Galerie Lelong &

Total Page:16

File Type:pdf, Size:1020Kb

Galerie Lelong & Galerie Lelong & Co. Paris – New York David Hockney David Hockney was born in 1937 to a family of modest means in Bradford, Yorkshire (United Kingdom). He studied at Bradford College of Art then at the Royal College of Art in London where he graduated in 1962. He attracted attention early on in London, where his personality and his attitudes stood out on the artistic scene, then left for New York in 1963. But it was California that captivated and fascinated him, and he made his first visit there in 1964. Symbol of the American dream, this State would become a major source of inspiration: he discovered another life there, with the beautiful villas and their pools as well as the burgeoning gay community, which he openly joined. In 1973, Jack Hazan made a semi-fictional documentary about him, A Bigger Splash, which cemented his international reputation. The titre echoes the painting of the same name from 1967, one of the Pools series. In 1978, he bought a house in the hills, overlooking Mulholland Drive. “As soon as I lived up there, I saw Los Angeles differently,” he recalls in his autobiography, That’s the way I see it. “I moved away from straight lines. All the roads are winding up there.” David Hockney draws his inspiration from his close environment: his family, his friends, the landscapes that surround him, the artists he admires. He rejects abstract and conceptual art and does not wish to be categorised in any “school”. He takes advantage of new tools to explore other artistic avenues, notably photography and photographic collage (the Joiners) which allow him to play with perspective and create a multifocal vision, revisiting some of the ideas of cubism. He has always been very interested in new technology: from the fax and the photocopy to the iPhone, iPad, computers and video. The works of David Hockney have been widely exhibited. In 2017, for his 80th birthday, a travelling retrospective started at Tate Britain, London then moved in a modified version to the Centre Georges Pompidou in Paris and the Metropolitan Museum of Art in New York. His work is exhibited around the world: Art Gallery of New South Wales (Sydney, Australia), Louisiana Museum of Art (Humlebæk, Denmark), Los Angeles County Museum of Art (United States), Ludwig Museum (Cologne, Germany), Metropolitan Museum of Art (New York, United States), Musée national d'Art Moderne (Paris, France), Museo Tamayo (Mexico City, Mexico), Museum of Contemporary Art (Los Angeles, United States), Museum of Fine Arts (Boston, United States), The Museum of Modern Art (New York, United States), National Gallery of Art (Washington, D.C., United States, National Gallery of Australia, Canberra (Australia), National Portrait Gallery (London, UK), Royal Academy of Arts (London, UK), San Francisco Museum of Modern Art (United States), Santa Barbara Museum of Art (United States), Tate Galleries (London, UK), The British Museum (London, UK), Walker Art Center (Minneapolis, United States). 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com Galerie Lelong & Co. Paris – New York Solo shows (selection) 2021 Hockney - Van Gogh : The Joy of Nature, The Museum of Fine Arts, Houston, United States David Hockney: The Arrival of Spring, Normandy, 2020, Royal Academy of Arts, London, United Kingdom 2020 David Hockney: Drawing from Life, National Portrait Gallery, London, United Kingdom David Hockney Yosemite, Heard Museum, Phoenix, United States Ma Normandie, Galerie Lelong & Co., Paris, France Drawing from Life, The Morgan Library & Museum, New York, United States Snails Space, Galerie Lelong & Co., Paris, France 2019 Hockney - Van Gogh: The Joy of Nature, Musée Van Gogh, Amsterdam, Netherlands