How Useful Is the Film 'The Untouchables' to A
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
A General Model of Illicit Market Suppression A
ALL THE SHIPS THAT NEVER SAILED: A GENERAL MODEL OF ILLICIT MARKET SUPPRESSION A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Government. By David Joseph Blair, M.P.P. Washington, DC September 15, 2014 Copyright 2014 by David Joseph Blair. All Rights Reserved. The views expressed in this dissertation do not reflect the official policy or position of the United States Air Force, Department of Defense, or the U.S. Government. ii ALL THE SHIPS THAT NEVER SAILED: A GENERAL MODEL OF TRANSNATIONAL ILLICIT MARKET SUPPRESSION David Joseph Blair, M.P.P. Thesis Advisor: Daniel L. Byman, Ph.D. ABSTRACT This model predicts progress in transnational illicit market suppression campaigns by comparing the relative efficiency and support of the suppression regime vis-à-vis the targeted illicit market. Focusing on competitive adaptive processes, this ‘Boxer’ model theorizes that these campaigns proceed cyclically, with the illicit market expressing itself through a clandestine business model, and the suppression regime attempting to identify and disrupt this model. Success in disruption causes the illicit network to ‘reboot’ and repeat the cycle. If the suppression network is quick enough to continually impose these ‘rebooting’ costs on the illicit network, and robust enough to endure long enough to reshape the path dependencies that underwrite the illicit market, it will prevail. Two scripts put this model into practice. The organizational script uses two variables, efficiency and support, to predict organizational evolution in response to competitive pressures. -
US 6 – the Grand Army of the Republic Highway | Pennsylvania Magazine
2/26/2016 US 6 – The Grand Army Of The Republic Highway | Pennsylvania Magazine MOTORCYCLE TOURING US 6 – THE GRAND ARMY OF THE REPUBLIC HIGHWAY JUNE 23, 2010 | PA MOTORCYCLE TOURS US 6 cuts across the Northern tier of Pennsylvania, offering 290 miles of pleasurable, scenic riding for the entire route. The road is in great condition and traffic is generally light – particularly in the mid-section. There are plenty of open spaces for passing when needed. Throughout the entire route, US 6 offers many gentle curves, a few nice sweepers and some modest elevation changes. It’s an easy road to navigate – no hairpin turns or switchbacks – just miles of great scenery and enough curves and hills to keep you interested. http://www.pa-mag.com/us-6-the-grand-army-of-the-republic-highway/ 1/20 2/26/2016 US 6 – The Grand Army Of The Republic Highway | Pennsylvania Magazine Water St, Northumberland, PA 17857 E Main St, Galeton, PA 16922 More options Map dataReport ©2016 a map Google error View Larger Map As you might expect – this route is a favorite of motorcycle touring enthusiasts from all over. Many of the picturesque small towns along the route are very ‘motorcycle friendly’. Traveling through the area – it is obvious that there is a degree of “old money” wealth in the region. The lumber industry fulled an economic boom in 1870s through early 1900s and the entire region was in an economic explosion that created some of the wealthiest entrepreneurs in the country. This is evident as you travel through the small towns of Wellsboro, Coudersport and Smethport in particular. -
ABSTRACT Title of Dissertation: WORK UNDER DEMOCRACY
ABSTRACT Title of Dissertation: WORK UNDER DEMOCRACY: LABOR, GENDER AND ARENDTIAN CITIZENSHIP Alison Kathryn Staudinger, Doctor of Philosophy, 2013 Dissertation Directed by: Stephen Elkin, Professor Emeritus Government & Politics In the interest of promoting a co-constitutive theory of democratic citizenship, this dissertation explores three questions. I ask how work is defined and how this definition creates a hierarchy of types of work, which then leads to my second question, which is how definitions of work or what is not work are carried over into the public space of poli- tics and citizenship, such that even legal citizens may be marginalized by the type of work that they do. I first critique democratic theory, particularly as centered on the idea of the public sphere, for failing to think about work, especially the labor that is required to build these political spaces. I then show how the contemporary economy challenges the ability of citizens to engage in political work because it produces conditions of pre- carious labor, ubiquitous work, the depoliticization of work itself, and incompatibility of wage labor and family life. I use two historical case studies to explore how groups have claimed collective rights housed in the substantive needs of communities when asserting the validity of their work for citizenship. I look to the Articles of Confederation and Dan- iel Shays for an example focused on waged labor, and then the temperance and Anti- temperance movements for a consideration of gendered reproductive labor. I then address my third question, which is whether it is possible to promote the political work of co- constituting a shared public world without also denigrating the labor, particularly care labor, that is supportive of this project. -
