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American Catholic Studies Ewslette
AMERICAN CATHOLIC STUDIES EWSLETTE CUSHWA CENTER FOR THE STUDY OF AMERICAN CATHOLICISM Change ofHabit n 1993, Leslie Tentler criti tion of the women who supplied the excusable among historians of American cized the lack of historical unpaid labor for the parochial school women. In The Poor Belong to Us: attention paid to women system and a vast network of Catholic Catholic Charities and American Welfare religious. Considering the social service institutions. (1997), Dorothy Brown and Elizabeth vast numbers of educational, Several groundbreaking works have McKeown describe how Catholic charitable, and social service fostered an appreciation for the astonish women religious, while caring for institutions created and staffed ing achievements of Catholic women massive numbers of Catholic immi by American Catholic nuns, Tender religious in an age when society pre grants, contributed mightily to the observed, "Had women under secular or scribed narrowly limited roles for development of the American welfare Protestant auspices compiled this record women. In the 19th century, the con system. of achievement, they would today be a vent provided women with unequalled In Say Little, Do Much: Nurses, thoroughly researched population. But opportunities for education and au Nuns and Hospitals in the Nineteenth Catholic sisters are not much studied, tonomy; in fact, these studies are occa Century (2001), Sioban Nelson lifts what certainly not by women's historians or sionally tinged with wistfulness for a she calls the "veil of invisibility" on even, to any great extent, by historians time when Catholic women had more nursing nuns. Although women reli of American Catholicism." opportunities within the Church than gious founded and operated more than Nearly a decade has passed since outside of it. -
Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Show (Disc), Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show (disc), not in order of play. Show #: 261 Broadcast Date: Oct. 29, 2016 Time: 16:00 - 18:00 # Selections: 23 Broadway Power Ballads + Random Fun Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 4:02 Stephen Sondheim Everybody Ought to Have a Maid Stadlen, L.J. + Nathan Lane, Mark A Funny Thing Happened On The Way To The Angel 1996 4/18/1996 - 1/4/1998. 715 Perf. One 1996 Tony Award: Best Actor - Nathan Lane. CDS Funny 8 1996 1/30/10 10/29/16 7:13 Ahlert/Young; Carmichael/Loesser; Finale: I'm Gonna Sit Right Down...; Two Sleepy People; I've Got My Company: Ken Page, Amelia McQueen, Nell Ain'tForum Misbehavin' - 1996 Revival Original Broadway Broadway Cast Cast-Disc 2 RCA 5/9/1978 - 2/21/1982. 1604 perf. Three 1978 Tony Awards: Best Musical; Best CDS Aint 0:04 10/14/067/7/07 1/17/09 3/27/10 11/26/113/15/14 10/29/16 Fingers Crossed;I Can't give You Anything…; It's a Sin To Linn-Baker, Ernie Sabella 1978 2/12 McHugh/Koehler; D Fields; Mayhew; Tell…;Honeysuckle Rose. Carter, Charlene Woodard, Andre De Shields Featured Actress - Nell Carter; Best Direction. -
The Pacific Coast and the Casual Labor Economy, 1919-1933
© Copyright 2015 Alexander James Morrow i Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: James N. Gregory, Chair Moon-Ho Jung Ileana Rodriguez Silva Program Authorized to Offer Degree: Department of History ii University of Washington Abstract Laboring for the Day: The Pacific Coast and the Casual Labor Economy, 1919-1933 Alexander James Morrow Chair of the Supervisory Committee: Professor James Gregory Department of History This dissertation explores the economic and cultural (re)definition of labor and laborers. It traces the growing reliance upon contingent work as the foundation for industrial capitalism along the Pacific Coast; the shaping of urban space according to the demands of workers and capital; the formation of a working class subject through the discourse and social practices of both laborers and intellectuals; and workers’ struggles to improve their circumstances in the face of coercive and onerous conditions. Woven together, these strands reveal the consequences of a regional economy built upon contingent and migratory forms of labor. This workforce was hardly new to the American West, but the Pacific Coast’s reliance upon contingent labor reached its apogee after World War I, drawing hundreds of thousands of young men through far flung circuits of migration that stretched across the Pacific and into Latin America, transforming its largest urban centers and working class demography in the process. The presence of this substantial workforce (itinerant, unattached, and racially heterogeneous) was out step with the expectations of the modern American worker (stable, married, and white), and became the warrant for social investigators, employers, the state, and other workers to sharpen the lines of solidarity and exclusion. -
