DOCSLIB.ORG

Mirror Awards Ceremony

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mirror Awards Ceremony SPONSORSHIP OPPORTUNITIES ABOUT THE MIRROR AWARDS A free press is one of the cornerstones of our democracy, and one of the defi ning characteristics of our country. But journalism is increasingly under attack. We are compelled now, more than ever, to examine the media industry and to recognize and honor the role of the journalist. The Mirror Awards are the most important awards for recognizing excellence in media industry reporting. Established in 2006 by Syracuse University’s Newhouse School, they honor the reporters, editors and teams of writers who hold a mirror to their own industry for the public’s benefi t. The annual awards are celebrated each June at a ceremony in New York City. Sheila Nevins of HBO Documentary Films was honored with the Fred Dressler Leadership Award at the 2018 Mirror Awards ceremony. The competition is open to anyone who conducts reporting, commentary or criticism of the media industries in a format intended 2019 JURIED for a mass audience. Eligible work includes print, broadcast and online editorial content focusing on the development or distribution of news JOURNALISM AWARDS and entertainment. Winners are chosen by a group of journalists and journalism educators. PRIZE AWARD $1,000 Best Single Article/Story $1,000 B e s t P r o fi l e $1,000 Best Commentary $5,000 John M. Higgins Award for Best In-Depth/Enterprise Reporting SPECIAL TOPIC CATEGORIES FOR 2019 $1,000 Best Story on Social Media in the Crosshairs $1,000 Best Story on Journalists or Journalism in Peril Jim Rutenberg acceps the Best Single Article/Story award for his work in the The New York Times Magazine. The Dressler Award, named for late cable executive FRED DRESSLER and Newhouse alumnus Fred Dressler, is given annually to an individual who has made long-lasting, LEADERSHIP AWARD distinguished contributions to the media industry. 2019 RECIPIENT Jeff Zucker President CNN WORLDWIDE Chairman WARNERMEDIA NEWS AND SPORTS FRED DRESSLER LEADERSHIP AWARD PAST RECIPIENTS 2018 Sheila Nevins 2017 Tom Brokaw Executive Producer Special Correspondent Former President NBC NEWS HBO DOCUMENTARY FILMS 2016 David Levy 2015 Josh Sapan 2014 David Zaslav President President and CEO President and CEO TURNER AMC NETWORKS DISCOVERY COMMUNICATIONS 2013 Anne Sweeney 2011 Brian Roberts 2010 Former Co-chair Chairman and CEO DISNEY MEDIA NETWORKS COMCAST CORPORATION Former President DISNEY/ABC TELEVISION GROUP 2009 Arianna Huffi ngton 2008 Tim Russert 2007 Peter Bart Co-founder and (posthumously) Former Editor in Chief Former Editor-in-chief Washington Bureau Chief VARIETY THE HUFFINGTON POST and Moderator of “Meet the Press” NBC The i-3 award is given to individuals or I-3 AWARD FOR organizations that have made a profound impact on the media landscape or have captured the public’s IMPACT, INNOVATION imagination about the potential or importance of the AND INFLUENCE media in a unique way. 2019 RECIPIENT Twitch Social video service I-3 AWARD FOR IMPACT, INNOVATION AND INFLUENCE PAST RECIPIENTS 2018 2017 2016 Nonny de la Peña 2015 David Carr CEO (posthumously) EMBLEMATIC GROUP Columnist THE NEW YORK TIMES 2014 Walt Mossberg Kara Swisher 2013 Nate Silver Co-founder Co-founder Statistician RECODE RECODE FIVETHIRTYEIGHT.COM 2012 2011 Dennis Naveen Crowley ’98 Selvadurai Co-founder Co-founder FOURSQUARE FOURSQUARE 2010 2009 2008 WHY SPONSOR? The Mirror Awards are the most important awards for recognizing media industry reporting and the important role the media play in our democracy and society. The Mirror Awards program has enjoyed broad support from the media community. Past luncheon co-chairs include Ron Meyer of NBCUniversal, Bob Miron of Advance/Newhouse Communications, Rob Light of Creative Artists Agency, Melinda Witmer, formerly of Time Warner Cable, and Jeff Zucker of CNN Worldwide. Emcees, drawn from the top ranks of the news media, have included Katie Couric, Anderson Cooper, Gayle King, Jeff Glor, Meredith Vieira and David Muir. Each year, the sold-out event is a “who’s who” of media and executives. Sponsorship assures seats for your organization’s guests and prominent display of your company’s branding at the event. Fusion TV anchor Kimberly Brooks served as master of ceremonies for the 2018 Mirror Awards ceremony. 2019 SPONSORSHIP PACKAGES AND TICKETS $25,000 Headline Sponsor AD SPECS Includes premier table of ten, company credit, logo usage and prominent two-page message in program. Two-page spread 13.5” (w) x 8.5” (h) $10,000 Gold Sponsor Single page 6.5” (w) x 8.5” (h) Includes priority table of ten, company credit and single page message in program. All ads are printed in black-and-white. $5,000 Orange Sponsor Please submit them in a PDF format. Single page ads require no bleed. Includes table of ten and company credit. Two-page spreads require bleed across the gutter. $1,000 Ad Only Only includes single page message in program. $350 Individual ticket 8.5” 6.5” All program ads are due May 18 to Amanda Griffin at [email protected]. 