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The Nerdist Way: How to Reach the Next Level (In Real Life) Free
FREE THE NERDIST WAY: HOW TO REACH THE NEXT LEVEL (IN REAL LIFE) PDF Chris Hardwick | 286 pages | 06 Dec 2012 | Penguin Putnam Inc | 9780425253182 | English | New York, United States The Nerdist Way: How to Reach the Next Level (In Real Life) | Written by Chris Hardwick. Narrated by Chris Hardwick. Nerds: Once a tormented subrace of humans…now captains of industry! You don't have to be a stereotypical geekwad to appreciate the tenets of Nerdism and to make your innate talents for overanalysis and hyper-self-awareness work for you instead of against you. Join Nerd superstar Chris Hardwick as he offers his fellow "creative-obsessives" the crucial information needed to come out on top in the current Nerd uprising. Nerds subsist The Nerdist Way: How to Reach the Next Level (in Real Life) the minutiae of their chosen passions. He's studied them, lived with them, and has endeavored to milk their knowledge nectar and isolate its curative powers for what ails you. Thus, he has founded a philosophical system and blog called The Nerdist, and here he shares his hard-earned wisdom about turning seeming weaknesses into world-dominating strengths. From keeping your heart rate below hummingbird levels to managing the avalanche of sadness that is your inbox, from ignoring your brain to attracting wealth by turning down work, Hardwick reveals the secrets that can help you accomplish what you want by tapping into your true nerdtastic self. The Nerdist Way shows how to focus your mind, body, and time into an unstoppable laser of goodness. Don't wait for another social tragedy. -
2018 Celebrity Birthday Book!
2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) . -
JOCELYN M. RICHARD Derek Van Pelt/Mainstay Entertainment [email protected] / (978) 621-9962 / Jocelynrichard.Net
JOCELYN M. RICHARD Derek Van Pelt/Mainstay Entertainment [email protected] / (978) 621-9962 / jocelynrichard.net WRITING RESUME My Next Guest Needs No Introduction with David Letterman, Netflix, 2020 (consulting producer) Worked with host and executive producers on Season 3 of hourlong interview series. Lights Out with David Spade, Co medy Central, 2020 (writer) Staff writer on half-hour late night show hosted by David Spade. Crank Yankers, Comedy Central, 2019 (writer) Staff writer for half-hour crank? show. Liza On Demand, YouTube Digital, 2019 (executive story editor) Served as Executive Story Editor on Season 2 of half-hour narrative comedy. The Rose Parade with Cord and Tish, multiple platforms, 2019 (writer/consulting producer) Wrote sketches and promos and produced segments and field pieces for live special starring Will Ferrell and Molly Shannon. The Royal Wedding Live! with Cord and Tish, HBO, 2018 (writer/consulting producer) Wrote sketches and promos and produced segments and field pieces for live special starring Will Ferrell and Molly Shannon. I Love You, America with Sarah Silverman, Hulu, 2016-2018 (writer) Wrote monologues, sketches, and field pieces for half-hour topical late night show. Our Cartoon President, Showtime, 2017-2018 (staff writer) Served as Staff Writer on half-hour animated comedy. Also wrote promos and cold opens and directed actors. Funny or Die, FunnyorDie.com, 2015-2016 (staff writer) Served on staff writing and producing sketches and working with celebrity talent. The High Court with Doug Benson, Comedy Central, 2016 (writer) Wrote for half-hour courtroom parody late night show. @midnight with Chris Hardwick, Comedy Central, 2015-2016 (writer) Wrote monologue jokes and game segments and prepped talent for late night show. -
Three Little Words and the Critical Argument of the Best Show on WFMU