New Photographic Drawings, Galerie Lelong & Co., Paris, France David Hockney's Yosemite, Monterey Museum of art, Monterey, United States David Hockney, Seoul Museum of Art, Seoul, Republic of Korea 2018 David Hockney, The Metropolitan Museum of Art, New York, United States David Hockney - Retratos, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, Spain Pictures of Daily Life - New iPhone and iPad drawings, Galerie Lelong & Co., Paris, France Portraits, Galerie Lelong & Co., Paris, France 82 portraits and 1 still life, Los Angeles County Museum of Art, Los Angeles, United States David Hockney, Kunsthalle, Helsinki, Finland 2017 Current, National Gallery of Victoria (NGV), Melbourne, Australia 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com Galerie Lelong & Co. Paris – New York David Hockney, Tate Britain, London, United Kingdom The Yosemite Suite, Galerie Lelong & Co., Paris, France David Hockney, Centre Pompidou, Paris, France Happy Birthday, Mr. Hockney, The Getty Museum, Los Angeles, United States 2016 I draw, I do, The Metropolitan Arts Centre (MAC), Belfast, Ireland 82 portraits and 1 still life, Royal Academy of Arts, London, United Kingdom 2015 A Rake’s Progress, Bristol Museum & Art Gallery, Bristol, United Kingdom David Hockney, Louisiana Museum of Modern Art, Humlebaek, Denmark A Rake’s Progress, Portland Art Museum, Portland, United States Words and Pictures, Tel Aviv Museum of Art, Tel Aviv, Israel The Arrival of Spring, Galerie Lelong, Paris, France L’Arrivée du printemps, Fondation Vincent van Gogh, Arles, France 2014 Early reflections, Walker Art Gallery, Liverpool, United Kingdom A Bigger Exhibition, The de Young Museum, San Francisco, United States Sechs Märchen der Brüder Grimm, Museum Wiesbaden, Wiesbaden, Germany The Jugglers, Los Angeles County Museum of Art (LACMA), Los Angeles, United States 2013 A Bigger Picture, Museum Ludwig, Cologne, Germany Drawing in a Printing Machine, Galerie Lelong, Paris, France The Jugglers, Whitney Museum of American Art, New York, United States Love David, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, Australia Seven Yorkshire Landscape Videos, 2011, Los Angeles County Museum of Art (LACMA), Los Angeles, United States 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com Galerie Lelong & Co. Paris – New York 2012 David Hockney’s Fresh Flowers: Drawings on iPhones and iPads, Royal Ontario Museum, Toronto, Canada A Bigger Picture, Royal Academy of Arts, London, United Kingdom David Hockney, Louisiana Art & Science Museum, Baton Rouge, United States Hockney's Fairy Tales of the Brothers Grimm, Museum of Modern Art Wakayama, Wakayama, Japan El gran cuadro, Museo Guggenheim de Arte Moderno y Contemporáneo, Bilbao, Spain New Acquisitions, Indiana University Art Museum, Bloomington, United States 2011 Fleurs fraîches, Fondation Pierre Bergé - Yves Saint Laurent, Paris, France Me Draw On Ipad, Louisiana Museum of Modern Art, Humlebaek, Denmark Through the Eyes of the Artist, Singapore Tyler Print Institute (STPI), Singapore, Singapore Four Print Portfolios 1961-1977, Seoul National University Museum of Art (SNUMoA), Seoul, Republic of Korea 2010 Six Tales from the Brothers Grimm, Berwick Barracks, Berwick-Upon-Tweed, United Kingdom Six Fairy Tales from the Brothers Grimm, Bradford 1 Gallery, Bradford, United Kingdom 2009 Nur Natur, Kunsthalle Würth, Schwäbisch Hall, Germany 2008 Grimms’ Fairy Tales, Turnpike Gallery, Leigh, United Kingdom Looking at Woldgate Woods, Arts Club of Chicago, Chicago, United States 2007 Portraits, National Portrait Gallery (NPG), London, United Kingdom Words & Pictures, Esterházy Palace, Bratislava, Slovakia Homage to Picasso: Hockney’s Blue Guitar, The McNay Art Museum, San Antonio, United