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LION 650 DUG DUGS Smog CD LOS DUG DUG’S SMOG 1. Smog 2. Buscalo 3. Hagómoslo Ahora 4. Yo No Se 5. Cual es tu Nombre? 6. Meditacion 7. No Somos Malos 8. Voy Hacia el Cielo (Voy Hacia el Sol) The second album (1972) from psychedelic guru Armando Nava and his band is in Spanish this time, as all other Mexican bands were by now singing in English. The recording sessions were tumultuous: after the band—now stripped down to a power trio—had recorded just three songs, Nava stormed out of the sessions and locked himself in his house for fifteen days. Everyone on the outside worried about his safety, but Armando was fine: he kept himself busy reconfiguring the entire album, including penning the punishing riffs that form the central motif of the mesmerizing twelve-minute medley that explodes over the album’s entire first side. So again, as with the genesis of the Dug Dug’s debut album (also available from Lion Productions), the end result of all the tumult surrounding the band was a great album. There’s no doubt that the Dug Dug’s toughened up their sound on “Smog”: to some people they sound like a crazy Mexican version of Jethro Tull, and to others like a Spanish speaking incarnation of MC5. No matter how you look at it, this is tremendous progressive-influenced hard rock, with a new chunky sound. It is clearly among a small group of elite recordings from the psychedelic age; it is also possibly the best Mexican hard rock album of all time. ORDER CUT OFF DATE FOR THIS ITEM: FEB 8th Format: CD Cat. No: LION 650-CD Label: Lion Productions Available: MARCH 22nd CD LOS DUG DUG’S SMOG SIDE A 1. Smog 2. Buscalo 3. Hagómoslo Ahora 4. Yo No Se SIDE B 5. Cual es tu Nombre? 6. Meditacion 7. No Somos Malos 8. Voy Hacia el Cielo (Voy Hacia el Sol) The second album (1972) from psychedelic guru Armando Nava and his band is in Spanish this time, as all other Mexican bands were by now singing in English. The recording sessions were tumultuous: after the band—now stripped down to a power trio—had recorded just three songs, Nava stormed out of the sessions and locked himself in his house for fifteen days. Everyone on the outside worried about his safety, but Armando was fine: he kept himself busy reconfiguring the entire album, including penning the punishing riffs that form the central motif of the mesmerizing twelve-minute medley that explodes over the album’s entire first side. So again, as with the genesis of the Dug Dug’s debut album (also available from Lion Productions), the end result of all the tumult surrounding the band was a great album. There’s no doubt that the Dug Dug’s toughened up their sound on “Smog”: to some people they sound like a crazy Mexican version of Jethro Tull, and to others like a Spanish speaking incarnation of MC5. No matter how you look at it, this is tremendous progressive-influenced hard rock, with a new chunky sound. It is clearly among a small group of elite recordings from the psychedelic age; it is also possibly the best Mexican hard rock album of all time. ORDER CUT OFF DATE FOR THIS ITEM: FEB 8th Format: LP Cat. No: LION 650-LP Label: Lion Productions Available: MARCH 22nd LP HOWLIN WOLF THE HOWLIN’ WOLF ALBUM 4. Moanin’ at Midnight 1. Spoonful 8. Down In The Bottom 5. Built For Comfort 2. Tail Dragger 9. Three Hundred Pounds Of Joy 6. The Red Rooster 3. Smokestack Lightning 10. Back Door Man 7. Evil It’s not often that an album disavowed by its own author at the time of release goes on to become con- sidered a modern classic. Yet that’s exactly what happened with Chicago blues legend Howlin’ Wolf’s 1969 LP The Howlin’ Wolf Album, a release that has since attained mythical status due to the controversy behind it. Released on Cadet Records, a subsidiary of legen- dary imprint Chess Records, The Howlin’ Wolf Album was a radical experiment for a well- established artist: attempt to integrate electric instru- ments and psychedelic arrangements into his revered signature blues sound. The result was an album that Wolf himself initially disregarded on the now- infamous cover, but one that has won a special place amongst dedicated music aficionados thanks to its unique mix of traditional blues and electric rock elements. Get On Down’s reputation for high quality reissues continues with The Howlin’ Wolf Album, which features audio remastered from the original analog tapes for optimum sound quality and comes pack- aged in a mini paste-on jacket with obi strip and inner dust sleeve. FORMAT: CD • CAT NO: GET 54038 • LABEL: Get On Down • STREET DATE: March 22nd HOWLIN WOLF THE HOWLIN’ WOLF ALBUM A4. Moanin’ at Midnight A1. Spoonful B3. Down In