The Intellectual Space Race: Applying Terrestrial Patent Laws to Private Outer Space Activity
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The Ethics of Terraforming and Areoforming in an Age of Climate Change
Engineering Planets, Engineering Ourselves: The Ethics of Terraforming and Areoforming in an Age of Climate Change Patrick D. Murphy (University of Central Florida)1 Abstract The concept of terraforming, the engineered transformation of alien planets into habitats suitable for human settlement, has taken on new meaning in science fiction and contemporary culture as climate change has indicated that human beings are currently transforming this planet but without a clear plan for sustaining inhabitability. Literary depictions by Kim Stanley Robinson of both climate change and terraforming raise ethical questions about the engineering of this and other planets, while the science fiction novels of Joan Slonczewski raise ethical questions about engineering human beings to adapt to alien environments. Together, they provide ways of thinking about the intertwined ethical questions of engineering the biosphere and engineering the species in the context of human and environmental sustainability. In particular, some works, such as the novels of Karen Traviss, raise the issue of how much the human species might have to engineer itself to pay the price of its unplanned engineering of planet Earth. Nearly twenty years ago Bill McKibben claimed that "we are at the end of nature" (8). In support of this seemingly hyperbolic statement, he referred to a 1957 scientific paper which claimed that "Human beings are now carrying out a large scale geophysical experiment" (qtd. in McKibben 10), by pumping rapidly increasing amounts of carbon dioxide into the atmosphere. 1 Patrick Murphy, Department of English, University of Central Florida, Building: CNH301 P.O. Box 161346 Orlando, FL 32816-1346 [email protected] 54 Many people, myself included, thought McKibben had gone over the top. -
The War of the Worlds Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film
Durkstra 4167430 | 1 The War of the Worlds Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film Sytse Durkstra English Language and Culture Supervisor | Chris Louttit Sytse Durkstra | s4167430 | Email [email protected] Durkstra 4167430 | 2 ENGLISH LANGUAGE AND CULTURE Teacher who will receive this document: Chris Louttit Title of document: The War of the Worlds: Postcolonialism, Americanism, and Terrorism in Modern Science Fiction Film Name of course: BA Thesis English Language and Culture Date of submission: 15 June 2015 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Sytse Durkstra Student number: 4167430 Durkstra 4167430 | 3 And this Thing I saw! How can I describe it? A monstrous tripod, higher than many houses, striding over the young pine trees, and smashing them aside in its career; a walking engine of glittering metal, reeling now across the heather, articulate ropes of steel dangling from it, and the clattering tumult of its passage mingling with the riot of the thunder. A flash, and it came out vividly, heeling over one way with two feet in the air, to vanish and reappear almost instantly, as it seemed with the next flash, a hundred yards nearer. - H.G. Wells, The War of the Worlds But who shall dwell in these worlds if they be inhabited? . Are we or they Lords of the World? . And how are all things made for man? - Kepler In our obsession with antagonisms of the moment, we often forget how much unites all the members of humanity. -
The Past Decade and the Future of Cosmology and Astrophysics
Towards a New Enlightenment? A Transcendent Decade The Past Decade and the Future of Cosmology and Astrophysics Martin Rees Martin Rees is a cosmologist and space scientist. After studying at Cambridge University, he held various posts in the UK and elsewhere, before returning to Cambridge, where he has been a professor, Head of the Institute of Astronomy, and Master of Trinity College. He has contributed to our understanding of galaxy formation, black holes, high-energy phenomena in the cosmos, and the concept of the multiverse. He has received substantial international recognition for his research. He has been much involved in science-related policy, being a member of the UK’s House of Lords and (during 2005–10) President of the Royal Society, the independent scientific academy of the UK Martin Rees and the Commonwealth. Apart from his research publications, he writes and University of Cambridge lectures widely for general audiences, and is the author of eight books, the most recent being On the Future (2018). Recommended books: Universe, Martin Rees, Dorling Kindersley, 2012; On the Future, Martin Rees, Princeton University Press, 2018. In the last decade, there has been dramatic progress in exploring the cosmos. Highlights include close-up studies of the planets and moons of our Solar System; and (even more dramatic) the realization that most stars are orbited by planets, and that there may be millions of Earth-like planets in our Galaxy. On a still larger scale, we have achieved a better understanding of how galaxies have developed, over 13.8 billion years of cosmic history, from primordial fluctuations. -
