Bradley Boynton of Rhythm Traders Rebounds from the Recession To
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ronnie Earl for a Blackface Vibroverb Today? Surely Something North of $4,000
Mountainview Publishing, LLC INSIDE the The Truth… Rarely given, we know it when we hear it, and you The Player’s Guide to Ultimate Tone TM can only get it here… $15.00 US, December 2013/Vol.15 NO.2 Report The Kansas Tornado… Another immensely tone- Truth ful classic amp that went unclaimed “Three chords and the truth – that’s what a country song is.” – Willie Nelson Size matters… Pressure is being asked point-blank which guitar, amplifier or pickup to buy. This happens frequent- The Warehouse ly enough that we have learned to pose probing personal questions in search of an answer… Well, G15A Alnico what do you think you might want and why? We don’t always know what we want until we want it, Big Fifteen and we still couldn’t always tell you why. Sometimes the things that last seem to materialize out of no where with little forethought or insight, as if we were meant to have them, and that’s the truth. 4 Richard Goodsell and the evolution of the Goodsell Super 17 Our review of the Super 17 Mark IV 10 The Goodsell overdrive 10 John McGuire Guitars Our interview with John McGuire & review of the McGuire Tradition 14 The Eastwood Jupiter Pro… We also must confess that we don’t always understand what motivates guitar players when it Simply cool comes to choosing amplifiers today. This is nothing new – most of the amps we own are immensely in every way toneful classic keepers that were ignored by potential buyers due to stripped or recovered original cabinets or a replaced transformer. -
Jazz Publications and More
19397 Guts 261-280: 5/12/09 2:55 PM Page 261 JAZZ PUBLICATIONS AND MORE Section Page No. Jazz Instruction (All Instruments) .......................................262 Jazz Play-Along® Series ......................................................267 ABRSM Jazz Program .........................................................272 Artist Transcriptions® ..........................................................274 The Real Book .....................................................................276 Jazz Fake Books ..................................................................277 Jazz Bible Series..................................................................278 Paperback Songs ................................................................278 Other Fake Books ................................................................279 Carta Manuscript Paper.......................................................280 Gig Guides...........................................................................280 19397 Guts 261-280: 5/12/09 2:56 PM Page 262 262 JAZZ PUBLICATIONS ALL INSTRUMENTS BLUES CONCEPTS FOR JAZZ INSTRUCTION JAM – IMPROVISATION 40 PROGRESSIONS A Comprehensive Guide ADVANCED BLUES AND GROOVES for Performing and Teach- ETUDES IN ALL ing TWELVE KEYS SIT IN AND SOLO WITH A PROFESSIONAL BLUES by Richard De Rosa by Jordon Ruwe BAND! Houston Publishing Houston Publishing by Ed Friedland Using his vast musical experi - Includes 12 advanced blues Bring your local blues jam ence and the axiom “know - etudes four-measure excerpts session home! -
Wszystkie 2013
29/12/2013 [ Radio RAM ] === THE CACTUS CHANNEL / Who Is Walt Druce? [HopeStreet (LP)] EX-FRIENDLY f/ Rich Medina / Journey Man (Jonno & Tommo remix) [People Are Looking At You (12")] ANTHONY JOSEPH & THE SPASM BAND / Griot (live) [Heavenly Sweetness (LP)] THE CACTUS CHANNEL / Laika [HopeStreet (LP)] J-BOOGIE'S DUBTRONIC SCIENCE f/ Rich Medina / Same Ol Thang [Om (LP)] DJ MITSU THE BEATS f/ Rich Medina / Do Right [Planetgroove (LP)] DA LATA f/ Rich Medina / Monkeys And Anvils [Agogo (LP)] NATH & MARTIN BROTHERS / Livingstone [Voodoo Funk/Honest Jon's (LP)] NATH & MARTIN BROTHERS / Livingstone (highlife) [Voodoo Funk/Honest Jon's (LP)] CHARLES MINGUS / II B.S. (RZA's Mingus Bounce remix) [Verve (LP)] GANG STARR / I'm The Man [Chrysalis (LP)] DONNY HATHAWAY / Sugar Lee [Atlantic (LP)] THE FUTURE SOUND / Star Struck (Caterpillar Style) [EastWest (LP)] KWEST THA MADD LAD / I Ain't The Herb [No Sleep (LP)] IKE & TINA TURNER / Cussin', Crying And Carryin' On [Unio Square (LP)] KWEST THA MADD LAD / Disk And Dat [American/BMG (LP)] DAS EFX / Here We Go [Eastwest (LP)] DENIECE WILLIAMS / How'd I Know That Love Would Slip Away [Sony BMG (LP)] BIZ MARKIE / Games [Groove Attack (12")] THE MIKE SAMMES SINGERS & THE TED TAYLOR ORGANSOUND / He Who Would Valient Be [Trunk (LP)] SOUNDSCI / Remedy [Crate Escape (EP)] YOUNG-HOLT UNLIMITED / Wah Wah Man [Rhino (LP)] SHOWBIZ & A.G. / Hard To Kill [London/Payday (LP)] LORD FINESSE & DJ MIKE SMOOTH / Baby, You Nasty [Wild Pitch (LP)] THE FUTURE SOUND / Jungle-O [EastWest (LP)] IDRIS MUHAMMAD / Crab Apple [Strictly Breaks (LP)] KWEST THA MADD LAD / Blasé Blah (Off That Head) [American/BMG (LP)] RUN-D.M.C. -
Studiobeschreibung Word.Pdf
Halo, ich bin Alex von like a daydream, ich feue mich über Euer Intresse an meinem Studio und an meinem Proberaum sowie an meiner Leistung für Eure Aufnahme, den Remix und das Mastring sowie ales, was sonst noch notwen- dig ist für eine begeistrnde Veröffentlichung. Ich mache seit 35 Jahren aktiv Musik, von Beginn an in Bands ,erst als Gitarrist, dann auch als Sänger, spätr kamen al- lerhand andere Instumente dazu, da ich auch Musikterapeut bin, bis ich mir stückweise, auch um selbst Komponieren und Song- writng durchführen zu können, ein Studio erschaffen habe, meinen Lebenstaum, und so arbeit ich damit auch. Meine Lireerfahrungen fanden im Schwerpunkt in den 80er und 90er Jahren stat, dort zog es mich vor alen in den Raum Nordrhein- Westfalens, aber das ist es jetzt mit Sicherheit noch nicht gewesen. Meine derzeitgen eigenen musikalischen Tätgkeitn finden vorrangig in der New Music Academy stat (auch ein altr Gesele kann noch immer dazu lernen), aber zukünftg auch in den Abbey Road Studios Frankfrt. Meine musikalischen Vorlieben sind über die Jahre sehr vielschichtg geworden, mit Masse jedoch Songwri- tng jeder Art, Britsh New Rock, Shoegazing, etc, aber ich bin für nahezu ale Musikrichtungen in meiner Studioarbeit offen. Ich biet Aufnahmen für ale möglichen Anlässe an, - Bands, Musiker, Einzelmusiker - Familien, Freunde (z.B. für Jubiläen, Geburtstage, Familienfest, Freundschaftn, Hochzeitn) - Kindergärtn und vieles mehr. Ich besitze ein echts Musikerhaus (ok, zwei Katzen haben sich auch noch eine Nische gesucht…), das ich Euch für Aufnahmesessions -
Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
{ I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,.. -
Angel Lopez SAU-S Klassieke Gitaar Charvel Pro Mod San Dimas 1 HH
Angel Lopez SAU-S klassieke gitaar Charvel Pro Mod San Dimas 1 HH HT Trans Blue Danelectro 64 Metallic Red Duesenberg Rezobro 2T Eastwood Guitars Classic 6 Walnut ESP LTD EC-200 Tobacco Sunburst Satin ESP LTD RB-1005SM Natural ESP LTD SN-1000W Rosewood Charcoal Metal EVH Striped Series Star EVH Wolfgang Special Matte Army Drab MN EVH Wolfgang Special T.O.M. Vintage White Fender American Standard Dimension Bass V HH Olympic White MN Fender American Standard Dimension Bass V HH 3-Color Sunburst RW Fender American Standard Precision Bass V Black MN Fender American Vintage 56 Stratocaster Black MN Fender American Vintage 65 Strat Burgundy RW Fender Classic Series 72 Telecaster Custom Black RW Fender Classic Series 72 Telecaster Custom 3-Color Sunburst MN Fender Classic Series 72 Telecaster Deluxe Walnut MN Fender Deluxe Stratocaster HSS iOS Blizzard Pearl Fender Japan Aerodyne Strat Black RW Fender Japan Classic 60s Tele Custom LH 3-Color Sunburst RW Fender Road Worn 50s Precision Bass 2-Color Sunburst MN Fender Standard Jazz Bass Fretless Brown Sunburst RW Fender Standard Jazz Bass Lake Placid Blue RW Fender Standard Jazz Bass LH Black RW Fender Standard Jazz Bass V Black RW Fender Standard Stratocaster HSS Floyd RW Ghost Silver RW Fender Standard Stratocaster LH Candy Apple Red Gibson 2004 Les Paul Custom CS Heritage (inruil) Gibson Les Paul Custom Tobacco Sunburst (inruil) Gretsch G5022CE Rancher Jumbo Gretsch G5620T-CB Electromatic Center-Block Gretsch G6120SSLVO Brian Setzer Nashville Guild D-120 Natural Westerly Guild D-140CE Sunburst -
