ¤350 - ¤450 COTTAGES BY THE SEA 141 Interesting Oil Study Watercolour 12.75”x16.75” RETURNING HOME (32x42.5cm) Oil on Canvas Board Signed 8.5”x13” (22x33cm) ¤150 - ¤250 Signed ¤250 - ¤350 137 Patrick Cowley
SALMON FISHING, 142 Allen Gwynne Jones LORD MAYO’S RA POOL 1892 - 1982 Oil on Canvas 13.25”x17.25” CONNEMARA, THE (34x44cm) TWELVE BENS 135 Signed Oil on Panel ¤400 - ¤500 10.25”x14”(26x36cm) Signed 138 Fergus O’Ryan RHA ¤200 - ¤300 1911 - 1989 142A J A Riddell THE OX THAT TREADS THE CORN COTTAGE WITH Oil on Board HENS 10”x13” (25x33cm) Oil on Board Signed & Inscribed 8.75”x12.25” ¤500 - ¤800 (22x31cm) Signed 139 Gregory Moore ¤140 - ¤180
THE PIEBALD 142B William Redworth PS Oil on Board b.1873 8.5”x11.25” (21.5x28.5cm) RIVER LANDSCAPE Signed Pastel ¤280 - ¤350 19.25”x15.25” 136 Signed Twice ¤140 - ¤180
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137 138
139 140
140A 141
142 142A
67 DOLAN’S
143
143
144 145
143 After Jack B Yeats RHA THE STRAND RACES, THE START & THE FINISH Pair of Hand Coloured Prints, Circa 1906 Each approx 5”x17” (12.5x43cm)
The Start and The Finish are original illustrations used by Yeats’ sisters, Lily and Lolly, for their Arts and Crafts enterprise, the Cuala Press. Typical of Yeats’ work at the time, they adopt an elongated format, a strong outline and celebrate life in the West of Ireland with characteristic humour. The designs were issued as a line-block print, handcoloured by Yeats himself or by one of the craftswomen, at the Cuala Press. They proved very popular and issued as individual prints, Christmas cards and calendars. ‘The simplicity of the drawing is influenced by the Arts and Crafts movement. The unpretentious style was very influential on Irish visual culture and the portrayal of rural Ireland in the early 20th century’ (Dr. Roisin Kennedy, February 2013). 146 146 ¤600 - ¤800 68 7th AUGUST 2017
144 After Jack B Yeats RHA LIFE IN THE WEST OF IRELAND, A JAPANESE TOY IN MAYO & THE CIRCUS POSTER Pair of Coloured Prints Each Approx 6”x4” (15x9.5cm) ¤150 - ¤200
145 Patricia Murray COTTAGES IN THE LANDSCAPE Mixed Media 12.5”x18.75” (31.5x47.5cm) Signed ¤150 - ¤250
146 Markey Robinson 147 1918 - 1999 CIRCUS CLOWNS Pair of Mixed Media 10.75”x6” (27.5x15.5cm) + Similar Both Signed ¤800 - ¤1,000
147 Markey Robinson 1918 - 1999 SHAWLIES BY MOONLIGHT Oil and Mixed Media 8.5”x14.5” (21.5x37cm) Signed ¤1,800 - ¤2,200 148 148 Markey Robinson 1918 - 1999 GALWAY HOOKER, APPROACHING HARBOUR Mixed Media 4.75”x10.25” (12.5x26.5cm) ¤500 - ¤800
149 Markey Robinson 1918 - 1999 COASTAL LIGHT & BEACH Mixed Media 6.5”x12.5” (16.5x32cm) Signed ¤500 - ¤800
150 Markey Robinson Volume, 149 Maverick Spirit, by Michael Mulreaney, with all faults [1 vol] ¤30 - ¤40
150A Harry Kernoff RHA 1900 - 1974 THE MUSIC BOX Woodcut Print 7.5”x5.75” (19x15cm) Signed by the Artist ¤80 -¤100
150 150A
69 DOLAN’S
151 Mark O’Neill 151 Mark O’Neill b.1963 Mark O’Neill was born in 1963 and lived in Mauritius, South Africa and Malta before he settled in London. He studied at the Kingston College of Art and graduated with first FLORAL ABUNDANCE class honours in Fine Art. He became an illustrator and worked for many companies such Oil on Board as Harrods, Guinness and Warner Brothers. He subsequently moved to Ireland in 1988 26.25”x17.25” (66.5x43.5cm) and established himself as an artist of outstanding ability, with many successful sellout Signed & Dated exhibitions. His success is richly deserved. Signed & Inscribed Verso ¤4,000 - ¤5,000 70 7th AUGUST 2017
152
153 152 Mark O’Neill 153 Mark O’Neill b.1963 b.1963
DOWERY HOUSE PINK DOWERY HOUSE WHITE Oil on Board Oil on Board 10”x17” (26x43.5cm) 10”x17” (26x43.5cm) Signed & Dated Signed & Dated Signed & Inscribed Verso Signed & Inscribed Verso
¤1,800 - ¤2,500 ¤1,800 - ¤2,500 71 DOLAN’S
154 155
156 157
154 Arthur K Maderson 155 Arthur K Maderson 156 Arthur K Maderson 157 Arthur K Maderson b.1942 b.1942 b.1942 b.1942
DISTANT THUNDER LISMORE RIVER SUMMER BATHERS, DISTANT BATHERS, Oil on Board POOL, WAIST DEEP LISMORE POOL ON THE RIVER VIS 16”x14” (41x36cm) AT SUNSET Oil on Canvas Board Oil on Board Signed Oil on Board 12.5”x11.75” 10.25”x10.25” Signed & Inscribed 14.25”x14.25” (31.5x30cm) (26x26cm) Verso (36.5x36.5cm) Signed Signed Signed Signed & Inscribed Signed & Inscribed ¤1,400 - ¤1,600 Signed & Inscribed Verso Verso Verso ¤1,000 - ¤1,400 ¤1,200 - ¤1,400 ¤1,400 - ¤1,600
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158
Arthur K Maderson
Born in 1942 in London, Arthur Maderson studied Fine Art from 1959 to 1963 at Camberwell School of Art, London, where in 1963 he won the Anna Berry Award in open competition with graduates from all leading art schools in England. Although Maderson continued to paint on a regular basis, it was only in 1982, at the age of 40 that he felt sufficiently confident to exhibit. From this period, he has enjoyed considerable success, and this 158 Arthur K Maderson success has been replicated in Ireland, where his reputation as a painter b.1942 of distinction and passion is firmly established. He works at a frantic pace with dedication, determination and unflagging vigour, and now FARMER, TALLOW HORSE FAIR divides his time between his home in Ireland and a small hamlet high in Mixed Media a largely unpopulated mountainous region of the Cevenne, in the South of 45.5”x30.25” (115.5x77cm) France. Arthur Maderson has exhibited at the Royal Hibernian Academy, Signed The Royal West of England Academy and the Royal Academy and he has Signed & Inscribed Verso represented Ireland in many prestigious exhibitions. Arthur Maderson is an outstanding artist of his generation. ¤3,000 - ¤4,000
73 DOLAN’S
74 7th AUGUST 2017
158A
158A George Russel, AE 1867 - 1935
GIRLS IN THE WOODS, AT RAHEEN Oil on Canvas 20.5”x31.75” (52x80.5cm) Signed AE Provenance Jorgensen Fine Art
¤10,000 - ¤12,000
75 DOLAN’S
Sean Keating 1889 - 1978
Born in Limerick, Sean Keating studied drawing at Limerick Technical School. He won a scholarship in 1911 to the Dublin Metropolitan School of Art where he studied under Sir William Orpen. In 1914 he won the Taylor scholarship and went to visit the Aran Islands with his friend Harry Clarke. It was a turning point in his career as the islands and their inhabitants were to become the subjects of many of his paintings and drawings. In 1915 he succeeded in showing three of his paintings at the RHA and was elected an associate in 1919 and a full member in 1923. In 1919 he also began to teach at the Dublin Metropolitan School of Art. He was represented at the Royal Academy in 1924 and continued to exhibit there for the next thirty years. He represented Ireland at the New York World’s Fair in 1939. At home, Keating exhibited in the important exhibitions of his day, including the Victor Waddington Gallery in Dublin, the Hendriks Gallery, the Oireachtas, etc, He resigned from the presidency of the RHA in 1962 and the following year a retrospective exhibition was held at the Municipal Gallery of Modern Art, opened by President De Valera. As an artist and a teacher he always took a firm stand on the side of traditional painting and was outspoken in his rejection of the modern movement. This strong and distinctive charcoal drawing presents a range of powerful characters, with strongly portrayed facial expressions and gestures and such work in charcoal and gouache is typical of the artists style in the 1960’s. A David Hendriks Gallery Label appears on this work. Keating had a successful one-man show in the Ritchie Hendriks Gallery on St Stephen’s Green in December 1956, the gallery subsequently becoming the David Hendriks Gallery in 1969, which likely helps us date this work to the late 1960’s. This strong and thought-provoking work portrays most likely West of Ireland men. Interested in symbolic themes, Keating frequently portrayed individual characters with strong lines and attention to detail. Much of his work is associated with the period of the foundation of the State and he is widely regarded as one of the most significant Irish artists of the 20th century.
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159
159 Seán Keating PRHA HRA HRSA 1889-1977
NA FIR ÓN OILÉAN Charcoal Drawing 21.5”x29.25” (54.5x74.5cm) Signed
Original David Hendriks Gallery Label Verso
¤14,000 - ¤18,000
77 DOLAN’S
160 Patrick Hennessy RHA 1915-1980
JOSEPHINE BRUCE ROSES Oil on Canvas 19.25”x15.25” (49x38.5cm) Signed
Provenance, Ritchie Henriks Gallery Dublin, Original Label Verso, Dated November 1966
¤9,000 - ¤12,000
78 7th AUGUST 2017
160
79 DOLAN’S
Kenneth Webb RWA FRSA RUA b.1927
Established with an international reputation and represented worldwide, Kenneth Webb is now 90 years of age. He has painted all of his life and has produced an outstanding body of work. Born in London, Webb came to the Ulster College of Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his works, there is real sense of place, a sense of the most subtle aspects of Ireland’s magical and mysterious landscape fused with sensuality and colour.
80 7th AUGUST 2017
161
161 Kenneth Webb RWA FRSA ARUA b.1927
SWEETPEA IN BLOOM Oil on Canvas 19.5”x23.75” (50x60cm) Signed
¤8,000 - ¤10,000
81 DOLAN’S
Kenneth Webb RWA FRSA RUA b.1927
Established with an international reputation and represented worldwide, Kenneth Webb is now 90 years of age. He has painted all of his life and has produced an outstanding body of work. Born in London, Webb came to the Ulster College of Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his works, there is real sense of place, a sense of the most subtle aspects of Ireland’s magical and mysterious landscape fused with sensuality and colour.
