Oregon Bach Festival 2010 • June 25-July 11 Ticketed Events

Total Page:16

File Type:pdf, Size:1020Kb

Oregon Bach Festival 2010 • June 25-July 11 Ticketed Events LOGO FOR STANDARD APPLICATIONS Oregon Bach Festival 2010 • June 25-July 11 ticketed events LOGO FOR SMALL REPRODUCTION APPLICATIONS THURSDAY JULY 1 (APPROX.FRIDAY .5 INCHES JUNE OR 25 LESS) WEDNESDAY JULY 7 7:30 pm Verdi Requiem-Eugene* 7:30 pm Quasthoff: Die Schöne Müllerin 4:30 pm Discovery Series: B Minor Mass Pt. 4* (Silva Concert Hall) (Silva Concert Hall) (Beall Concert Hall) Simone Schneider, soprano; Yosep Kang, Exclusive! Thomas Quasthoff sings The four-part study of Bach’s great work .5 INCHES tenor; Nathan Berg, bass; OBF Chorus and Schubert’s songs of love and longing. concludes. Orchestra Thomas Quasthoff, bass-baritone; Jeffrey Vocal soloists; OBF Chorus and Orchestra; Kahane, piano master class conductors .375 INCHESSATURDAY JUNE 26 FRIDAY JULY 2 7:30 pm Bach’s Suites Rediscovered-Bend 11 am The Bernstein Beat (Tower Theatre) USAGE BELOW .375(Silva INCHES Concert SHOULD Hall) BE AVOIDED 4:30 pm Discovery Series: B Minor Mass Pt. 3* In Bend, PBO performs Bach’s dance- Family-oriented exploration of the rhythms (Beall Concert Hall) based works in newly researched original Part 3 explores the Credo. behind Bernstein’s Broadway hits. versions. Vocal soloists; OBF Chorus and Orchestra OBF Orchestra; Robert Moody, conductor; Portland Baroque Orchestra, Monica Jamie Bernstein, narrator and host 7:30 pm Chuang-Levin Duo Huggett, director 8 pm Pink Martini (Beall Concert Hall) 7:30 pm Jeffrey Kahane in Recital Keyboard recitalists salute Schumann and (Silva Concert Hall) (Beall Concert Hall) Brahms. A night of sophisticated style with the The brilliant pianist performs Schumann world-renowned band. Ya-Fei Chuang and Robert Levin, piano; and Chopin, celebrating their 200th an- David Adorjan, Dane Little, cello; Richard niversaries. SUNDAY JUNE 27 Todd, horn 3 pm Verdi Requiem-Portland* THURSDAY JULY 8 SATURDAY JULY 3 (Arlene Schnitzer Concert Hall) 7:30 pm Bach’s Suites Rediscovered-Eugene 8 pm 40th Anniversary Gala Concert MONDAY JUNE 28 (Beall Concert Hall) (Silva Concert Hall) Eugene performance of the four Bach 4:30 pm Discovery Series: B Minor Mass Pt. 1* All star celebration with Bach, Beethoven, suites with Monica Huggett and the (Beall Concert Hall) a McFerrin-Quasthoff jam session, SFYCA, Portland Baroque Orchestra. The four-part series begins with the Kyrie. chorus and orchestra, with conductors Vocal soloists; SFYCA chorus; OBF Anton Armstrong, Jeffrey Kahane, and FRIDAY JULY 9 Orchestra; master class conductors Helmuth Rilling. 4:30 pm Discovery Series: Bach Suite No.1 7:30 pm Bernstein on Broadway MONDAY JULY 5 (Beall Concert Hall) (Silva Concert Hall) Monica Huggett and her group provide Music from Candide, On the Town, West 4:30 pm Discovery Series: Bach Suite No. 4 period-performance insights. (Beall Concert Hall) Side Story, Wonderful Town. Portland Baroque Orchestra; master class A modern-instrument perspective informs Vocal soloists; OBF Orchestra; Jamie conductors; Monica Huggett, lecturer- this lecture-concert. Bernstein, narrator and host director OBF Orchestra; master class conductors; 7:30 pm Elijah-Portland* TUESDAY JUNE 29 Jeffrey Kahane, lecturer-conductor 7:30 pm Bach and Brahms (Arlene Schnitzer Concert Hall) 7:30 pm Bobby McFerrin and the SFYCA In Portland, Mendelssohn’s mighty ora- (Beall Concert Hall) (Silva Concert Hall) torio, with Thomas Quasthoff singing the Themes of love and dance includes Bach The master vocalist joins forces with the dramatic title role. cantatas, Hungarian Dances, and the Stangeland Family Youth Choral Academy Simone Schneider, soprano; Roxana Liebeslieder Waltzes. OBF Orchestra; Anton Armstrong and Constantinescu, alto; James Taylor, tenor; Vocal soloists; Ya Fei Chuang and Robert Helmuth Rilling, conductors; Thomas Quasthoff, bass-baritone; OBF Levin, piano; OBF Chorus and Orchestra; Bobby McFerrin, guest artist Craig Hella Johnson, conductor Chorus and