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Ludwig Senfl | a Catalogue Raisonné of the Works and Sources Centre d'études supérieures de la Renaissance Ludwig Senfl Collection « Épitome musical » Until now, scholars have had an inadequate picture of the scope and transmission of the (c.1490–1543) œuvre of Ludwig Senfl (c.1490–1543), one of the most important Renaissance composers of the German-speaking lands. The present publication comprises a comprehensive catalogue raisonné for this Renaissance composer. A Catalogue Raisonné of the Works and Sources Volume 2 of the two-volume set is a catalogue of the sources transmitting Senfl’s music: musical sources in manuscript and print, theoretical writings, and unusual sources such as embroidered Stefan Gasch & Sonja Tröster partbooks, table tops, and playing cards with musical notation. The individual entries include in collaboration with Birgit Lodes significant codicological information, remarks on related sources, a list of Senfl’s compositions, and information on facsimile reproductions and editions of the source as well as catalogues and secondary literature. This volume contains the necessary resources to support all facets of the catalogue, such as abbreviations, an extensive bibliography, and indexes. The Senfl Catalogue serves as an encyclopedic research tool for further scholarly investigation: it not only presents a lively and coherent picture of Senfl’s œuvre, but also helps to explore the broader musical culture of his time. At the same time, the in-depth presentation of Senfl’s music provides performers of early music with new information on repertory that adds to the soundscape of the Renaissance. Stefan Gasch Tröster & Sonja Stefan Gasch and Sonja Tröster are editors of the New Senfl Edition and lecturers at the University of Vienna as well as the University of Music and Performing Arts Vienna. Birgit Lodes is Professor of Historical Musicology at the University of Vienna and corresponding member of the Austrian Academy of Sciences. Volume 2: Ludwig Senfl and Sources – A Catalogue Raisonné the Works of Ludwig Senfl Catalogue of the Sources Abbreviations, Bibliography, Indexes Vol. 2 H Collection « Épitome musical » F Ludwig Senf (c.1490–1543) A Catalogue Raisonné of the Works and Sources Centre d’études supérieures de la Renaissance Université de Tours / UMR 7323 du CNRS Collection « Épitome musical » dirigée par Philippe Vendrix Editorial Committee: Hyacinthe Belliot, Vincent Besson, Philippe Canguilhem, Camilla Cavicchi, David Fiala, Daniel Saulnier, Solveig Serre, Vasco Zara Advisory board: Andrew Kirkman (University of Birmingham), Yolanda Plumley (University of Exeter), Jesse Rodin (Stanford University), Richard Freedman (Haverford College), Massimo Privitera (Università di Palermo), Kate van Orden (Harvard University), Emilio Ros-Fabregas (CSIC-Barcelona), Thomas Schmidt (University of Huddersf eld), Giuseppe Gerbino (Columbia University), Vincenzo Borghetti (Università di Verona), Marie-Alexis Colin (Université Libre de Bruxelles), Laurenz Lütteken (Universität Zürich), Katelijne Schiltz (Universität Regensburg), Pedro Memelsdorf (Chercheur associé, Centre d'études supérieures de la Renaissance–Tours) Layout: Vincent Besson Research results from: Austrian Science Fund (FWF): P 20820; P 23707. Published with the support of Austrian Science Fund (FWF): PUB 572-G26. Cover illustration: Silhouette from Friedrich Hagenauer, Medal of Ludwig Senf (1529), with a collage of Senf ascriptions from 16th-century sources ISBN: 978-2-503-58479-9 E-ISBN: 978-2-503-58480-5 DOI: 10.1484/M.EM-EB.5.117438 ISSN: 2565-8166 E-ISSN: 2565-9510 Dépôt légal : D/2019/0095/295 © 2019, Brepols Publishers n.v., Turnhout, Belgium – CESR, Tours, France. Open access: Except where otherwise noted, this work is licensed under a Creative Commons Attribution 4.0 Unpor- ted License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ Printed in the E. U. on acid-free paper. Ludwig Senf (c.1490–1543) A Catalogue Raisonné of the Works and Sources Stefan Gasch & Sonja Tröster in collaboration with Birgit Lodes Volume 2: Catalogue of the Sources Abbreviations, Bibliography, Indexes F CONTENTS Volume 2 Introduction Guide to the Senf Catalogue (SC) 7 Addenda and Corrigenda to SC 1 13 List of Corresponding Census and RISM Sigla 16 Former Shelfmarks of Individual Manuscripts 21 List of Sources in Zwickau, Ratsschulbibliothek 23 Catalogue of the Sources Manuscripts 27 Individual Prints, Pamphlets, and Broadsheets 147 Printed Collections 155 Theoretical Writings and Textbooks 229 Theoretical Writings and Textbooks mentioning Ludwig Senf 241 Other Sources 251 Abbreviations, Bibliography, Indexes General Abbreviations 257 Bibliographical Abbreviations 260 RISM Sigla of Libraries 262 Bibliography 271 Sources cited as Textual / Melodic References 273 Further