13.5” Net proceeds from the Mirror Awards fund Newhouse School scholarships, which provide our increasingly diverse student population access to a quality education. PAST SPONSORS Join us Thursday, June 13 for the 2019 Mirror Awards ceremony at Cipriani 42nd Street in New York City as we recognize the best 2019 media industry reporting. For more information about sponsorship opportunities, contact MIRROR AWARDS Amanda Griffi n at (315) 443-7982 or [email protected]. CEREMONY For more information about the Mirror Awards, visit: mirrorawards.syr.edu..
Load more

Recommended publications
  • 83Rd National Headliner Awards Winners
    83rd National Headliner Awards winners The 83rd National Headliner Award winners were announced today honoring the best journalism in newspapers, photography, radio, television and online. The awards were founded in 1934 by the Press Club of Atlantic City. The annual contest is one of the oldest and largest in the country that recognizes journalistic merit in the communications industry. Here is a list of this year's winners beginning with the Best of Show in each category: Best of show: Newspapers “Painkiller Profiteers” Eric Eyre Charleston Gazette-Mail, Charleston, W. Va. Best of show: Photography “An Assassination” Burhan Ozbilici Associated Press, New York, N.Y. Best of show: Online The Panama Papers, the International Consortium of Investigative Journalists, a project of the Center for Public Integrity Best of show: Radio “Texas Standard: Out of the Blue: 50 Years After the UT Tower Shooting” Texas Standard staff Texas Standard, Austin, Texas Best of show: TV First place “Cosecha de Miseria (Harvest of Misery) & The Source” Staff of weather.com and Telemundo Network weather.com and Telemundo Network, New York, N.Y. DAILY NEWSPAPERS AND NEWS SYNDICATES Spot News in daily newspapers, all sizes First Place “Dallas Police Shootings” The Dallas Morning News Staff Dallas, Texas Second Place “Oakland's Ghost Ship warehouse fire” East Bay Times staff East Bay Times, San Jose, California Third Place “The Shooting Death of Philando Castile” Star Tribune staff Star Tribune, Minneapolis, Minnesota Local news beat coverage or continuing story by an individual or team First Place “The Pulse Shooting” Orlando Sentinel staff Orlando Sentinel, Orlando, Fla.
    [Show full text]
  • Teaching the Levees
    Teaching The Levees 7 Times-Picayune staff graphic by Emmett Mayer III; staff photos by Ellis Lucia, Alex Brandon, and Devaunshi Mahadevia Teaching The Levees A Curriculum for Democratic Dialogue and Civic Engagement 7 MARGARET SMITH CROCCO, Editor Teachers College Columbia University New York R This work is dedicated to the residents of the Gulf States, who survived the ravages of Hurricane Katrina by helping one another, and to those who died so tragically. R Published by Teachers College Press, 1234 Amsterdam Avenue, New York, NY 10027 Copyright © 2007 Teachers College, Columbia University. All rights reserved. This publication was made possible by a grant from the Rockefeller Foundation. Grateful acknowledgment is made to the following sources for permission to use their materials: Afro-American Newspapers Archives and Research Center for excerpt The Opportunity Agenda for reprinting of “The Opportunity from “Spike Lee captures pain, hope of Hurricane Katrina Agenda’s six core values” survivors,” by Zenitha Prince (August 26, 2006) Pew Research Center for reprinting of “Katrina has only modest AlterNet for excerpt from “Media hurricane is so much hot air,” by impact on basic public values” (September 22, 2005) Rory O’Connor (September 14, 2005) The Poynter Institute for excerpts from “Best practices: Images of The American Conservative for an excerpt from “The emperor’s new disaster and how they were captured,” by David Frank consensus,” by Scott McConnell (October 10, 2005) (September 3, 2005), and from “Katrina photos: A gallery & notes Associated Press for excerpts from “For now the offi cial Hurricane from photo editors,” by Kenny Irby (September 4, 2005) Katrina death toll stands at 1,697” (October 29, 2006) and from Reuters News Service for excerpt from “US censoring Katrina “Up to 35,000 kids still having major Katrina problems,” by Janet coverage,” by Deborah Zabarenko (September 8, 2005) McConnaughey (February 2, 2007) Joni Seager for excerpt from “Natural disasters expose gender divide,” Philip S.