Jenny Parker Mccloskey, 215-409-6616 Merissa Blum, 215-409-6645 [email protected] [email protected]
FOR IMMEDIATE RELEASE Contact: Jenny Parker McCloskey, 215-409-6616 Merissa Blum, 215-409-6645 [email protected] [email protected] NATIONAL CONSTITUTION CENTER TO BRING BACK PROHIBITION IN MARCH 2017 Original exhibit, American Spirits: The Rise and Fall of Prohibition, returns for a limited engagement Exhibit opens Friday, March 3 Philadelphia, PA (January 5, 2017) – The National Constitution Center is bringing back American Spirits: The Rise and Fall of Prohibition, its critically acclaimed exhibit that brings the story of Prohibition vividly to life. The exhibit, created by the National Constitution Center, originally debuted in 2012 and has since toured nationally, including stops at the Seattle’s Museum of History and Industry in Washington, Grand Rapids Public Museum in Michigan, and Peoria Riverfront Museum in Illinois. It will open to the public Friday, March 3 and run through July 16, 2017. An exclusive, members-only sneak preview opening party is planned for Thursday, March 2. The event will include an America’s Town Hall panel discussion on the constitutionality of Prohibition and its impact on American society today. “We are thrilled to have this superb exhibit back from its national tour,” said President and CEO Jeffrey Rosen. “American Spirits brings the U.S. Constitution to life. Visitors can educate themselves about the constitutional legacy of Prohibition and how to amend the Constitution today.” The exhibit uses a mix of artifacts and engaging visitor activities to take visitors back in time to the dawn of the temperance movement, through the Roaring ’20s, and to the unprecedented repeal of a constitutional amendment. -
Mean Streets: Death and Disfiguration in Hawks's Scarface
Mean Streets: Death and Disfiguration in Hawks's Scarface ASBJØRN GRØNSTAD Consider this paradox: in Howard Hawks' Scarface, The Shame of the Nation, violence is virtually all-encompassing, yet it is a film from an era before American movies really got violent. There are no graphic close-ups of bullet wounds or slow-motion dissection of agonized faces and bodies, only a series of abrupt, almost perfunctory liquidations seemingly devoid of the heat and passion that characterize the deaths of the spastic Lyle Gotch in The Wild Bunch or the anguished Mr. Orange, slowly bleeding to death, in Reservoir Dogs. Nonetheless, as Bernie Cook correctly points out, Scarface is the most violent of all the gangster films of the eatly 1930s cycle (1999: 545).' Hawks's camera desists from examining the anatomy of the punctured flesh and the extended convulsions of corporeality in transition. The film's approach, conforming to the period style of ptc-Bonnie and Clyde depictions of violence, is understated, euphemistic, in its attention to the particulars of what Mark Ledbetter sees as "narrative scarring" (1996: x). It would not be illegitimate to describe the form of violence in Scarface as discreet, were it not for the fact that appraisals of the aesthetics of violence are primarily a question of kinds, and not degrees. In Hawks's film, as we shall see, violence orchestrates the deep structure of the narrative logic, yielding an hysterical form of plotting that hovers between the impulse toward self- effacement and the desire to advance an ethics of emasculation. Scarface is a film in which violence completely takes over the narrative, becoming both its vehicle and its determination. -
Le Contact Us at NCJRS.Gov
.,' '" If you have issues viewing or accessing this file contact us at NCJRS.gov. , This microfiche was producad from documents received' for 1:. inclusion in the NCJRS data base; Since NCJRS cannot exercise contra I oyer the physical condition, of the, documents submitted,' (; the individual frame. quality .,will vary. The resolution chart on this frame may be used to evaluate ,the ·document qua '. j" • '~-'",''' ....,.",,, .....,.,-~, ,.,r.::::;.\,._" ""»'-" ".,'•• __ .' •• ',"" Frank A. Zunno ! I ,. 2 11111. .5 ,. 1.0 ;: IIIP'S / 3 W. 11111 ,2 W W ~I~ ~ 14,0 '20 i 11:!l :., = . r· /. 111111.25 .11111 LA 111111.6 MICROCOPY RESOLUTION TEST CHART NATIONAL OUHEAU OF STANDARDS-1963-A The bibliography on Organized Micr~filmir.& proct/dures used to create this fich\! comply with Crime first published in. TQ.e ',_.-, the standards set forth in 41CFR 101·11.504 Police Chief, September 1971 Points of view or opinions stated in this document are has been updated with the addition those of the authorlsl and do not represent 'the official o~ sixty five new entries. position or poUcies of the U.S. Department of Justil:e. U.S. DEPARTMENT OF JUSTICE LA.W ENFORCEMENT ASSISTANCE ;.DMINISTRAT!O,N ' NATIONAL CRIMINAL JUSTICE REFERENCE SERVICE WASHINGTON,. D.C. 20531 ..... , ,/t,: "':~i[D; t" ~.f i I ~ e .~ .. ., BOOKS A Professional Thief, The :i?rof~~ional Asbury, Herbert, Gangs of New York - An Thief. Annotated and Interpreted by Informal History of the Underworld. Edwin H. Sutherland. Chicago, The New York, Alfred A. Knopf, Inc., 1928. University of Chicago Press, 1937. _____ , . The Chicago Underworld. -
