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Internal Bleeding Beyond Creation Hacavitz Royal
ACE FREHLEY SOULFLY OPETH ROYAL TUSK BEYOND CREATION SPACEMAN RITUAL GARDEN OF THE TITANS: LIVE AT RED ROCKS TUSK II ALGORYTHM EONE NUCLEAR BLAST NUCLEAR BLAST MUSCA/EONE SEASON OF MIST Ace Frehley is on a roll, and he’s ready to embark on Both ancient and modern cultures rely heavily on An unstoppable force for uniqueness amid a sea of It’s been said that if you don’t stand for something, Beyond Creation formed in 2005 in Montreal, Canada his next musical journey with Spaceman – his third rituals. From religious proceedings that date back generic swill, Swedish death metal titans, Opeth, you’ll fall for anything. Royal Tusk dig in its heels, hold but it wasn’t until 2010 that the band was ready to hit solo outing in four years. Amongst Ace’s post-KISS millennia to daily 21st century routines such as have been setting the rulebook ablaze and plowing a its ground, and fight with fury against the specter of its the stage with its original line-up consisting of Simon records, Spaceman might be the closest link to his checking social media, humanity gravitates towards uniquely progressive and exploratory furrow for nearly debut. These blue-collar troubadours from the Great Girard, Kevin Chatré, Guyot Bégin-Benoît and Dominic widely acclaimed 1978 solo record, both in spirit and ritualistic behavior for the appearance of order and a 25 years now. Formed in Stockholm in 1990, the band White North are steadfast champions of the majesty ‘Forest’ Lapointe. A year later, they self-released execution: namely, Frehley played all of the guitar parts semblance of control over life’s chaos. -
Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Johnny Burnette TITLE Johnny Burnette And The Rock ’n’ Roll Trio LABEL Bear Family Productions CATALOG # BAF 18012 PRICE-CODE BAF EAN-CODE ÇxDTRBAMy180125z FORMAT VINYL album 180g Vinyl • Pressed by Pallas Direct Metal Mastering: H.J. Maucksch at PaulerAcoustics GENRE Rock ‘n’ Roll G One of the first and maybe the greatest rockabilly albums ever! G Includes The Train Kept A'Rollin' – later recorded by the Yardbirds, Aerosmith and many others! G Includes many of the greatest guitar solos from the early days of rock 'n' roll! INFORMATION Johnny Burnette died in 1964 after scoring several pop hits in the early Sixties, including Dreamin', You're Sixteen, and Little Boy Sad. If, in the days or weeks before his death, he had been asked how he would be remembered, he would probably have said for those hits or for the songs he'd written for Ricky Nelson. And he would have been wrong. Today, Johnny Burnette is chiefly remembered for some sessions he cut in 1956 that resulted in no hits, but just about defined rockabilly as an art-form – in fact as a new musical life-form. This album, one of the first-ever rockabilly LPs, is still the best-ever rockabilly LP. From the early 1960s, collectors were paying big money for it. When musicologists and musicians deconstruct rockabilly and when revivalists reconstruct it, they're trying to unravel the magic of Johnny Burnette and the Rock 'n' Roll Trio. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
Shoreham's Radar Station-Bookv2
The Story of RAF Truleigh Hill by Roy Taylor Copyright Aug. 2020 Page 1 of 107 Contents Introduction……………………………………………. 1 1. Radar Development………………………………... 3 2. Wartime…………………………………………….. 4 3. Poling………………………………………………. 20 4. GEE Navigational Aid……………………..............26 5. ROTOR Period – Technical Site………………….33 6. Stoney Lane Domestic Site……………………….. 43 7. Sport………………………………………………. .52 8. Commanding Officers…………………….…….. 57 9. Finding the Veterans…………………………….. .61 10. Local Involvement………………………………. 74 11. Later Developments……………………………... 77 Appendix 1 - Roll Call………………………… …… 81 Gallery…………………………............ 86 Appendix 2 – Other Sussex RAF Radar Stations….. 93 Appendix 3 – Further Reading……………………… 94 Appendix 4 – Technical Notes (CHEL) 95 Acknowledgements………………………………… 98 The Story of RAF Truleigh Hill by Roy Taylor Copyright Aug. 2020 Page 2 of 107 Shoreham’s Radar Station The Story of RAF Truleigh Hill Introduction The Story of RAF Truleigh Hill by Roy Taylor Copyright Aug. 2020 Page 3 of 107 It is over fifty years since I first set foot in Shoreham, as a 19-year-old radar operator at RAF Truleigh Hill. I served the final 15months of my compulsory period of National Service at this, the last of my six postings. On demob, I stayed in the area and have been here ever since. I have kept in contact with four of my former colleagues. Photos and memories come out for an airing every so often, but it is only in the last few years, however, that I have started to think seriously about the history of RAF Truleigh Hill. The radar operation started in 1940, just before The Battle of Britain, and continued in several different formats until closure in 1958. -
A Compact Drum Kit That's Great for Kids