Orchestra TUESDAY JULY 6 WEDNESDAY JUNE 30 SATURDAY JULY 10 4:30 pm InChoir 11 am Tiempo Libre for Kids 4:30 pm Discovery Series: B Minor Mass Pt. 2* (Beall Concert Hall) (Hilton Hotel - Eugene) (Beall Concert Hall) Sing with our choir in a rehearsal of Elijah. The hot Latin band demonstrates the key Part 2 begins with the familiar fanfare of 7:30 pm At Home with the Schumanns the Gloria. elements of their Afro Cuban style. (Beall Concert Hall) 8 pm Tiempo Libre Dance Concert Vocal soloists; OBF Chorus and Orchestra; Journey to Leipzig for Romantic-era music (Hilton Hotel - Eugene) master class conductors in the salon of Robert and Clara. 7:30 pm Kleiner on Keyboards Come ready to rumba with this band fea- Vocal soloists; OBF Chamber Players; tured on TV’s Dancing with the Stars. (Beall Concert Hall) Jeffrey Kahane and David Riley, piano All Bach and all keyboards in a recital by SUNDAY JULY 11 Boris Kleiner 3 pm Elijah-Eugene* (Silva Concert Hall) *Helmuth Rilling, conductor 6 pm Gala Fundraiser As of 2/3/10. (UO Education Courtyard) Information subject to change..
Recommended publications
  • Quartetto D'archi Edward Dusinberre Violin Harumi Rhodes Violin
    Quartetto Takács - quartetto d'archi Edward Dusinberre violino Harumi Rhodes violino Richard O'Neill viola András Fejér violoncello Il Quartetto Takács, celebre a livello mondiale, sta entrando nella sua quarantasettesima stagione. Edward Dusinberre, Harumi Rhodes (violini), Richard O'Neill (viola) e András Fejér (violoncello) sono entusiasti di portare a compimento diversi progetti innovativi per la stagione 2021-22. Con il virtuoso di bandoneon/accordion Julien Labro, il gruppo eseguirà in tutti gli Stati Uniti nuovi lavori composti per loro da Clarice Assad e Bryce Dessner. Questa stagione segna anche la prima mondiale di un nuovo quartetto scritto per il Takács da Stephen Hough, Les Six Rencontres. Il Takács registrerà questo lavoro straordinario per Hyperion Records, in combinazione con quartetti di Ravel e Dutilleux. Durante lo scorso anno, il Takács ha accolto l'arrivo del violista vincitore del Grammy, Richard O'Neill, facendo due nuove registrazioni per Hyperion. I quartetti di Fanny Mendelssohn Hensel e Felix Mendelssohn saranno pubblicati nell'autunno del 2021, seguiti nel 2022 da un disco dedicato alle opere 42, 77 e 103 di Haydn. Il Quartetto Takács continua il suo ruolo di artista associato alla Wigmore Hall di Londra anche nella stagione 2021-22, eseguendo quattro concerti. Oltre a molti concerti nel Regno Unito, l'ensemble suonerà in prestigiose sedi europee, tra cui la Philharmonie di Parigi, la Konzerthaus di Berlino e il Teatro Della Pergola di Firenze. Il Takács si esibirà in tutto il Nord America, compresi concerti a New York, Boston, Washington DC, Princeton, Ann Arbor, Berkeley, San Francisco, Philadelphia, Vancouver, Los Angeles, Atlanta, Cleveland e Portland.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Press Release THOMAS QUASTHOFF
    Machreich Artists Management page | 1 Press Release THOMAS QUASTHOFF PRESS RELEASE German bass-baritone Thomas Quasthoff has decided to say farewell to the concert stage, putting an end to his outstanding career as a singer after nearly 40 years. Mr. Quasthoff says, “After almost 40 years, I have decided to retire from concert life. My health no longer allows me to live up to the high standard that I have always set for my art and myself. I owe a lot to this wonderful profession and leave without a trace of bitterness. On the contrary, I am looking forward to the new challenges that will now enter my life. I would like to thank all my fellow musicians and colleagues, with whom I stood together on stage, all the organizers, and my audience for their loyalty.” Mr. Quasthoff will continue to devote himself intensively to the next generation of singers by teaching, as before, at the Hanns Eisler Academy of Music in Berlin, as well as at international master classes. He has dedicated himself intensely to the Lied genre for years. This devotion inspired him to launch the “Das Lied” international song competition in 2009, over which he will continue to preside as artistic director. In addition, he will be seen on stage as a speaker, at readings, and in the new talk show series, “ Thomas Quasthoffs Nachtgespräche ” at the Konzerthaus Berlin. Trained by Charlotte Lehmann and Ernst Huber-Contwig in Hanover, Mr. Quasthoff launched his career with various competitive successes, including 1 st prize at the ARD Competition in 1988.
