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Nostalgic Retro Game Discourse in Youtube Comment Sections “Damn I miss this game” – Nostalgic Retro Game Discourse in YouTube Comment Sections Jonna Vuorinen University of Tampere School of Language, Translation and Literary Studies Master’s Programme in English Language and Literature MA Thesis May 2016 Tampereen Yliopisto Englannin kielen ja kirjallisuuden maisteriopinnot Kieli-, käännös- ja kirjallisuustieteiden yksikkö VUORINEN, JONNA: “Damn I miss this game” – Nostalgic Retro Game Discourse in YouTube Comment Sections Pro Gradu -tutkielma, 107 sivua + lähdeluettelo 6 sivua Toukokuu 2016 Pro gradu -tutkielmani käsittelee retropelinostalgian diskursiivista rakentumista kymmenen YouTube -verkkovideopalveluun ladatun pelivideon kommenttikentissä. Tutkielmassa tarkastellaan, miten usein ja millä tavoin kahden vuonna 1998 julkaistun 3D-tasohyppelyvideopelin – PlayStation 1 -peli Spyro the Dragonin ja Nintendo 64 -peli Banjo-Kazooien – herättämä nostalgian tunne ilmenee kielellisesti niitä käsitteleviin videoihin kohdistuvissa käyttäjäkommenteissa. Tutkimuksestani käy ilmi, että kyseisiä retropelejä kohtaan tunnetulla nostalgialla on diskursiivinen olomuoto, joka on vahvasti läsnä videonkatselijoiden jättämissä kommenteissa ja rakentuu erinäisten kielipiirteiden yhteisvaikutuksesta. Mikrotason nostalgisten sanavalintojen voidaan nähdä muodostavan laajempia temaattisia kokonaisuuksia, jotka valaisevat retropelinostalgian kytköksiä yksilön henkilökohtaisiin ja kulttuurisiin kokemuksiin ja antavat siten osviittaa videopeleihin kohdistuvan nostalgian ainutlaatuisesta luonteesta myöhäismodernismin aikakaudella. Tutkimusmetodinani käytän datalähtöistä verkkodiskurssianalyysia, jonka ensimmäisessä vaiheessa erittelen nostalgiset kommentit ei-nostalgisista. Määritelmäni mukaan nostalgisiksi voidaan luokitella kommentit, jotka ovat emotionaalisesti latautuneita ja ilmaisevat kaipausta kyseisiä pelejä kohtaan, painottavat pelien arvoa ainutlaatuisina nostalgisina hyödykkeinä, tai korostavat niiden roolia retropelikulttuurin edustajina. Toisessa vaiheessa jaottelen nostalgiset kommentit tulkinnallisiin repertuaareihin niiden ilmentämien teemojen mukaan. Viimeisessä vaiheessa taas keskityn tarkastelemaan yksittäisissä kommenteissa esiintyviä tunnesanoja (emotion words), vahvistussanoja (intensifiers), interjektioita (interjections), hymiöitä (emoticons) ja kirjoitusasun tunteellisia piirteitä. Tutkimustulosten mukaan 35,5 prosenttia kaikista videoiden alle jätetyistä kommenteista voitiin pitää nostalgisina, mikä vahvistaa yleistä käsitystä nostalgian ja retropelien välisestä yhteydestä sekä YouTuben kaltaisen sosiaalisen median roolista nostalgian ilmaisulle otollisena ympäristönä. Nostalgiset kommentit jaettiin henkilökohtaisesti nostalgisiin (50,9%), kulttuurisesti nostalgisiin (39,3%) ja yleisesti nostalgisiin (9,8%). Henkilökohtaisesti nostalgisissa kommenteissa pelit liitettiin kommentoijille rakkaisiin lapsuutta, läheisiä ihmisiä, pelisankarina toimimista ja ensimmäisiä pelikokemuksia koskeviin muistoihin. Kulttuurisesti nostalgiset kommentit puolestaan korostivat pelien kulttimainetta viittaamalla niiden rooliin laadukkaina ja miellyttävinä klassikoina, siinä missä yleisesti nostalgiset kommentit ilmensivät pelien herättämää nostalgian tunnetta yleisellä tasolla. Tärkeimmäksi nostalgiseksi teemaksi nousi kommentoijan toimiminen aktiivisena pelisankarina, mikä puoltaa näkemystä, jonka mukaan yksilöllä itsellään on lähes poikkeuksetta keskeinen rooli nostalgisissa kokemuksissaan. Nostalgisissa kommenteissa esiintyi useita affektiivisia kielipiirteitä, joista yleisimmät vahvistivat positiivisesti latautunutta, lämminhenkistä kuvaa retropelinostalgian tunnesisällöstä. Kaiken kaikkiaan retropelinostalgia näyttäytyy kommenteissa henkilökohtaisesti ja kulttuurisesti tärkeänä ilmiönä, jonka keskiössä on pelikokemus itsessään, ja jota rakennetaan ja jaetaan kielen kautta monivivahteisen diskurssin muodossa. Avainsanat: nostalgia, retropelit, affekti, verkkodiskurssi, tulkinnallinen repertuaari Table of Contents 1 Introduction..................................................................................................................................... 1 2 Theoretical background.................................................................................................................. 4 2.1 On nostalgia................................................................................................................................... 4 2.1.1 Theories of nostalgia................................................................................................................ 6 2.1.2 Nostalgia as a yearning for the past....................................................................................... 8 2.1.3 Nostalgia in late modernity.................................................................................................... 