Ode to Allen June 3, 2018
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American Beat Yogi
Linda T. Klausner Masters Thesis: Literature, Culture, and Media Professor Eva Haettner-Aurelius 22 Apr 2011 American Beat Yogi: An Exploration of the Hindu and Indian Cultural Themes in Allen Ginsberg Klausner ii Table of Contents Preface iii A Note on the Mechanics of Writing v Introduction 1 Chapter 1: Early Life, Poetic Vision, and Critical Perspectives 10 Chapter 2: In India 21 Chapter 3: The Change 53 Chapter 4: After India 79 Conclusion 105 Sources 120 Appendix I. Selected Glossary of Hindi and Sanskrit Words 128 Appendix II. Descriptions of Prominent Hindu Deities 130 Klausner iii Preface I am grateful for the opportunity to have been able to live in Banaras for researching and writing this paper. It has provided me an invaluable look at the living India that Ginsberg writes about, and enabled me to see many facets that would otherwise have been impossible to discover. In the spirit of research and my deep passion for the subject, I braved temperatures nearing 50º Celsius. Not weather particularly conducive to thesis-writing, but what I was able to discover and experience empowers me to do it again in a heartbeat. Since the first draft, I contracted a mosquito-borne tropical illness called Dengue Fever, for which there is no vaccine. I left India for a season to recover, and returned to complete this study. The universe guided me to some amazing mentors, including Anand Prabhu Barat at the literature department of Banaras Hindu University, who specializes in the Eastern spiritual themes of the Beat Generation. She and Ginsberg had corresponded, and he sent her several works including Allen Ginsberg: Collected Works, 1947 – 1980. -
The Impact of Allen Ginsberg's Howl on American Counterculture
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl. -
This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student. -
City Lights Pocket Poets Series 1955-2005: from the Collection of Donald A
CITY LIGHTS POCKET POETS SERIES 1955-2005: FROM THE COLLECTION OF DONALD A. HENNEGHAN October 2005 – January 2006 1. Lawrence Ferlinghetti. Pictures of the Gone World. San Francisco: City Lights Pocket Bookshop, 1955. Number One 2. Kenneth Rexroth, translator. Thirty Spanish Poems of Love and Exile. San Francisco: City Lights Pocket Bookshop, 1956. Number Two 3. Kenneth Patchen. Poems of Humor & Protest. San Francisco: City Lights Pocket Bookshop, 1956. Number Three 4. Allen Ginsberg. Howl and Other Poems. San Francisco: City Lights Pocket Bookshop, 1956. Number Four 5. Marie Ponsot. True Minds. San Francisco: City Lights Pocket Bookshop, 1956. Number Five 6. Denise Levertov. Here and Now. San Francisco: City Lights Pocket Bookshop, 1957. Number Six 7. William Carlos Williams. Kora In Hell: Improvisations. San Francisco: City Lights Books, 1957. Number Seven 8. Gregory Corso. Gasoline. San Francisco: City Lights Books, 1958. Number Eight 9. Jacques Prévert. Selections from Paroles. San Francisco: City Lights Books, 1958. Number Nine 10. Robert Duncan. Selected Poems. San Francisco: City Lights Books, 1959. Number Ten 11. Jerome Rothenberg, translator. New Young German Poets. San Francisco: City Lights Books, 1959. Number Eleven 12. Nicanor Parra. Anti-Poems. San Francisco: City Lights Books, 1960. Number Twelve 13. Kenneth Patchen. The Love Poems of Kenneth Patchen. San Francisco: City Lights Books, 1961. Number Thirteen 14. Allen Ginsberg. Kaddish and Other Poems. San Francisco: City Lights Books, 1961. Number Fourteen OUT OF SERIES Alain Jouffroy. Déclaration d’Indépendance. San Francisco: City Lights Books, 1961. Out of Series 15. Robert Nichols. Slow Newsreel of Man Riding Train. San Francisco: City Lights Books, 1962. -
A Poetics of Resistance: the Postmodern Ginsberg
A Poetics of Resistance: The Postmodern Ginsberg Songok H. Thornton & William H. Thornton <Department of English, Providence University) The term postmodernism traces back to Irving Howe in the late 1950s, and gained currency with Leslie Fiedler and Ihab Hassan in the 1960s (Huyssen 256). Since that time the term has lost much of its radical bite, and is often (as with Habermas) viewed as a conservative sheep in wolf's clothes. Huyssen contends that "the adversary and critical element in the notion of postmodernism can only be fully grasped if one takes the late 19508 as the starting point of a mapping of the postmodern" (267). The early career of Ginsberg bears this out. Ginsberg's personal transition from Beat withdrawal into the involved, critical climate of the 1960' s counter-culture coincided with his return from the Orient to a very different America. As Bruce Cook describes it, no one "talked much about the Beat Generation anymore, but that didn't mean that he and Kerouac and Corso and all the rest had gone unheeded. The Hippies and Yippies of the 1960s appropriated the Beat message and agenda and made them their own. They welcomed Allen Ginsberg as a guru ... " (Cook 195). Thus Ginsberg's biographical transition was to be a milestone not only in the formation of postmodern poetics, but also in the development of what Huyssen calls a postmodernism of "resistance" (292). Bridging Beat Generation alienation and the radical mood of the 1960s, Ginsberg forged a poetic style featuring natural pictures of common life, yet directly expressing his political and social concerns. -