    [Show full text]
  • PDF 139.88KB Rps Abo Salomon Prize 2013
    Press Release For release: Friday 10 January 2014 ‘Unsung heroine’ of the City of Birmingham Symphony Orchestra, violinist Catherine Arlidge, a “true advocate of the modern orchestral musician” awarded prestigious RPS/ABO Salomon Prize for orchestral musicians. Catherine Arlidge of the City of Birmingham Symphony Orchestra becomes the first violinist – and only the third ever recipient – of the RPS/ABO Salomon Prize, a prestigious award celebrating the outstanding contribution of orchestral players to the UK’s musical life. The UK boasts many of the world’s finest orchestras, many of which have trophy cabinets bursting with awards in testimony to their brilliance on the concert platform and in the recording studio. Yet, the contribution of individual musicians within an orchestra often goes unnoticed. The Salomon Prize* was created by the Royal Philharmonic Society and Association of British Orchestras in 2011 to celebrate the ‘unsung heroes’ of orchestral life; the orchestral players that make our orchestras great. The award is named after Johann Peter Salomon, violinist and founding member of the Philharmonic Society in 1813. Each year, players in all orchestras across the UK are asked to nominate a colleague who has been ‘an inspiration to their fellow players, fostered greater spirit of teamwork and shown commitment and dedication above and beyond the call of duty’. Catherine Arlidge, Sub Principal of the second violins, who has played with the CBSO for over 20 years, was nominated by her fellow musicians and the CBSO’s management for her creativity, energy and “great skill for motivating and inspiring colleagues and for engaging with her audience”.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]
  • Scharoun Ensemble Berlin
    SCHAROUN ENSEMBLE BERLIN Founded in 1983 by members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble is one of Germany’s leading chamber-music organizations. With its wide repertoire, ranging from composers of the Baroque period by way of Classical and Romantic chamber music to contemporary works, the Scharoun Ensemble has been inspiring audiences in Europe and overseas for more than a quarter of a century. Innovative programming, a refined tonal culture and spirited interpretations are hallmarks of the ensemble, which performs in a variety of instrumental combinations. The permanent core of the Scharoun Ensemble is a classical octet (clarinet, bassoon, horn, two violins, viola, cello and double bass), apart from Wolfram Brandl and Claudio Bohorquez they are made up entirely of members of the Berlin Philharmonic. When called for, the ensemble brings in additional instrumentalists as well as noted conductors. The Scharoun Ensemble has prepared and presented various programmes under the direction of Claudio Abbado, Sir Simon Rattle, Daniel Barenboim and Pierre Boulez. It has also performed with singers including Thomas Quasthoff, Simon Keenlyside and Barbara Hannigan, and, for interdisciplinary projects, the ensemble has engaged such artists as Fanny Ardant, Loriot and Dominique Horwitz. Bridging the gap between tradition and the modern is the Scharoun Ensemble’s principal artistic focus. It has given world premieres of many 20th- and 21st-century compositions while dedicating itself with equal passion to the interpretation of works from past centuries. Among the cornerstones of its repertoire are Franz Schubert’s Octet d803, with which the ensemble made its public debut in 1983, and Ludwig van Beethoven’s Septet Op.20.