States 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com Galerie Lelong & Co. Paris – New York 2006 The guest work, Museo de Bellas Artes de Bilbao, Bilbao, Spain Portraits, Los Angeles County Museum of Art (LACMA), Los Angeles, United States 2003 David Hockney, National Portrait Gallery (NPG), London, United Kingdom David Hockney, Galerie Lelong, Paris, France 2002 Stage Works, The University of Michigan Museum of Art (UMMA), Ann Arbor, United States 2001 Retrospective: Photoworks, Wäinö Aaltonen Museum, Turku, Finland Exciting times are ahead, Bundeskunsthalle, Bonn, Germany Retrospective: Photoworks, MOCA Grand Avenue, Los Angeles, United States Close and Far, Galerie Lelong, Paris, France 2000 Retrospective: Photoworks, National Museum Cardiff, Cardiff, United Kingdom Retrospective: Photoworks, Liljevalchs konsthall, Stockholm, Sweden 1999 David Hockney, Centre Pompidou - Musée National d´Art Moderne, Paris, France Retrospective: Photoworks, Maison Européenne de la Photographie, Paris, France Retrospective: Photoworks, Musée de l'Elysée, Lausanne, Switzerland 1998 Photo-Retrospektive, Museum Ludwig, Cologne, Germany A Bigger Grand Canyon, Smithsonian American Art Museum (SAAM), Washington, United States 1997 David Hockney’s Snails Space: Painting as Performance, Smithsonian American Art Museum (SAAM), Washington, United States 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com Galerie Lelong & Co. Paris – New York 1996 A drawing retrospective, Los Angeles County Museum of Art (LACMA), Los Angeles, United States A Print Retrospective, Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan Grimm's fairy tales, University Art Museum - California State University, Long Beach, United States 1995 A drawing retrospective, Hamburger Kunsthalle, Hamburg, Germany A drawing retrospective, Royal Academy of Arts, London, United Kingdom
Recommended publications
  • Smithsonian Year
    \ ^^1. V? ^ # I < rr. f ithsonian Institution Smithsonian Year Annual Repoil: for the Snnithsonian Institution for the Year Ended Septennber 30, 1998 SMITHSONIAN INSTITUTION PRESS Washington, D.C. 1999 Cover: Two male one-inch-long Title page: Scientists at the National blennies, Emblemaria pandionis, IVIuseum of Natural History's marine fight over territory from their field station on the island of Carrie burrows in algae-covered pieces Bow Cay, off Belize, study the biodi- of coral rubble at the National Mu- versity of complex coral reef eco- seum of Natural History's marine systems. Belize's reef is the largest laboratory on the island of Carrie barrier reef in the western hemi- Bow Cay, off Belize. Studies of the sphere, offering a relatively undis- behavioral ecology of this and many turbed, environmentally healthy other species are helping scientists "laboratory" for learning about the to understand the competitive utiliza- interrelationships among coral reef tion of space and other resources organisms in their natural environ- by organisms in complex coral reef ment. (Photograph by Carl C. ecosystems. (Photograph by Hansen) Carl C. Hansen) Back cover: Research by Dr Judith Frontispiece: This powerful self-por- Zilczer, curator of paintings at the trait from 1917 by Kohno Michisei Hirshhorn Museum and Sculpture (1895-1950), an influential member of Garden, revealed that Willem de Japan's third generation of pro- Kooning (American, b. The Nether- gressive Western-style artists, is lands, 1904-97) created this oil paint- modeled on a self-portrait by ing on paper immediately upon Albrecht Durer painted in 1500. One learning of the assassination of of the definitive Japanese works of John F.
    [Show full text]
  • Smithsonian American Art Museum
    Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S.