Sources referred to in the Catalogue 277 General Bibliography 289 Indexes 357 Text Incipits 359 Acrostics 377 Places of Printing 378 Printers 386 Publishers and Editors 394 Theoretical Writings and Textbooks 400 Names 401 7 Guide to the Senf Catalogue (SC) I. Catalogue of the Works For the guide to the catalogue of works, please refer to volume 1, pp. 27–35. II. Catalogue of the Sources The present volume of the Catalogue Raisonné forms the catalogue of the sources. It is divided into manuscripts, prints, theoretical writings and textbooks, theoretical writings mentioning Senf, and other sources. Almost all of the sources were examined either in the original or in reproduction. In the few cases where this was not possible (such as sources which are not accessible due to their state of preservation), the source is marked as ‘(not seen)’. Destroyed and missing sources are identifed as such. The physical description and general information concerning the sources is, when possible, based on secondary literature. For those manuscripts included in Charles Hamm and Herbert Kellman, Census-Catalogue of Manuscript Sources of Polyphonic Music 1400–1550, 5 vols., Renaissance Manu- script Studies, 1 (Neuhausen-Stuttgart, 1979–88), selected sections of the relevant entries are re- produced by kind permission of the publisher. Information concerning the remaining manuscripts has been gathered mainly from the respective library catalogues. For printed sources and tablatures the RISM catalogues (series A/I and B/I); Howard Mayer Brown, Instrumental Music Printed before 1600; as well as Christian Meyer, Sources manuscrites en tablature, luth et theorbe (c.1500–c.1800) served as starting points. As we examined most of the sources either on-site or in reproduction, all descriptions have been checked and in some cases revised by the data gathered from our own obser- vations as well as further secondary literature. Information on watermarks has not been taken into account. Ludwig Senfl | A Catalogue Raisonné of the Works and Sources 1. Identifying headline 8 Manuscripts are cited with RISM library siglum and shelfmark; if applicable, a common designa- tion of the source is also named. On the right side of the headline the appropriate siglum accord- ing to the Census-Catalogue is provided, e.g. D-Rp C 120 Census RegB C120 (‘Pernner Codex’) The headline is followed by the title of the manuscript (if present) as it appears in the source (for partbooks, according to the tenor partbook, unless indicated otherwise). Contemporary abbrevia- tions are always spelled out in square brackets. Prints are identifed according to RISM A/I, RISM B/I, or in the case of tablatures according to Brown. The siglum is followed by the title of the print as it appears in the source (for partbooks, according to the tenor partbook, unless indicated otherwise). The entries for theoretical writings and textbooks are catalogued by the author’s name, the title as it appears in the source, and if available the number in VD16, VD17, vdm, or ESTC. 2. Physical description of the source The physical description of the source includes the type of source and the number and size of fo- lios or pages, as well as comments on foliation, pagination, and numbering present in the source. Types of sources: ≤ choirbook (x fols.) ≤ partbooks: number, voice designations, and the number of folios for each partbook are given (e.g. 4 partbooks: D (x fols.), A (x fols.), T (x fols.), B (x fols.)) ≤ lute tablature (x fols.) ≤ keyboard tablature (x fols.) ≤ theoretical writings and textbooks (x fols.) ≤ other sources (individually described) The size of manuscripts is rounded to 0.5 cm and given as height × width (e.g. 14.5 × 18 cm). Prints are designated according to the book formats: 2° (folio), 4° (quarto), 6° (sexto), 8° (octavo), 16° (sedecimo). Oblong format is indicated by ‘obl.’. The Catalogue| Guide to the Senfl Catalogue 3. Origin Place and Date 9 The place of copying/printing and in the case of manuscripts also the place(s) of utilisation (if known) are given as well as the approximate date (time-span) of copying/printing, indicating dif- fering estimates with reference to secondary literature. Scribe, Owner, Printer, Publisher, Editor, Dedicatee Scribes are only indicated if they are known by name. For a further discussion of anonymous scribes, the relevant secondary literature is either referred to or listed under ‘Literature’. Owners and the provenance of manuscript sources are described as far as this is known. The names of printers, publishers, editors, and dedicatees of printed sources are standardised. If the printer or the publisher is not named in the source, the name is given in square brackets and the relevant sec- ondary literature indicated. Printers, publishers, and editors
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