    [Show full text]
  • Digital Concert Hall Where We Play Just for You
    www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca.
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Helmuth Rilling to Conduct Bach Choral Masterworks
    holiday 2006-2007 vol xv · no 4 music · worship · arts Prismyale institute of sacred music common ground for scholarship and practice Helmuth Rilling to Conduct Bach Choral Masterworks Helmuth Rilling, the world renowned conductor, teacher, and Bach scholar, will present a series of lecture/concerts, culminating in a full performance of several choral masterworks of J.S. Bach. The series, entitled Reflections on Bach: Music for Christmas Day 1723, will be presented over three days. The lecture/concerts will consist of talks with musical illustrations, followed by a performance of the work. Part I (Christen, ätzet diesen Tag) will take place on Thursday, January 18 at 8 pm at Sprague Memorial Hall, 470 College St., in New Haven, with Part II (Magnificat in Eb) the following evening (Friday, January 19) at 8pm, also at Sprague Memorial Hall. Tickets for the lecture/concerts are free, and available at 203-432-4158. On Saturday, January 20, there will be a concert performance at 8 pm at Woolsey Hall, corner College and Grove. The concert is free and open to the public; no tickets are required. Helmuth Rilling is known internationally for his lecture/ concerts, as well as for his more than 100 recordings on the Vox, Nonesuch, Columbia, Nippon, CBS, and Turnabout labels. He now records exclusively for Hänssler, for whom he has recorded the complete works of J.S. Bach on 172 CDs. Rilling is the founder of the acclaimed Gächinger Kantorei, the Oregon Bach Festival, the International Bach Academy (Stuttgart), which has been awarded the UNESCO Music Prize, and academies in Buenos Aires, Cracow, Prague, Moscow, Budapest, Santiago de Compostela, and Tokyo.