10 2.2 On video gaming.......................................................................................................................... 13 2.2.1 Introducing retro game culture............................................................................................... 16 2.2.2 Retro games and nostalgia..................................................................................................... 17 2.3 YouTube as a nostalgic platform................................................................................................. 20 2.4 The discursive construction of emotions..................................................................................... 23 2.4.1 Emotion words, interjections and intensifiers as features of affective language................... 25 2.4.2 Affective language in online communication......................................................................... 27 3 Data and method............................................................................................................................ 32 3.1 Retro game comments under analysis......................................................................................... 32 3.1.1 Spyro the Dragon................................................................................................................... 34 3.1.2 Banjo-Kazooie........................................................................................................................ 36 3.2 Methods of analysis..................................................................................................................... 38 3.2.1 Identifying and examining nostalgic comments: the analytical process................................. 41 4 Nostalgic retro game discourse..................................................................................................... 45 4.1 General retro game nostalgia........................................................................................................ 46 4.1.1 General retro game nostalgia: a summary............................................................................. 51 4.2 Cultural retro game nostalgia........................................................................................................ 52 4.2.1 The game as enjoyable............................................................................................................ 53 4.2.2 Retro versus new.................................................................................................................... 58 4.2.3 Connection to other nostalgic games...................................................................................... 63 4.2.4 The game as a classic.............................................................................................................. 66 4.2.5 Cultural retro game nostalgia: a summary............................................................................. 69 4.3 Personal retro game nostalgia....................................................................................................... 71 4.3.1 Commenter as protagonist..................................................................................................... 72 4.3.2 Childhood nostalgia............................................................................................................... 78 4.3.3 Close others............................................................................................................................ 85 4.3.4 The game as one’s first........................................................................................................... 89 4.3.5 Personal retro game nostalgia: a summary............................................................................ 92 4.4 A special case of retro game nostalgia......................................................................................... 93 5 Summary and discussion of findings............................................................................................ 96 6 Conclusion.................................................................................................................................... 103 References....................................................................................................................................... 108 1 1 Introduction “There are no days more full than those we go back to.” – Colum McCann, Zoli (2007) Because of their interactive nature and intense emotional engagement, video games can be considered as a complex medium and a unique form of popular culture. As a consequence of rapid advances in technology, video gaming has undergone significant changes over the last three decades, which
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