MOTHER ESQUIRE Administration of Justice
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Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. -
Administration of Barack Obama, 2011 Remarks at PBS's "Country Music: in Performance at the White House" November
Administration of Barack Obama, 2011 Remarks at PBS's "Country Music: In Performance at the White House" November 21, 2011 Everybody, please have a seat. Thank you so much. Well, good evening, everybody. I have been on the road a lot lately; I know the entertainers who are here tonight can relate. Johnny Cash was really singing our song when he said, "I've been everywhere, man." [Laughter] So I appreciate you all coming out for the best welcome-home party that I've had in a long time. I even see some members of my Cabinet and Members of Congress in the house. Michelle and I are delighted that all of you are here for the seventh in a series of evenings we've hosted here at the White House to celebrate the music that has helped to shape our Nation. Now, over the past couple of years, some of the greatest artists from Motown, from jazz, classical, Broadway have honored us with their performances. We've celebrated Latin rhythms and the music that helped define the civil rights movement. And tonight we're transforming the East Room into a bona fide country music hall. As Charley Pride, who played here 2 years ago, once said: "There is enough room in country music for everybody." And over the past 5 years, I've had the extraordinary opportunity to travel all across America. I've hopped on planes to big cities. I've ridden buses through small towns. And along the way, I've gained an appreciation for just how much country music means to so many Americans. -
Take the Buttsteak Challenge Musically Forgotten
APRIL 13, 1993 THE RETRIEVER / PAGE 9 Robert Earl Keen's dead-pan style gives country music a bad name his class was popular solely because Billy Ray Cyrus credit for not trying Phil McNulty it was a requirement — not because to become a country star as William Retriever Staff Writer anyone in there really gave a rat's Raymond. But in the end, what butt about the class. could Keen possibly do with his Robert Earl Keen is an individual As for his overall sound, Mr. name? Bobby Keen? That sounds who has obviously been misin- Keen has chosen to promote the more like a mid-fifties harmony and formed. Apparently, he believes he kind of cliche-ridden, poor melody accordion group. can perform. spinning garbage that has given Maybe Mr. Keen should have If his release "A Bigger Piece of country its partially deserved bad realized that his name is just as Sky" is any indication, he is very reputation today. I can't say that incompatible to music as his voice wrong. I'm totally sure what type of music is and saved himself some public Allow me to try to communicate he was trying to effect. Whatever humiliation. his style with as much delicacy as So, let's review, shall we? Robert my heart will permit. Earl Keen is trying to make a name Forgive me if ever I seem to be for himself using a blend of proven disrespectful to a known rock "What is this techniques. Unfortunately, his legend, but Mr. Keen's style seemed mixture is sort of bass ackwards for to be strikingly reminiscent of icons world coming to his chosen field. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
"If You're Reading This": Patriotic Themes in Country Music Between 2000-2010 Claire S
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 From "courtesy of the red, white, and blue" to "if you're reading this": patriotic themes in country music between 2000-2010 Claire S. Carville Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Mass Communication Commons Recommended Citation Carville, Claire S., "From "courtesy of the red, white, and blue" to "if you're reading this": patriotic themes in country music between 2000-2010" (2011). LSU Master's Theses. 3985. https://digitalcommons.lsu.edu/gradschool_theses/3985 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. FROM “COURTESY OF THE RED, WHITE, AND BLUE” TO “IF YOU’RE READING THIS”: PATRIOTIC THEMES IN COUNTRY MUSIC BETWEEN 2000-2010 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Mass Communication in The Manship School of Mass Communication by Claire Carville B.A., The University of Alabama, 2009 May 2011 ACKNOWLEDGEMENTS I would first like to thank my committee chair, Dr. Lisa Lundy, whose constant guidance, insight, and encouragement was appreciated every step of the writing process of this thesis. Next, thanks to committee member and fellow country music fan, Bob Mann, for being excited about this project from the very beginning. -
Do You Hate It? the American South in William Faulkner’S Literature and Brad Paisley’S Country Music