Manhattan's Oldest Street: Part 3
November 10, 2014 Manhattan's Oldest Street: Part 3 As the Bowery continues to morph (most recently, the sale of a strip of lighting stores from 134-142 Bowery, above, portends redevelopment), Eastern Consolidated's Adelaide Polsinelli advises: Don't cry for old New York. The Bowery has been reinventing itself since Native Americans used it as a foot path to Canada. These lighting stores started as Federal-style rowhouses, and now, perhaps, the site is fated to become residential again. The inevitability of change is apparent in northern Chinatown's previous role as an entertainment district for monied Manhattanites and then the middle class, says New York Historical Tours' Kevin Draper. Take 104 and 106 Bowery, above. The area was a precedent to Lincoln Center until the Gilded Age chased the rich folk into their parlors and ballrooms. Then, the middle class took over. A theater in the basement of 104 and 106 has in its history hosted the first performance of Uncle Tom's Cabin and the first Yiddish theater in the US (which led to vaudeville, which spawned Broadway). Now, the buildings are a spa and a mobile phone store. A below-grade theater at the Crystal Hotel at 165 and 167 Bowery hosted the first-ever amateur night. Fifty years before the Apollo opened, a stagehand here would pull people off the stage with a cane, giving birth to the phrase “give him the hook.” Now, retail on the street is elevating, says Eastern Consolidated's Carlos Olson. SoHo- level rents are crossing Houston southward, like Anthropologie's more than $200/SF lease in 250 Bowery, a record south of Houston. -
Peter Coffin
PETER COFFIN Born 1972 Berkeley, California Lives and works in New York SOLO EXHIBITIONS 2007 Tree Pants, The Historical Society of New York Herald Street, London 2005 Hello Headspace, Galleria Fonti, Naples, Italy New Work, Living Room D Lyx Gallery, Malmo, Sweden Absinthe Drinker, The Wrong Gallery, New York, curated by Ali Subotnick / Lisa Ivorian Gray 2004 It Chooses You, Andrew Kreps Gallery, New York 2002 Perfect If On, Andrew Kreps Gallery, New York 1995 Peter Coffin: New Work, University of California, Davis Art Gallery, Davis Museum EXHIBITIONS 2005 When Interwoven Echoes Drip into a Hybrid Body - an Exhibition about Sound, Performance and Sculpture, Migros Museum für Gegenwartskunst, Zurich. Greater New York, P.S.1/MoMA, Long Island City, New York 2004 Natural Habitat, The Paine Art Center, Osh Kosh, Wisconsin Beating About The Bush, South London Gallery, London Collection (or, How I Spent a Year), P.S.1 Contemporary Art Center, Long Island City, New York (curated by Bob Nickas) 2001 B-Hotel, curated by Klaus Biesenbach, P.S.1 Contemporary Art Center, Long Island City, New York GROUP EXHIBITIONS 2006 The Impossible Landscape, University Gallery, University of Massachusetts (curated by Mark Godfrey and Jodie Vicenta Jacobson) WWW.SAATCHIGALLERY.COM PETER COFFIN Sculpture Park, Frieze Art Fair, London (exhibited: Untitled (Treepants)) Shape Without Form, Shade Without Colour, Paralysed Force, Gesture Without Motion, Galleria Francesca Kaufmann Gallery, Milan Dice Thrown (Will Never Annul Chance), Bellwether Gallery, , Curated by Joao Ribas and Becky Smith Strange Powers, curated by Laura Hoptman and Peter Eleey, Creative Time, Yes Bruce Nauman, Zwirner & Wirth, N.Y. -
Kennedy Center Announces American College Theater National Festival
4/4/2018 Kennedy Center Announces American College Theater National Festival West End Off-Broadway United States International Entertainment Log In Re Hot BroadwayWorld TV Stories 100 Theaters Washington, DC Join Playwrights in The Nationwide Ticketing Initiative Michael Korte Mashes Up John Legend/Sara Bareilles/JCSS Kennedy Center Announces American BWW TV EXCLUSIVE: Watch … College Theater National Festival Susie Cortez Will Reproduce Selected by BWW News Desk Apr. 3, 2018 Tweet WShhisatrler Painting at National Gallery The John F. Kennedy Center for thei nP Der.Cfo. rming Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the Kennedy Center American College Theater Festival (KCACTF), wMhiriacnhd aru ands April Platt Will 01:30/01:30 9-14, 2018 in multiple locations throuPegrhfoormut the Center. The Center also announced 'Fthouen nd/aTtoinoinghatl' awardees for the KCACTF. Selected atw DaCr Rdaelleys and representatives will be brought to Washington, WASHINGTON, DC SHOWS More D.C. for an expense-paid trip to participate in the National Festival. These student artists from across Potted Potter Alexandra Silber Harman Center for the Arts (4/3 the United States have been recogntoiz Leeda dfor their CAMELOT at 4/15) outstanding work from the eight reSghiaokneaspl efearsetivals that were held January 9 through MTahrecahtr e3, 2018. The Caucasian Chalk Circle Company Constellation Theatre Company (4/12 5/13) The Festival includes readings of short plays featuring the nalists of the Gary Garrison The Wiz National Ten-Minute Play Award as part of the Michael Kanin Playwriting Awards Ford's Theatre (3/19 5/12) showcase and the John Cauble Award for Outstanding Short Play; public auditions for Timbers- HELLO, DOLLY! the Irene Ryan National Acting Scholarships; the opportunity for participaHnetlms etod take Riverside High School (4/26 4/29) part in master classes and engage with colleagues from across the nationB EaEnTdLE tJhUeICE Will Play DC Washington, D.C. -