82 7th AUGUST 2017
162
162 Kenneth Webb RWA FRSA ARUA b.1927
BOG FLOWERS & POOLS Oil on Canvas 20”x16” (51x40.5cm) Signed
¤6,000 - ¤8,000
83 DOLAN’S
163
163 Philippe Grisel (French) 1930-1998
FLOWER STUDY Oil on Canvas 21.25”x12.5” (54x32cm) Signed & Dated (19)62 Signed & Dated Verso. Ritchie Hendriks Gallery Label Verso
¤1,200 - ¤1,500
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164
Norah McGuinness HRHA 164 Norah McGuiness HRHA 1901 - 1980 1901 - 1980
Norah McGuinness trained at the Dublin Metropolitan School of Art and HARBOUR WITH FISHERMEN & at Chelsea in London, before spending the 1920s working in Dublin as BOATS (Possibly Cobh) a book illustrator and stage designer. In 1929 she followed the advice of Mixed Media Mainie Jellett and travelled to Paris to work at the studio of André Lhote. 14.75”x21.75” (37.5x55.5cm) From there she moved to London where she was a member of the avant- Signed garde London Group, and from 1937-39 she lived in New York. After New York, she returned to Ireland, settling in Dublin, concentrating on her ¤6,000 - ¤8,000 painting. Although her work remained figurative, she painted vivid, highly coloured landscapes, and her work shows the cubist influence of Lhote. She was associated with the modern movement in Ireland and helped found the Irish Exhibition of Living Art in 1943, becoming its president in 1944 after the death of Mainie Jellett. With Nano Reid she represented Ireland in the 1950 Venice Biennale, and was elected an honorary member of the Royal Hibernian Academy in 1957, but later resigned. There was a retrospective of her work in the Douglas Hyde Gallery, Trinity College Dublin in 1968 and in 1973 the College awarded her an honorary doctorate. Her work is included in the collections of the National Gallery of Ireland, the Irish Museum of Modern Art, the Hugh Lane Municipal Gallery and the National Library of Ireland, together with private and corporate collections worldwide.
85 DOLAN’S
165 166
167 168 169
170 171
86 7th AUGUST 2017
165 Mat Grogan b.1947
DAFFODILS Oil on Canvas Board 4.75”x6.75” (12x17cm) Signed
¤380 - ¤450
166 Mat Grogan b.1947
DAFFODILS IN A GLASS VASE Oil on Canvas Board 6.75”x4.75” (17.5x12cm) Signed
¤380 - ¤450
167 Mat Grogan b.1947
SCULLERY BLOSSOMS Oil on Canvas Board 6.75”x4.75” (17.5x12cm) Signed
¤380 - ¤450
168 Mat Grogan b.1947
SUMMER ROSE Oil on Board 6.75”x4.75” (17.5x12cm) Signed
¤380 - ¤450 172
169 Mat Grogan 170 Mat Grogan 171 Mat Grogan 172 Thomas Ryan PRHA b.1947 b.1947 b.1947 b.1929
WILD FLOWERS STILL LIFE WITH PEARS BLACK GRAPES & WASHERWOMAN WITH FUSCHIA AND STRAWBERRIES ORANGES Oil on Canvas Board Oil on Canvas Board Oil on Board Oil on Board 19.75”x15.75” (50x40cm) 6.75”x4.75” 4.75”x6.75” (12x17cm) 4.75”x6.75” (12x17cm) Signed (17.5x12cm) Signed Signed Signed & Inscribed & Signed Dated 1958 Verso ¤380 - ¤450 ¤380 - ¤450 ¤380 - ¤450 ¤3,500 - ¤4500 Tom Ryan PRHA
President of the Limerick Arts Society and former President of the Royal Hibernian Academy from 1982 to 1992, Tom Ryan is a most accomplished artist, whose work is included in public and private collections world wide. He is truly an artist of substance and has produced many very significant historical works, as well as important portraits of the great and good of Irish life. It is no surprise that he was recently conferred with the Freedom of the City of Limerick, an honour richly deserved.
87 DOLAN’S
173 Frank McKelvey RHA RUA 1895 - 1974
THE LAST LOAD Watercolour 9.75”x13” (24.5x33cm) Signed
¤1,000 - ¤1,500
173
174 John Robert Keitley Duff RE RI 1862 - 1938
FARMYARD WITH SHEEP Watercolour 14.25”x20.75” (36x52.5cm) Signed In Original Ornate Gilt Frame
¤500 - ¤800 174
175 Tom Nisbet RHA 1909 - 2001
SUMMER MEADOWS Watercolour 10.5”x14.5” (26.5x36.5cm) Signed Signed & Inscribed Verso. Exhibited at RHA Exhibition 1979
¤300 - ¤400 175
88 7th AUGUST 2017
176
176 Helen O’Hara 1846 - 1920
LISMORE CASTLE, CO WATERFORD Watercolour 13.5”x20” (34.5x51cm) Signed with initials Provenance: William Rodman & Co, Belfast. Original Label Verso. In its original 19th Century Gilt Frame
¤2,500 - ¤3,500
89 DOLAN’S
177 177 John Charles Dollman RI ROI RWS 1851 - 1934
BORROWED PLUMES Watercolour 10”x14.5” (25.5x37cm) Signed Dated 1913, with various inscriptions verso, Knightsbridge label
¤1,000 - ¤1,500
178 Hans Iten RUA 1874 - 1930
BLUEBELL WOODS Oil on Board 5.75”x8.25” (14.5x21cm) Signed With another painting of a Swan verso
¤1,200 - ¤1,500 178
90 7th AUGUST 2017
179
179 Lilian B Swan Exh 1919-1921
OLD WORK HORSES Watercolour 180 14.75”x21.25” (37.5x54cm) Signed
¤1,400 - ¤1,800
180 DW Dutton, Wooden model of Charington’s Coal & Coke Merchants Horse Drawn Wagon on Plinth, approx 23.5” long, 11” high
¤140 - ¤180
181 Interesting Model Steam Ship, approx 36” long
¤240 - ¤300
181
91 DOLAN’S
182 Arthur K Maderson b.1942
EVENING LIGHT, TALLOW HORSE FAIR Oil on Board 14.25”x14.25” (36x36cm) Signed & Inscribed Verso
¤1,000 - ¤1,200
183 Manus Walsh b.1940
DISTANT ISLE, BURREN SHORE Acrylic 13.5”x13.25” (34x33.5cm) Signed
¤450 - ¤650
184 Arthur K Maderson b.1942
EVENING COAST, CLONEA Oil on Board 6.76”x6.75” (17x17cm) 182 Signed with Initials Signed & Inscribed Verso
¤750 - ¤1,000
184A Alfred Grey RHA 1845-1926
HIGHLAND COWS Pair of Watercolours Each 9.5”x11.5” (24x29cm) Both Signed Inscribed Verso
¤300 - ¤350
183 184
92 7th AUGUST 2017
185 185 Henry Morgan b.1952
A WOODLAND STREAM Oil on Canvas 23.5”x31.5” (60x80cm) Signed & Dated
¤1,200 - ¤1,500
186 Henry Morgan b.1952
SUNLIGHT THROUGH THE WOODS Oil on Canvas 11.5”x15.5” (29x39.5cm) Signed & Dated
¤500 - ¤800 186
93 DOLAN’S
187
187 Mark O'Neill b.1963
GENTLE LADY Oil on Board 10.5"x14.5" (26.5x36.5cm) Signed & Dated Signed, Inscribed & Dated Verso
¤1,400 - ¤2,000
94 7th AUGUST 2017
188
188 Mark O’Neill Mark O’Neill b.1963 Mark O’Neill was born in 1963 and lived in THE YARD INSPECTOR Mauritius, South Africa and Malta before he Oil on Board settled in London. He studied at the Kingston 12.25”x19.25” (31x48.5cm) College of Art and graduated with first class Signed & Dated 2008 honours in Fine Art. He became an illustrator Signed, Inscribed & Dated Verso. and worked for many companies such as Exhibited Mark O’Neill Exhibition, Harrods, Guinness and Warner Brothers. He Adam’s December 2008 subsequently moved to Ireland in 1988 and established himself as an artist of outstanding ¤3,000 - ¤4,000 ability, with many successful sellout exhibitions. His success is richly deserved.