Peterson, Hampton, Jackson, Brown – Sultans of Swing
PAG 4 PAG 1 PETERSON • HAMPTON N TO • JA JACKSON • BROWN P C M K A S H AN O SULTANS OF SWING • T S L N 1. Body and Soul (Johnny Green) 15:02 O N 2. Flying Home (Lionel Hampton, Benny Goodman) 3:19 U • 3. Honeysuckle Rose (Thomas Waller) 11:445 O F B 4. A Foggy Day (George Gershwin) 5:28 S S 5. Solo For Unaccompanied Bass (Ray Brown) 2.27 R 6. On Green Dolphin Street (Bronislaw Kaper) 7:32 R 7. Heartstrings (Milt Jackson) 5:44 O 8. Work Song (Nat Adderley) 7:31 E W 7:49 9. John Brown’s Body (Traditional) T 10. A Wonderful Guy (Richard Rodgers) 4:57 N 11. Reunion Blues (Milt Jackson) 7:24 E P 1, 3, 4: Lionel Hampton (vibraphone), Oscar Peterson 5: Ray Brown (bass). (piano), Ray Brown (bass), Buddy Rich (drums). Los Angeles, November 21, 1956. New York, September 12, 1954. 6-11: Oscar Peterson (piano), Milt Jackson (vibraphone), 2: The same, plus Herb Ellis (guitar). Ray Brown (bass), Ed Thigpen (drums). New York, April 13, 1954. New York, September 15 and 18, 1961. SELECTION: Luca Conti DESIGN: Silvano Belloni COVER PHOTOS: Ray Brown: Roberto Polillo Milt Jackson: Pino Ninfa S.I.A.E. MJCD 1375 Oscar Peterson: © Norman Granz © 2020 – 22PUBLISHING S.R.L. Lionel Hampton: © Atlantic MUSICAJAZZ.IT PAG 2 PAG 3 SULTANS OF SWING dei trasgressori e, dall’altro, l’impossibilità pratica lascerà testimonianza su un bel disco dal vivo a tà alla Count Basie di Lewis, quanto poteva – sulla di Luca Conti di organizzare incisioni dell’orchestra al completo. -
Music 2016 ADDENDUM This Catalog Includes New Sheet Music, Songbooks, and Instructional Titles for 2016
Music 2016 HAL LEONARD ADDENDUM This catalog includes new sheet music, songbooks, and instructional titles for 2016. Please be sure to see our separate catalogs for new releases in Recording and Live Sound as well as Accessories, Instruments and Gifts. See the back cover of this catalog for a complete list of all available Hal Leonard Catalogs. 1153278 Guts.indd 1 12/14/15 4:15 PM 2 TABLE OF CONTENTS Sheet Music .........................................................3 Piano .................................................................53 Musicians Institute ............................................86 Fake Books ........................................................4 E-Z Play Today ...................................................68 Guitar Publications ............................................87 Personality .........................................................7 Organ ................................................................69 Bass Publications ............................................102 Songwriter Collections .......................................21 Accordion..........................................................70 Folk Publications .............................................104 Mixed Folios ......................................................23 Instrumental Publications ..................................71 Vocal Publications .............................................48 Berklee Press ....................................................85 INDEX: Accordion..........................................................70 -
Sendung, Sendedatum
WDR 3 Jazz & World, 13. November 2018 Jazz At The Philharmonic in Hamburg 1957 / Swing Klassiker 23:00-24:00 Stand: 12. 11.