    [Show full text]
  • Mules and the Grand Canyon”, a Four Part Series, by Terry Wagner
    IF THEY CAN DO IT AT THE GRAND CANYON THEY CAN DO IT ANYWHERE! By Ben Tennison, Editor In Chief, Western Mule Magazine Our American heritage is in jeopardy today. Who would have believed one of the great icons of our western her - itage, The Grand Canyon Mules would be in jeopardy in our lifetime. Western Mule Magazine broke this news of plans underway to do away with The Grand Canyon Mule trips within the Grand Canyon National Park back in September 2008. Western Mule readers’ response to the article was tremendous, with phone calls, letters and emails to the park service and to government officials. This outcry of in - justice by readers prompted a letter from Park Superintendent Steve Martin himself calling the article erroneous, with only a temporary diversion of mule traffic on the Grand Canyon National Park trails. Steve Martin’s response was published before Superintendent Martin knew who Western Mule Magazine’s source was. We have had no re - sponse from the Park Service since our source was publicly revealed. I have sent along a pdf file of the entire set of articles published in Western Mule Magazine since September 2008 on the Grand Canyon and the famous Grand Canyon Mules. With a tremendous amount of research from Western Mule Magazine contributor, Terry Wagner, these articles will take you where this battle began, through an in depth history of the Grand Canyon and the mules, up to current operations of today. Even though we here at Western Mule Magazine have known of the move to do away with the mules of the Grand Canyon for over a year now, we were of the belief everyone knew about it.
    [Show full text]
  • Ferenc Gróf (1972, Pécs, HU) Is a Graduate of the Hungarian University of the Arts, Budapest, and Since 2012 He Has Taught At
    FERENC GRÓF (1972, Pécs, HU) is a graduate of the Hungarian University of the Arts, Budapest, and since 2012 he has taught at the École Nationale Supérieur d’Art (ENSA) in Bourges (FR). His work considers ideological footprints, at the intersection of graphic design and spatial experiences. He is a founding member of the Parisian co-operative Société Réaliste—founded in 2004—whose work considers questions of contemporary political representations, ideological design, and text-based interventions. Société Réaliste’s recent solo exhibitions include: amal al-gam, acb Gallery, Budapest, 2014; Universal Anthem, tranzit.ro, Cluj, 2013; A Rough Guide to Hell, P!, New York, 2013; Thelema of Nations, Galerie Jérôme Poggi, Paris, 2013; and Empire, State, Building, MNAC, Bucharest, 2012, Ludwig Museum, Budapest, 2012, and Jeu de Paume, Paris, 2011. Société Réaliste’s work has also been included in numerous group exhibitions and biennials in Shanghai, 2012; Lyon, 2009; and Istanbul, 2009. Since 2015 Société Réaliste is on hiatus, Ferenc Gróf continues his work as an individual artist. His most recent solo exhibitions were Without index (Kiscelli Museum, Budapest, 2016), X with a dot below (acb Gallery / OFF Biennale, Budapest, 2017) and or firing of a red star alert (acb Gallery, 2018). Gróf lives and works in Paris. 1 EDUCATION > Without index, solo exhibition, Kiscelli Museum, > Hungarian University of Fine Arts, Budapest, Budapest. 1996–2001. > The line (Járat), Herman Museum, Miskolc, HU. > Jan van Eyck Academie, Maastricht, > Cold wall #2, Museum of contemporary Art, 2008–2009. Novi Sad (RS). > Worldless, solo exhibition, Nick Gallery, Pécs. RECENT PROJECTS > Statues of Rebels, acb Gallery, Budapest.