Weijs S4363051/1 Do You Hate It? The American South in William Faulkner’s Literature and Brad Paisley’s Country Music. Jim Weijs S4363051 Supervisor: Dr. Matilde Roza Second Reader: Frank Mehring MA Thesis North American Studies 16 July 2018 Weijs S4363051/2 NORTH AMERICAN STUDIES Teacher(s) who will receive this document: Dr. Mathilde Roza and Prof. Frank Mehring Title of document: Do You Hate It?: The American South in William Faulkner’s Literature and Brad Paisley’s Country Music. Name of course: Master Thesis Colloquium Date of submission: 16-7-2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Jim Weijs Student number: s4363051 ABSTRACT Weijs S4363051/3 William Faulkner is one of the greatest American authors, and especially one of the greatest authors on the American South. Brad Paisley is a contemporary country musician whose songs involve the South and who uses similar themes to describe Southern culture as William Faulkner. In this thesis, I will analyze what kind of themes and ideas the twentieth century author on the one hand, and the contemporary country artist on the other hand, express through their cultural works. There are a number of questions that I aim to answer: what are the differences between Faulkner as a modernist author writing for an elite audience, and Paisley describing the South through his country music? What themes do the two artists use to express their views on the South? What is Southern identity according to Faulkner and Paisley? Keywords: William Faulkner, Brad Paisley, the South, literature, country music, ambivalence, As I Lay Dying, Absalom, Absalom!, A Rose for Emily Weijs S4363051/4 Table of Content Introduction ............................................................................................................................................ -
Complete Report
Acknowledgments FMC would like to thank Jim McGuinn for his original guidance on playlist data, Joe Wallace at Mediaguide for his speedy responses and support of the project, Courtney Bennett for coding thousands of labels and David Govea for data management, Gabriel Rossman, Peter DiCola, Peter Gordon and Rich Bengloff for their editing, feedback and advice, and Justin Jouvenal and Adam Marcus for their prior work on this issue. The research and analysis contained in this report was made possible through support from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors, the Necessary Knowledge for a Democratic Public Sphere at the Social Science Research Council (SSRC). The views expressed are the sole responsibility of its author and the Future of Music Coalition. © 2009 Future of Music Coalition Table of Contents Introduction ..................................................................................................................... 4 Programming and Access, Post-Telecom Act ........................................................ 5 Why Payola? ........................................................................................................... 9 Payola as a Policy Problem................................................................................... 10 Policy Decisions Lead to Research Questions...................................................... 12 Research Results .................................................................................................. -
November 2013
NOVEMBER NEW RELEASE GUIDE STREET DATE: November 19, 2013 5% DISCOUNT on New Release Items through Nov 26 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Nov 2013 (503) 231-0876 / www.bdcdistribution.com 2 Nov 2013 Welcome!!BDC Welcome!! New Releases One of the pleasant surprises of last year was the success of Camobear’s The Chicharones, It’s all about the kids. When you and I were six, our parents were proud that we had moved from especially with their Samsung relationship and Warped Tour appearances. Now Josh Martinez, half of picture books to story books and could color within the lines; Alma Deutscher composed a sonata at that tribute-to-deep-fried-pork-rinds, is back with his first solo release in five years. 6 and her first opera at 7. Now 8, her first album is released and she is about to take the American Violet Clark is sometimes overshadowed by her Grand Duchy band-mate husband Frank Black/Black public by storm with both network television appearances and national press embracing her talents. Francis (Pixies). Her new Killjoy solo album has her spewing forth on a whole lot of topics that make And since burnside is all about the kids, we are offering up a new Readeez DVD with Bible stories as her MAD!! well as two releases from Heidi Swedberg and the Sukey Jump Band - you will remember Heidi from And what about The Suburbs? Some thirty five years after busting straight outta Minneapolis, this Seinfeld and Kindergarten Cop. -
August 15, 8:00 the Waters Prizes Will Be Awarded All Star Panel Of
ILYA CHAMPS LAKE SOCIALS WEDNESDAY 4:00 A Scow Felker cup Music by The Jerbeks 7:00 Opening Ceremony KARAOKE with rep from each lake presenting your lake flag 5:00 Food available BATTLE THURSDAY 4:00 Music by R. Anthony 6:00 Bilge Pullers WHEN AND WHERE No Social Event Tonight August 15, 8:00 The Waters Prizes will be awarded FRIDAY 3:30 Music by A. Ramos All Star Panel of Judges 6:00 Perch Fry Corn Roast 7:00 DJ Music 8:00 Lake Karaoke RULES Campus News One Team per lake SATURDAY Each song can only be sung once 4:00 Happy Hour Music 6:00 Island Buffet Save your song today. Go to... 7:00 Rock On with Copper Box Social pkg discounted by FOR A COMPLETE LIST OF AVAILABLE GROUP 25% before June 1 and SONGS GO TO 10% before July 25 HTTP://WWW.REGATTANETWORK.COM/EVENT/8120 Purchase them at: http:// www.regattanetwork.com/ event/8120#_home FOR YOUR SAILING ENJOYMENT DAILY RACING WILL BE HELD 3:00 AM MATCHBOX 20 5:15 WHO 12:51 STROKES 45 SHINEDOWN 1982 RANDY TRAVIS 1985 BOWLING FOR SOUP 1999 PRINCE #1 NELLY (I CALLED HER) TENNESSEE TIM DUGGER (I JUST WANNA) FLY SUGAR RAY (KISSED YOU) GOOD NIGHT GLORIANA '03 BONNIE & CLYDE JAY-Z & BEYONCE KNOWLES 1 2 STEP CIARA 1 THING AMERIE 1,000 FACES RANDY MONTANA 1,2,3,4 PLAIN WHITE T'S 10,000 PROMISES BACKSTREET BOYS 18 AND LIFE SKID ROW 21 QUESTIONS 50 CENT 24 HOURS AT A TIME MARSHALL TUCKER BAND 24'S T.I. -