    [Show full text]
  • 360° Brand Engagement Presented by Munson Steed • (404) 635-1313 Ext
    360° Brand Engagement Presented by Munson Steed • (404) 635-1313 ext. 113 • [email protected] Steed Media Is… DIGITAL PRINT •… a multimedia powerhouse with national reach. •…a year-round print presence in 19 of the top 25 urban DMAs •…a specialist in localization and nationalization, thanks to our network of city managers MOBILE SOCIAL •…an ideal urban marketing extension specializing in 360 degree integration and partnerships What Steed Media does… CUSTOM VIDEO ON • Custom publications PUBLISHING & DEMAND •Editorial Development INTEGRATION • Direct consumer engagement opportunities • Public Relations •Marketing and Brand Strategy •Content Propagation PHOTO & •Facilitation of app, software and technology EVENTS VIDEO development SERVICES •On-Demand cable exposure • Custom microsite design and management • Television production •We turn ideas into profits! A M E D I A A N D BRANDING SOLUTION 360° Degree Integrated Engagement of the Urban Consumer Print The nation’s largest chain of African-American newspapers, in 19 of the Top 25 AA markets. Events/Promotions Aimed at producing brand-engagement experiences, onsite activations and purchase activities. Digital Original content that rides the pulse of Urban America. Mobile Site Keeping Urban America’s lifestyle elements at their fingertips…even on the go Custom Publications Using the power of relevance to drive brand consideration. Video On Demand Harnessing the power of an engaged audience. A M E D I A A N D BRANDING SOLUTION Audience Demographics A M E D I A A N D BRANDING SOLUTION Print At nearly 40 million, the African- American population represents more than 13% of the U.S. population, is growing faster than the general population, and is experiencing faster income growth than the rest of the population.
    [Show full text]
  • 2015-16-Syracuse-Team-Report-And
    PART I: General information Name of Institution: Syracuse University Name of Unit: S.I. Newhouse School of Public Communications Year of Visit: 2015 Executive Summary: • The School’s skills courses comply with the ACEJMC mandate of no more than 20 students per section. • The Newhouse School’s Mission Statement is a part of its Strategic Plan, which is written to cover all academic programs in the School. It reinforces the School’s commitment to graduating communication leaders with a solid liberal arts foundation. Graduate students are selected in keeping with this mandate; the vast majority of them come to the School with baccalaureate education that has a focus on the liberal arts. Their rigorous professional Master’s education is designed in part to build from that liberal arts foundation. From there, the mandate that we graduate leaders who are agile, ethically responsible, who embrace diversity and who can demonstrate cutting-edge skill requires the Professional Master’s programs to concentrate uniquely rigorous activities into their shorter and more intense time frames. 1. Check regional association by which the institution now is accredited. X Middle States Association of Colleges and Schools _ New England Association of Schools and Colleges _ North Central Association of Colleges and Schools _ Northwest Association of Schools and Colleges _ Southern Association of Colleges and Schools _ Western Association of Schools and Colleges 2. Indicate the institution’s type of control; check more than one if necessary. X Private _ Public _ Other (specify) Report of on-site evaluation of graduate and undergraduate programs for 2015- 2016 Visits — 2 3.