    [Show full text]
  • Boatman's Quarterly Review
    the journal of the Grand Canyon River Guides, Inc. • voulme 25 number 2 • summer 2012 boatman’s quarterly review boatman’s Prez Blurb•Farewell •BooksKen,2Arts&RonGTSLand • GTSRiver HMcD Signature•Chub Relocation•OverflightsBackoftheBoat Food ForThought •Conflict/Harmony •SpringFlowers Art Gallenson boatman’s quarterly review Prez Blurb …is published more or less quarterly by and for GRAND CANYON RIVER GUIDES. Á’ÁT’ÉÉH, HAPPY RIVER SEASON! It’s already that GRAND CANYON RIVER GUIDES time of year again! Many of you have already is a nonprofit organization dedicated to Yhad a couple or more commercial trips under your belt on the Colorado, Grand Canyon or other Protecting Grand Canyon rivers. As a fellow river guide, I know that the begin- Setting the highest standards for the river profession ning of the river season or before your first trip begs Celebrating the unique spirit of the river community the main questions of “Where did I put that?” or “What Providing the best possible river experience am I forgetting?” At least for me, it’s the stressful part of the beginning of river season but I often remind General Meetings are held each Spring and Fall. Our myself that I’m going to a place of solitude, beauty, Board of Directors Meetings are generally held the first friendship, and adventure. It is also a stark reminder wednesday of each month. All innocent bystanders are that this place we all call home and our “office” is urged to attend. Call for details. always under observation from the constant threats of STAFF exploitation from development, mining and increased Executive Director LYNN HAMILTON visitation.
    [Show full text]
  • Havasu Canyon Flood Updates
    preserving public access to the Colorado River Number Seven Fall, 2008 CRMPUpdate By Jonathan Simon Parties File Opening Briefs in Lawsuit Challenging Grand Canyon National Park’s Colorado River Management Plan Grand Canyon River Runners Association Joins With Grand Canyon River Guides and Colorado Whitewater Association in Filing Amicus Brief Supporting the Plan In January 2008, after the Arizona concessions services that are contrary Federal District Court wholly rejected to applicable law. More specifically, the their challenge to the new Colorado appellants allege that the new plan River Management Plan (CRMP) issued violates the NPS’ obligation to preserve by the National Park Service (NPS) in the “wilderness character” of the river February 2006, the plaintiffs in that corridor because it—like the previous lawsuit—River Runners for Wilderness plan issued in 1989—continues to (RRFW), Rock the Earth, Wilderness allow the use of motorized watercraft, Watch, and Living Rivers—appealed that helicopter passenger exchanges “HAVASU VIEW” court’s ruling to the Ninth Circuit Court and generators. They also allege PAINTING BY KANDEE MCCLAIN of Appeals. Under the appeals court’s that the new plan illegally authorizes In this Issue original scheduling order in the case, concessions services—with respect CRMP UPDATE ............................................................................... 1 briefing was to have been completed to both motorized use and the overall “LEAVE NO TRACE” .......................................................................
    [Show full text]
  • Biennalization?
    Title Biennalization? What biennalization?: the documentation of biennials and other recurrent exhibitions Type Article URL http://ualresearchonline.arts.ac.uk/5516/ Date 2012 Citation Grandal Montero, Gustavo (2012) Biennalization? What biennalization?: the documentation of biennials and other recurrent exhibitions. Art Libraries Journal, 37 (1). pp. 13-23. ISSN 03074722 Creators Grandal Montero, Gustavo Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author art libraries 37 / 1 2011 journal Biennalization? What biennalization? The documentation of biennials and other recurrent exhibitions Gustavo Grandal Montero iennials have been central to the development of contemporary art for Bdecades, but there is a paucity of published material specifically related to this subject. Documentation for these important exhibitions is not always made available and it is often difficult to acquire, posing an obstacle to current and future research across a number of areas within contemporary art, curating and art history. This article offers an overview of major current biennials and of the different sources of information they produce (catalogues, other printed material, online resources, archives), and surveys the secondary literature of the phenomenon. It also discusses specific collection development issues in libraries, from