    [Show full text]
  • Die Internationale Bachakademie Stuttgart Wurde 1981 Von Helmuth Rilling Veranstaltungen Gegründet
    Die Internationale Bachakademie Stuttgart wurde 1981 von Helmuth Rilling Veranstaltungen gegründet. Mit ihren Ensembles Gächinger Kantorei und Bach-Collegium ■ Die Stuttgarter Akademiekonzerte bieten jährlich sechs große Oratorien in Stuttgart ist sie zum international anerkannten Markenzeichen für hochwertige der Stuttgarter Liederhalle, für die die Ensembles der Bachakademie auch mit Musikproduktionen und Musikvermittlung geworden. Mit dem Beginn der Saison anderen Klangkörpern und renommierten Gastdirigenten zusammenarbeiten. 2013/2014 startete die traditionsreiche Stuttgarter Institution in eine neue Ära: ■ Die Saison erhält mit der neuen Reihe »SAKRAL MODERN« einen besonderen der Dresdner Dirigent Hans-Christoph Rademann, Chefdirigent des RIAS und Fokus auf das oratorische Repertoire des 20. und 21. Jahrhunderts. des Dresdner Kammerchors, übernahm im Sommer 2013 die Leitung der ■ Die Bachwoche Stuttgart ist eine echte „Bach-Akademie“: mit Meisterkursen, Internationalen Bachakademie Stuttgart. Gemeinsam mit Gernot Rehrl, der als Seminaren, Gesprächskonzerten und dem internationalen JSB Ensemble. Sie Intendant für das Management und das Profil verantwortlich zeichnet, ist ein findet jedes Jahr um Bachs Geburtstag im März statt und stellt wechselnde Bach- neues Konzept für die Zukunft entstanden. Werke in den Mittelpunkt. ■ Größte Aktivität der Bachakademie ist das MUSIKFESTUTTGART – ein Als Stiftung bürgerlichen Rechts wird die Bachakademie nur zu knapp einem hochkarätiges internationales Klassikfestival in der Landeshauptstadt. Es findet Drittel durch öffentliche Mittel (Stadt Stuttgart und Land Baden-Württemberg) jährlich zwischen August und September mit rund 50 Veranstaltungen an ca. 30 getragen. Der Rest des Etats ist jedes Jahr aufs Neue durch eigene Einnahmen verschiedenen Locations statt. Das Musikfest 2014 wird unter dem Motto sowie zu einem bedeutenden Teil durch Spenden des Förderkreises (mit rund „Herkunft“ vom 29.8.
    [Show full text]
  • Cantus in Choro a GLOBAL VIEW of CHORAL SINGING
    Cantus in Choro A GLOBAL VIEW OF CHORAL SINGING The Schola Cantorum performs with Yale Collegium Players All photos courtesy of Yale institute of Sacred Music hen aspiring young singers consider mainstay of European musical life a century ago. Malcolm Bruno visits Wformal musical training, they might look But neither then nor until very recently was there to a college specialising in music or to the music a serious alternative for the professional non- Yale University to find department of a large university, where academic operatic singer. research, performance and music-education could Established in 2004, Yale University’s Schola out about its new be united; though the sine qua non for many still Cantorum is in many ways the template degree remains the conservatoire or Hochschule, those programme for a singer seeking a high-level option Schola Cantorum hallmarks of musical excellence from Naples to to the traditional conservatoire course. I was Paris, Moscow to London and on to New York. delighted, therefore, to be invited recently by its But as we now know them – though tend to forget – director, Simon Carrington, to experience the fruits these conservatories are largely a 19th-century of his two years’ hard labour. ‘I was teaching at invention, designed in an era obsessed with the New England Conservatory in Boston,’ he explains, child protégé, whose principal raison d’être was the ‘when I received a letter from the Yale Institute of fostering of solo as well as rank-and-file talent for Sacred Music announcing its intent to establish a the burgeoning orchestras and opera houses at the new chamber choir specialising in music before A high-level option Choir & Organ November/December 2006 27 ‘For a young aspiring professional the competition for this incredible opportunity increases each year’ 1750 and after 1900 and asking for suggestions of produced able choirs and choir directors, there was someone to develop such a choir as professor of no institution which placed an emphasis on the choral conducting.
    [Show full text]
  • Week 23 Andris Nelsons Music Director
    bernard haitink conductor emeritus seiji ozawa music director laureate 2014–2015 Season | Week 23 andris nelsons music director season sponsors Table of Contents | Week 23 7 bso news 13 on display in symphony hall 14 bso music director andris nelsons 16 the boston symphony orchestra 19 casts of character: the symphony statues by caroline taylor 26 this week’s program Notes on the Program 28 The Program in Brief… 29 Dmitri Shostakovich 43 Ludwig van Beethoven 55 To Read and Hear More… Guest Artist 61 Christian Tetzlaff 64 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on april 3 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Stu Rosner cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 134th season, 2014–2015 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • Carmine A. Martignetti, Vice-Chair • Arthur I. Segel, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Charles W.
    [Show full text]