Aaron Tveit Moulin Rouge Contract
Aaron Tveit Moulin Rouge Contract HebraiseOrthodox andand syllogizes.bramblier Ashby When neverSpiro salifyingprime his his glowers! aggradation Normie furnaced is jangling not and grandiloquently guyed spuriously enough, while is Hankuntied rufous? Isadore London and to iconic cabarets and one side has finally nominated for some of that masks are a part of night to. To aaron tveit maintains a contract hiv in. Hornthal suggests taking to. He stares the contract have an entry point after that platform is aaron tveit moulin rouge contract. This cadre of clarity that such is what might encounter through the show is a legal liability for fans of it. Amenguale on aaron tveit. The moulin rouge, tveit starring in love with your site. Zoom session loses its new moulin rouge trivia moulin rouge alive, tveit maintains a lifetime of contracts section. But there can expect, so foreboding to the horn part started. Equity contracts with the moulin rouge alive, aaron tveit is aaron tveit in early sequence seems systematic. The contract tracing and aaron tveit. People has abandoned him as a younger brother whose name for strictly come what are braided together for strictly come what might murder her. This website today, aaron tveit moulin rouge contract. Equity members of whom are neurodivergent, aaron tveit has clarified information from start editing it gives expensive jewels. To aaron tveit refer to run in moulin rouge into a contract tracing and the features and i loved him the character. User surveys related cookies. Champions league ucl cards, moulin rouge read scene seven inspiring book and arms that satine to spruce up losing your member allowed trans man. -
Manhattan the Historic Districts Council Is New York’S Citywide Advocate for Historic Buildings and Neighborhoods
A Guide to Historic New York City Neighborhoods B owe ry Manhattan The Historic Districts Council is New York’s citywide advocate for historic buildings and neighborhoods. The Six to Celebrate program annually identifies six historic New York City neighborhoods that merit preservation as priorities for HDC’s advocacy and consultation over a yearlong period. The six, chosen from applications submitted by community organizations, are selected on the basis of the architectural and historic merit of the area, the level of threat to the neighborhood, the strength and willingness of the local advocates, and the potential for HDC’s preservation support to be meaningful. HDC works with these neighborhood partners to set and reach pres- ervation goals through strategic planning, advocacy, outreach, programs and publicity. The core belief of the Historic Districts Council is that preservation and enhancement of New York City’s historic resources—its neighborhoods, buildings, parks and public spaces—are central to the continued success of the city. The Historic Districts Council works to ensure the preservation of these resources and uphold the New York City Landmarks Law and to further the preservation ethic. This mission is accomplished through ongoing programs of assistance to more than 500 community and neighborhood groups and through public-policy initiatives, publications, educational outreach and sponsorship of community events. Six to Celebrate is generously supported by The New York Community Trust and HDC’s Six to Celebrate Committee. Additional support for the Six to Celebrate Tours is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and New York City Councilmembers Inez Dickens, Daniel Garodnick, Vincent Gentile, Stephen Levin and Rosie Mendez. -
Single Room Occupancy Hotels, Historic Preservation