95 DOLAN’S
189
189 Mark O’Neill b.1963
SHOW DAY, TINAHELY Oil on Board 16”x22” (41x56cm) Signed & Dated Signed & Inscribed Verso
¤3,000 - ¤4,000
96 7th AUGUST 2017
190
191
190 Mark O’Neill 191 Mark O’Neill b.1963 b.1963
MILLHOUSE MIST QUENCHING THE THIRST Oil on Board Oil on Board 7.5”x13.5” (19x34cm) 11”x17” (28x43.5cm) Signed & Dated Signed & Dated Signed & Inscribed Verso Signed & Inscribed Verso
¤1,000 - -¤1,400 ¤1,400 - ¤2,200
97 DOLAN’S
192
193 194
192 Arthur Twells RUA 193 Susan Mary Webb 194 Joseph William Carey 1921-1996 b.1962 ERIFF VALLEY, CONNEMARA ATLANTIC COAST SAVING THE TURF, Watercolour Oil on Canvas CONNEMARA 7”x8.5” (17.5x22cm) 23.5”x35.25” (59.5x89.5cm) Oil on Canvas Signed & Inscribed with Title Signed 15.5”x19.5” (39.5x49.5cm) Original John Magee Label Verso Signed & Dated (19)87 ¤700 - ¤800 ¤400 - ¤500 ¤550 - ¤750
98 7th AUGUST 2017
195
196 197 195 Norman McCaig 196 William Jackson 197 Continental School 1929 - 2001 THE BLUE HILLS CONTINENTAL RIVER & REFLECTIONS ON THE RIVER Oil on Canvas Board VILLAGE BARROW 15”x19” (38.5x48.5cm) Pastel Oil on Canvas Board Signed 17.75”x21.5” (45x54.5cm) 17.5"x21.5" (44.5x54.5cm) Signed Signed ¤500 - ¤750 Inscribed Verso ¤400 - ¤500
¤800 - ¤1,200 99 DOLAN’S
198
199 200
198 Fergus O’Ryan RHA 199 Douglas Alexander 200 Norman McCaig 1911-1989 1871 - 1945 EVENING, ROUNDSTONE AVONMORE RIVER, NEAR AVOCA NEAR OUGHTERARD HARBOUR Oil on Board Watercolour Oil on Canvas 11.5”x15.5” (29x39cm) 10”x14.25” (25.5x36cm) 11.5”x15.5” (29x39cm) Signed Signed Signed Original Artist’s Label Verso, Signed Original frame, Victor & Inscribed Waddington Galleries label verso ¤600 - ¤800
¤750 - ¤850 ¤300 - ¤400
100 7th AUGUST 2017
201 Norman J McCaig 1929 - 2001
SAVING THE TURF Oil on Canvas Board 15.5”x19” (39x48.5cm) Signed 201 ¤600 - ¤800
202 Douglas Hutton b.1950
GORTEEN BEACH, ROUNDSTONE Acrylic on Canvas 31.5”x39.5” (80x100cm) Signed with Initials Signed & Inscribed Verso
¤600 - ¤800
203 Sara Sue McNeill
TWELVE BENS CONNEMARA Oil on Canvas 14.75”x35.75” (37.5x90.5cm) Signed 202
¤400 -¤600
203A Susan Mary Webb b.1962
IN CONNEMARA Oil on Canvas 14.75”x30.5” (37.5x78cm) Signed & Dated (19)81 203
¤300 -¤400
203B Joseph Kronheim
THE FAVOURITE PIDGEON & MEETING AT THE WELL Pair of 19th Cent. Colour Engravings
¤150 -¤250
203A
101 DOLAN’S
204
205
204 Robert Egginton 205 Robert Egginton b.1943 b.1943
PORTHCORNO BAY TWELVE BENS, FOM MASON ISLAND Watercolour Watercolour 14.5”x21.5” (37x54.5cm) 14.5”x21.5” (37x54.5cm) Signed Signed
¤600 - ¤800 ¤600 - ¤800
102 7th AUGUST 2017
206
207
206 Robert Egginton 207 Robert Egginton b.1943 b.1943
OLD BRIDGE, KYLEMORE ERRISBEG & LANDSCAPE FROM Watercolour BALLYCONNEELY 14.5”x21.5” (37x54.5cm) Watercolour Signed 13.75”x19.75” (35x50cm) Signed ¤600 - ¤800 ¤600 - ¤800
103 DOLAN’S
208 208 Rosemary Carr ROI 213 Rosemary Carr ROI THE TWELEVE BENS FROM SUNLIGHT THROUGH ROUNDSTONE BOG THE CLOUDS, DOGS BAY, Oil on Panel ROUNDSTONE 13.75”x23.75” (35x60cm) Oil on Panel Signed & Dated 8.75”x11.5” (22.5x29cm) ¤400 - ¤600 Signed & Dated ¤350 - ¤500 209 Rosemary Carr ROI NOVEMBER SUNLIGHT, 214 Rosemary Carr ROI CLOONISLE BLUE AND GREEN IN THE Oil on Panel SEA ON A MID-SUMMER DAY, 11.5”x8.75” (29x22cm) MANIN BAY Signed & Dated Oil on Panel ¤350 - ¤500 8.75”x11.5” (22.5x29cm) Signed & Dated 210 Rosemary Carr ROI ¤350 - ¤500 MORNING REFLECTED ON THE EBBING TIDE, CASHEL 215 Rosemary Carr ROI BAY APRIL IN THE HILLS, Oil on Panel GLENCOAGHAN 209 8.75”x11.5” (22.5x29cm) Oil on Panel Signed & Dated 8.75”x11.5” (22.5x29cm) Original Artists Label Verso Signed & Dated ¤350 - ¤500 ¤350 - ¤500 Rosemary Carr ROI 211 Rosemary Carr ROI 216 Rosemary Carr ROI Rosemary Carr has been painting in MONTBRETSIA BY MANIN VIEW TO THE BENS FROM Ireland since 1965, and since 1989 has BAY THE SHORE AT INNISH been a full time member of the Royal Oil on Panel LACKEN Institute of Oil Painters. She has exhibited 8.75”x11.5” (22.5x29cm) (IN THE RAIN) in London and Dublin, including the Royal Signed & Dated Oil on Panel Hibernian Academy, and of course in Original Artists Label Verso 8.75”x11.5” (22.5x29cm) Connemara, where she lives. She always ¤350 - ¤500 Signed & Dated paints in the open air, and her use of paint ¤350 - ¤500 and her palette knife work is exquisite. She 212 Rosemary Carr ROI captures the light and colour and mood of EBBING TIDE, ROUNDSTONE 217 Rosemary Carr ROI Connemara through each season, choosing HARBOUR (AFTER THE GREEN SEA ON A GREY DAY, her titles in a careful and considered REGATTA) CORAL STRAND, MANIN BAY manner. Oil on Panel Oil on Panel 8.75”x11.5” (22.5x29cm) 8.75”x11.5” (22.5x29cm) Signed & Dated Signed & Dated ¤350 - ¤500 ¤350 - ¤500 104 7th AUGUST 2017
210 211
212 213
214 215
216 217
105 DOLAN’S
218
Ivan Sutton 218 Ivan Sutton b.1944 Ivan Sutton portrays life in contemporary Ireland with strong use of the palette knife and GALWAY HOOKERS, great emphasis on the coastal landscape. He has RUNNING THE WIND OFF exhibited widely across the country for many ROUNDSTONE years and fine examples of his work are to be Oil on Canvas Board seen in the 2004 publication ‘Sutton at Sixty’. 19.5”x29.5” (49.5x75cm) Signed Signed & Inscribed Verso
¤1,200 - ¤1,500
106 7th AUGUST 2017
219
219 Ivan Sutton b.1944
GALWAY HOOKERS, THE CLADDAGH Oil on Canvas Board 19.5”x29.5” (49.5x75cm) Signed Signed & Inscribed Verso
¤1,200 - ¤1,500
107 DOLAN’S
220 221
222 223 220 Norman Teeling 221 Norman Teeling 222 Norman Teeling 223 Norman Teeling b.1944 b.1944 b.1944 b.1944 GRAFTON STREET O’CONNELL STREET NELSON’S PILLAR & COLLEGE GREEN, Oil on Board & GPO GPO DUBLIN 29.5”x23.5” Oil on Board Oil on Board Oil on Canvas (74.5x59.5cm) 19.5”x23.5” 19.5”x23.5” 15.75”x15.75” Signed (49.5x59.5cm) (49.5x59.5cm) (40x40cm) Signed Signed Signed ¤700 - ¤850 ¤600 - ¤800 ¤550 - ¤750 ¤550 - ¤750 Norman Teeling
Dubliner Norman Teeling graduated from the National College of Art and Design in the early 1960’s and is well known for his commissioned series of paintings depicting the 1916 Easter Rising, which now hang in the GPO on O’Connell Street, Dublin. In addition to painting, Teeling also works as a film animator and illustrator. He has had numerous exhibitions of his work, including his one man show’s in Dublin’s Prestigious Gorry Gallery.
108 7th AUGUST 2017
224
225 226 224 Robert Taylor Carson HRUA 225 Mat Grogan 226 James Cahill 1919 - 2008 b.1947 b.1956 MARYS KITCHEN JAPANESE VASE & FRUIT IRISH EYES Oil on Canvas Oil on Board Oil on Canvas Board 24.25”x29.25” (61.5x74.5cm) 13.5”x11.5” (34x29cm) 12”x10” (30.5x25cm) Signed Signed Signed Signed & Inscribed Verso and Dated August 1975 ¤1,000 - ¤1,200 ¤750 - ¤900
¤2,500 - ¤3,500
109 DOLAN’S
228
227
229 230
231
232
234
233
110 IMPERFECTIONS NOT STATED 7th AUGUST 2017
227 1930’s Walnut Veneered 233 Victorian Mahogany Square Cylinder Bureau, Footstool, fitted with frieze drawers, tapestry top, raised on kneehold recess and raised cabriole legs, approx 21” x on cabriole legs terminating 21” and two other smaller in pad feet, approx 28.25” matching stools wide, 39” high ¤250 - ¤350 ¤500 - ¤700 234 Long Queen Anne Style 228 Good Settee, Dressing Stool, with rollover arms and loose approx 41” long cushions, approx 71” long ¤150 - ¤250 ¤750 - ¤850 235 Mahogany Gainsborough 229 Matching Settee, Style Armchair, also with rollover arms and with deep buttoned red loose cushions, approx 90.5” leather upholstery long ¤750 - ¤850 235 ¤750 - ¤850 236 A Late Victorian Chaise 230 George III Mahogany Toilet Longue, Mirror, upholstered in green, shield shaped, with with exposed carved and bowfronted base, fitted with moulded showframe, frieze drawers and raised on raised on short turned legs bracket feet, terminating in castors, approx 18” wide approx 73” long ¤350 - ¤450 ¤400 - ¤600 236
231 George III Mahogany Dining 237 Oak Panelled Settle, Table, with solid seat and drawer comprising pair of D ends, to base, approx 36.25” wide, centre section and 2 leaves, 38” high all raised on tapered legs of ¤600 - ¤800 square section, terminating in spade feet, 238 A Bronze Figure of a Fish, approx 106” long, 44.5” wide approx 10.25” long ¤1,000 - ¤1,500 ¤50 - ¤80
232 Attractive Victorian Brass 239 Eastern Style Vase with Birds Fender, and Flowers, approx 24” high approx 49.5” wide ¤100 - ¤200 ¤100 - ¤150 237
238
239
240 Good 19th Century Mahogany Sideboard, with two deep drawers, one fitted for wine, between a long central drawer, raised on sqaure tapering legs, approx 65” wide, 18” deep ¤500 - ¤800 240
111 DOLAN’S
241
241
243 244 242
245
246
248 249
247
112 IMPERFECTIONS NOT STATED 7th AUGUST 2017
241 Pair of Window Seats, 250 George III Oak Four each with rollover end, Panelled Settle, with upholtered in cream silhouette arms, raised foliate patterened on cabriole front legs, material, approx 52” wide approx 72” wide, 42” high ¤600 - ¤800 ¤900 - ¤1,200
242 1930’s Green and Gilt 251 Edwardian Inlaid Painted Display Cabinet, Mahogany Music Cabinet, fitted with a series of with rear upstand and cupboards and drawers, part glazed and part approx 76” wide, 63.5” panelled door enclosing 250 high shelves, with plinth base ¤750- ¤1,000 and castors, approx 21” wide, 42” high 243 Pair of Tall Narrow Gilt ¤140 - ¤160 Framed Mirrors, with foliate pediments, approx 252 Queen Anne Style Walnut 7” wide, 48” high Bureau, with slope front ¤300 - ¤400 to fitted interior, with three frieze drawers and 244 Good 19th Century Burr raised on cabriole legs Walnut Wine Table, the terminating in pad feet, oval top with gadrooned approx 21” wide, 38.5” rim upon a barley twist high 252 baluster column and four ¤380 - ¤450 scrolled feet, the top approx 15.75"x22.5" 253 Late 19th/Early 20th ¤180 - ¤220 Century Mahogany Twin 251 Pillar Dining Table, 245 William IV Rosewood comprising a pair of D Breakfast Table, the ends, with leaf and raised circular tilt-top upon on turned pillars with a cylindrical column, three downswept legs, triform plateau and terminating in brass shaped ball feet, approx castors, approx 42” wide, 51" diameter 84” long with leaf ¤500 - ¤800 ¤300 - ¤500 253 246 Attractive French Oak 254 A George III Oak Crib, Dome Topped Chest with approx 37.5” long wrought iron strapwork, ¤250 - ¤350 the interior fitted with a candle box and drawers, 255 Attractive Wooden Chess approx 52" wide, 35" high Board with boxed set of ¤350 - ¤450 chess pieces, approx. 16.25” squared 247 Regency Mahogany Hall ¤80 - ¤100 Chair, in the manner of Gillows, raised on sabre 256 Pair of Interesting Ships legs in a Bottles, approx. 12" ¤160 - ¤180 long and smaller ¤150 - ¤200 254 248 George III Mahogany Drop Leaf Pad Foot Table, approx 48” long, 59” when extended ¤200 - ¤300 255 249 Victorian Mahogany Circular Stool, with stuffover top and swivel action ¤60 - ¤100 256 256
113 DOLAN’S
257
257 Good George III Oak Grandfather Longcase Clock, with thirty hour movement, with single pointer, marked “Bennitt”, the oak case inlaid with ebony and holly, approx 83” high
¤1,400 - ¤1,800
258 French Tortoiseshell and Pewter Inlaid Mantel Clock, 19th Century, approx 13.5” wide, 22” high
¤800 - ¤1,200
259 Walnut Vienna Clock, 19th Century, approx 52” high
¤300 - ¤500
260 Brass Mantel Clock, 257 19th Century, approx 10.5” wide, 12” high
¤150 - ¤200
114 IMPERFECTIONS NOT STATED 7th AUGUST 2017
258
260 259
115 DOLAN’S
261 Simeon Stafford
A painter of colourful, busy peopled scenes with the deceptively naïve style of L S Lowry, who became a friend and encouraged Stafford to paint while still a child. Born in 1956, in a small Cheshire town, Lowry became an inspiration to Stafford, and encouraged by this mentor, went on to study at Hyde College of Art. Having first exhibited his paintings as a child in his father’s greengrocers shop, by 1974 he was showing his work in London, including the Royal Academy Summer Exhibition. In addition to painting, Stafford has also composed piano and orchestral works and former British Prime Minister, Tony Blair and the Queen of England have examples of his work in their private collections.
