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Dance Theater of Harlem and a Large-Scale Recycling of Rhythms
dance theater of harlem and a large-scale recycling of rhythms. Moreover, the Stolzoff, Norman C. Wake the Town and Tell the People: Dance- philosophical and political ideals featured in many roots hall Culture in Jamaica. Durham, N.C.: Duke University reggae lyrics were initially replaced by “slackness” themes Press, 2000. that highlighted sex rather than spirituality. The lyrical mike alleyne (2005) shift also coincided with a change in Jamaica’s drug cul- ture from marijuana to cocaine, arguably resulting in the harsher sonic nature of dancehall, which was also referred to as ragga (an abbreviation of ragamuffin), in the mid- Dance Theater of 1980s. The centrality of sexuality in dancehall foregrounded arlem ❚❚❚ H lyrical sentiments widely regarded as being violently ho- mophobic, as evidenced by the controversies surrounding The Dance Theater of Harlem (DTH), a classical dance Buju Banton’s 1992 hit, “Boom Bye Bye.” Alternatively, company, was founded on August 15, 1969, by Arthur some academics argue that these viewpoints are articulat- Mitchell and Karel Shook as the world’s first permanent, ed only in specific Jamaican contexts, and therefore should professional, academy-rooted, predominantly black ballet not receive the reactionary condemnation that dancehall troupe. Mitchell created DTH to address a threefold mis- often appears to impose on homosexuals. While dance- sion of social, educational, and artistic opportunity for the hall’s sexual politics have usually been discussed from a people of Harlem, and to prove that “there are black danc- male perspective, the performances of X-rated female DJs, ers with the physique, temperament and stamina, and ev- such as Lady Saw and Patra, have helped redress the gen- erything else it takes to produce what we call the ‘born’ der balance. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Black Dance Stories Presents All-New Episodes Featuring Robert
Black Dance Stories Presents All-New Episodes Featuring Robert Garland & Tendayi Kuumba (Apr 8), Amy Hall Garner & Amaniyea Payne (Apr 15), NIC Kay & Alice Sheppard (Apr 22), Christal Brown & Edisa Weeks (Apr 29) Thursdays at 6pm EST View Tonight’s Episode Live on YouTube at 6pm EST Robert Battle and Angie Pittman Episode Available Now (Brooklyn, NY/ March 8, 2021) – Black Dance Stories will present new episodes in April featuring Black dancers, choreographers, movement artists, and creatives who use their work to raise societal issues and strengthen their community. This month the dance series brings together Robert Garland & Tendayi Kuumba (Apr 8), Amy Hall Garner & Amaniyea Payne (Apr 15), NIC Kay & Alice Sheppard (Apr 22), Christal Brown & Edisa Weeks (Apr 29), and Robert Battle & Angie Pittman (Apr 1). The incomparable Robert Garland (Dance Theatre of Harlem) and renaissance woman Tendayi Kuumba (American Utopia) will be guests on an all-new episode of Black Dance Stories tonight, Thursday, April 8 at 6pm EST. Link here. Robert Battle, artistic director of Alvin Ailey American Dance Theater, and Angie Pittman, Bessie award- winning dancer, joined the Black Dance Stories community on April 1. In the episode, they talk about (and sing) their favorite hymens, growing up in the church, and the importance of being kind. During the episode, Pittman has a full-circle moment when she shared with Battle her memory of meeting him for the first time and being introduced to his work a decade ago. View April 1st episode here. Conceived and co-created by performer, producer, and dance writer Charmaine Warren, the weekly discussion series showcases and initiates conversations with Black creatives that explore social, historical, and personal issues and highlight the African Diaspora's humanity in the mysterious and celebrated dance world. -
Beyond the Machine 21.0
Beyond the Machine 21.0 The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 21.0: Emerging Artists and Art Forms New works by composers, VR artists, and performers working with new performance technologies Thursday, May 20, 2021, 7:30pm ET Saturday, May 22, 2021, 2 and 7pm ET Approximate running time: 90 minutes Juilliard’s livestream technology is made possible by a gift in honor of President Emeritus Joseph W. Polisi, building on his legacy of broadening Juilliard’s global reach. Juilliard is committed to the diversity of our community and to fostering an environment that is inclusive, supportive, and welcoming to all. For information on our equity, diversity, inclusion, and belonging efforts, and to see Juilliard's land acknowledgment statement, please visit our website at juilliard.edu. 1 About Emerging Artists and Art Forms The global pandemic