Angles New Perspectives on the Anglophone World 1 | 2015 Brevity is the soul of wit Three Little Words and the Critical Argument of The Best Show on WFMU Thomas Britt Electronic version URL: http://journals.openedition.org/angles/2118 DOI: 10.4000/angles.2118 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Thomas Britt, « Three Little Words and the Critical Argument of The Best Show on WFMU », Angles [Online], 1 | 2015, Online since 01 November 2015, connection on 28 July 2020. URL : http:// journals.openedition.org/angles/2118 ; DOI : https://doi.org/10.4000/angles.2118 This text was automatically generated on 28 July 2020. Angles. New Perspectives on the Anglophone World is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International License. Three Little Words and the Critical Argument of The Best Show on WFMU 1 Three Little Words and the Critical Argument of The Best Show on WFMU Thomas Britt 1 Brevity is not the first word that comes to mind when thinking of comedian Tom Scharpling’s The Best Show on WFMU.1 A listener-supported show on an independent, free form radio station, The Best Show was on the air from 2000 to 2013 for three hours weekly. In a media age saturated with podcasts hoping to keep a listener engaged for twenty minutes, The Best Show defined long-form radio comedy for more than a decade as its popularity grew internationally through physical releases, streams and downloads. 2 Scharpling often summarized the content of his show as “three hours of Mirth, Music, and Mayhem”.2 The most memorable moments of The Best Show combined all three qualities at once, featuring madcap humor about music. -
Holla Back Girl
kathryn burns choreographer selected credits contact: 818 509-0121 < FILM > Wet Hot American Summer (Prequel) Netflix / Dir. David Wain Other People (Sundance 2016) Chris Kelly, Adam Scott Freak Dance with Amy Poehler Don’t Think Productions / Dir. Matt Besser The Future Roadside Attractions / Dir. Miranda July Love At The Christmas Table Lifetime TV / Dir. Rachel Goldenberg Escape from Polygamy Lifetime TV / Dir. Rachel Goldenberg High Road Dir. Matt Besser < TELEVISION > Crazy Ex Girlfriend (17 episodes) CW Key & Peele (9 Episodes) Comedy Central / Dir. Peter Atencio 2 Broke Girls CBS / Dir. Don Scardino Dancing With The Stars Carly Rae Jepsen “I Really Like You” Saturday Night Live Carly Rae Jepsen “I Really Like You” Good Morning America Carly Rae Jepsen “I Really Like You” Ellen Carly Rae Jepsen “I Really Like You” Jimmy Kimmel Live Carly Rae Jepsen “I Really Like You” Garfunkel & Oates (2 episodes) HBO / Dir. Ryan McFaul Garfunkel & Oates (9 episodes) IFC / Dir. Fred Savage Children’s Hospital ( 3 episodes) Adult Swim / Dir. David Wain, Rob Corddry Comedy Bang Bang (3 episodes) IFC / Dir. Benjamin Berman NTSF:SD:SUV Adult Swim / Dir. Danny Jelinek The Birthday Boys IFC/ Dir. Bob Odenkirk, Jefferson Dutton Angel From Hell CBA / Don Scardino Another Period (2 episodes) Comedy Central / Dir. Jeremy Konner This Show Will Get You High Comedy Central / Dir. Eric Appel, Matt Besser My Music (5 episodes) Fine Brothers Entertainment Dirty Work RIDES TV / Dir. Eric Appel < MUSIC VIDEOS > Pharrell Williams “Happy” WE ARE FROM LA / Iconoclast Weird Al “Foil” Nick Cannon / College Humor Taboo “Zumbao” Trevor White Bonnie McKee “Live” Billboard Studios Nick Cannon “Shake It Like A White Lady” Nick Cannon / Funny or Die Dead Man’s Bones “Werewolf Heart” Ryan Gosling & Zach Sheilds Paulo Nutini “Scream (Funk My Life Up)” NEZ / RiffRaffFilms Becky G “Banned 2014 World Cup Song” Funny Or Die / Dr. -
Jim Carroll, 1949-2009 - New York Music - Sound of the City 10/1/09 Thu 10/1, 9:20 PM