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Lothar Jänichen Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Night Train K: Duke Ellington 4:52 THE OSCAR PETERSON Verve 5340118; LC: 00383 TRIO CD: Night Train 2. How High The Moon K.: William Morgan Lewis/ Nancy Hamilton 7:38 OSCAR PETERSON TRIO NDR Archiv M817107100 Aufnahme vom 22.Mai 1957, Planten un Blomen, Festhalle, Hamburg 3. Joy Spring K.: Clifford Brown 5:45 OSCAR PETERSON TRIO wie Titel 2 4. Gypsy in my soul K.: Clay A. Boland/ Moe Jaffe 6:11 OSCAR PETERSON TRIO wie Titel 2 5. Pete pet pick K.: n.n. 4:23 OSCAR PETERSON wie Titel 2 TRIO/ROY ELDRIDGE/JO JONES 6. Undecided K.: Shavers/ Robin 4:09 OSCAR PETERSON wie Titel 2 TRIO/ROY ELDRIDGE/JO JONES 7. You got me singing the K.: Oscar Peterson 2:35 blues wie Titel 2 ELLA FITZGERALD & ENSEMBLE 8. Angel eyes K.: Dennis/ Brent 3:25 ELLA FITZGERALD & wie Titel 2 ENSEMBLE 9. Lullaby of Birdland K.: Shearing/ Foster 2:24 ELLA FITZGERALD & wie Titel 2 ENSEMBLE Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 13. November 2018 Jazz At The Philharmonic in Hamburg 1957 / Swing Klassiker 23:00-24:00 Stand: 12. 11.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 10. -
Report Germany
Mountainview Publishing, LLC INSIDE the Imagine This… Phil Brown returns with a new studio recording spanning 5 years The Player’s Guide to Ultimate Tone in La La Land, Texas, TM Colorado, New Mexico and $10.00 US, September 2011/VOL.12 NO.11 Report Germany Brown sounds… the Ampeg VL-1002, Imagine This vintage Marshall 8x10 cabs, the Hiwatt, “If you want to change your life, change your mind.” – Phil Brown Squire 7-string, Strats with Lollar Specials, The title of this edition of the Quest is also the title of Phil Brown’s latest recording, and since Jeff Beck signature, Phil has provided the featured cover story for our September visit, borrowing his title kinda makes the Black Mesa, sense. There is just one little problem… Having free-fallen into the midst of Brown’s latest one Clements, Les Paul Studio, hour and ten minute opus la Lee Jackson chitarra now for a few weeks Atomsmasher, at appropriately high decibel Line 6 DL-4, levels, we’re not at all sure Electro-Harmonix that you can indeed ‘imagine Micro-Pog, this.’ Nah, we’re being too Hermida Distortion, kind at the expense of hon- the BoneSqueeze, & esty. You can’t. Not yet, any- the Roland VS-880 way. Our job is to shake you loose from the somnambu- 9 lant torpor of late summer, Lee Jackson on an unfortunate by-product designing Ampeg amps of eeking out a livable living and the resurrection of the Atomsmasher in the USA while perhaps snatching a week or two off. Atomsmasher review Livin’ in the USA… It didn’t used to feel quite so hard, 10 did it? How did Sting put it? Red Plate Amps with Too much information… founder Henry Heistand 14 We like to believe that we Our review of the Tweedy thrive on multi-tasking and Verb being perpetually connected, and Black Verb but we really don’t, because when we are connected, we 15 really aren’t. -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20. -
Reverend Uncages Spacehawk
The Official Show Publication DAILY The Official Show Publication DAILY SATURDAY, JULY 19, 2014 The Official Show Publication DAILY 2 The Official Show Publication 1 DAILY 4 3 6 5 GearGear onon FireFire TODAY, THE MUSIC CITY CENTER is the hotbed of the newest, sizzling gear. From must-see products to a slew of workshops, concerts and events, you’re sure to find something that fills your musical craving. Check out a few here: 1. Don’t miss the World’s Fastest Drummer contest today maple travel uke. See page 10. 5. Strum your heart out at at 2 p.m. See page 14. 2. CAD’s new CADLive D80, D82 today’s Community Ukulele Circle at 2 p.m. See page 14. and D84 mics. See page 6. 3. Check out the Communi- 6. Reverend’s Reeves Gabrels Signature Spacehawk. See ty Drum Circle at 3 p.m. See page 14. 4. Kala’s spalted page 4. 4 UBD July 19, 2014 GUITAR WALL Lombardo Launches Guitars Ernie Lombardo, luthier and student of Les Paul’s longtime personal guitar builder and tech Tom Doyle, has launched E. Lom- bardo Guitars, a custom guitar company. E. Lombardo Guitars, including models EL2T Vintage, The Carly Jane, The D Rose and The Coop, are all handmade in the Unit- ed States. The guitars are backed by a lifetime guar- antee, come with a full set up and do not include any plastic parts. Eastwood Introduces Unique MandoTenor “I’ve been in love with guitars and elec- Eastwood Guitars and multi-instrumen- arrived it knocked me out”.