    [Show full text]
  • 160 Emmy Photographs by Tommy Garcia/The Jude Group Grooming by Grace Phillips/State Management
    Randy Barbato and Fenton Bailey 160 EMMY PHOTOGRAPHS BY TOMMY GARCIA/THE JUDE GROUP GROOMING BY GRACE PHILLIPS/STATE MANAGEMENT FOR MORE THAN A QUARTER-CENTURY, RANDY BARBATO AND FENTON BAILEY’S WORLD OF WONDER HAS TACKED CLOSELY TO THE CULTURAL ZEITGEIST, EMBRACING — AS BAILEY PUTS IT — “THE UNEXAMINED AND THE UNCONSIDERED.” SAYS BARBATO: “OUR WORK TYPICALLY HAS A CONNECTION TO PEOPLE WHO FEEL MARGINALIZED OR JUDGED.” BY MICHAEL GOLDMAN TelevisionAcademy.com 161 USHING INTO THE CONFERENCE ROOM ON THE TOP FLOOR OF THE 1930S ART DECO BUILDING THEY OWN ON HOLLYWOOD BOULEVARD, RANDY BARBATO AND FENTON BAILEY APOLOGIZE FOR THEIR LATENESS. THEY’VE JUST COME FROM THE EDIT ROOM, WHERE THEY LOCKED THE FINAL CUT OF MENENDEZ: BLOOD BROTHERS, A TV MOVIE THEY COPRODUCED AND CODIRECTED FOR A JUNE DEBUT ON LIFETIME. Blood Brothers is one of hundreds of projects made by World of Won- English television. That show explored the camcorder revolution, building on der, the production company they have jointly operated since 1991. Bailey a theme that helped launch Barbato and Bailey’s producing careers. and Barbato have flourished by crossing genres and media platforms, and by Fascinated by New York public-access television, the duo created their spotlighting extreme and often controversial topics, including tabloid news, first TV show, Manhattan Cable, out of public-access clips in 1991. It was a gender roles, LGBT issues and, more generally, almost all aspects of human hit in the U.K. and led to more programs there, like the one that eventually sexuality. earned Nevins’s attention. She hired them in 1993 to produce HBO’s Shock “Sex is the engine or driving force of who humans are,” Bailey says.
    [Show full text]
  • The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
    The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1).
    [Show full text]
  • Why Hollywood Isn't As Liberal As We Think and Why It Matters
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically.
    [Show full text]
  • Foreign Policy in a Time of Polarization: Evidence from the Joint Comprehensive Plan of Action
    Wesleyan University The Honors College Foreign Policy in a Time of Polarization: Evidence from the Joint Comprehensive Plan of Action by Heather Ashley Pincus Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Government Middletown, Connecticut April, 2019 TABLE OF CONTENTS Acknowledgements ................................................................................................... 3 Chapter One: Introduction and Methodology ......................................................... 4 1.1 Introduction ......................................................................................................... 4 1.2 Brief Historical Context and The Three Key Events .......................................... 6 1.3 The JCPOA ......................................................................................................... 8 1.4. Literature Review and the Basic Model for Framing Contests ........................ 11 1.5. The Cascading Activation Model Applied to the JCPOA ............................... 15 1.6 Methodology ..................................................................................................... 18 1.7 Conclusion ........................................................................................................ 21 Chapter Two: Key Events and Polling Data .......................................................... 23 2.1. Introduction .....................................................................................................
    [Show full text]
  • Jim Brown, Ernie Davis and Floyd Little
    The Ensley Athletic Center is the latest major facilities addition to the Lampe Athletics Complex. The $13 million building was constructed in seven months and opened in January 2015. It serves as an indoor training center for the football program, as well as other sports. A multi- million dollar gift from Cliff Ensley, a walk-on who earned a football scholarship and became a three-sport standout at Syracuse in the late 1960s, combined with major gifts from Dick and Jean Thompson, made the construction of the 87,000 square-foot practice facility possible. The construction of Plaza 44, which will The Ensley Athletic Center includes a 7,600 tell the story of Syracuse’s most famous square-foot entry pavilion that houses number, has begun. A gathering area meeting space and restrooms. outside the Ensley Athletic Center made possible by the generosity of Jeff and Jennifer Rubin, Plaza 44 will feature bronze statues of the three men who defi ne the Legend of 44 — Jim Brown, Ernie Davis and Floyd Little. Syracuse defeated Minnesota in the 2013 Texas Bowl for its third consecutive bowl victory and fi fth in its last six postseason trips. Overall, the Orange has earned invitations to every bowl game that is part of the College Football Playoff and holds a 15-9-1 bowl record. Bowl Game (Date) Result Orange Bowl (Jan. 1, 1953) Alabama 61, Syracuse 6 Cotton Bowl (Jan. 1, 1957) TCU 28, Syracuse 27 Orange Bowl (Jan. 1, 1959) Oklahoma 21, Syracuse 6 Cotton Bowl (Jan. 1, 1960) Syracuse 23, Texas 14 Liberty Bowl (Dec.