The Terraforming Timeline. A. J. Berliner1 and C. P. Mckay2
Planetary Science Vision 2050 Workshop 2017 (LPI Contrib. No. 1989) 8031.pdf The Terraforming Timeline. A. J. Berliner1 and C. P. McKay2, 1University of California Berkeley, Berkeley, CA 94704, [email protected], 2Space Sciences Division, NASA Ames Research Center, Mountain View, CA 94075. Introduction: Terraforming, the transformation of particularly the winter South Polar Cap, and any CO2 a planet so as to resemble the earth so that it can sup- that is absorbed into the cold ground in the polar re- port widespread life, has been described as a grand gions. Once the warming starts all this releasable CO2 challenge of both space sciences and synthetic biology will go into the atmosphere. Thus, it is important to [1,2]. We propose the following abstract on a Martian know the total before warming starts. Current esti- Terraforming timeline as a guide to shaping planetary mates of the releasable CO2 on Mars today range from science research over the coming century. a little more than the present thin atmosphere to values Terraforming Mars can be divided into two phases. sufficient to create a pressure on Mars equal to the sea The first phase is warming the planet from the present level pressure on Earth. Nitrogen is a fundamental re- average surface temperature of -60ºC to a value close quirement for life and necessary constituent of a to Earth’s average temperature to +15ºC, and re- breathable atmosphere. The recent discovery by the creating a thick CO2 atmosphere [3,4,5,6] This warm- Curiosity Rover of nitrate in the soil on Mars (~0.03% ing phase is relatively easy and quick, and could take by mass) is therefore encouraging for terraforming [7]. -
Inventory of CO2 Available for Terraforming Mars
PERSPECTIVE https://doi.org/10.1038/s41550-018-0529-6 Inventory of CO2 available for terraforming Mars Bruce M. Jakosky 1,2* and Christopher S. Edwards3 We revisit the idea of ‘terraforming’ Mars — changing its environment to be more Earth-like in a way that would allow terres- trial life (possibly including humans) to survive without the need for life-support systems — in the context of what we know about Mars today. We want to answer the question of whether it is possible to mobilize gases present on Mars today in non- atmospheric reservoirs by emplacing them into the atmosphere, and increase the pressure and temperature so that plants or humans could survive at the surface. We ask whether this can be achieved considering realistic estimates of available volatiles, without the use of new technology that is well beyond today’s capability. Recent observations have been made of the loss of Mars’s atmosphere to space by the Mars Atmosphere and Volatile Evolution Mission probe and the Mars Express space- craft, along with analyses of the abundance of carbon-bearing minerals and the occurrence of CO2 in polar ice from the Mars Reconnaissance Orbiter and the Mars Odyssey spacecraft. These results suggest that there is not enough CO2 remaining on Mars to provide significant greenhouse warming were the gas to be emplaced into the atmosphere; in addition, most of the CO2 gas in these reservoirs is not accessible and thus cannot be readily mobilized. As a result, we conclude that terraforming Mars is not possible using present-day technology. he concept of terraforming Mars has been a mainstay of sci- Could the remaining planetary inventories of CO2 be mobi- ence fiction for a long time, but it also has been discussed from lized and emplaced into the atmosphere via current or plausible 1 a scientific perspective, initially by Sagan and more recently near-future technologies? Would the amount of CO2 that could T 2 by, for example, McKay et al. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
Italian Espresso in Space to Celebrate International Coffee Day
ITALIAN ESPRESSO IN SPACE TO CELEBRATE INTERNATIONAL COFFEE DAY European Space Agency astronaut Paolo Nespoli and the Italian Space Agency VITA mission crew have successfully once again tested the ISSpresso project, drinking coffee thanks to the innovative capsule-based espresso machine created by Argotec for Lavazza Turin, Italy (October 1st 2017) – The crew of the Italian Space Agency (ASI) mission VITA (Vitality, Innovation, Technology, Ability), including most notably the European Space Agency astronaut Paolo Nespoli, have enjoyed an authentic Italian espresso on board of the International Space Station (ISS) to celebrate International Coffee Day. In fact, the crew has successfully tested the capsule-based espresso machine ISSpresso created by Argotec for Lavazza — in a partnership with the Italian Space Agency (ASI) — which on 3 May 2015, during the Italian Futura mission, allowed Samantha Cristoforetti to drink the first