    [Show full text]
  • Rosie Acosta (RA) Interviewer: Tom Martin (TM) Subject: Rosie Acosta Was Born in 1931 and Came to the Grand Canyon As a Harvey Girl in the 1950S
    Transcription: Grand Canyon Historical Society Interviewee: Rosie Acosta (RA) Interviewer: Tom Martin (TM) Subject: Rosie Acosta was born in 1931 and came to the Grand Canyon as a Harvey Girl in the 1950s. She worked for Harvey, then moved to the growing gateway community of Tusayan where she worked for many decades with Franz and Hannah Rotter. This interview was made shortly before she passed away in 2012. Date of Interview: February 25, 2012 Method of Interview: In person Date of Transcription: 6/13/2020 Transcriber: Junyan Weng Transcription Reviewers: Sue Priest Keys: Lübeck, Germany, Fred Harvey, Bright Angel Lodge, Colter Hall, El Tovar, Fred Kabotie, Death Valley, Frank/Opa and Hannah Rotter, Dr. Lacey, Mexico City, Mexico, Tusayan, Red Feather, Squire Inn, handmade holiday decorations, Quality Inn, Bob Thurston, Buford Belgard, Mary Hoover, Elling Halvorson, Verkamp, Gabriel/Gabbie Acosta, Canyon Inn, Jimmy Tallon, Jake Barranca, Melly Schminke, Hopi Sam, Hopi mesas, gambling, Chinaman George TM: Today is the 25th of February. It’s 2:00 in the afternoon. We’re in Flagstaff with Rosie Acosta. Rosie is going to tell us about her time at Grand Canyon. What year were you born, and where did you grow up? RA: I was born in Lübeck in Germany in 1931. TM: What did your parents do? RA: My father worked in import/export. My mother, nothing. That’s all I can do about mother. TM: You have any brothers and sisters? RA: No. I didn't have any brothers or sisters for a long time. But when I was 13 my little brother appeared.
    [Show full text]
  • Galerie Lelong &
    Galerie Lelong & Co. Paris – New York Rebecca Horn Exhibitions Solo show 2019 Théâtre des métamorphoses, Centre Pompidou-Metz, , France Fantasmagories corporelles, Musée Tinguely, Basel, Switzerland 2016 German video art in the Russian Museum - Rebecca Horn, The State Russian Museum - Marble Palace, St. Petersburg, Russian Federation 2015 Rebecca Horn - The Vertebra Oracle In Napoli 2015, Studio Trisorio, Naples, Italy 2014 Rebecca Horn - The Vertebrae Oracle, Sean Kelly Gallery, New York City, United States Rebecca Horn - Between the Knives the Emptiness, Galerie Lelong, Paris, France Rebecca Horn - Between the Knives the Emptiness, Galerie Lelong, Zürich, Switzerland Rebecca Horn - zum Geburtstag, Galerie Hirshmann, Berlin, Germany Rebecca Horn - zum Geburtstag, Galerie Hirshmann, Berlin, Germany 2012 Rebecca Horn : Passage Through Light, National Gallery of Modern Art, New Delhi, India Rebecca Horn & Guests, Maribor Art Gallery, Maribor, Slovenia 2011 Rebecca Horn: Ravens Gold Rush, Sean Kelly Gallery, New York City, United States 2010 Rebellion in Silence Dialogue between Raven and Whale, Museum of Contemporary Art, Tokyo, Japan Rebecca Horn – Rebelião em Silêncio, Centro Cultural Banco do Brasil, São Paulo, Brazil Rebecca Horn - Rebelião em Silêncio, Centro Cultural Banco do Brasil, São Paulo, Brazil Rebecca Horn - Rebelião em Silêncio, Goethe-Institut São Paulo, São Paulo, Brazil 13 rue de Téhéran, 75008 Paris – France / +33 1 45 63 13 19 / [email protected] / www.galerie-lelong.com 1 Galerie Lelong & Co. Paris – New York
    [Show full text]
  • Grand Canyon
    PETREA DAVID CLASA A 11-A C THE NATIONAL COLLEGE OF INFORMATIC ,,TRAIAN LALESCU” GRAND CANYON PROF. COORD. DAN SORINA Table of contents Contents Grand Canyon........................................................................................................ 3 Geography.......................................................................................................... 4 Geology............................................................................................................... 5 History................................................................................................................. 