261 Simeon Stafford 264 Michael Morris 267 John Kingerlee b.1956 b.1979 b.1936
FIRST SNOW NEW YORK CITY I FIGURE STUDY IN ABSTRACT Oil on Board Oil on Board Mixed Media 12”x29” (30x73cm) 23.25”x19.25” (59x49cm) 5.5”x3.75” (14.5x9.5cm) Signed & Dated Signed Signed with Kingerlee Ideogram Inscribed Verso and Dated ¤600 - ¤1,000 ¤1,200 - ¤1,600 ¤200 - ¤300 265 John Kingerlee 262 Rita Wobbe b.1936 268 Michael Morris FIGURE STUDY b.1979 FOREIGNER Mixed Media Mixed Media on Canvas 8”x5.5” (20.5x14cm) NEW YORK CITY II 39.25”x19.5” (99.5x49.5cm) Signed with Kingerlee Ideogram Oil on Board Signed, Inscribed & Dated 2015 and Dated 11.5”x9” (29x23cm) Verso Signed ¤280 - ¤350 ¤400 - ¤600 ¤400 - ¤600 266 John Kingerlee 263 Rita Wobbe b.1936 269 Mick Mulcahy b.1952 MAGDALENA HEAD IN ABSTRACT Mixed Media on Canvas Mixed Media FISHERMAN’S WINTER FIRE, 39.25”x19.5” (99.5x49.5cm) 6”x6” (15x15cm) INIS OIRR, 1989 Signed, Inscribed & Dated 2014 Signed with Kingerlee Ideogram Mixed Media Verso and Dated 22”x30” (56x76cm) Signed ¤400 - ¤600 ¤280 - ¤350 ¤300 - ¤500
116 7th AUGUST 2017
262 263 264
265 266 267
268 269
117 DOLAN’S
270
271 272
273 273A
118 7th AUGUST 2017
270 Elizabeth Cope b.1952 SNOWDROPS & ACONITES, FIRST SPRING FLOWERS Oil on Canvas 29.5”x39.5” (75x100cm) Signed ¤1,750 - ¤2,500
271 Modern School VENICE Oil on Canvas 19.5”x23.5” (50x59.5cm) Signed ¤150 - ¤250
272 Brian Ballard RUA b.1943 FACIAL STUDY & POPPIES Oil on Canvas 9.5”x7.5” (24.5x19cm) Signed & Dated ¤300 - ¤400
273 Margaret Irwin SALERNA DOLMEN, NEAR CLEGGAN Hand Coloured Artist’s Proof Print 14.5”x29.5” (36.5x75cm) Signed, Inscribed & date (19)85 Together with another smaller proof 274 print by the same hand of the Standing Stone at Cleggan ¤80 - ¤100
273A J P Rooney NIGHT HARBOUR Mixed Media 5.75”x11.75” (15x30cm) Signed ¤150 - ¤200
274 Dennis Gilbert b.1922 SUMMER DAYS Oil on Canvas 27.5”x27.5” (70x70cm) Signed ¤400 - ¤600
275 Dennis Gilbert b.1922 SUMMER PICNIC Oil on Canvas 27.5”x27.5” (70x70cm) Signed ¤400 - ¤600
276 Cyril Mulkerns NEAR ROUNDSTONE 275 Watercolour 10”x14” (25x35cm) Signed ¤40 - ¤60
119 DOLAN’S
278 277
280
281 279
283 282
285
284
287
286 288
289
120 IMPERFECTIONS NOT STATED 7th AUGUST 2017
290
277 Pair of Early Victorian 280 Pair of Georgian 283 Artists Box, containing 287 Mahogany Butlers Tray Mahogany Hall Chairs, Mahogany Side Chairs, a palette, trays & upon a folding stand, with shaped and each with drop in seat drawer etc, approx 20” approx 28” long carved backs, solid & needlework covers, wide ¤150 - ¤250 seats and raised on raised on tapered legs ¤180 - ¤220 turned front legs of square section 288 Cast Iron Doorstop of ¤300 - ¤350 ¤140 - ¤180 284 Collection of Ship’s Flowers, approx. 8.25” Menus, Ship’s Log high 278 Regency Mahogany 281 Victorian Brass Coal etc, from the Orient ¤25 - ¤35 Pembroke Table, Reciever, with loop Line SS Orsova, and in the manner of handle, & foliate a pewter half pint 289 Set of 6 Earthenware Gillows, with frieze embossed, approx 19” tankard with enamelled Garden/Avenue Balls or drawer and raised on high overall Orsova flag Spheres, each approx turned tapered reeded ¤200 - ¤250 ¤50 - ¤70 8” dianeter legs, approx 36.5” ¤80 - ¤120 long, 36” wide when 282 George III Mahogany 285 19th Century Brass extended Dressing Table Mirror, Umbrella or Stick 290 A Patchwork Quilt, ¤200 - ¤300 rectangular plate with Stand, with cast iron 19th Century, with breakfront base, fitted drip tray, approx 12” central mosaic block, 279 Brass and Copper Coal with a drawer and two wide, 24” high approx 90”x90”, Reciever, dummy drawers and ¤160 - ¤180 Originally purchased with looped handle, raised on short turned Christie’s, July 7th 1981 approx 20” high overall feet, approx 22” wide 286 Indian Rug, for £10 ¤100 - ¤200 ¤180 - ¤240 principal colours light ¤250 - ¤350 blue, pink and beige, approx 80”x48.5” ¤100 - ¤150
121 DOLAN’S
CONNEMARA
DAY 2 Tuesday 8th August 2017
12.30pm
122 8th AUGUST 2017
CONNEMARA
300 301
303
302
303 304 300 John Michael Nikolai 302 Ireland v France, Rugby 304 Ballinasloe Horse Fair, RAINY DAY PEOPLE International, Co Galway, 25th April 1957, Black Archival Print on Watercolour Lansdowne Road, 1971, Black & White Lensmen Photoprint, Paper & White Lensmen Photoprint, 8”x8” (20x20cm) 15”x22” (38.5x56cm) approx 5.5”x8.75” (14x22cm) ¤70 - ¤100 Signed ¤70 - ¤100 Signed & Inscribed Verso 304A Album of International Airliners, ¤150 - ¤250 303 Muhammad Ali v Al “Blue” Lewis, containing assorted John Player at Croke Park, 20th July 1972, and Cigarette Cards, together with 301 Interesting Signed Photoprint of another of a press conference the Ladybird Book of Motor Cars, Trinity College Dublin, in Dublin Airport. Pair of Black Published 1961 11.5”x17” & White Lensmen Photoprints, ¤10 - ¤20 ¤70 - ¤100 6.25”x9.25” & Similar ¤100 - ¤150 123 DOLAN’S
305 Set of Seven Hummel Figurines ¤80 - ¤100
306 Royal Doulton China Figures, Belle of the Ball, Reverie & Penelope, a set of 3, each approx 7” high [3] ¤80 - ¤100
307 3 China Figurines of Children, each with Meissen 305 marks, approx 5.5” high [3] ¤80 - ¤100
308 Pair of Porcelain Figures, of a Young Woman Standing & a Man Walking with Game, each approx 13” high [2] ¤80 - ¤100
309 Royal Doulton China Figures, 307 306 Southern Belle, Rachel, Michele, Lilac Time & Top o’ the Hill , a set of 5, each approx 7.5” high [5] ¤80 - ¤100
310 Royal Doulton China Figurine, A Lady From Williamsburg, approx 6” high, together with 5 smaller Doulton Figures of Girls [6] ¤60 - ¤80 308
309 311 Pair of Porcelain Figures, Girl with Milk Pails, Boy with Wicker Baskets, each approx 19.5” high [2]
¤80 - ¤100
312 A large Blue & White Meat Plate ¤50 - ¤100
310 311
124 IMPERFECTIONS NOT STATED 8th AUGUST 2017
313 A Wedgwood Floral Patterned China Dinner Service
¤60 - ¤80
314 Doulton Jug, decorated with figures, animals, trees & windmills, approx 6.5” high
¤60 - ¤80
315 A Royal Albert 313 China Tea Set, together with a non-matching China Teapot
¤60 - ¤80
316 Pair of China Dogs
¤40 - ¤60
317 Pair of Cut Glass Decanters, plus another [3] 314 315 ¤40 - ¤60
318 Far Eastern School, Framed Set of Eastern Figures in Fabric and Collage, Approx 10.75”x37.5” Overall
¤50 - ¤80
319 A Pair of Vintage 316 Book Ends, 317 with Scottish Terriers, Approx. 4.25” high ¤60 - ¤80
320 Silver Plated Toast Rack ¤30 - ¤50
318
125 DOLAN’S
321 Good Silver Tea Set, Sheffield 1930’s ¤100 - ¤200
322 Silver Hip Flask (Birmingham) & Silver Cigarette Box ¤60 - ¤80
323 Good Silver Plated Coffee Pot, embossed with Garlands, approx 9” high ¤50 - ¤80
324 Silver Sauce Boat, with serrated edge, approx 6.25” long, Birmingham 1970 ¤60 - ¤80
321 325 Late Victorian Silver Embossed Sugar & Cream (Birmingham) & a later Sheffield Silver Sugar Caster [2] ¤60 - ¤80
326 Silver Condiments, Salts with Spoons, Pepper, Mustards with Liners & Spoons, as a lot ¤40 - ¤60
327 Glass & Plated Condiment Set, approx 6.5” high, together with a plated Cream Jug ¤40 - ¤60
328 Good Silver Plated Toast Rack, together with a Plated Egg Cruet, with 4 Spoons (3 of the Spoons are Birmingham Silver) ¤60 - ¤80 322 329 Assorted Plate, Candelabra, Wine Coaster, Bon Bon Dish, etc ¤30 - ¤40
330 A Plated Candelabra, Bud Vase, Wine Coaster & Bon Bon Dish [4 ¤40 - ¤60
331 Silver Dressing Table Set (Birmingham), with Tray & Brushes, together with a mostly Silver Cased Manicure Set ¤50 - ¤60
332 Cased Set of 6 Butter Knives ¤15 - ¤25
323
126 IMPERFECTIONS NOT STATED 8th AUGUST 2017
324 325
326 327
328 329
330
331
127 DOLAN’S
333
334
333 Good Wool Rug, salmon ground, central panel of urn & Flowers, approx 147"x108"
¤200 - ¤300
334 An almost Circular Green Ground Rug, approx 51"x48" 335 ¤60 - ¤80
335 Iranian Carpet, in red, blue and beige, with centre rectangular panel, repeating line border and fringed ends, approx 117"x76"
¤600 - ¤800
336 Belgian Floor Rug on pink ground, 136"x95"
¤300 - ¤400
337 An Afghan Baluch Rug, Fringed, dark red and blue, approx 76"x40.5" 336 ¤400 - ¤500
338 Attractive Small Floor Rug on Beige Ground, approx. 64"x37.5"
¤60 - ¤80
339 Persian Kashan Runner, 112"x39"
¤240 - ¤280
340 Vintage Persian Heriz Carpet, 137"x95"
¤400 - ¤500 337
128 IMPERFECTIONS NOT STATED 8th AUGUST 2017
339
338 341 Keshan Navy Ground Rug, approx 89"x63"
¤280 - ¤350
342 Wool Rug, approx 68"x45"
¤30 - ¤50
343 Pair of Cuala Press Prints Nelsons Pillar and College Green. 340
¤80 - ¤120
344 Harry Kernoff Cuala Press Print the Rose Tree
¤60 - ¤80
345 Good Galvanised Log bucket/Planter with swing handle, approx 18” diameter
¤70 - ¤80
346 A Bigger Dolly/Dough Bin 341 ¤70 - ¤80
347 A Single Carver Chair
¤15 - ¤25
347A A Contemporary hand Coloured Print of Fish and Two Framed Maps of Connemara
¤30 - ¤50
347B Onrate Gilt Framed Mirror
¤30 - ¤50
347C Three Architectural Styled Finials
¤25 - ¤35 342
347D Ornate Boot Scraper
¤30 - ¤40
129 DOLAN’S
348 349
350 351 352
353 354
355
355
348 Royal Tara Partial China Dinner 350 Silver Sugar Bowl & Cream Jug, 353 Assorted Glasses, Service, Sheffield 1953, each approx 3.5” various sizes, as a lot assorted plates, bowls, cups, high ¤25 - ¤35 saucers, jugs & coffee pot ¤60 - ¤80 ¤60 - ¤100 354 Glass Flower Vase, 351 Two Silver Plated Entrée Dishes, approx 13” high, together with a 349 Silver Embossed Sugar Bowl 11.5” and 10.5” long respectively smaller similar vase, approx 5” (Birmingham), ¤60 - ¤80 high, and a somewhat similar together with a small Silver Bon Glass Fruit Bowl, approx 8.5” high Bon Dish (Birmingham), and a 352 Pair of Silver Plated Wine ¤30 - ¤50 pair of tiny Silver Salvers (Dublin Coasters, 1973), all approx 4” diameter 6.5” diameter 355 Large Coloured Ceramic Bowl, ¤60 - ¤80 ¤40 - ¤60 16.25” diameter, together with a Blue Glass Bowl, 15.5” diameter, and a Glazed Ceramic Vase, 10” high [3] ¤30 - ¤40 130 IMPERFECTIONS NOT STATED 8th AUGUST 2017
357
356
358 359
356 Douglas Hutton 357 Douglas Hutton 358 John Schwatschke 359 Douglas Hutton b.1950 b.1950 b.1943 b.1950
SUMMER FRUIT & BERTH AT OFF THE HOOK PORTRAIT WITH FLOWERS LETTERFRACK LIGHT STILL LIFE Acrylic on Canvas Acrylic on Board Oil on Canvas Oil on Canvas 19.25”x15.5” 16.25”x23” (41x58.5cm) 29.75”x39.75” 19.25”x15.5” (49x39.5cm) Signed with Initials (75.5x101cm) (49x39.5cm) Signed with Initials Signed & Inscribed Signed Signed with Initials Signed & Inscribed Verso Signed & Inscribed Signed & Inscribed Verso Verso Verso ¤400 - ¤500 ¤400 - ¤600 ¤500 - ¤700 ¤400 - ¤600
131 DOLAN’S
360 Russian School ARTISTS EN PLEIN AIR Oil on Canvas 35”x25.5” (89x64.5cm) Signed & Date 1990
¤350 - ¤450
361 Orla Egan THE OLD SCHOOL HOUSE Oil on Board 7.75”x9.75” (19.5x25cm) Signed
¤280 - ¤380
362 Thelma Mansfield BOGSCAPE AND COTTON Oil on Canvas Board 11.75”x15.5” (29.5x39.5cm) 360 Signed
¤300 - ¤400
363 Douglas Hutton b.1950 THE HORSE FAIR Oil on Canvas 19.25”x19.25” (49x49cm) Signed with Initials Signed & Inscribed Verso
¤600 - ¤800
364 Douglas Hutton b.1950 WHITE PONIES, ACHILL Oil on Canvas 9.75”x20” (25x50.5cm) Signed with Initials Signed & Inscribed Verso
¤350 - ¤450 361 365 Douglas Hutton b.1950 POINT TO POINT, ONE FROM HOME Acrylic on Board 15.5”x19.5” (39.5x49.5cm) Signed with Initials Signed and Inscribed Verso
¤450 - ¤750
365A Máire Creaven SUMMER LIGHT Oil on Canvas 14.75”x12.25” (37.5x31cm) Signed Together with a colour print of a Street Scene, after James Kay RSA
¤200 - ¤300
362
132 8th AUGUST 2017
363
364
365 365A
133 DOLAN’S
366
367 368
366 Ivan Sutton 367 Walter Verling HRHA 368 Denis Gallery b.1944 b.1930 THE ROAD TO ROUNDSTONE OLD HARBOUR, CLIFDEN SUMMER MEADOW Oil on Board Oil on Canvas Board Oil on Board 15.25”x11.25” (39x28.5cm) 19.5”x29.5” (49.5x75cm) 19.25”x23.25” (48.5x59.5cm) Signed Signed Signed Signed, Inscribed and Dated 1995 Verso ¤1,200 - ¤1,500 ¤500 - ¤700 ¤300 - ¤500 134 8th AUGUST 2017
369
370 369 George Gillespie RUA 370 Maurice C Wilks RUA ARHA 1910 - 1984 1924 - 1995 NEAR LETTERFRACK, CONNEMARA IN CONNEMARA Oil on Canvas Oil on Board 19.25”x29.25” (48.5x74.5cm) 11”x15.25” (27.5x39cm) Signed Signed Inscribed Verso ¤2,400 - ¤2,800 ¤2,200 - ¤2,600 135 DOLAN’S
371
371 Henry Morgan 372 Henry Morgan 373 Henry Morgan b.1952 b.1952 b.1952
AUTUMN WOODLAND STREAM I AUTUMN WOODLAND STREAM WOODLAND SHADOWS Oil on Canvas II Oil on Canvas 17.25”x23” (44x59cm) Oil on Canvas 7.75”x11.25” (19.5x28.5cm) Signed & Dated 17.25”x23” (44x59cm) Signed & Dated Signed & Dated ¤700 - ¤1,000 ¤400 - ¤500 ¤700 - ¤1,000
136 8th AUGUST 2017
372
373
137 DOLAN’S
374 375
376 377
374 Rosemary Carr ROI 375 Rosemary Carr ROI 376 Rosemary Carr ROI 377 Rosemary Carr ROI
MIDSUMMER, DOGS CATHEDRAL ROCKS DISTANT HILLS LIT VIEW TO CROAGH BAY, CONNEMARA IN THE RAIN, ACHILL BY EARLY SUNLIGHT, PATRICK ACROSS A Oil on Panel Oil on Panel FROM CORRAUN SUNLIT CLEW BAY, 8.75”x11.5” 8.75”x11.5” STRAND, ACHILL ACHILL (22.5x29cm) (22.5x29cm) Oil on Panel Oil on Panel Signed Signed & Dated 8.75”x11.5” 8.75”x11.5” Original Artists Label Original Artists Label (22.5x29cm) (22.5x29cm) Verso, exhibited ROI, Verso Signed & Dated Signed & Dated London, 2004 Original Artists Label Original Artists Label ¤350 - ¤500 Verso Verso ¤350 - ¤500 ¤350 - ¤500 ¤350 - ¤500
Rosemary Carr ROI
Rosemary Carr has been painting in Ireland since 1965, and since 1989 has been a full time member of the Royal Institute of Oil Painters. She has exhibited in London and Dublin, including the Royal Hibernian Academy, and of course in Connemara, where she lives. She always paints in the open air, and her use of paint and her palette knife work is exquisite. She captures the light and colour and mood of Connemara through each season, choosing her titles in a careful and considered manner.