    [Show full text]
  • Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films
    Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films May 7, 2019 Longtime president of HBO Documentary Films to shepherd new generation of documentary filmmakers exploring issues that impact youth NEW YORK--(BUSINESS WIRE)--May 7, 2019-- MTV, a unit of Viacom (NASDAQ:VIAB), today announced that Sheila Nevins — the legendary producer who redefined modern documentary storytelling and won dozens of Emmy® and Peabody® Awards as President of HBO Documentary Films — will joinMTV to launch MTV Documentary Films. As part of MTV Studios, the new division will develop documentary films and specials for third-party streaming services, premium networks and MTV platforms. Under Nevins’ leadership, MTV Documentary Films will embrace a new generation of filmmakers exploring the social, political and cultural trends and stories important to young people. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190507005987/en/ “MTV has always been at the forefront of youth culture, and the generation that is growing up now will change the world in ways we can’t even imagine,” said Nevins. “I’m excited to join MTV with electrifying stories that explore the crises and commitments that young people face every day.” “Throughout her stellar career, Sheila has elevated documentaries into one of the most compelling, culturally influentially forms of modern storytelling,” said Chris McCarthy, President of MTV. “As we grow and expand MTV, we’re excited for Sheila to bring a new generation of filmmakers to the forefront and continue to extend our creativity and cultural impact.” Nina L. Diaz, President of Entertainment for MTV, added, “What we started two decades ago with MTV News and Docs continues to inspire today.
    [Show full text]
  • FOR IMMEDIATE RELEASE: May 29, 2019 Peabody Launches New East
    FOR IMMEDIATE RELEASE: May 29, 2019 Peabody Launches New East Coast Board of Directors Major leaders from public media companies and private foundations join entertainment industry executives to provide insight and counsel Athens, Ga. – Peabody has established an East Coast division to its board of directors, a group of prominent media industry leaders who provide support for the organization’s initiatives. The board will provide intellectual and idea capital and actively assist with broadening the organization’s relations and visibility with media industries, nonprofits, policy makers and the public. Launched in 2015, the board of directors are separate from the traditional board of jurors that bestows the prestigious Peabody Awards for excellence in broadcasting and digital media. “This new board serves as a complement to our existing West Coast board and brings the totality of what we do into focus,” said Jeffrey Jones, executive director of Peabody. “Their collective experience in journalism, documentary filmmaking, radio and podcasting, nonprofit management, and issue-conscious work reflects the diverse constituencies we partner with and promote. We welcome their participation, and appreciate the board’s guidance and leadership in Peabody’s advocacy for engagement and conversation around transformative media programming year-round.” Board members kicked off their first meeting prior to the 78th Annual Peabody Awards Ceremony on May 18 at Cipriani Wall Street in New York City. East Coast board members are (in alphabetical order):
    [Show full text]
  • Abc Muir Trump Interview Transcript
    Abc Muir Trump Interview Transcript Prototypal Robert overpowers that dammars schlep comfortably and palatalise either. Decasyllabic Kip cropping some lean-to and tetanizes his assignees so bareheaded! Shannan abscind penitentially if interplanetary Micky blips or astringing. You want to fight together Full Transcript ABC's David Muir Interviews Hillary Clinton During the interview Clinton said she was jail for private email use. Nov 03 2020 How men Watch Donald Trump's Tucker Carlson Interview and. Why We're muck About getting Everything A Theory of Human. World series Tonight with David Muir Podcast ABC Audio. ABC News' World News overnight anchor David Muir interviewed President Trump in Arizona The help is a vegetable of the interview. Muir trump gave me your backs and senate impeachment process conducted a panoramic photo opps of abc muir trump interview. By Ida Mae AstuteDisney ABC Television Group via Getty Images Save this reason for later Hillary Clinton's Tuesday-night interview with David Muir ostensibly to help about the issues. Bring in Governor Kasich because habit told us in an ABC interview Governor quote. But opposite truth given that our problems didn't start kindergarten with Donald Trump fan we. How their watch tucker carlson without cable. MORE Harris to ABC's David Muir Trump insults are distractions from. Hate Groups Increase for Second two Year something Trump Electrifies Radical Right. The Myth of the Imperial Presidency How suddenly Opinion. In the interview with ABC's David Muir the narcissist-in-chief couldn't. John Bolton interview with ABC News' Martha Raddatz. Interview David Muir of ABC News Interviews Donald Trump.
    [Show full text]