6 Native Americans..........................................................................................6 European arrival and settlement...............................................................6 Weather............................................................................................................. 10 Air quality....................................................................................................10 Biology and ecology..........................................................................................12 Plants............................................................................................................ 12 Animals......................................................................................................... 12 Life zones and communities.....................................................................12 Grand Canyon tourism......................................................................................15
    [Show full text]
  • Nesting Notes
    I ~ ;V II TlIlPr ',./1 /t: C'q It Ii> r n 1ft.. J3a.-/'_ //) (017"0/1'1 /fClI1Cq JU,.,e If 27 i/o /. .lff /J/o. 10 u.s. DEPAR'l!.m:UT OF mE INTERIOll NATIONAL PARK S;mVICE GRJJID CANYON NATIONAL PARK Vol. 3 No, 10 GRAND CANYON NATURE NOTES J'uDe 30 ,1929 .---------- --. ------- ----------- This Eulletin is issued monthly for the purpose of giving informa- . tion to those interested in the natural history and scientific features of the Grand Canyon No. tional Pa-rk. Ad,lHicnal copie s of these Bulletins my be obtained free of char~ b;y those who can cake use of them, by &d.cl.ressiJIg. :l;hA_.su::Parillte.ndent, Grlllld Canyon National Park, Grand Canyon, - -Al'izona. --- -- - ----- ---- - - - - - - - - - -- - -- - - -- - - - - )(. R. Tillotson, SUperintendent, Edwin, D. MCKee, park Naturalist. ------------------------------------- SCIEl,TIFIC WORK Grand Canyon National park has been fortunate in having several of ~ country's leading sdentists numbered among its visitors this past month. Dr. David White, principal geologist U.S. Geological SUrvey, has spent 90me three weeks in a study of the fossil flora of the region - collecting and studying the plants along all of the principal canyon trails. Dr. White obtained some very interesting material in the Algon­ quin formations and also in the Hermit ·Shale. / Dr. H. C. Bryant of the California Fish and Game ·,.,eommission arrivetl. on the North Rim on June 10, and three days luter on the south Rim to make a special study of the biologioc.l problems of the park. Dr. Bryant, Ip9nt ab,out two weeks at Grand Canyon.
    [Show full text]
  • In This Issue
    The Ol’ Pioneer The Magazine of the Grand Canyon Historical Society Volume 31 : Number 2 www.GrandCanyonHistory.org Spring 2020 In This Issue What I Learned About Grand Canyon at Creation Museums ........................................ 3 Nikki Cooley .................................................. 5 Aunt Eva Visits Ganado & Getting Even ... 6 David Schaller ................................................ 9 The Bulletin ................................................... 11 President’s Letter The Ol’ Pioneer The Magazine of the Grand Canyon Historical Society hope that you and your family are safe and healthy during this COVID-19 pandemic. This is a challenging time, both around the world and in the US. Volume 31 : Number 2 For those of us who enjoy visiting, hiking, rafting at Grand Canyon, the Spring 2020 Icanyon is now temporarily closed. As a good friend told me: “The Canyon is u still there and since I feel it is aware of all the crazy things we humans do in and The Historical Society was established around it, the Canyon is enjoying our absence; a peaceful break from being the in July 1984 as a non-profit corporation backdrop for all those ‘selfies.’ A respite from being climbed all over by hikers. to develop and promote appreciation, Its river is probably not missing all the commercial and private river runners. understanding and education of the Its wildlife and plant life are experiencing a happy, quiet spring. Well maybe earlier history of the inhabitants and not the ravens!” Yet, my friend told me, “It is depressing to not be able to get important events of the Grand Canyon. my Canyon fix!” The Ol’ Pioneer is published by the GRAND For many during this time, mental health will be one of the biggest chal- CANYON HISTORICAL SOCIETY.
    [Show full text]