Shells ABD1520T ABD1522T ATT1510U ATT1512U ATT1513U AFT1516 AFT1518 ASD0545 Additional TB1030AA TB1230AA RMGW RMCW Hardware TH945A x2 HS1100 CS845 SS940 DFP9410 FP9410 CH745 x4 CH740 x3 TH904 WHS860S WS865 x2 AC910 CWH930 HSAT930 1 Lug Nut Lug Nut Holding Plate Bolt on Shell (Patent Pend) In taking an entirely fresh approach to lug design, our craftsmen have come up with an ideal design Air hole, YESS and that delivers greater sound performance and bolts on the shell side are all positioned convenience. These new lugs hook onto bolts that at the shell’s nodal are attached to the shell, which allows the lug point. casings themselves to "float" eliminating any direct contact between the lug and the shell. As this design reduces the amount of hardware actually attached to the drum shell, the shell is allowed to vibrate freely. On an 11-inch shell the lug bolts, as well as the YESS mounting system, are all attached to the shell at its nodal point to greatly minimize influence on shell resonance to deliver maximum tone. Another benefit these lugs provide is when it comes time to change the head, it is no longer necessary to remove the tuning bolts from the lugs to remove the hoop. Just loosen the bolts enough to slide the lugs off of the bolts and the hoop comes right off. No more lost washers, etc. and head changes can be done quicker and easier than before. * Nodal point mounting is patented by the Nobel & Cooley Drum Company. Nylon Ring * Beside the Absolute Nouveau Lugs, the Absolute lugs that were offered on O Ring earlier models are also available. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Dossier De Presse
Les Lionceaux au Golf Drouot en 1962 Le groupe de rock « LES LIONCEAUX » est né à Quatre Garçons dans le vent : Les Reims en 1961. Le Golf Drouot en 1962, l’émission Lionceaux adaptent les titres des d’Albert Raisner « Age Tendre et Tête de Bois » en Beatles en 1964 1963, puis des disques chouchous de la célèbre émission « Salut les Copains » comme « Quatre garçons dans le vent », « Je te veux tout à moi », ou « Je ne peux l’acheter », autant de titres adaptés des Beatles qui ont fait des Lionceaux l’un des groupes mythiques des années 60. Treize Lionceaux, dont Herbert Léonard, se sont succédés jusqu’à la séparation du groupe fin 1966, et c’est à l’occasion de la sortie du livre (décembre 2004)que leur a consacré Alain Dumont, le premier chanteur du groupe (en 1962 et 1963), que les Lionceaux se sont retrouvés avec l’envie de recommencer ! Depuis, les concerts se succèdent ... De novembre 1963 à septembre 1965, LES LIONCEAUX sortent sept 45 tours (pour un total de 28 titres), puis deux albums en 2005 et 2009, un single en 2008, un vinyle 33 tours en 2011 pour les 50 ans du groupe, et un single en 2013 LES LIONCEAUX REVIENNENT AUJOURD’HUI AVEC UN ALBUM EN HOMMAGE À CLIFF RICHARD ET AUX SHADOWS ! Retrouvez l’histoire des Lionceaux dans le livre paru en décembre 2004 : « Ils étaient une fois… LES LIONCEAUX » (O.U.E.) avec un CD collector offert. LES LIONCEAUX ( de gauche à droite) : Guy Follereau : Guitare basse et chant Denis Codfert : Batterie Willy (Alain) Dumont : Chant Stéphane Le Galloudec : Guitares Martial Henzelin : Claviers et chant Avec la participation amicale de Daniel Fouet à la basse (photo ci-contre) Le premier CD des Lionceaux Revival paru en décembre 2005 proposait un flash-back musical consacré à la période 1961-63. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s. -
Link Wray: Nov, 3, 1997
Link Wray: Nov, 3, 1997 In the vast rock 'n' roll landscape there stands a distorted guitar that sounds like the distant roar of a dozen motorcycles. It can only mean one thing. Link Wray has landed. The Fender Bender is back in the saddle due in great part to the use of his gnarly instrumental "Rumble" in the films "Pulp Fiction" and "Independence Day," and the use of "Jack The Ripper" in Robert Rodriguez's "Desperado." Wray, 68, appears tonight at the House of Blues in his first Chicago gig since 1978, when he performed with rockabilly revivalist Robert Gordon at the Park West. Part Native American of Shawnee extraction, Frederick Lincoln Wray was born in Dunn, N.C., and reared in Portsmouth, Va. Since 1979, he's lived in Denmark with wife, Olive Poulsen, and their 14-year-old son, Oliver Christian, on a remote island where fairy tale author Hans Christian Andersen used to live. "I live quietly in Denmark," Wray said in a call last week from an Econo Lodge in Pittsburgh, Pa. "I don't have a phone. I don't play gigs there. I don't want Danish kids and teachers to think Oliver's daddy is a wild rock 'n' roller with black leathers and shades. They don't even know me as Link Wray. They know me as `Mr. Andersen.' " "Mr. Andersen" grabbed a magical piece of rock 'n' roll history with his rebel instrumentals like "Rumble," "Rawhide" and "Slinky." Wray also has released a new record, "Shadowman" (Hip-O Records) that features his gnarly covers of Creedence Clearwater's "Run Through The Jungle" and Hank Williams' "I Can't Help It If I'm Still In Love With You." Although Wray cites rhythmic minimalists such as Chet Atkins and Les Paul as influences, he doesn't consider himself a great guitar player.