espresso in micro-gravity conditions in history. In its first phase, the partnership with ASI, which coordinated the experiment, allowed the ISSpresso machine to be brought to the International Space Station, and then, through negotiations with NASA, to be kept permanently operational onboard. International Coffee Day has thus been the occasion for the two European Space Agency’s Italian astronauts to pass the baton on, from Samantha Cristoforetti to Paolo Nespoli, who is now on his third space flight and, in recent months, has been able to perform several experiments promoted by Argotec. “We are proud to be able to celebrate International Coffee Day 400 kilometers above Earth’s surface thanks to this important 100% Italian research project developed with Argotec,” commented Marco Lavazza, Group Vice Chairman. -
Assembling Transformation Through Afrofuturist Imaginaries
Future Machines: Assembling Transformation through Afrofuturist Imaginaries James Perla McLean, Virginia BA in English Literature, The University of Virginia, 2015 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Masters of Arts Department of English University of Virginia May 2016 ________________________________ ________________________________ ________________________________ ________________________________ Perla 1 Table of Contents 1. Rebooting Race: An Introduction to the Afrofuturist World of Signification 2 2. “It’s After the End of the World”: Assembling Identity through Future Archives 12 3. Shaping a More Practical Utopia in Parable of the Sower 31 4. Conclusion: Multidimensional Machines to the Future and Back 60 5. Appendix 66 6. Bibliography 75 Perla 2 CHAPTER 1: Rebooting Race: An Introduction to the Afrofuturist World of Signification In pop-icon Janelle Monáe’s futuristic world, race is a technology and androids dream of falling in love. Janelle Monáe’s seven-part concept album tells the story of the android Cindi Mayweather, who falls in love with a human and must go into exile to avoid punishment for her transgressive act. Escaping into the Wondaground, a zone reminiscent of the Underground Railroad, Mayweather comes to represent a revolutionary figure that preaches to other androids the liberating power of self-love, dance, and cyber-soul to free “the citizens of Metropolis from the Great Divide” (BadBoy Records, 2010).1 While she draws on Fritz Lange’s Metropolis, Monáe reframes the science fiction classic to discuss structural inequality built into the foundations of the U.S. In Lange’s 1927 film, Maria prophesizes that a mediator will come to Metropolis in order to unite the working class and wealthy elite. -
MAY 3Rd, 2015, 12.44 GMT: ESPRESSO COFFEE CONQUERS SPACE
MAY 3rd, 2015, 12.44 GMT: ESPRESSO COFFEE CONQUERS SPACE ISSpresso, the first capsule espresso coffee machine for use in space, produced by Argotec and Lavazza in partnership with the Italian Space Agency, is now in operation on the International Space Station International Space Station, May 3rd, 2015 – Coffee calling Earth: at 12.44 GMT, the first espresso coffee was drunk in space. An espresso wish finally come true with the help of ISSpresso, the first capsule espresso machine that can work in the extreme conditions found in space. It was installed on the International Space Station by Samantha Cristoforetti, the Italian European Space Agency astronaut, Italian Air Force captain and member of Futura, the second long-duration mission sent to the ISS by the Italian Space Agency. Today, therefore, Samantha Cristoforetti becomes not only the first Italian woman in space, but also the first astronaut in history to drink authentic Italian espresso coffee in orbit. The ISSpresso project is an initiative by Argotec and Lavazza in a public/private sector partnership with the Italian Space Agency (ASI). ISSpresso, one of the nine experiments selected by the Italian Space Agency for Samantha Cristoforetti’s Futura Mission, not only symbolises the Italian made technology that has won a place on the space station, but is also the result of advanced scientific research. Making coffee in space isn’t easy, requiring some extremely sophisticated technology, and this is the first capsule espresso machine that can work in the extreme conditions in space, where the principles that determine the fluid dynamic characteristics of liquids and mixtures are very different from those typically found on earth. -
Strategy and Spell Art As Infrastructural Change
