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WGLT Program Guide, January-February, 2010
Illinois State University ISU ReD: Research and eData WGLT Program Guides Arts and Sciences Spring 1-1-2010 WGLT Program Guide, January-February, 2010 Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/wgltpg Recommended Citation Illinois State University, "WGLT Program Guide, January-February, 2010" (2010). WGLT Program Guides. 228. https://ir.library.illinoisstate.edu/wgltpg/228 This Book is brought to you for free and open access by the Arts and Sciences at ISU ReD: Research and eData. It has been accepted for inclusion in WGLT Program Guides by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ALSO IN THIS ISSUE: The Year's Best Blues The Year's Best Folk The Year's Best Jazz GLT Annual Report 2009 mined that the transmitter itself was OK. The older by GLT General Manager Bruce Bergethon antenna (erected in 1992) was not so lucky. Damaged in multiple places, the antenna couldn't function, I am by nature a) an optimist, and 6) a person who tends to take the long view. forcing us to revert to our lower-powered backup The past year provided a rugged test for the first proclivity, with challenges rang transmitter, which meant that for over a month, we ing from the recession's domino effect to the vagaries of weather (lightning struck were unable to reach roughly 30% of our usual cover once, and that was more than enough). With business-threatening changes all age area. The lower-power transmission also forced around us, however, I'm confident that GLT's long-range outlook continues to be us to shut off the HD channels. -
“Clive Davis Said to Me, 'When Are You Going to Get Garth out of No. 1 So I
Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. All of a sudden there morphed into the ‘New Country’ explosion,” DuBois says. Dan Halyburton. “Garth Brooks in ‘89 and ‘90 there were a ton of artists, who had previously “I remember going from doing country fan rag interviews to would literally just hang out before been occupying chart positions, that just went away. When taking calls from Forbes and doing interviews with Business he played at a little honkytonk that that happened there was room for all this new stuff.” Week. -
Shipp / Lehn / Butcher
SHIPP / LEHN / BUTCHER John Butcher [UK] • soprano- & tenor saxophone, feedback Thomas Lehn [AT/DE] • analogue synthesizer Matthew Shipp [USA] • piano © painting by Gina Southgate @ Konfrontationen 2016 The combination of personalities is winningly combustible. The rhythmic push and pull between Butcher, Shipp and Lehn is a delight, with all three conjuring up graciously dissonant figures whose frequent crisscrossing gives the music a kaleidoscopic character. All of the players are drumming with razor sharp focus, but they also have more serene impulses and create glistening soundscapes in which the analogue keyboard is well complemented by the two acoustic instruments that are inspired to match the strange and beautiful noise that fills the air. Music with an on-the-edge intensity that is nonetheless handled with considerable rigour and attention to detail. - Kevin Le Gendre | Jazzwise Magazine | Feb 2017 CD release Tangle label: Fataka cat.-no.: fataka 14 release date: November 17, 2016 https://f-a-t-a-k-a.bandcamp.com/album/tangle 1. – 3. Cluster 37:09 4. Tiefenschärfe 5:59 recorded on Februay 19th 2014 at Cafe Oto, London cover photo by Andy Moor liner notes by Nate Wooley "Tangle is the standout album of 2016 in my book, across the board. The ideas are flowing thick and fast, with everyone at the top of their game and perfectly in sync. There's a raw vitality to the performance, and the music is unabashed and direct in channeling relatively conventional lyricism. This is thrilling, peerless stuff, played with vivacity and animation. I was at the concert, and in my diary I jotted down a rare post-gig note that reads simply "!!!! f******k", but I'd forgotten it was quite this good." - Tim Owen | Dalston Sound | Nov. -
The New York City Jazz Record
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
Warren Haynes Otis Taylor
DECEMBER 2011 ISSUE MMUSICMAG.COM SPOTLIGHT L en I rish OTIS TAYLOR A self-described musical “reporter” takes Todd Edmunds, Anne Harris, Otis Taylor, a hard look at a broken world Larry Thompson, Jon Paul Johnson OTIS TAYLOR WATCHES THROUGH mid-1990s, following nearly two decades things.” His unique spin on traditional sounds the window as the snow falls outside. during which he simply didn’t bother with has spawned a subgenre that he calls “trance Most would find it serene—a dusting on the music industry. “That was no hiatus,” he blues.” Characterized by atonal rhythms, the mountains surrounding Boulder, Colo., says. “I quit! I was fed up with the music gritty emotional grooves and melodies the place he calls home. But not Taylor. business. There’s never been a musician devoid of chord changes, it inspired an entire “It’s dark and overcast,” he says with a who wasn’t fed up with the music business.” Trance Blues Jam Festival last November shrug. The bluesman, 63, readily describes His latest, Contraband—named for in Boulder, the first of what he hopes himself as a pessimist, one who warns that runaway Civil War slaves who were still is an annual event. he has little patience for answering “stupid considered commodities even after reaching Despite his downcast disposition, questions.” “I’m old and I’m black and I don’t Union lines—maintains that unabashedly Taylor claims the edgier songs from the new give a crap,” he says. direct narrative. While he’s garnered several album—“The Devil’s Gonna Lie,” “Romans Had Taylor’s music is just as blunt. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
The Piano Equation
Edward T. Cone Concert Series ARTIST-IN-RESIDENCE 2020–2021 Matthew Shipp The Piano Equation Saturday, November 21 2020 8:00 p.m. ET Virtual Concert, Live from Wolfensohn Hall V wo i T r n tu so osity S ea Institute for Advanced Study 2020–2021 Edward T. Cone Concert Series Saturday, November 21, 2020 8:00 p.m. ET MATTHEW SHIPP PROGRAM THE PIANO EQUATION Matthew Shipp Funding for this concert is provided by the Edward T. Cone Endowment and a grant from the PNC Foundation. ABOUT THE MUSIC David Lang writes: Over the summer I asked Matthew Shipp if he would like to play for us the music from his recent recording The Piano Equation. This album came out towards the beginning of the pandemic and I found myself listening to it over and over—its unhurried wandering and unpredictable changes of pace and energy made it a welcome, thoughtful accompaniment to the lockdown. My official COVID soundtrack. Matthew agreed, but he warned me that what he would play might not sound too much like what I had heard on the recording. This music is improvised, which means that it is different every time. And of course, that is one of the reasons why I am interested in sharing it on our season. We have been grouping concerts under the broad heading of ‘virtuosity’–how music can be designed so that we watch and hear a musical problem being overcome, right before our eyes and ears. Improvisation is a virtuosity all its own, a virtuosity of imagination, of flexibility, of spontaneity. -
KYGO/Denver PD Record and Radio Industries These Days
MARCONI AWARDS POWER NOMINEES JAN & UNSUNG JEFFRIES HEROES Airplay31 Leaders The Interview PAGE 7 PAGE 15 PAGE 33 b&d_cov_airchk:LayoutSEPTEMBER 2009 1 8/25/09 1:07 PM Page 1 ® © 2 0 0 9 S O N Y M U S I C E N T E R T A I N M E N T 4 08 Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. -
Countrytime - Best of 320 Titel, 20,1 Std., 1,88 GB
Seite 1 von 13 -CountryTime - Best Of 320 Titel, 20,1 Std., 1,88 GB Name Dauer Album Künstler 1 Feels so right 3:37 Feels So Right - Alabama - 1981 (VA-192) Alabama 2 Lady down on love 3:57 For the Record: 41 Number One Hits Alabama 3 Reasons to run 4:27 Honeysuckle Sweet - Jessi Alexander - 2005 (VA) Alexander Jessi 4 Bad girl blues 3:49 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 5 There's more to me than you (Bonus Track) 4:45 Now - Jessica Andrews - 2003 (RS) Andrews Jessica 6 Show me heaven 4:23 Who Am I - Jessica Andrews - 2001 (RS) Andrews Jessica 7 I will be 3:31 Confessions Of A Nice Girl - Katie Armiger - 2010 (RS) Armiger Katie 8 Now you do 4:28 Katie Armiger - Katie Armiger - 2007 (PA) Armiger Katie 9 Remind me 3:31 Streets Of Heaven - Sherrie Austin - 2003 (RS-160) Austin Sherrié 10 One solitary tear 4:01 Words - Sherrie Austin - 1997 (RS) Austin Sherrié 11 That's no way to break a heart 3:23 Words - Sherrie Austin - 1997 (RS) Austin Sherrié 12 Words 3:44 Words - Sherrie Austin - 1997 (RS) Austin Sherrié 13 The streets of Baltimore 2:36 The Best Of Country And West Vol.1 - Sampler - 1967 (LP) Bare Bobby 14 If i said you had a beautiful body 3:12 The Best Of - Bellamy Brothers - Comp (CD-VBR) Bellamy Brothers 15 Let your love flow 3:17 Best Of Country Songs - Comp 2006 (CD2-VBR) Bellamy Brothers 16 Live to love another day 3:45 Give Me Some Wheels - Suzy Bogguss - 1996 (RS) Bogguss Suzy 17 Saying goodbye to a friend 3:30 Give Me Some Wheels - Suzy Bogguss - 1996 (RS) Bogguss Suzy 18 Far And Away 3:40 -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Countryladies 1257 Titel, 3,2 Tage, 7,71 GB
Seite 1 von 49 -CountryLadies 1257 Titel, 3,2 Tage, 7,71 GB Name Dauer Album Künstler 1 Abilene (ft Natalie Maines - Background) 4:08 C'mon, C'mon - Sheryl Crow - 2002 (RS-192) Crow Sheryl 2 Absence of fear / This little bird 7:26 Spirit - Jewel - 1998 (RS-256) Jewel (Kilcher) 3 Absence of the heart 3:31 Everything's Gonna Be Alright - Deana Carter - 1998 (RS) Carter Deana 4 Across America 3:06 The Loving Kind - Nanci Griffith - 2009 (RS) Griffith Nanci 5 Act of faith (ft McDonald Michael) 9:16 (2) - Olivia Newton-John - 2002 (RS) Newton-John Olivia 6 After all 3:55 Patty Loveless - Patty Loveless - 1986 (RS-192) Loveless Patty 7 The age of miracles 4:33 The Age Of Miracles - Mary-Chapin Carpenter - 2010 (RS-256) Carpenter Mary-Chapin 8 Ain't gonna happen 3:38 Confessions Of A Nice Girl - Katie Armiger - 2010 (RS) Armiger Katie 9 Ain't no sunshine 3:29 Hollywood, Tennessee - Crystal Gayle - 1981 (LP) Gayle Crystal 10 Ain't no sunshine 3:19 Sing: Chapter 1 - Wynonna Judd - 2009 (RS) Judd Wynonna 11 Ain't that lonely yet 3:09 Whitney Duncan - Single 2007 Duncan Whitney 12 Ain't that something 3:53 Ain't That Life - Jessica Andrews - 2016 (PA-320) Andrews Jessica 13 The air that i breathe (Newton-John) 3:56 Have You Never Been Mellow - Olivia Newton-John - 1975 (RS) Newton-John Olivia 14 Alison 3:28 Living In The USA - Linda Ronstadt - 1978 (RS) Ronstadt Linda 15 All dressed up (with nowhere to go) 3:14 For My Broken Heart - Reba McEntire - 1991 (RS) McEntire Reba 16 All i have to do is dream 2:14 A Little Bit Of Heartache - Rosie Flores -
Shana Petrone to Tennessee Ernie Ford
Sound Extreme Entertainment Karaoke Show with Host 828-551-3519 [email protected] www.SoundExtreme.net In The Style Of Title Genre Shana Petrone This Time Country Shane McAnally Are Your Eyes Still Blue Country Shane McAnally Run Away Country Shane McAnally Say Anything Country Shane Minor I Think You're Beautiful Country Shane Minor Ordinary Love Country Shane Minor Slave To The Habit Country Shangri-las, The Leader Of The Pack Country & Pop Shania Twain Ain't No Particular Way Country Shania Twain Any Man Of Mine Country & Pop Shania Twain C'est La Vie Country Shania Twain Come On Over Country & Pop Shania Twain Don't Country Shania Twain Don't Be Stupid (You Know I Love You) Country & Pop Shania Twain Forever And For Always Country & Pop Shania Twain God Bless The Child Country Shania Twain Home Ain't Where His Heart Is (Anymore) Country Shania Twain Honey I'm Home Country & Pop Shania Twain I Ain't Goin' Down Country Shania Twain I Ain't No Quitter Country Shania Twain If It Don't Take Two Country Shania Twain If You Wanna Touch Her, Ask Country Shania Twain If You're Not In It For Love (I'm Outta Here) Country & Pop Shania Twain I'm Gonna Getcha Good! Country & Pop Shania Twain I'm Holdin' On To Love (To Save My Life) Country Shania Twain I'm Jealous Country Shania Twain I'm Not In The Mood (To Say No)! Country Shania Twain In My Car (I'll Be The Driver) Country Shania Twain Is There Life After Love? Country Shania Twain It Only Hurts When I'm Breathing Country Shania Twain Juanita Country Shania Twain Ka-Ching Country Sound Extreme Entertainment www.SoundExtreme.net www.SoundExtremeWeddings.com www.CrocodileSmile.net 360 King Rd.