The Bottom A5. Built For Comfort A2. Tail Dragger B4. Three Hundred Pounds Of Joy B1. The Red Rooster A3. Smokestack Lightning B5. Back Door Man B2. Evil It’s not often that an album disavowed by its own author at the time of release goes on to become con- sidered a modern classic. Yet that’s exactly what happened with Chicago blues legend Howlin’ Wolf’s 1969 LP The Howlin’ Wolf Album, a release that has since attained mythical status due to the controversy behind it. Released on Cadet Records, a subsidiary of legen- dary imprint Chess Records, The Howlin’ Wolf Album was a radical experiment for a well- established artist: attempt to integrate electric instru- ments and psychedelic arrangements into his revered signature blues sound. The result was an album that Wolf himself initially disregarded on the now- infamous cover, but one that has won a special place amongst dedicated music aficionados thanks to its unique mix of traditional blues and electric rock elements. Get On Down’s reputation for high quality reissues continues with The Howlin’ Wolf Album, which features a special Stoughton vinyl pressing with audio remastered from the original analog tapes for optimum sound quality and comes packaged in a paste-on style jacket featuring the album’s famous original artwork. FORMAT: LP • CAT NO: GET 54038 • LABEL: Get On Down • STREET DATE: March 22nd LEON HAYWOOD Come And Get Yourself Some 1. Come And Get Yourself Some 4. Who You Been Giving It 7. Just Your Fool 2. This Feeling’s Rated Extra Up To You 8. I Know What Love Is 3. I Want’a Do Something 5. You Need A Friend Like Mine 9. Believe Half Of What You See Freaky To You 6. Consider The Source (And None Of What You Hear) Almost two decades after its original release in 1975, the smooth, sensual bass groove of Leon Haywood’s “I Want to Do Something Freaky to You” was an unmistakable, constant presence on radio airwaves across the country—although the song itself was not. Thanks to Dr. Dre, who sampled Haywood’s hit for his own smash single “Nuthin’ But a ‘G’ Thang” in 1992, a new generation of listeners were introduced to the Texas-born soul and funk singer, whose biggest hits (including the Dre-sampled track) appear on Come and Get Yourself Some. “I Want to Do Something Freaky to You” was the centerpiece, becoming a Top 20 hit on the Pop charts, but the album reflected Haywood‘s talent for mid-tempo, laid-back R&B with songs like “This Feeling’s Extra Rated” and the bold, funky title track. A rare treat for soul/funk col- lectors lucky enough to find it, Come and Get -NOT ACTUAL COVER ART - Yourself Some becomes the latest classic title resurrected and refurbished by Get On Down, featuring a sparkling new audio transfer from the original analog tapes and presented in a digipak case. FORMAT: CD • CAT NO: GET 54040 • LABEL: Get On Down • STREET DATE: March 22nd WELDON IRVINE Sinbad 1. Sinbad 3. What’s Goin’ On? 6. Music Is The Key 2. Don’t You Worry ‘Bout 4. I Love You 7. Here’s Where I Came In A Thing 5. Do Something For 8. Gospel Feeling Yourself In 1976, jazz keyboardist Weldon Irvine was in a transitional phase of his career. Having spent years as Nina Simone’s band leader, he had developed into a full-formed, mature musician by the early 70s, creating a sound that combined modern jazz, soul, funk and blues with an underlying social and spiritual consciousness. Sinbad, his last ever album for a major label, marked the high point of that period. Mixing original songs with covers by Marvin Gaye (“What’s Goin’ On”) and Stevie Wonder (“Don’t You Worry ‘Bout a Thing”), Irvine led an exem- plary group of players—guitarist Eric Bale, saxophonist Michael Brecker and a breakout performance by pianist Don Blackman, who also supplied vocals—on an ambitious, intricate musical journey that’s both technically brilliant and emotionally striking. Afterwards, Irvine found further success in writing musical stage productions, leaving Sinbad as one of his final—and greatest—recordings. Get On Down is proud to present Weldon Irvine’s masterpiece Sinbad as it was intended to be experienced, with a beautiful new digital transfer from the original analog tapes. FORMAT: CD • CAT NO: GET 51274 • LABEL: Get On Down • STREET DATE: March 22nd DJ DEADEYE SUBSTANCE ABUSE One of the staple forces behind Termanology’s ST. Da Squad, DJ Deadeye has been waiting patiently for his turn in the spotlight. Many already know the Puerto Rican-born, Massachusetts-raised Deadeye (born Dustin Hernandez) as rapper Term’s DJ, but he’s spent the last six years quietly building an impressive resume that goes far beyond just his inner circle.
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