Strategy and Spell Art as Infrastructural Change Luiza Crosman, MA in Art and Culture Researcher at The Terraforming Strelka Institute The essay “Strategy and Spell: Art as Infrastructural Change” is an investi- gation of the performative force art spaces have on the field of art and on various infrastructures at large. It is also a strategic proposition on how to envision a position for action and from which to gain leverage within the current neoliberal global context. Drawing from contemporary art, design and media theory on systemic thinking, and the post-contemporary time complex, the essay reflects on two personal projects: the exhibition space casamata (2014–2017), and the project TRAMA, developed for the 33rd São Paulo Biennial – Affective Affinities (2018). Favoring a speculative approach that tackles large-scale problematics and collective organization, it demon- strates how there are many potentialities contained in exhibition spaces and how such potentialities could, through an understanding of a contemporary art megastructure and art practice as infrastructural change, operate new experiments for the art system. Introduction Why is contemporary art’s internal operational system still one of power inequality and economic precarity despite its visual and discursive pro- duction being critical of political injustices and social stratification? This essay will argue that there is an overpowering system in place, which is not affected by the current visual or discursive production, and which can actually benefit from it. Because of that, the question becomes, how can art production engage with the world not only as a symbolic or visual system, but also through its potent infrastructure? PASSEPARTOUT—NEW INFRASTRUCTURES 29 This essay will think through transformative action propositions by way of two personal reflections derived from my own artistic practice, and extricate from these instructable examples that can be used, in abstract terms, as a way to propose a base model from which to work upon as an artist. -
Allegories of Afrofuturism in Jeff Mills and Janelle Monaé
Vessels of Transfer: Allegories of Afrofuturism in Jeff Mills and Janelle Monáe Feature Article tobias c. van Veen McGill University Abstract The performances, music, and subjectivities of Detroit techno producer Jeff Mills—radio turntablist The Wizard, space-and-time traveller The Messenger, founding member of Detroit techno outfit Underground Resistance and head of Axis Records—and Janelle Monáe—android #57821, Cindi Mayweather, denizen and “cyber slavegirl” of Metropolis—are infused with the black Atlantic imaginary of Afrofuturism. We might understand Mills and Monáe as disseminating, in the words of Paul Gilroy, an Afrofuturist “cultural broadcast” that feeds “a new metaphysics of blackness” enacted “within the underground, alternative, public spaces constituted around an expressive culture . dominated by music” (Gilroy 1993: 83). Yet what precisely is meant by “blackness”—the black Atlantic of Gilroy’s Afrodiasporic cultural network—in a context that is Afrofuturist? At stake is the role of allegory and its infrastructure: does Afrofuturism, and its incarnates, “represent” blackness? Or does it tend toward an unhinging of allegory, in which the coordinates of blackness, but also those of linear temporality and terrestial subjectivity, are transformed through becoming? Keywords: Afrofuturism, Afrodiaspora, becoming, identity, representation, race, android, alien, Detroit techno, Janelle Monáe tobias c. van Veen is a writer, sound-artist, technology arts curator and turntablist. Since 1993 he has organised interventions, publications, gatherings, exhibitions and broadcasts around technoculture, working with MUTEK, STEIM, Eyebeam, the New Forms Festival, CiTR, Kunstradio and as Concept Engineer and founder of the UpgradeMTL at the Society for Arts and Technology (SAT). His writing has appeared in many publications. -
IMAGINING the ANTHROPOCENE Science Fiction Cinema in an Era of Climatic Change
IMAGINING THE ANTHROPOCENE Science Fiction Cinema in an era of Climatic Change DR. TOBY NEILSON MA FILM STUDIES Distinction (University of Exeter, 2011-2012) BA FILM STUDIES, 1ST CLASS HONS (University of Exeter, 2008-2011) SCHOOL OF THEATRE, FILM AND TELEVISION STUDIES COLLEGE OF ARTS UNIVERSITY OF GLASGOW JANUARY 2020 TABLE OF CONTENTS Abstract - 4 Chapter 1 - Introduction, Literature Review and Methodology Introduction - 6 Literature Review - 17 Methodology - 48 Chapter Overview - 56 Part One: From the Technological to the Ecological - 61 Chapter 2 - Changing Imaginations of Disaster: Different Death Stars and Devastated Earths Star Wars: From The Death Star-to-Star Killer Base and Back Again - 72 After Earth: An Imagination of Disaster for the Anthropocene - 85 Conclusion: Beyond After Earth - 107 Chapter 3 - Nonhuman Perspectives: Annihilation, Ecomonstrosity and the Posthuman The Terminator and The Thing: Technological and Ecological Posthuman Forms - 117 Ecomonstrous Encounters in Annihilation - 133 From Ecomonsters to Zoe-Centric Posthumanism - 146 Conclusion: What Next for Posthuman Science Fiction Cinema 156 Part 2: Temporal and Planetary Imaginaries - 162 Chapter 4 - Time Found and Felt in the Anthropocene: Folding Time in Interstellar and Arrival Cinema, Time, Modernity and The Anthropocene - 170 Time as Environment: Interstellar’s Folding Temporal Signatures - 176 Arrival, Interstellar and Transcending Temporal Flow - 192 Conclusion - 206 Chapter 5 - A Planetary Perspective: Melancholia, Another Earth and Gravity’s Ecofeminist