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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
Thomas Edison Vs Nikola Tesla THOMAS EDISON VS NIKOLA TESLA
M C SCIENTIFIC RIVALRIES PHERSON AND SCANDALS In the early 1880s, only a few wealthy people had electric lighting in their homes. Everyone else had to use more dangerous lighting, such as gas lamps. Eager companies wanted to be the first to supply electricity to more Americans. The early providers would set the standards—and reap great profits. Inventor THOMAS EDISON already had a leading role in the industry: he had in- vented the fi rst reliable electrical lightbulb. By 1882 his Edison Electric Light Company was distributing electricity using a system called direct current, or DC. But an inventor named NIKOLA TESLA challenged Edison. Tesla believed that an alternating cur- CURRENTS THE OF rent—or AC—system would be better. With an AC system, one power station could deliver electricity across many miles, compared to only about one mile for DC. Each inventor had his backers. Business tycoon George Westinghouse put his money behind Tesla and built AC power stations. Meanwhile, Edison and his DC backers said that AC could easily electrocute people. Edison believed this risk would sway public opinion toward DC power. The battle over which system would become standard became known as the War of the Currents. This book tells the story of that war and the ways in which both kinds of electric power changed the world. READ ABOUT ALL OF THE OF THE SCIENTIFIC RIVALRIES AND SCANDALS BATTLE OF THE DINOSAUR BONES: Othniel Charles Marsh vs Edward Drinker Cope DECODING OUR DNA: Craig Venter vs the Human Genome Project CURRENTS THE RACE TO DISCOVER THE -
Comics, Graphic Novels, Manga, & Anime
SAN DIEGO PUBLIC LIBRARY PATHFINDER Comics, Graphic Novels, Manga, & Anime The Central Library has a large collection of comics, the Usual Extra Rarities, 1935–36 (2005) by George graphic novels, manga, anime, and related movies. The Herriman. 741.5973/HERRIMAN materials listed below are just a small selection of these items, many of which are also available at one or more Lions and Tigers and Crocs, Oh My!: A Pearls before of the 35 branch libraries. Swine Treasury (2006) by Stephan Pastis. GN 741.5973/PASTIS Catalog You can locate books and other items by searching the The War Within: One Step at a Time: A Doonesbury library catalog (www.sandiegolibrary.org) on your Book (2006) by G. B. Trudeau. 741.5973/TRUDEAU home computer or a library computer. Here are a few subject headings that you can search for to find Graphic Novels: additional relevant materials: Alan Moore: Wild Worlds (2007) by Alan Moore. cartoons and comics GN FIC/MOORE comic books, strips, etc. graphic novels Alice in Sunderland (2007) by Bryan Talbot. graphic novels—Japan GN FIC/TALBOT To locate materials by a specific author, use the last The Black Diamond Detective Agency: Containing name followed by the first name (for example, Eisner, Mayhem, Mystery, Romance, Mine Shafts, Bullets, Will) and select “author” from the drop-down list. To Framed as a Graphic Narrative (2007) by Eddie limit your search to a specific type of item, such as DVD, Campbell. GN FIC/CAMPBELL click on the Advanced Catalog Search link and then select from the Type drop-down list. -
Thomas Edison Alexander Graham Bell
The Inventing Game Cut out the images. Cut out the name of the inventor separately. Read out the text as a clue. Can people match the correct name and image? THOMAS EDISON Clue The first great invention developed by (don’t say the name) Thomas Edison was the tin foil phonograph. A prolific producer, Edison is also known for his work with light bulbs, electricity, film and audio devices, and much more. ALEXANDER GRAHAM BELL Clue In 1876, at the age of 29, (don’t say the name) Alexander Graham Bell invented his telephone. Among one of his first innovations after the telephone was the "photophone," a device that enabled sound to be transmitted on a beam of light. GEORGE WASHINGTON CARVER Clue (Don’t say the name) George Washington Carver was an agricultural chemist who invented 300 uses for peanuts and hundreds of more uses for soybeans, pecans, and sweet potatoes. His contributions chang ed the history of agriculture in the south. ELI WHITNEY Clue (Don’t say the name) Eli Whitney invented the cotton gin in 1794. The cotton gin is a machine that separates seeds, hulls, and other unwanted materials from cotton after it has been picked. JOHANNES GUTTENBERG Clue (don’t say the name) Johannes Gutenberg was a German goldsmith and inventor best known for the Gutenberg press, an innovative printing machine that used movable type. JOHN LOGIE BAIRD Clue (don’t say the name) John Logie Baird is remembered as the inventor of mechanical television (an earlier version of television). Baird also patented inventions related to radar and fibre optics. -
INDUSTRIAL STRENGTH by MICHAEL RIORDAN
THE INDUSTRIAL STRENGTH by MICHAEL RIORDAN ORE THAN A DECADE before J. J. Thomson discovered the elec- tron, Thomas Edison stumbled across a curious effect, patented Mit, and quickly forgot about it. Testing various carbon filaments for electric light bulbs in 1883, he noticed a tiny current trickling in a single di- rection across a partially evacuated tube into which he had inserted a metal plate. Two decades later, British entrepreneur John Ambrose Fleming applied this effect to invent the “oscillation valve,” or vacuum diode—a two-termi- nal device that converts alternating current into direct. In the early 1900s such rectifiers served as critical elements in radio receivers, converting radio waves into the direct current signals needed to drive earphones. In 1906 the American inventor Lee de Forest happened to insert another elec- trode into one of these valves. To his delight, he discovered he could influ- ence the current flowing through this contraption by changing the voltage on this third electrode. The first vacuum-tube amplifier, it served initially as an improved rectifier. De Forest promptly dubbed his triode the audion and ap- plied for a patent. Much of the rest of his life would be spent in forming a se- ries of shaky companies to exploit this invention—and in an endless series of legal disputes over the rights to its use. These pioneers of electronics understood only vaguely—if at all—that individual subatomic particles were streaming through their devices. For them, electricity was still the fluid (or fluids) that the classical electrodynamicists of the nineteenth century thought to be related to stresses and disturbances in the luminiferous æther. -
The Early Years of the Telephone
©2012 JSR The early years of the telephone The early years of the telephone John S. Reid Before Bell Ask who invented the telephone and most people who have an answer will reply Alexander Graham Bell, and probably clock it up as yet another invention by a Scotsman that was commercialised beyond our borders. Like many one line summaries, this is partly true but it credits to one person much more than he really deserves. Bell didn’t invent the word, he didn’t invent the concept, what ever the patent courts decreed, and actually didn’t invent most of the technology needed to turn the telephone into a business or household reality. He did, though, submit a crucial patent at just the right time in 1876, find backers to develop his concept, promoted his invention vigorously and pursued others through the courts to establish close to a monopoly business that made him and a good many others very well off. So, what is the fuller story of the early years of the telephone? In the 1820s, Charles Wheatstone who would later make a big name for himself as an inventor of telegraphy equipment invented a device he called a ‘telephone’ for transmitting music from one room to the next. It was not electrical but relied on conducting sound through a rod. In the same decade he also invented a device he called a ‘microphone’, for listening to faint sounds, but again it was not electrical. In succeeding decades quite a number of different devices by various inventors were given the name ‘telephone’. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Annual Report
ANNUAL REPORT 2013 Archive Name ATAS14_Corp_140003273 MECH SIZE 100% PRINT SIZE Description ATAS Annual Report 2014 Bleed: 8.625” x 11.1875” Bleed: 8.625” x 11.1875” Posting Date May 2014 Trim: 8.375” x 10.875” Trim: 8.375” x 10.875” Unit # Live: 7.5” x 10” LIve: 7.5” x 10” message from THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER At the end of 2013, as I reflected on my first term as Television Academy chairman and prepared to begin my second, it was hard to believe that two years had passed. It seemed more like two months. At times, even two weeks. Why? Because even though I have worked in TV for more than three decades, I have never seen our industry undergo such extraordinary — and extraordinarily exciting — changes as it has in recent years. Everywhere you turn, the vanguard is disrupting the old guard with an astonishing new technology, an amazing new show, an inspired new way to structure a business deal. This is not to imply that the more established segments of our industry have been pushed aside. On the contrary, the broadcast and cable networks continue to produce terrific work that is heralded by critics and rewarded each year at the Emmys. And broadcast networks still command the largest viewing audience across all of their platforms. With our medium thriving as never before, this is a great time to work in television, and a great time to be part of the Television Academy. Consider the 65th Emmy Awards. The CBS telecast, hosted by the always-entertaining Neil Patrick Harris, drew our largest audience since 2005. -
Visions of Electric Media Electric of Visions
TELEVISUAL CULTURE Roberts Visions of Electric Media Ivy Roberts Visions of Electric Media Television in the Victorian and Machine Ages Visions of Electric Media Televisual Culture Televisual culture encompasses and crosses all aspects of television – past, current and future – from its experiential dimensions to its aesthetic strategies, from its technological developments to its crossmedial extensions. The ‘televisual’ names a condition of transformation that is altering the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture. Shifts in production practices, consumption circuits, technologies of distribution and access, and the aesthetic qualities of televisual texts foreground the dynamic place of television in the contemporary media landscape. They demand that we revisit concepts such as liveness, media event, audiences and broadcasting, but also that we theorize new concepts to meet the rapidly changing conditions of the televisual. The series aims at seriously analyzing both the contemporary specificity of the televisual and the challenges uncovered by new developments in technology and theory in an age in which digitization and convergence are redrawing the boundaries of media. Series editors Sudeep Dasgupta, Joke Hermes, Misha Kavka, Jaap Kooijman, Markus Stauff Visions of Electric Media Television in the Victorian and Machine Ages Ivy Roberts Amsterdam University Press Cover illustration: ‘Professor Goaheadison’s Latest,’ Fun, 3 July 1889, 6. Cover design: Coördesign, Leiden -
See You in the Funny Papers: Cartoons and Social Networks
CONNECTIONS 23(1): 32-42 © 2000 INSNA See you in the Funny Papers: Cartoons and Social Networks Linton C. Freeman University of California, Irvine From time to time a branch of science captures the imagination of the public; it gets "hot." When that happens, references to the "hot" item appear in newspapers, in novels, in movies -- even in cartoons. Forty odd years ago, for example, Ray Birdwhistell (1952) first introduced kinesics, the field concerned with the importance of non-verbal gestures in human communication. Very soon, Al Capp introduced a new character in his comic strip, Li'l Abner. Capp began a series of based on the activities of a "Professor Fleasong," a specialist in the study of "toe gestures." The field of social network analysis seems to be in that kind of center-stage position today. The fact that social networks is "hot" is indicated by its increasingly frequent appearance in the popular media, particularly in the comics. And, interestingly enough, many of those treatments are quite sophisti-cated. They refer, not just to the network idea, but they often reflect some of the more subtle and sophisticated ideas from our field -- and they do it with wit. In the present note, I will review some of the cartoons published in the last few years that focus on social net-works. One aim is to entertain. But, at the same time, I will show cartoons that reveal the core ideas behind a wide range of important structural research. Cartoons of this sort might be used to provide the uninitiated with a painless introduction to some key network concepts and research findings. -
{PDF EPUB} Dennis the Menace Television Special by Hank Ketcham the Tragic True Story of Dennis the Menace
Read Ebook {PDF EPUB} Dennis The Menace Television Special by Hank Ketcham The Tragic True Story Of Dennis The Menace. Dennis the Menace has been terrorizing his neighborhood for decades. The character's creator, Hank Ketcham, wanted to make his readers feel better about their kids' behavior. His own child, the titular Dennis, was apparently a very rowdy boy. But as much as the cartoon Dennis endured and flourished, including a series of popular movies and TV shows, the real Dennis didn't have as much luck. Ketcham got the idea in 1951 after his wife Alice told him that their son, Dennis, then four years old, had destroyed his room by throwing around fecal matter from his pants. Alice was so mad she called her son a menace, wrote Mental Floss. Ketcham found the thought of his son as being harmful good material, and within five months, the strip was being published by 16 newspapers. Like other popular comic strips at the time, Dennis the Menace would go on to be translated into several languages. Ketcham's comic character really was a menace. In the early strips, Dennis would incite fights, tie swan heads together, and laugh at others' misfortunes. Ketcham toned down this trait in later comics, but the idea that Dennis was a bit of a brat stuck around. In an interesting twist of fate, another Dennis the Menace comic strip came out around the same time as Ketcham's, said the BBC, featuring a child who was just a little older and less of a troublemaker. -
DAVE SCHEIDT and KATHRYN HUDSON Trolls Graphic Novels #5: "Critter Appreciation Day"
CHARMZ • FEBRUARY 2018 JUVENILE FICTION / COMICS & GRAPHIC NOVELS GREG TESSIER AND AMANDINE Chloe #3: "Frenemies" Chloe and Alexandre do the long distance thing. Can their love survive? Collecting another quirky cute installment of stories in this hit series from France, Chloe Blin continues her quest to figure out love, popularity, and herself. This time Chloe must work with her nemesis, Anissa, at a new job with a cantankerous old woman doing makeovers! She’s not quite ready for all the trouble Anissa will cause and has to deal with conflict in more constructive ways. Then, Chloe must contend with her love, Alexandre, going FEBRUARY abroad after being in boarding school all year. It’s a disaster Charmz of epic proportions! Chloe must rally and manage her Juvenile Fiction / Comics & Graphic Novels disappointment, jealousy, and loneliness. On Sale 2/20/2018 Ages 10 to 14 GREG TESSIER has been writing stories since childhood. While Trade Paperback , 112 pages 9 in H | 6 in W at school, he studied history and cultural development, and today Carton Quantity: 90 he oversees public reading projects in France. His first comic ISBN: 9781629918587 series, CHLOE, has been very well received in France and is now $9.99 / $13.99 Can. being translated in English for the first time. AMANDINE first came to the comics scene in 2006 with her work in Violet's Wings, based on a screenplay by Sarabelle. She attended the University of Paris VIII, where she studied comic arts. When she is not working on the CHLOE series, she continues to seek out new projects and visit French schools.