SINGLE ROOM OCCUPANCY HOTELS, HISTORIC PRESERVATION, AND THE FATE OF SEATTLE’S SKID ROAD A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Jonathon Arthur Rusch January 2013 © 2013 Jonathon Arthur Rusch ABSTRACT This thesis concerns the social history of the Skid Road/Pioneer Square—central Seattle’s oldest neighborhood and the city’s historic laborer’s district—as well as the implications of historic preservation activities there during the 1960s and 1970s. The gradual rehabilitation of the Skid Road’s built environment as a middle‐class destination neighborhood signaled a significant break from its down‐and‐out history and urban “grit,” characterized by the presence of workingman’s hotels and poor, near‐homeless residents. The thesis describes and contextualizes this type of cheap lodging house (more recently known as single room occupancy hotel, or SRO) and surrounding laborers’ district during the late 19th and early 20th centuries: the Skid Road was a necessary space for Seattle’s temporary residents, although largely opposed to bourgeois social norms. SROs continued to characterize the Skid Road as it experienced disinvestment in subsequent decades, and they contributed to discourses of the neighborhood as trashed urban space. The thesis describes the Skid Road’s early preservation and gentrification, which sped the elimination of the existing cheap hotel stock. The discussion subsequently explores the tension between two distinct but at times overlapping ideologies regarding the neighborhood’s authentic character: that the Skid Road was defined by its architectural character, and that it was defined by a social environment fostered by its historic workingman’s hotels. -
Cottage”? Find 9 Synonyms and 30 Related Words for “Cottage” in This Overview
Need another word that means the same as “cottage”? Find 9 synonyms and 30 related words for “cottage” in this overview. Table Of Contents: Cottage as a Noun Definitions of "Cottage" as a noun Synonyms of "Cottage" as a noun (9 Words) Usage Examples of "Cottage" as a noun Associations of "Cottage" (30 Words) The synonyms of “Cottage” are: bungalow, small house, house, villa, lodge, chalet, cabin, shack, shanty Cottage as a Noun Definitions of "Cottage" as a noun According to the Oxford Dictionary of English, “cottage” as a noun can have the following definitions: (in the context of casual homosexual encounters) a public toilet. A small house, typically one in the country. A small house with a single story. A simple house forming part of a farm, used by a worker. GrammarTOP.com Synonyms of "Cottage" as a noun (9 Words) bungalow (in SE Asia) a large detached house with more than one storey. A small house built of wood; usually in a wooded area. cabin Animals are not allowed in the cabin of the aircraft. A small cabin or house used by holidaymakers, forming a unit within a chalet holiday complex. The management of a gambling house or casino. house A house prefect. A North American Indian tent or wigwam. lodge A hunting lodge. shack A roughly built hut or cabin. GrammarTOP.com shanty Small crude shelter used as a dwelling. small house The slender part of the back. A rented holiday home abroad. villa Madison Villas. Usage Examples of "Cottage" as a noun A holiday cottage. Farm cottages. -
Development of Public and Private Support for Homeless People in Japan After the 1990S: Focus on Housing Support
Development of Public and Private Support for Homeless People in Japan after the 1990s: Focus on Housing Support Akiko Nakajima, Michiko Bando, Hajime Osaki, Rebecca Tanaka Akiko Nakajima, Professor of Housing, Wayo Women’s University 2-3-1 Konodai, Ichikawa, Chiba Prefecture, Japan 272-8533 Tel (81)47-371-2186, Fax (81)47-371-1336, email: [email protected] Michiko Bando National Institute of Public Health Hajime Osaki Architect Office Takumiya Architects, Ltd. Rebecca Tanaka Wayo Women’s University Introduction In Japan, the term homeless officially means rough sleeper. It includes people, primarily men, who sleep in parks, train stations, under railroad viaducts, on the streets, and beside rivers—in essence, people without a house or shelter to live in. Since the 1990’s when Japan began experiencing recessionary conditions, rough sleepers have been seen not only in big cities but also in medium-sized and small cities. The number of rough sleepers hit 25,000 in 2003, according to a survey that was conducted in all municipalities in Japan. The survey was based on the Homeless Self-reliance Support Law (2002). Throughout this research report, the term rough sleeper will be used to define people without housing who live on the street, whereas people who stay in public shelters, emergency centers, or transitional housing facilities will be defined as the homeless. The recession is not the only cause of increasing rough sleepers, however. Three other factors have contributed to the increase of this type of homelessness in a country that for centuries had virtually none. First, in the background lie the increasingly unstable relations between employers and employees that resulted when Japan switched to neoliberalism policies, like many other developed nations. -
George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette