Study of Eustachia Normal Adults and Udy Of
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The Anatomy Illustration in Some of the Western and Iranian Medi- Received: 4 May 2020; Accepted: 10 Jul 2020; Online Published: 25 Aug 2020 Cal Manuscripts
Archive of SID ORIGINAL ARTICLE The Anatomy Illustration in Some of the Western and Iranian Medical Manuscripts 163 Abstract Alireza Taheri1 Medical knowledge and its scientific and practical experience have long 1- Ph.D., Professor of Art History, De- been important among countries with longstanding backgrounds. One partment of Art Research, Faculty of Arts and Architecture, University of Sistan of the most important branches of medical science is the science of and Baluchestan, Zahedan, Iran anatomy, which has contributed to the treatment of unknown diseases and the surgery of the organs of the body. Among the medical anatomy Correspondence: Alireza Taheri versions, those who have used body anatomy imaging have been more Professor of Art History, Department of successful in conveying concepts and medical education and treatment Art Research, Faculty of Arts and Ar- chitecture, University of Sistan and Bal- of diseases. Since the Renaissance, great painters such as De Vinci or uchestan, Zahedan, Iran Jan van Calkar have had a grand interest in anatomical imagery and have presented a particular style. In Iran, some medical manuscripts, such as [email protected] Mansouri’s Anatomy Book or Akbari Medicine, have a specific anatomy of the body. The purpose of this article is to study the anatomy of the hu- man body in some medical versions of the West and Iran illustrated. For this purpose, several specimens of medical prescription manuscripts are selected as examples. In Western versions, the design and presentation of components of the body are very influential in the style of Greek and Roman sculpture, and the figures are statuesque. -
The Tabulae Anatomicae of Bartolomeo Eustachio
NEUROSURGICAL FOCUS Neurosurg Focus 47 (3):E11, 2019 An ancestor of the stereotactic atlases: the Tabulae Anatomicae of Bartolomeo Eustachio Alessandro Dario, MD,1 Giuseppe Ottavio Armocida, MD,2 and Davide Locatelli, MD1 1Neurosurgical Clinic, ASST Settelaghi; and 2Department of Medicine and Public Health, Insubria University, Varese, Italy The authors report the history of the Tabulae Anatomicae of Bartolomeo Eustachio (ca. 1510–1574). In the tables, the anatomical illustrations were drawn inside a numerical frame, with pairs of numbers on the y- and x-axes to identify sin- gle anatomical details in the reference table. The measures and the references could be calculated using the graduated margins divided by 5 units for each the x-axis and y-axis. The Tabulae Anatomicae can be considered a precursor to modern anatomical reference systems that are the basis of studies on cerebral localization mainly used for stereotactic procedures. https://thejns.org/doi/abs/10.3171/2019.6.FOCUS19339 KEYWORDS stereotactic atlas; Bartolomeo Eustachio; cerebral localization HE basis of anatomical localization and function is of San Severino appointed Bartolomeo doctor of the city the precise position in the space of the anatomical with the title of Scientist Most Excellent (Physicus Eccel- structures involved. Moreover, the boundaries of lentissimus).9 In 1530, he was called to Urbino to the court theT space occupied by the localization of a nervous func- of Duke Guidobaldo as his personal doctor. Here, Eusta- tion must be measurable. For this purpose, a spatial repre- chio found a sophisticated environment while working at sentation of the localization described is necessary. -
Sex, Spirits, and Sensibility: Human Generation in British Medicine, Anatomy, and Literature, 1660-1780