University of Birmingham Material Language for Protest
University of Birmingham Material language for protest Cran, Rona DOI: 10.1080/0950236X.2018.1517105 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Cran, R 2018, 'Material language for protest: collage in Allen Ginsberg's 'Wichita Vortex Sutra'', Textual Practice, vol. 34, no. 4, pp. 669-689. https://doi.org/10.1080/0950236X.2018.1517105 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Textual Practice on 26/10/2018, available online: http://www.tandfonline.com/10.1080/0950236X.2018.1517105 checked on 6/12/2018 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Material Language for Protest Cran, Rona
University of Birmingham Material language for protest Cran, Rona DOI: 10.1080/0950236X.2018.1517105 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Cran, R 2018, 'Material language for protest: collage in Allen Ginsberg's 'Wichita Vortex Sutra'', Textual Practice, vol. 34, no. 4, pp. 669-689. https://doi.org/10.1080/0950236X.2018.1517105 Link to publication on Research at Birmingham portal Publisher Rights Statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Textual Practice on 26/10/2018, available online: http://www.tandfonline.com/10.1080/0950236X.2018.1517105 checked on 6/12/2018 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Of Nuclear Weapons ……………………… 323 33
Sayonara Nukes The Case for Abolishing Nuclear Energy and Nuclear Weapons Dennis Riches CENTER FOR GLOCAL STUDIES SEIJO UNIVERSITY in the series Seijo Glocal Studies in Society and Culture edited by Tomiyuki Uesugi, Masahito Ozawa The views expressed in this publication are those of the authors and do not necessarily represent the decisions or the stated policy of the Center for Glocal Studies, the Research Institute for the Humanities and Social Sciences, Seijo University. First published in 2018 Published by: Center for Glocal Studies, Research Institute for the Humanities and Social Sciences, Seijo University 6-1-20, Seijo, Setagaya-ku, Tokyo, 157-8511, JAPAN E-mail: [email protected] URL: http://www.seijo.ac.jp/research/glocal-center/ Copyright@ Center for Glocal Studies, Seijo University, Japan 2018 All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher. Cover design by Rokuo Design Printed and bound in Japan by Sanrei Printing Co., Ltd., Tokyo. ISBN 978-4-906845-31-6 C3036 Table of Contents Foreword Introduction ……………………………………………………………… 1 PART ONE: CINEMA, LITERATURE AND POPULAR CULTURE 1. Don Quixote and the Hyperboloid Cooling Towers ………………… 11 2. The Nuclear Age in Dylan and the Beats …………………………… 17 3. Alpha and Beta Particles Shoot Horses, Don’t They? ……………… 27 4. LOST After an Earthquake-Tsunami-Nuclear Meltdown Catastrophe ……………………………………………………………………… 33 5. Nora Ephron, Silkwood, and the Great American Romcom ………… 43 6. -
Allen Ginsberg's Many Multitudes Joseph Karwin University of Texas at Tyler
University of Texas at Tyler Scholar Works at UT Tyler English Department Theses Literature and Languages Spring 5-9-2018 The heP nomenological Beat: Allen Ginsberg's Many Multitudes Joseph Karwin University of Texas at Tyler Follow this and additional works at: https://scholarworks.uttyler.edu/english_grad Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Karwin, Joseph, "The heP nomenological Beat: Allen Ginsberg's Many Multitudes" (2018). English Department Theses. Paper 17. http://hdl.handle.net/10950/1159 This Thesis is brought to you for free and open access by the Literature and Languages at Scholar Works at UT Tyler. It has been accepted for inclusion in English Department Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. THE PHENOMENOLOGOICAL BEAT: ALLEN GINSBERG’S MANY MULTITUDES by JOSEPH KARWIN A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts English Department of Literature & Languages Anett Jessop, Ph.D., Committee Chair College of Graduate Studies The University of Texas at Tyler May 2018 The University of Texas at Tyler Tyler, Texas This is to certify that the Master’s Thesis of JOSEPH KARWIN has been approved for the thesis requirement on April 17, 2018 for the Master of Arts English degree © Copyright 2018 by Joseph Karwin All rights reserved. Table of Contents Abstract ...........................................................................................................................ii -
Allen Ginsberg Collected Poems, 1947-1997, 2006