138 8th AUGUST 2017
378
378 Rosemary Carr ROI
BRILLIANCE THROUGH THE CLOUDS, FROM THE START OF APRIL, BERTRABOY BAY Oil on Panel 8.75”x11.5” (22.5x29cm) Signed & Dated Original Artists Label Verso
¤350 - ¤500 379 379 Rosemary Carr ROI
WHOOPER SWANS IN THE RAIN, DERRYCLARE LOUGH Oil on Panel 8.75”x11.5” (22.5x29cm) Signed & Dated Original Artists Label Verso
¤350 - ¤500
380 Rosemary Carr ROI
EVENING SHAWDOWS, DOOLOUGH, DELPHI Oil on Panel 8.75”x11.5” (22.5x29cm) Signed Original Artists Label Verso
¤350 - ¤500 380
139 DOLAN’S
381 382
383 384
385 386
140 8th AUGUST 2017
381 Rosemary Carr ROI 386 Rosemary Carr ROI
CLOUDLESS FOR AMBERS & REDS THE 2nd JUNE, FOR THE START OF ROUNDSTONE BOG NOVEMBER, ON Oil on Panel GOWLA RIVER 8.75”x11.5” (22.5x29cm) Oil on Panel Signed & Dated 8.75”x11.5” (22.5x29cm) Original Artists Label Signed & Dated (20)07 Verso, exhibited ROI, Original Artists Label London, 2009 Verso
¤350 - ¤500 ¤350 - ¤500
382 Rosemary Carr ROI 387 Fergus O’Ryan RHA
MIST IN THE HILLS, THE SALMON POOL CASHEL Oil on Board 387 Oil on Panel 14.25”x18” (36x45.5cm) 8.75”x11.5” (22.5x29cm) Signed Signed & Dated Signed & Inscribed Original Artists Label Verso Verso ¤500 - ¤700 ¤350 - ¤500 388 Mary Perrin 383 Rosemary Carr ROI RETURNING HOME LEENANE, AT EBB-TIDE Watercolour and Oil on Panel Gouache 8.75”x11.5” (22.5x29cm) 10”x14” (25.5x35.5cm) Signed & Dated Signed Original Artists Label Verso ¤280 - ¤350 388
¤350 - ¤500 389 Tom Nisbet RHA 1909 - 2001 384 Rosemary Carr ROI WELLINGTON ROAD, DEEP BLUE IN SPRINGTIME THE EBBING TIDE, Watercolour ROUNDSTONE 10.5”x14.5” (27x37cm) HARBOUR Signed Oil on Panel 8.75”x11.5” (22.5x29cm) ¤200 - ¤300 Signed & Dated Original Artists Label 390 Ernest Marillier Verso COWS IN THE VILLAGE ¤350 - ¤500 MEADOW Watercolour 389 385 Rosemary Carr ROI 7”x10.5”(18x17cm) Signed BOG GRASS, GREEN IN MAY SUNLIGHT, ¤180 - ¤280 GOWLA RIVER Oil on Panel 390A Georg Mayer-Marton 8.75”x11.5” (22.5x29cm) (1897-1960) - Figure Signed & Dated Study of a Seated Female Original Artists Label Nude, Denham Gallery Verso, exhibited ROI, label verso, charcoal London on paper, 20.75”x15.75” (53x40cm) ¤350 - ¤500 ¤75 - ¤85 390
141 DOLAN’S
391 392
393 394
395 396
142 8th AUGUST 2017
391 Elizabeth Brophy b.1926
PLAYING WITH DOLLS Oil on Board 19”x15.25” (48x38.5cm) Signed
¤900 - ¤1,200
392 Norman Teeling b.1944
FLOWER SELLERS, SOUTH ANNE STREET Oil on Board 23.5”x29.5” (59.5x74.5cm) Signed
¤700 - ¤850
393 Norman Teeling b.1944
SUNSET Oil on Board 19.5”x23.5” (49.5x59.5cm) Signed 397 ¤600 - ¤800
394 Norman Teeling 397 Kenneth Steel RBA b.1944 1906-1970
MORNING SUNLIGHT CITY WALL BY ST Oil on Board AUDEON’S, DUBLIN 23.5”x19.5” Pencil & Watercolour (59.5x49.5cm) 12.5”x13.75” (31.5x35cm) Signed Signed
¤600 - ¤800 ¤500 - ¤800
395 Maeve Taylor 398 Colin Gibson b.1948 GOLDEN DAYS Oil on Canvas CHRISTCHURCH 398 11.5”x9.5” (29x24cm) CATHEDRAL, DUBLIN Signed Oil on Board 11.5”x15.5” (29x39cm) ¤280 - ¤350 Signed & Inscribed
396 Maeve Taylor ¤300 - ¤400
BOYS FISHING AT 399 Colin Gibson LARAGH b.1948 Oil on Canvas Board 7.5”x10.5” (19x26.5cm) ST AUDEON’S, DUBLIN Signed Oil on Board 11.5”x15.5” (29x39.5cm) ¤120 - ¤160 Signed & Inscribed
¤300 - ¤400
399
143 DOLAN’S
400
401 402
403 404 Henry Morgan
Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School of Art and was awarded a scholarship to Oslo University. Since his return to Ireland, having completed a BA in Fine Art, he has exhibited extensively both at home and abroad and has been a regular exhibitor at the Irish Exhibition of Living Art, The Royal Hibernian Academy, EVA in Limerick, among many others. Henry has been inspired by the local landscape from the Burren to the Clare Glens and the coast of Clare and beyond. These rugged landscapes feature strongly in his work, and he continues to carve his niche among the higher echelons of Irish Art. A contemporary artist of substance, his work is now included in many public and private collections.
144 8th AUGUST 2017
405 406
406 407
400 Henry Morgan 402 Henry Morgan 404 Henry Morgan 406 Henry Morgan b.1952 b.1952 b.1952 b.1952
WHERE THE BURREN AS THE BURREN BURREN, STANDING ATLANTIC WATERS MEETS THE SEA MEETS THE SEA I STONES Pair of Oils Oil on Canvas Oil on Canvas Oil on Canvas Each 5.25”x7” 9.75”x13.75” 9.5”x13.75” 10”x14” (25.5x35.5cm) (13x18cm) (24.5x35cm) (24.5x35cm) Signed & Dated Both Signed & Dated Signed & Dated Signed & Dated ¤400 - ¤600 ¤450 - ¤600 ¤400 - ¤600 ¤400 - ¤600 405 Henry Morgan 407 Henry Morgan 401 Henry Morgan 403 Henry Morgan b.1952 b.1952 b.1952 b.1952 BURREN COAST BURREN COASTAL ON THE DINGLE AS THE BURREN Oil POOLS COAST MEETS THE SEA II 11.25”x7.5” Oil Oil on Canvas Oil on Canvas (28.5x19cm) 10.5”x6.75” (27x17cm) 11.5”x16.5” 9.5”x13.75” Signed & Dated Signed & Dated (29.5x41.5cm) (24.5x35cm) Signed & Dated Signed & Dated ¤350 - ¤450 ¤350 - ¤450
¤400 - ¤600 ¤400 - ¤600
145 DOLAN’S
408 409
410 411
412 413
146 8th AUGUST 2017
408 Declan Chambers SUMMER BREEZE Acrylic on Board 15.75”x11.75” (40x30cm) Signed & Dated ¤200 - ¤250
409 Thelma Mansfield THE RED KITE Oil on Canvas Board 15.5”x19.5” (39.5x49.5cm) Signed ¤400 - ¤600 414 415
410 Ken O’Neill b.1967 ANGELS THREE Oil on Canvas Board 20"x30" (51x76.5cm) Signed ¤400 - ¤600
411 Declan Chambers MOODY SKIES Oil on Board 11.75”x12” (29.5x30.5cm) 416 417 Signed & Dated ¤150 - ¤200
412 Declan Chambers THE CLIFFS OF MOHER Oil on Board 11.5”x8” (29x20cm) Signed & Dated ¤140 - ¤180
413 Thelma Mansfield WHITE BOUQUET Oil on Canvas Board 7.5”x9.5” (19.5x24.5cm) Signed ¤250 - ¤300
414 Mary Grogan 418 419 b.1960 COOLE SWAN 416 Henry Albert Hartland 418 Cathal O’Malley Pastel 1840 - 1893 OWENMORE RIVER AT 15.5”x13” (39.5x33cm) MOONLIGHT, CO MAYO BALLYNAHINCH Signed Watercolour Oil on Board 7.5”x13.25” (19x33.5cm) 17.5x11.75” (44.5x30cm) ¤220 - ¤280 Signed Signed Provenance Jorgensen Fine Art Together with another painting by the 415 Joan Webb ¤400 - ¤500 same hand of farm buildings & trees ROUNDSTONE ¤70 - ¤80 HARBOUR 417 Declan Chambers Watercolour CLIFFS AT DINGLE 419 Norman Teeling 14.5”x21.5” (37x55cm) Oil on Board b.1944 Signed 12.75”x9” (32.5x22.5cm) DOLLYMOUNT STRAND ¤280 - ¤450 Signed Verso Oil on Board ¤140 - ¤180 7.75”x9.75” (19.5x24.5cm) Signed ¤300 - ¤350 147 DOLAN’S
420 John Schwatschke b.1943
A STEP IN THE RIGHT DIRECTION Oil on Canvas 19.75”x15.5” (50x39.5cm) Signed Signed & Inscribed Verso
¤400 - ¤600
421 John Schwatschke b.1943
RIGHT OF WAY, MULLINAVAT Oil on Canvas 11.5”x15.5” (29.5x39.5cm) Signed Signed & Inscribed Verso
¤300 - ¤400
422 John Schwatschke b.1943
RESTING CATTLE, BENNETTSBRIDGE Oil on Canvas 19.5”x23.5” (49.5x60cm) Signed with Monogram
¤350 - ¤450
423 Brian Ballard RUA b.1943
NUDE STUDY Oil on Board 15.75”x11.75” (40x30cm) 420 Signed & Dated (19)81
¤400 - ¤600
424 Markey Robinson 1918 - 1999
CIRCUS CLOWN Mixed Media 10.25”x5.25” (26x13.5cm) Signed
421 422 ¤300 - ¤400
424A Hand Coloured Engraving, Mending the Quilt.