has compelled many performing artists to explore new ways of creating using digital technology. However, for students studying at the Center for Innovation in the Arts, working online and in virtual environments is a normal extension of daily classroom activities. This year, the Center for Innovation in the Arts will present three programs featuring new works by Juilliard students and alumni developed in collaboration with artists working in virtual reality, new media, film, and interactive technology. The public program, Emerging Artists and Artforms, is a platform for students who share an interest in experimental art and interdisciplinary collaboration. All the works on this program feature live performances with interactive visual media and sound. -
Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England -
Dance Theatre of Harlem Returns to the Auditorium Theatre November 1820 View in Browser
10/11/2016 Auditorium Theatre Dance Theatre of Harlem Returns to the Auditorium Theatre November 1820 View in browser 50 E Congress Pkwy Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 11, 2016 Dance Theatre of Harlem Returns to the Auditorium Theatre November 1820 Company presents Midwest premiere of Francesca Harper's System The acclaimed Dance Theatre of Harlem (DTH) gives three performances at the Auditorium Theatre on November 18, 19, and 20 with a program that includes System, a major new work by choreographer Francesca Harper. The work is supported by the New England Foundation for the Arts, and is inspired by the current social, political, and economic climate in the United States. System was choreographed in collaboration with Dance Theatre of Harlem dancers who used their own experiences as people of color for inspiration. DTH Artistic Director Virginia Johnson told the Washington Post that System “addresses social justice issues in the Black Lives Matter era” and is “a very contemporary piece, but also very beautiful and uplifting." A live string quartet performs composer John Adams’ original music for the piece. “Dance Theatre of Harlem’s Midwest premiere of System is relevant, timely, and connected to current events happening around the country, especially right here in Chicago,” says Auditorium Theatre CEO Tania Castroverde Moskalenko. “We are honored to present this powerful work at the Auditorium, and know that it will have an impact on all those who experience it." The company also performs Brahms Variations, a new neoclassical ballet by Dance Theatre of Harlem’s Resident Choreographer Robert Garland set to Johannes Brahms’ “Variations on a Theme by Joseph Haydn,” and Coming Together, the 1991 work by Spanish choreographer Nacho Duato. -
2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House. -
Program Booklet
Amy Seiwert’s Imagery Presents: SKETCH 3: Expectations world premiere ballets by Marc Brew Val Caniparoli Amy Seiwert July 25–28, 2013 ODC Theater 3153 17th Street San Francisco, CA 94110 All logo and bubble photography by David DeSilva in collaboration with Bubble Master Sterling Johnson Dear Patron: Thank you so much for choosing to come to Amy Seiwert’s Imagery’s SKETCH 3. By doing so, you have supported Live Arts which, in and of itself, is important. But more than that, you have chosen to participate in a unique program. Each year, Amy identi"es a theme and invites stunning choreographers that she thinks have a pertinent message to create dances for Bay Area audiences — dances and choreographers that we wouldn’t, otherwise, be exposed to. Last year, she brought in female choreographers to present their individual message, commenting on the lack of female choreographers in the ballet "eld. This year, she has chosen to focus on process, shifting the focus from who makes the ballets, to how ballets are being made, as a theme. To accomplish this she invited a marvelous local choreographer familiar to Bay Area audiences through San Francisco Ballet, Val Caniparoli, as well as a renowned Australian choreographer, Marc Brew. And, we can thrill to a new o#ering by Amy herself. Michael Smuin once introduced Amy’s choreography by saying: “Amy has more originality in 25 seconds of work than most choreographers have in their entire work.” The SKETCH series is becoming a staple of mid-summer dance in San Francisco... but it won’t be able to continue without your generous support. -
Leon Levy BAM Digital Archive
Brooklyn Academy of Music P R O G R AM C DANCE THEATRE 4/1-61Afr51 IIMIKINgrIrTr,7r477, BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President and Executive Producer BAM Opera House DANCE THEATRE OF HARLEM Founders ARTHUR MITCHELL KAREL SHOOK Artistic Director ARTHUR MITCHELL Executive Director ROBERT J. TAYLOR Music Director MILTON ROSENSTOCK Dance Artists TYRONE BROOKS KAREN BROWN LORRAINE GRAVES YVONNE HALL CHARMAINE HUNTER CHRISTINA JOHNSON VIRGINIA JOHNSON HUGUES MAGEN RONAL D PERRY CASSANDRA PHIFER KEITH SAUNDERS EDDIE J. SHELLMAN LOWELL SMITH JUDY TYRUS AUGUSTUS VAN HEERDEN DONALD WILLIAMS Lisa Attles Dean Anderson Elena Dominguez Fabian Barnes Rodolphe Cassand Robert Garland Gregory Jackson Tai Jimenez Endalyn Taylor-Shellman Judith Rotardier Richard Witter Vince Collins Felicity de Jager Luis Dominguez Kellye Gordon Tassia Hooks Adam James Patrick Johnson Andre Levitt Rena Robinson Valencia Yearwood Andrea Bergquist Simone Cardoso Sophia Cannonier Lawrence de Maeyer Ivonne Labrada Calvin Shawn Landers Cedric Rouse Marjorie Oron Ramona Smith Connie Rotardier Ineke Rush American Express Travel Related Services Co., Inc. is proud to be the worldwide sponsor of Dance Theatre of Harlem. Dance Theatre of Harlem gratefully acknowledges the assistance of the New York State Council on the Arts, the National Endowment for the Arts, and the New York City Department of Cultural Affairs. All contributions are tax deductible. Major institutional support provided by the LILA WALLACE-READER'S DIGEST FUND. Funding for the orchestra for the New -
Dance Theatre of Harlem Comes Full Circle in Returning to Jacob’S Pillow This Summer Celebrating Their 50Th Annual Gifts of $10,000 and Above
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Theresa Ruth Howard TO OUR VISIONARY LEADERS The PillowNotes series comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through Dance Theatre of Harlem comes full circle in returning to Jacob’s Pillow this summer celebrating their 50th annual gifts of $10,000 and above. anniversary, as the company made its debut here in 1970. Half a century later, though much in the world has moved rapidly forward, ironically the state of blacks in ballet has waxed as much as it has waned. Founded by pedagogue Their deep affliliation ensures the success and longevity of the Karel Shook and former New York City Ballet Principal dancer Arthur Mitchell, DTH’s mission was to prove that Pillow’s annual offerings, including educational initiatives, free public blacks could do ballet, and provide a place for them to do so, not to diversify ballet. programs, The School, the Archives, and more. Standing in the midst of ballet’s frenetic efforts to diversify, we see that even as DTH was proving the veracity of black ballet talent, this was not an incentive for white directors to hire them into their companies. It actually had PRESENTS $25,000+ quite the opposite effect, with DTH becoming the default, or catch all. Directors regularly suggested, “Why don’t you go to Dance Theatre of Harlem?” to rejected brown ballet dancers. As a result, DTH became a beautiful oasis DANCE THEATRE OF HARLEM Carole* & Dan Burack Christopher Jones* & Deb McAlister for brown dancers, often unique one-of-a-kinds, who didn’t fit into ballet’s status quo but whom Mitchell knew just The Barrington Foundation Wendy McCain how to use and draw the best out of. -
Malandain Ballet Biarritz Dance Theatre of Harlem American Ballet
WINTER/SPRING 2020 DANCE SEASON B R AVO Malandain Ballet Biarritz FEBRUARY 15, 2020 Dance Theatre of Harlem MARCH 14 AND 15, 2020 American Ballet Theatre Swan Lake APRIL 16-19, 2020 2020 MOT Spring Dance Season Sponsor: DEVON TEUSCHER AND CORY STEARNS IN SWAN LAKE PHOTO: GENE SCHIAVONE. WELCOME s Michigan Opera Theatre (MOT) embarks on a new elcome to Dance 2020 at Michigan Opera Adecade of artistic excellence, we are thrilled to begin WTheatre. As we embark on our Winter/Spring our 2020 dance season with a series of performances that 2020 season of dance, we offer you a full spectrum of represent the essence and breadth of our dance program. ballet from contemporary to neoclassical to classical. With performances by Malandain Ballet Biarritz, Dance Making their Detroit debut, Malandain Ballet Theatre of Harlem and American Ballet Theatre, our series Biarritz represents one of the best contemporary welcomes old and new, celebrating ballet companies from France. Known for the forward, the beloved classics as well as innovative, beautiful and captivating choreography embracing exciting new works. of artistic director Thierry Malandain, this mixed- The season begins with the MOT repertoire program offers a debut of the French contemporary smorgasbord of movement ballet company Malandain Ballet that captures the imagination. Biarritz. The works explore themes “Boléro,” in particular, is a of liberty, death and ascension, dramatic piece danced to and we are proud to continue our Ravel that explores themes commitment to presenting diverse of liberation with dancers companies and artistic perspectives. performing in an enclosed and Dance Theatre of Harlem (DTH) returns to the Opera limited space.