The Baseball Film in Postwar America ALSO by RON BRILEY and from MCFARLAND
The Baseball Film in Postwar America ALSO BY RON BRILEY AND FROM MCFARLAND The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad (2010) Class at Bat, Gender on Deck and Race in the Hole: A Line-up of Essays on Twentieth Century Culture and America’s Game (2003) The Baseball Film in Postwar America A Critical Study, 1948–1962 RON BRILEY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London All photographs provided by Photofest. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Briley, Ron, 1949– The baseball film in postwar America : a critical study, 1948– 1962 / Ron Briley. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6123-3 softcover : 50# alkaline paper 1. Baseball films—United States—History and criticism. I. Title. PN1995.9.B28B75 2011 791.43'6579—dc22 2011004853 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2011 Ron Briley. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. On the cover: center Jackie Robinson in The Jackie Robinson Story, 1950 (Photofest) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Preface 1 Introduction: The Post-World War II Consensus and the Baseball Film Genre 9 1. The Babe Ruth Story (1948) and the Myth of American Innocence 17 2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949) 33 3. -
Hollywood Greats Flocked to Racquet Club West
Hollywood Greats Flocked To Racquet Club West By Don Soja An “official” neighborhood since 2007, the famed Racquet Club West (RCW) was once in the thick of all things “Hollywood” in Palm Springs. Sitting behind the notorious Racquet Club founded by two tennis-addicted actors, Ralph Bellamy and Charles Farrell (who had been politely asked to vacate the courts at the El Mirador Hotel, or so it’s said) the location made adjacent homes attractive to the hottest celebrities of the period. Dinner and dancing, drinks at poolside or sets of tennis were but a short walk or bike ride to the club. (Aside: Bicycles hadn’t been “adult toys” since the 1890’s but were re-popularized in Palm Springs. True.) At any given time, if you could bypass vigilant guards, you’d see Clark Gable, heartthrob Tyrone Power, Doris Day, Kirk Douglas, dancer Ann Miller, honeymooners Lucille Ball and Desi Arnaz, Spencer Tracy or Bob Hope. This neighborhood was also rife with major producers, directors and screenwriters. Tucked between the two major north/south corridors of the town (Palm Canyon and Indian Canyon drives), Racquet Club West is bordered by West San Rafael Road on the north and San Marco Way and Alvarado Road on the south. This mix of 175 one- or two-bedroom villas, unprepossessing weekend cottages, charming Spanish casas, and homes by famed architect Don Wexler and the Alexanders is said to have inspired Raymond Chandler’s book Poodle Springs. The number of Top 100 American Movies, created here poolside and “over a highball” is astonishing. -
George Eastman Museum Annual Report 2016
George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel -
Classic Film Series
Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Fall 2014/Winter 2015 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film This series explores how film has tackled social conflict, morality, and the perennial struggles between right and wrong that are waged from the highest levels of government to the smallest of local communities. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advanced reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Classic Film Series Film Classic Publication Team: Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Genna Sarnak Assistant Manager of Public Programs | Katelyn Williams 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, NEW-YORK HISTORICAL SOCIETY MUSEUM LIBRARY Don Pollard Don ZanettiLorella Collection of the Supreme Court of the United States Justice in Film Chang Lia Friday, October 17, 7 pm Flower Drum Song | 1961 | 133 min. Judge Denny Chin and distinguished playwright David Henry Hwang introduce this classic adaptation of C. Y. Lee’s novel, where Old World tradition and American romanticism collide in San Joan MarcusJoan Denis Racine Denis Francisco’s Chinatown. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.