Critical Survey of Poetry Ginsberg, Allen Death and Fame: Poems, 1993-1997, 1999 Allen Ginsberg Collected Poems, 1947-1997, 2006 Born: Newark, New Jersey; June 3, 1926 Other literary forms Died: New York, New York; April 5, 1997 Allen Ginsberg recognized early in his career that he would have to explain his intentions, because most Principal poetry critics and reviewers of the time did not have the inter- Howl, and Other Poems, 1956, 1996 est or experience to understand what he was trying to Empty Mirror: Early Poems, 1961 accomplish. Consequently, he published books that in- Kaddish, and Other Poems, 1958-1960, 1961 clude interviews, lectures, essays, photographs, and The Change, 1963 letters to friends as means of conveying his theories Reality Sandwiches, 1963 about composition and poetics. Kral Majales, 1965 Wichita Vortex Sutra, 1966 Achievements T.V. Baby Poems, 1967 The publication of “Howl” in 1956 drew such en- Airplane Dreams: Compositions from Journals, thusiastic comments from Allen Ginsberg’s support- 1968 ers, and such vituperative condemnation from conser- Ankor Wat, 1968 vative cultural commentators, that a rift of immense Planet News, 1961-1967, 1968 proportions developed, which has made a balanced The Moments Return, 1970 critical assessment very difficult. Nevertheless, parti- Ginsberg’s Improvised Poetics, 1971 san response has gradually given way to an acknowl- Bixby Canyon Ocean Path Word Breeze, 1972 edgment by most critics that Ginsberg’s work is signifi- The Fall of America: Poems of These States, 1965- cant, if not always entirely successful by familiar 1971, 1972 standards of literary excellence. Such recognition was The Gates of Wrath: Rhymed Poems, 1948-1952, underscored in 1974, when The Fall of America shared 1972 the National Book Award in Poetry. -
The Personal Poetics of Robert Lowell and Allen Ginsberg
MCNEES, MATTHEW J., Ph.D. Suffering and Liberation: The Personal Poetics of Robert Lowell and Allen Ginsberg. (2011) Directed by Drs. Keith Cushman and Anthony Cuda. 174 pp. This dissertation examines Robert Lowell and Allen Ginsberg’s personal poetry. While both poets attend to the random details of daily life, thereby establishing common ground as autobiographical writers, they differ markedly in their perspectives about the value of those details. Lowell possesses a stark, often nihilistic view, attesting to the irredeemable suffering of humanity; Ginsberg ascribes to a self-confident, sometimes larger-than-life persona, believing that complete freedom from fear is possible for everyone. My approach is roughly chronological, beginning when both poets committed themselves to personal, autobiographical poetry during the 1950s. The temporal frame of the study, with a few exceptions, spans from the early 1950s through the l970s. I give due attention to each poet’s “breakthrough” work in the 1950s--like Ginsberg’s Howl and Lowell’s Life Studies--but I also place both poets on a larger continuum that began before they wrote their breakthrough works and lasted beyond their initial success. I explain Lowell and Ginsberg’s place in the broader literary history of the modern poets that immediately preceded them. Each found the tenets of modern poetry limiting to his personal approach and found it necessary to resuscitate the value of individual, personal subjectivity, something that countered the prevailing notions of objective poetry as put forth most notably by T. S. Eliot. Lowell’s commitment to personal poetry came after he had already established his reputation in the 1940s, so his break into personal poetry was highly self-conscious; Ginsberg committed to it early and he never wavered in his approach. -
The Geo-Poetics of Allen Ginsberg
humanities Article Creative Environments: The Geo-Poetics of Allen Ginsberg Alexandre Ferrere English Department, Paris Nanterre University, 92000 Nanterre, France; [email protected] Received: 3 May 2020; Accepted: 27 August 2020; Published: 1 September 2020 Abstract: As was the case for other writers from the Beat Generation, geography is more than simply a setting for Allen Ginsberg’s work, as his poetry also bears the imprint of the influence of the landscapes through which he traveled in his mind and poetic practice. In the 1950s, the same decade which saw the composition of Ginsberg’s Howl, Guy Debord and his followers developed the concept of “psychogeography” and “dérive” to analyze the influence of landscapes on one’s mind. The Debordian concept of psychogeography implies then that an objective world can have unknown and subjective consequences. Inspired by Debord’s theories and through the analysis of key poems, this paper argues that a psychogeographical focus can shed new light on ecocritical studies of Ginsberg’s poetry. It can indeed unveil the complex construction of the poet’s own space-time poetics, from hauntological aspects to his specific composition process. Keywords: Allen Ginsberg; Beat Generation; poetry; poetics; memory; Guy Debord; psychogeography; landscape; ecocriticism 1. Introduction In his introduction to Geocriticism: Real and Fictional Spaces, Bertrand Westphal writes: “The perception of space and the representation of space do not involve the same thing” (Westphal 2011, p. 1). Passing from an objective notion of “space” to a subjective concept of “place” is to take a step towards psychogeography, as it involves both the perception and the representation of one’s surroundings.