¤80 - ¤120
148 8th AUGUST 2017
423
424
425 426 425 Markey Robinson 426 Modern School, Coastal Landscape, 1918 - 1999 Pastel, 9.5”x19.75”, Signed, Together with an interesting comtempory study of a THE BOXER Sailing Ship & Female Form Mixed Media 18.25”x12.75” (46.5x32.5cm) ¤50 - ¤100 Signed
¤500 - ¤700
149 DOLAN’S
427 Douglas Hutton b.1950
RENVYLE BEACH, CONNEMARA Acrylic on Canvas 31.5”x39.5” (80x100cm) Signed with Initials Signed & Inscribed Verso
¤600 - ¤800
428 James English RHA b.1946
STILL LIFE WITH MANGOS Oil on Board 9.75”x7.75” (24.5x19.5cm) Signed
¤250 - ¤350
429 John Murphy b.1979
427 COFFEE BREAK NEAR POWERSCOURT HOUSE Oil on Canvas Board 23.75”x19.75” (60x50cm) Signed and Dated Verso
¤600 - ¤1,000
430 Douglas Hutton b.1950
PONIES ON INISHNEE Oil on Board 11”15.5” (28x39.5cm) Signed 429 428 ¤300 - ¤400
430A F. W. Corner
RICHMOND, EARLY MORNING Pastel 19.25”x24.75” (49x63cm) Signed
¤100 - ¤200
430 430A
150 8th AUGUST 2017
431 432 432
431 Liam Belton RHA b.1947
HORSES IN WOODLAND Oil on Canvas Board 19.75”x23.75” (50x60cm) Signed
¤300 - ¤500
432 Gianni (Italian School)
STREET SCENES, NAPOLI Pair of Watercolours Each 16.5”x7” (42x18cm) Both Signed Inscribed Verso in original gilt frames
¤150 - ¤200 433
433 Tony Robinson b.1954
THE FORGE Oil on Board 8.25”x11.25” (21x29cm) Signed
¤180 - ¤280
434 Susan Mary Webb b.1962
AUTUMN, CROSS COUNTRY Gouache 9.25”x12” (23.5x30.5cm) Signed & Dated (19)96
¤250 - ¤350 434
151 DOLAN’S
441 Brass Twin Handle Preserve Pan, 14.25” diameter
¤80 - ¤120
442 Pair of Mahogany Corner 436 Cabinets, similar but not matching, each approx 72” high
¤80 - ¤100 435 443 A Four Drawer Chest of 435 Set of Four Victorian Drawers, Style Mahogany Chairs, approx 33” wide balloon backed, with stuffover seats and raised ¤30 - ¤50 on turned front legs 444 Snaffles prints, ¤220 - ¤240 A Day in County Wexford, one coloured & five black 436 George III Style & white prints, framed as Mahogany demi-lune side one, 18”x28” overall table, boxwood strung and fitted with a drawer ¤100 - ¤200 and cupboards and raised on tapered legs of 445 After Charlie Johnson square section, approx Payne, 437 21" deep, 40" wide Snaffles, 1884 - 1967, Landing His Wager, ¤300 - ¤400 Set of 4 Original Handcoloured Prints, 437 Pair Chippendale Style Each 6”x7” (15x17.5cm), Mahogany Chairs with Published 1930 pierced vertical splats, drop-in seat (one) and ¤280 - ¤350 bracket supports with stretchers 446 A Copper Twin Handle 438 Preserve Pot, ¤120 - ¤180 15” diameter, together with another good 438 Victorian Style Mahogany Victorian Preserve Pan[2] Extending Dining Table, the moulded top upon ¤80 - ¤120 a base fitted with four baluster lobed legs 447 Pair of Small Bedside terminating in brass Lockers, castors, two extra leaves, approx 14.25” wide, 22.5” approx 58” long, 48.5” high wide ¤40 - ¤60 ¤300 - ¤500 439 448 A Banares type Tray on 439 An Ornate Fireplace adjustable stand, Surround, approx 23.5” diameter 58.5” wide, 50.5” high ¤20 - ¤30 ¤300 - ¤400 448A Coloured Print of Women on a Terrace and another 440 Ornate Cast Iron Foot Smaller Childrens Print Scraper, approx. 12.5” long ¤20 - ¤30 440 ¤50 - ¤80
152 IMPERFECTIONS NOT STATED 8th AUGUST 2017
442
441
443
444
445
446
447 448
153 DOLAN’S
450
449 451 452
455
454
453 453
458 456
457
459
460 461
462 463 464
154 IMPERFECTIONS NOT STATED 8th AUGUST 2017
449 Brass and Copper 462 Attractive Oriental Coal/Log Bucket, Carved Hardwood with paw feet and Table, carrying handles, carved with pearl- approx 14” diameter, chasing dragons 12” high ¤40 - ¤60 ¤100 - ¤150 463 Pair of Cast Iron 450 Silver Plated Sauce wedge shaped Boat, doorstops with birds approx. 5.75” long ¤25 - ¤35 ¤25 - ¤35 464 Lilliburlero Music 465 451 Eastern Style Blue & Book, 466 White Vase/Umbrella Published by the Stand with figures, Oxford University birds and foliage, Press, 1933 approx. 24” high ¤15 - ¤25 ¤80 - ¤100 452 Silver Plated Cocktail 465 Tailor's Dummy, Shaker adjustable height, on ¤15 - ¤25 stand 453 After Herbert Dicksee, ¤120 - ¤160 Engraving of a Puppy, 466 Regency Mahogany and another matching Turnover Top Tea of a Bulldog, each Table, approx 10.5”x8.5” with round corners ¤80 - ¤100 and central tablet and 454 Cast Iron Doorstop of raised on turned legs, an animals foot, approx 35.5” long, with looped handle, 35.5” wide extended approx. 14.25” high ¤280 - ¤350 ¤30 - ¤50 467 Pair of Edwardian 455 Two Copper & Tin Jelly inlaid Rosewood Moulds, Occasional Chairs, approx 6.75” & 5.5” with stuffover seats diameters and turned front legs 467 ¤60 - ¤80 ¤60 - ¤80 456 Set of 6 Cylindrical 468 Cylindrical Ceramic Brass Weights, Umbrella Stand with from 100grams up pink flowers and to 5kg, the largest foliage, approx, 5.25” high approx 18” high ¤60 - ¤80 ¤80 - ¤120 457 Interesting Metal 469 George III Mahogany Studio Pot with and Rosewood 469 assorted artists Crossbanded Turnover brushes, Top Tea Table, approx. 5.25” high with inlaid Frieze, ¤25 - ¤35 canted angles and 458 Vintage Set of raised on a turned Dominos, column with four 468 in wooden case downswept legs ¤40 - ¤50 terminating in brass 459 An Edwardian Brass capped castors, Bound Oak Planter, approx 36” wide, quarter barrel shape, 34.75” extended approx 14” diameter ¤140 - ¤180 ¤80 - ¤100 470 A Pair of Vintage Book 460 Modern School, Ends, Coloured Lithograph with Standing Terriers, of a Village, 13.5” x approx. 6.5” high 20”, Signed ¤180 - ¤220 ¤40 - ¤60 471 Gilt Framed, 461 Attractive Vintage Bevelled Mirror, Gavel, approx 19.25”x27.25” 470 approx. 9” long ¤25 - ¤35 ¤60 - ¤80
155 DOLAN’S
473
472 472 Set of Six Dining Room Chairs, including two Carvers [6]
¤80 - ¤120
473 Small Extending Dining Table, approx 45” long and 69” when extended, together with a matching Sideboard with cupboards and drawers, approx 48.5” wide & 49” high
¤100 - ¤150
474 A Two Door Cupboard, raised on turned legs, joined by stretchers, approx 20” wide, 27” high
473 474 ¤40 - ¤60
475 Corner Cabinet with open shelves above a cupboard door, approx 72” high
¤60 - ¤80
476 A Two Door Cupboard, with drawer below, raised on turned legs, joined by stretchers, approx 31” wide, 34.5” high
¤40 - ¤60
477 A Cased Adler Gabrielle 25 Portable Typewriter
¤40 - ¤60
478 A Figure of a Mare & Foal on naturalistic plint, approx 8” long
476 ¤20 - ¤30 475
156 IMPERFECTIONS NOT STATED 8th AUGUST 2017
479 S. Smith & Son Ltd London, Aviation Clock `Time of Trip`, having black dial with seconds dial and numerals, mounted in wooden case, approx 6.5” high 478 ¤40 - ¤60
480 An Oval Gilt Framed Bevelled Mirror, 23.75”x19.75” 477
¤40 - ¤60
481 Brass Coal Scuttle, with carrying handle & looped handle, the lid embossed with garlands, approx 20.5” high overall
¤60 - ¤80
482 A Carving Set, 481 of Knives & Forks, together with a cased Serving Knife & Fork, 479 480 together and a cased Set of Fish Knives & Forks, with engraved blades 482 ¤30 - ¤40
483 Old Music Box (fittings missing), approx 19” long, 482 together with assorted 482 volumes, including The Penal Code of China (1810) & The 484 Girls Own Annual (1905)
¤10 - ¤20 483
484 Brass Bed Warmer, approx 40” long
¤20 - ¤30
485 Pair of Metal Measuring Jugs, each approx 12” high 485 ¤30 - ¤50
486 Unusual Pair of Metal Chairs, 486 with Ceramic Seats
¤120 - ¤150
157 DOLAN’S
487 488
490
489
492
491
493 494
158 IMPERFECTIONS NOT STATED 8th AUGUST 2017
487 Antique Persian Qum Rug, approx 82”x52” ¤250 - ¤350
488 Keshan Carpet, with blue ground, 88”x63” ¤180 - ¤250
489 Eastern Rug, with three diamonds to the centre, multiple foliate border, pink, blue, green and beige, approx 64”x47.5” ¤300 - ¤400
490 Heriz Rug, with red ground, approx 75”x55.5” 495 ¤180 - ¤250
491 Bokhara Patterned Wool Rug, approx 70”x50” ¤250 -¤350
492 A Persian Design Rug, with fringed ends, centre retangular panel and line border, beige, blue & red, approx 52”x30.5” ¤120 - ¤180
493 Persian Afshar Rug, approx 91”x49” ¤280 - ¤350
494 Caucasian Carpet with beige ground, approx 75”x55.5” ¤180 - ¤250 496 495 Keshan Rug with beige ground, approx 106”x79” ¤250 - ¤350
496 A Persian Heriz Carpet, wool and cotton, approx 112”x83” ¤480 - ¤550
497 Caucasion Perpedil Rug, approx 108”x65” ¤250 - ¤350
498 An Eastern Rug, with centre rectangular pattern and repeating foliate design and with multiple line border, red, blue, green 497 and beige,approx 98”x52” ¤250 - ¤350
499 George Oyston 1860-1937 VILLAGE SCENES Pair of Watercolours Each 7”x10” (18x25.5cm) Both Signed & one Dated 1919 ¤100 - ¤200
500 Pair of Doorstops in the form of Cannonballs ¤20 - ¤30
498
159 DOLAN’S TERMS & CONDITIONS OF SALE
1. Definitions Auctioneer may at his sole discretion determine the to them either on their own premises or elsewhere In these Conditions, West of Ireland Art Auctions advance or bidding or refuse a bid. at their sole discretion and entirely at the owner’s Limited, trading as Dolan’s Art Auction House, who c) Each lot is put up for sale subject to any reserve risk. The Auctioneers shall not be liable for any loss act as auctioneers and agents for the vendor, are price placed by the vendor. Whether or not there is (including consequential loss) howsoever caused or called ‘The Auctioneers’ (which expression shall be a reserve price the seller has the right to bid either damage to goods of any kind including breakages, or deemed to include their servants and agents) and personally or by any other person (who may be the for unauthorised removal of goods. the representative of Dolan’s Art Auction House Auctioneer). 11. Right to Re-sell conducting the auction is called ‘The Auctioneer’. d) All conditions, notices, descriptions, statements The Auctioneer reserves the right to re-sell any item As auctioneers, Dolan’s act as agent for the seller. that has not been collected within fourteen days. A sale contract is made directly between the seller and other matters in the catalogue and elsewhere and the buyer. However, Dolan’s may own a lot (and concerning any lot are subject to any statements 12. Telephone bidding in such circumstances act in a principal capacity as modifying or affecting the same made by the Every effort will be made to facilitate persons wishing seller) and/or may have a legal, beneficial or financial Auctioneer from the rostrum prior to any bid being to bid by telephone at auction but the auctioneer interest in a lot. accepted for the lot. disclaims responsibility for any failures for whatever reason, in this regard. 2. Third Party Liability 5. Rescindment Every person at or on the ‘Auctioneers’ premises or Notwithstanding any other terms of these Conditions, 13. Absentee Bidding at any premises being used by the Auctioneer at any if within 12 months after the sale, the Auctioneers Every effort will be made to facilitate persons wishing time shall be deemed to be there entirely at his/her have received from the buyer any notice in writing to leave commission bids with the auctioneer but the own risk and shall have no claim whatsoever against that in his view the lot is a deliberate forgery and auctioneer disclaims responsibility for any failures the Auctioneers or their servants or agents in respect within twenty one days after such notification the for whatever reason, in this regard. of any accident or incident which may occur, nor buyer returns the same to the Auctioneers in the 14. Droit de Suite any injury, damage or loss howsoever arising and same condition as at the time of sale and by producing The artist’s resale levy, the droit de suite, where whether or not same is the subject of any allegation evidence, the burden of proof to be upon the buyer, applicable, will be deemed to be the responsibility of negligence. satisfies the Auctioneers that considered in the light of the vendor. Dolan’s Art Auction House will not of the entry in the catalogue the lot is a deliberate charge this levy to the purchaser. The vendor by 3. General forgery, then the sale of the lot will be rescinded and Whilst the Auctioneers make every effort to ensure entering his goods for sale with Dolan’s Art Auction the purchase price of the sale refunded. In the event House acknowledges that he/she is responsible for the the accuracy of their catalogue and the description of a dispute then the matter shall be settled by the of every lot: payment of this artist’s resale levy. Dolan’s Art Auction President of the Institution of Chartered Surveyors in House will not be responsible for payment of the droit a) Each lot as set out in the catalogue or as divided the Republic of Ireland. Both the buyer and the vendor de suite and the vendor by entering his/her goods for or combined with any other lot or lots is sold by the agree to be bound by the decision. sale acknowledges that he/she has accepted and agreed vendor with all faults, imperfections and errors of 6. Default to be bound by this condition of sale. Furthermore description. The Auctioneers disclaim responsibility for default Dolan’s Art Auction House accepts goods for sale b) The auctioneer shall not be responsible for any by either the buyer or the vendor because they act as from the vendor on the condition that the vendor discrepancies between the colour in the catalogue Agents for the vendor only and therefore do not pay authorizes Dolan’s Art Auction House to withhold illustration and that of the original work being out to the vendor until payment is received from the monies due for payment of the droit de suite from the offered for sale. buyer. Instructions given by telephone are accepted auction proceeds due to the vendor, and the vendor c) Any claim under any Statute must be received in at the sender’s risk and must be confirmed in writing further authorizes Dolan’s Art Auction House to pay writing by the Auctioneers within three months of forthwith. In the event of a sale by private treaty both the droit de suite, on the vendors behalf, to the artist. the sale. the vendor and the buyer agree to be bound by these Furthermore the vendor acknowledges that the droit conditions and any other special conditions of sale. de suite payment where applicable will be charged d) The Auctioneers shall not be liable for to the vendors account in addition to the vendors consequential or resultant loss or damage whether 7. Retention of Title All goods remain the property of the vendor until commission charged by the auctioneer and any sustained by a Vendor or a Purchaser or the owner illustration or other charges applicable to the account. of any item or their respective servants and agents paid for in full. The Auctioneers will not assume arising in any circumstances whatsoever and liability to discharge net proceeds arising from the 15. Special Conditions irrespective of any claim made by any party as to sale of goods until those goods have been paid for PURCHASER: negligence or lack of care of the Auctioneers or any in full. a) The purchaser shall pay a commission to the party acting on their behalf. 8. Instructions auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. e) All lots are made available for inspection for a All goods delivered to the Auctioneers’ premises reasonable period prior to auction. A buyer who will be deemed to be delivered for sale by auction b) The Purchaser acknowledges that the auctioneer makes a bid for any lot thereby acknowledges that and will be catalogued and sold at the discretion of may also receive a commission from the vendor. he has satisfied himself as to the physical condition, the Auctioneer and accepted by them subject to all c) All accounts must be discharged by certified state of repair or restoration, age and catalogue the Sale Conditions. By delivering the goods to the cheque, bank draft or cash. The auctioneer reserves description of such lot and also that he accepts these Auctioneers for inclusion in their auction sales the the right not to release goods until cheque payments conditions of sale. vendor acknowledges that he or she has accepted and have been cleared by the bank. Credit cards are also agreed to be bound by all these Conditions. Dolan’s knowledge, in relation to each lot, is accepted with a 2.5% surcharge. partially dependent on information provided by 9. Collection and Deliveries Non-Irish debit cards will incur a 2.5% surcharge the seller and Dolan’s are not able to, and do not, The Auctioneers do not normally undertake the d) Responsibility for items purchased passes carry out exhaustive due diligence searches on packing, collection or delivery of goods but will if to the purchaser on the fall of the hammer. each lot. Bidders acknowledge this fact and accept requested use their best endeavours as Agent of the The Auctioneers reserve the right to look for responsibility for carrying out inspections and Owner to arrange for an independent contractor on a 25% deposit on all goods. investigations to satisfy themselves as to the lots the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any e) The buyer authorises the Auctioneer to use they may be interested in buying. Bidders also any photographs, drawings or illustrations of any acknowledge the fact that many lots are of an age event arrange insurance of the goods and will accordingly not be liable for any loss or damage to lot purchased by the buyer, and, to indicate the that they may not be in perfect condition. All lots are price paid at auction for the lot, and the buyer offered for sale with any imperfections. Catalogue goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein acknowledges that same may be used for any descriptions and condition reports may on occasions advertising, promotional or other such purposes. make reference to particular imperfections of a lot, caused by such contractor or otherwise and the owner but Bidders should note that lots may have other is responsive for all arrangements to verify that any 16. Purchasers will NOT be charged the Artists faults not expressly referred to in the catalogue or such contractor and the goods is/are appropriately Resale Levy. condition report. Illustrations are for identification insured. Unless instructions are received to the 17. VAT Regulations: purposes only and will not convey full information as contrary, charges (including VAT) for such services All lots are sold within the Auctioneers VAT margin to the actual condition of lots. will be charged to the vendor’s account or discharged scheme. Revenue regulations require that the buyers through the Auctioneers by the purchaser as the case premium must be invoiced at a rate which is inclusive 4. The Auction may be. The Auctioneers’ liability (if any) will arise a) The Auctioneer has absolute discretion to divide any of VAT. This VAT is NOT recoverable by any VAT only where they themselves carry out packing and registered buyers. lot, to combine any two or more lots or to withdraw collection/delivery and only in the case of breakage 18. Special Notice To Purchaser any lot or lots from the sale, to refuse bids, regulate or loss caused through deliberate negligence of their Prospective purchasers are advised that several bidding or cancel the sale without in any case giving employees and in any event in one single contract countries prohibit the importation of property any reason or previous notice. He may bid on behalf and the Auctioneers’ liability will not exceed C=500. containing materials from endangered species, of the vendor for all goods which are being offered Provided further the Auctioneers will not be liable for including but not limited to coral, ivory and subject to reserve or at the Auctioneer’s discretion. consequential loss in any circumstances whatsoever. tortoiseshell. Accordingly, prospective purchasers b) The highest bidder shall be the buyer except in the 10. Loss or Damage and Storage case of a dispute. If during the auction the Auctioneer should familiarize themselves with relevant customs The Auctioneers reserve the right to store or arrange regulations prior to bidding , if they intend to import considers that a dispute has arisen, he has absolute for the storage of goods held by them or delivered discretion to settle it or to re-offer the lot for sale. The such items into another country.
160 8th AUGUST 2017
161 DOLAN’S ARTIST INDEX BY LOT NO. A J R
Aldin, Cecil 67C Jackson, William 196 Rae, Barbara 70 Alexander, Douglas 104, 199 Jones, Allen Gwynne 142 Reynolds, Bernard 72 Armstrong, Arthur 107 Jones, Liam 127 Riddell, J A 142A Ayling, Albert W 136 Robinson, Markey 83, 146-150, 424 K Robinson, Tony 433 B Russell, George, AE 158A Keating, Sean 159 Ryan, Bridget 130-133 Ballard, Brian 272, 423 Kelly, Charlotte 113 Ryan, Thomas 172 Behan, John 90 Keitley Duff, John Robert 174 Belton, Liam 431 Kendrick, After Mathew 57 S Bradley, Aidan 87 Brophy, Elizabeth 391 Kernoff, Harry 150A Schwatschke, John 78, 78A, 358, Kingerlee, John 265-267 420-422 C Knuttel, Graham 79-80 Modern School 426 School, Russian 360 Cahill, James 226 M Scott, Carina 85A, 89-89A, 114 Campbell, George 95, 97 Shinnors, John 94, 98 Carey, J W 194 Maderson, Arthur K 85, 88, 154-158, Skelton, John 119 Carr, Rosemary 208-217, 374-386 182, 184 Stafford, Simeon 261 Carson, Robert Taylor 224 Maguire, Cecil 115-116 Steel, Kenneth 397 Chambers, Declan 408, 411-412, 417 Maguire, Sian 128 Sutton, Ivan 218-219, 366 Cowley, Patrick 137 Mansfield, Thelma 362, 409, 413 Swan, Lillian B 179 Cope, Elizabeth 270 Marillier, Ernest 390 Swanzy, Mary 102 Cope, Phoebe 71 Marjoram, Jerry 140-140A Cryer, Ian 118A Meagher, Eileen 126 T Moore, Gregory 139 D Moran, Cynthia 67-67A Taylor, Maeve 395-396 Morgan, Henry 84, 87A, 108-110, Teeling, Norman 220-223, 392-394, Dearden, Harold 119C 185-186, 371-373, 419 Dillon, Gerard 96 400-407 Teskey, Donald 99-101 Dollman, John Charles 177 Morris, John 86 Turner, Desmond 119B Donovan, Jack 81 Morris, Michael 73, 264, 268 Twells, Arthur 192 Murray, Patricia 145 E Murphy, John 429 V McCaig, Norman J 134, 195, 200, 201 Egan, Orla 361 McGuiness, Norah 164 Verling, Walter 367 Egginton, Frank 117-118 McKelvey, Frank 173 Egginton, Robert 120-123, 204-207 McNeil, Sara Sue 203 W English, James 428 McSweeney, Sean 112 Walsh, Manus 75-77, 183 G N Webb, Joan 415 Webb, Kenneth 82, 161-162 Gale, Martin 125 Nally, Fergal 135 Webb, Susan Mary 193, 203A, 434 Gallery, Denis 368 Nikolai, John Michael 300 Wilks, Maurice C 124, 129, 119A, 370 Giannni, (Italian School) 432 Nisbet, Tom 175, 389 Wobbe, Rita 262-263 Gibson, Colin 398-399 Gilbert, Dennis 274-275 O Y Gillespie, George 369 Grisel, Philippe 163 Orpen, Sir William 105 Yeats, After Jack B 143-144 Grogan, Mary 414 O'Hara, Helen 176 Grogan, Mat 165-171, 225 O'Malley, Cathal 418 O'Malley, Tony 103 H O'Neill, Ken 69-69C, 410 O'Neill, Mark 151-153, 187-191 Harper, Charles 74 O'Ryan, Fergus 138, 198, 387 Hartland, Albert 416 Hennessy, Patrick 106, 160 P Hutton, Douglas 202, 356-357, 359, 363-365, 427, 430 Payne, After Charlie Johnson (Snaffles) 444-445 I Perrin, Mary 388
Irwin, Margaret 273 Iten, Hans 178
REFERENCES: Theo Snoddy, Dictionary of Irish Artists, 20th Century
162 7th AUGUST 2017
163 DOLAN’S Connemara Dublin Cork Limerick Galway Rosslare
Dolan’s Art Auction House 091 798 647 086 409 8015 [email protected] www.dolansart.com
164