Jim Carroll, 1949-2009 - New York Music - Sound of the City 10/1/09 Thu 10/1, 9:20 PM New York Music Blog News Blogs Columns Calendar Bars/Clubs Restaurants Music Films Arts Best Of The Ads Classifieds Promotions Interview: WFMU's Interview: Mayer Remembering Beau Tom Scharpling Hawthorne Velasco Jim Carroll, 1949-2009 By Rob Harvilla in Featured, Harvilla, Jim Sunday, Sep. 13 2009 @ 11:18PM Blogs Only Carroll, goodbyes Weekly Advanced Archive Search >> Music Promotions Galleries Offstage Voice Dining NY Movie Club Events Subscribe E-Mail Address Go Exxxotica Expo (NSFW) Jim Carroll -- prototypical NYC punk-rocker, Basketball Diaries scribe, and CBGB poet The Best Costumes of laureate -- died of a heart attack Friday night. He was 60. Lots of intense eulogies will follow New York Anime Fest in the days to come: He's an excellent jumping-off point for an "Old New York City vs. New 2009 New York City" screed, the danger and grit and volatility we've lost, and how much we should miss it. (No question Carroll is irreplaceable, and if this news gives you the powerful urge to hear a hot-shit live band blaze through "People Who Died," the Drive-By Truckers are your ticket.) But the first last word here should come from Jim himself: It'll hit hard right about now, but "8 Fragments for Kurt Cobain" is the way to go. Closing statement: "That is always the cost/As Frank said/Of a young artist's remorseless passion/Which starts out as a kiss/And follows like a curse." R.I.P. -
At WFMU, Loyal Fans Step in to Save the Day
News, Quotes, Companies, Videos SEARCH U.S. EDITION Thursday, January 10, 2013 As of 10:25 PM EST Subscribe Log In Home World U.S. New York Business Tech Markets Market Data Opinion Life & Culture Real Estate Careers News Sports Culture Real Estate 2 of 12 3 of 12 4 of 12 5 of 12 TOP STORIES IN At WFMU, Loyal Development Set to City Trauma Care Showing Ferry Captain Says Report Links Poor Schools, FansNew Step in York to Sprout in West Strains Boat Lost Engine Teachers Save the Day Farms Power NY CULTURE Updated January 10, 2013, 10:25 p.m. ET At WFMU, Loyal Fans Step in to Save the Day Article Comments MORE IN NEW YORK-CULTURE » Email Print By ANDY BATTAGLIA From a little brick building in Jersey City, amid a mess of cultural detritus including an Andy Williams album cover affixed with googly eyes and a series of kitschy black "Velvet Republicans" paintings from Mexico, beams the signal of the eccentric radio station WFMU. Active on the airwaves since 1958, nothing about it seems the least bit tuned to convention. "That's a dinosaur bone," DJ Scott Williams said, pointing across the studio in which he was broadcasting music for his weekly free-form show. "Just another thing that found its way in here, like this ray gun." He shot invisible lasers while station Enlarge Image general manager Ken Freedman Claudio Papapietro for The Wall Street Journal Jersey City's WFMU is hosting a benefit in walked over to inspect the curio in the Brooklyn this weekend. -
Immediacy in Comedy: How Gertrude Stein, Long Form Improv, and 5 Second Films Can Revolutionize the Comedic Form
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form Alexander Hluch University of Central Florida Part of the Acting Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Hluch, Alexander, "Immediacy In Comedy: How Gertrude Stein, Long Form Improv, And 5 Second Films Can Revolutionize The Comedic Form" (2013). Electronic Theses and Dissertations, 2004-2019. 2933. https://stars.library.ucf.edu/etd/2933 IMMEDIACY IN COMEDY: HOW GERTRUDE STEIN, LONG FORM IMPROV, AND 5 SECOND FILMS CAN REVOLUTIONIZE THE COMEDIC FORM by ALEX HLUCH M.A. in Theatre, Bowling Green State University, 2010 B.A. in Theatre, Ohio State University, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Acting in the department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2013 ABSTRACT Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
Basic Page for Writing
Why Dungeon World is Shit are retarded. The "Charming and Open" thing, where someone basically HAS to answer truthfully, from a basic list of specific questions like "whom 1. The abilities... what the fuck? You don't roll for them, you just assign do you serve" and "what do you most desire". So if you're questioning some the exact same fucking numbers. No point buy that I can see. The modifiers faggot you captured, all that shit where you have to intimidate him or are also shit. It's trying to copy D&D when in fact there is no reason to. something, that's taken from the GM's control. The bard doesn't even have There is no reason for abilities to range 3-18, when the modifiers range -3 to to roll for that shit, he can just basically use Zone of Truth at will. For no +3. It's just trying to make itself look like AD&D. For that, fuck it right off roll. Or cost. I could go through all the classes and whine about each one, the bat. It's showing that it is 90% nostalgia-based, except there are plenty but this shit is gonna be long enough, so I won't. Trust me, it doesn't get of games that do AD&D nostalgia far better than it does. much better. 2. Retarded core mechanic. Okay, we can all agree that margins of success 8. Bonds. People fucking FELLATE Dungeon World's "bonds". Except is it and failure are important. -
Dr. Strange Geo-Blocking Love Or: How the E.U. Learned to Stop
BATIA M. ZAREH, DR. STRANGE GEO-BLOCKING LOVE, 41 COLUM. J.L. & ARTS 225 (2018) Dr. Strange Geo-Blocking Love Or: How The E.U. Learned To Stop Worrying About Cultural Integration And Love The TV Trade Barrier Batia M. Zareh* ABSTRACT The E.U. Antitrust Case that opened on July 23, 2015 against Sky U.K. and six American studios—Disney, Fox, NBCUniversal, Paramount Pictures, Sony and Warner Brothers—has its structural roots in the Television Without Frontiers Directive, which was vigorously debated as a last-minute standoff that threatened to derail the conclusion of the GATT Uruguay Round of trade negotiations and is still considered to be the cornerstone of the European Union’s audiovisual policy. This Article examines the unique history of a Cultural Exception with respect to audiovisual works as applied in trade negotiations to Hollywood film and television productions, and argues that, rather than violating E.U. regulations, the decades- * Writer / Producer, Dialectic Arts, LLC. The genesis of this article is from 1995, when while at Columbia Law School the author studied International Trade Law as applied to the entertainment industry under Professors Michael K. Young (former Deputy Under Secretary for Economic and Agricultural Affairs, and Ambassador for Trade and Environmental Affairs in the Department of State during the administration of President George H.W. Bush) and Meritt Janow (now Dean of Columbia University’s School of International and Public Affairs). In the portion of her media career focused on feature film and television related transactional work to license and distribute American programming for ex-North American broadcast, the author’s deal roster has included some of the largest distributors in Europe: ARD/Degeto Film GMBH, Arte, BSkyB, Canal+, Columbia TriStar, France 2/France 3, Freemantle, Gaumont, Mediaset, Miramax, Pro7, RAI2, RTL, TF1, and UFA. -
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00:00:00 Jesse Promo Hey, all. Jesse again. Maybe you heard about this already. We Thorn have a quick, easy favor to ask. We’d like to hear from you. We’re looking to learn more about how and why you listen to Bullseye and other NPR podcasts. We have a survey up at NPR.org/podcastsurvey. We wanna hear from folks who’ve been listening to us for years and from folks who are tuning in for the first time. In short, you. It’s quick. It’s anonymous. It’s easy. One more time: NPR.org/podcastsurvey. And thanks. 00:00:32 Music Transition Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:34 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:45 Music Transition “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:52 Jesse Host It’s Bullseye. I’m Jesse Thorn. The Brat Pack, as you may know, is a term for a group eight or so actors who starred in about a dozen movies in the 1980s, in various configurations. There is Molly Ringwald, Emilio Estevez, Demi Moore, a bunch of others. And among them, Andrew McCarthy. McCarthy starred in St. Elmo’s Fire, played Molly Ringwald’s love interest in Pretty in Pink. Beyond the Brat Pack movies, McCarthy also performed in Mannequin, The Joy Luck Club, and another ‘80s classic, Weekend at Bernie’s.