I'll Make a Man out of You 000 Maniacs 10 More Than This 10,000
# -- -- 20 Fingers I'll Make A Man Out Of You Short #### Man 000 Maniacs 10 20th Century Boy More Than This T. Rex 10,000 Maniacs 21St Century Girls Because The Night 21St Century Girls Like The Weather More Than This 2 Chainz feat.Chris Brown These Are The Days Countdown Trouble Me Countdown (MPX) 100% Cowboy 2 Chainz ftg. Drake & Lil Wayne Meadows, Jason I Do It 101 Dalmations (Disney) 2 Chainz & Wiz Khalifa Cruella De Vil We Own It (Fast & Furious) 10cc 2 Evisa Donna Oh La La La Dreadlock Holiday I'm Mandy 2 Live Crew I'm Not In Love Rubber Bullets Do Wah Diddy Diddy The Things We Do For Love Me So Horny Things We Do For Love We Want Some P###Y Things We Do For Love, The Wall Street Shuffle 2 Pac California Love 112 California Love (Original ... Dance With Me Changes Dance With Me (Radio Version) Changes Peaches And Cream How Do You Want It Peaches And Cream (Radio ... Until The End Of Time (Radio ... Peaches & Cream Right Here For You 2 Pac & Eminem U Already Know One Day At A Time 112 & Ludacris 2 Pac & Eric Will Hot & Wet Do For Love 12 Gauge 2 Pac Featuring Dr. Dre Dunkie Butt California Love 1910 Fruitgum Co. 2 Pistols & Ray J. 1, 2, 3 Red Light You Know Me Simon Says You Know Me (Wvocal) 1975 2 Pistols & T-Pain & Tay Dizm Sincerity Is Scary She Got It TOOTIMETOOTIMETOOTIME She Got It (Wvocal) 1975, The 2 Unlimited Chocolate No Limits 1999 Man United Squad Lift It High (All About Belief) 1 # 30 Seconds To Mars When Your Young .. -
The Performance and Perception of Social Identities in Country-Rap Music
The Performance and Perception of Social Identities in Country-Rap Music Rachel Grandstrand Honors in Musicology Advisor: Jennifer Fraser April 2013 2 Table of Contents 1. Introduction ............................................................................................................. 3 2. Sounds and Cultural Practices in the Definition of “Genre” ................................... 10 Genre as Musical Style and Generic Space ...................................................... 13 3. Social Constructions of Authenticity ....................................................................... 22 Definitions of Authenticity within Academia ..................................................... 24 Authenticity, Genre, and Semiotics ................................................................... 27 The Construction of Authenticity in Country Music ......................................... 29 The Construction of Authenticity in Hip-Hop Music ........................................ 38 Summary ............................................................................................................ 45 4. Country-Rap: the Sonic Negotiation of Country and Hip-Hop Communities ........ 46 Country-Rap as a Subgenre of Country Music ................................................. 47 The Perception of Race in Country-Rap Music ................................................ 55 Summary ............................................................................................................ 73 5. Conclusion: Social Implications -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 16, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Blanco, Highwomen Is The Party Over? Country Gets Score Wins >page 4 Serious With A New Wave Of Singles Conley, Americana And Music Cycles The first time Craig Morgan sang “The Father, My Son and the a child in a dangerous world; and two songs that face mortality, >page 10 Holy Ghost” was also supposed to be the last time. Chris Young’s “Drowning” and Luke Combs’ “Even Though The song details Morgan’s difficult emotional journey I’m Leaving.” following the death of son Jerry Greer, 19, in a 2016 drowning They’re not the only examples. Justin Moore topped the accident, and it left much of the Grand Ole Opry audience in Country Airplay chart on Sept. 7 with “The Ones That Didn’t Church, Aldean tears in March 2019. Backstage, Morgan told Ricky Skaggs he Make It Back Home,” a song about soldiers who died in battle, Go To College doubted he was strong enough to perform it again. accompanied by a video that incorporates first responders >page 11 Skaggs “put his hands on and school shootings. Riley my shoulder with big tears in Green’s new “I Wish Grandpas his eyes,” recalls Morgan. “He Never Died” laments the deaths said, ‘You have to sing that of people and pets, as well as the Garth, Trisha Play song. The world needs to hear decline of the family farm. Tenille Musicians Hall Event this kind of music.’ ” Townes’ “Jersey on the Wall (I’m >page 11 Morgan relented.