Sex, Spirits, and Sensibility: Human Generation in British Medicine, Anatomy, and Literature, 1660-1780 Darren Neil Wagner PhD The University of York Department of History September 2013 Abstract This thesis explores the physiological idea of animal spirits in relation to nerves, sex, and reproduction in the culture of sensibility. That physiology held the sex organs of both females and males to be exceptionally sensitive parts of the body that profoundly affected individuals’ constitutions and minds. Sexual sensations, desires, volition, and behaviour depended upon animal spirits and nerves. A central concern in this perception of the body and mind was the conflict between rationality from the intellectual will and sexual feelings from the genitalia. The idea that the body and mind interacted through animal spirits became influential in Georgian culture through anatomical and medical writings, teachings, and visual displays, but also through its resonance in literature about sensibility. This research predominantly draws upon material and print cultures of medicine, anatomy, and literature from 1660-1780. The analysis highlights the roles of gender, markets, literary modes, scientific practices, visual demonstrations, medical vocations, and broader social and political discourses in conceptions of the body and mind in relation to sex and reproduction. Ultimately, this study fleshes out the sensible and sexual body, which cultural and literary historians have frequently referred to, and emphasizes how the organs of generation commanded -
Medical Illustrators and Illustrations in the HS/HSL's Historical Collections
Medical Illustrators and Illustrations in the HS/HSL’s Historical Collections Item Type Blog Authors Wink, Tara Publication Date 2020-09-21 Abstract The Historical Collections Department in the HS/HSL houses the library’s rare books, special collections, and some UMB archives. Included in the rare book collection are works by influential and early anatomists and medical illustrators. The collec... Keywords Medical illustrators; Medical illustration; University of Maryland, Baltimore. Health Sciences and Human Services Library; Galen; Bartholin, Caspar, 1585-1629; Bartholin, Thomas, 1616-1680; Eustachi, Bartolomeo, -1574; Ruysch, Frederik, 1638-1731; Cowper, William, 1666-1709; Heister, Lorenz, 1683-1758 Rights Attribution-NonCommercial-ShareAlike 4.0 International Download date 30/09/2021 05:53:00 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10713/13898 Medical Illustrators and Illustrations in the HS/HSL’s Historical Collections Posted September 21, 2020 Written by Tara Wink, HS/HSL Historical Collections Librarian and Archivist On October 6, 2020 the HS/HSL is hosting medical illustrator, Lydia Gregg, for a Meet the Makers lunchtime event. Medical illustration combines the creative talents of artists and the medical and anatomical knowledge of doctors. These combined skills are used to illustrate medical texts and teach new physicians, nurses, dentists, and other medical professionals the workings of the body. Historians date medical illustration back to the fourth or third century BC. Early attempts at medical illustration and drawing anatomy occurred under Hippocrates (460-370 BC), Herophilus (335-280 BC), and Galen (131-200 AD). However, it was during the Renaissance (14th – 16th centuries) that art and medical illustration first began to flourish with Leonardo DaVinci (1452-1519) and Andreas Vesalius (1514-1564) leading the way. -
Calling the Heart by Name: Distinguished Eponyms in The
FLORE Repository istituzionale dell'Università degli Studi di Firenze Calling the Heart by Name: Distinguished Eponyms in the Historyof Cardiac Anatomy Questa è la Versione finale referata (Post print/Accepted manuscript) della seguente pubblicazione: Original Citation: Calling the Heart by Name: Distinguished Eponyms in the Historyof Cardiac Anatomy / Conti A.A.. - In: THE HEART SURGERY FORUM. - ISSN 1098-3511. - ELETTRONICO. - 14(2011), pp. e183-e187. Availability: This version is available at: 2158/629088 since: 2016-01-12T18:39:19Z Terms of use: Open Access La pubblicazione è resa disponibile sotto le norme e i termini della licenza di deposito, secondo quanto stabilito dalla Policy per l'accesso aperto dell'Università degli Studi di Firenze (https://www.sba.unifi.it/upload/policy-oa-2016-1.pdf) Publisher copyright claim: (Article begins on next page) 29 September 2021 The Heart Surgery Forum #2010-1047 Online address: http://cardenjennings.metapress.com 14 (3), 2011 doi: 10.1532/HSF98.20101047 Calling the Heart by Name: Distinguished Eponyms in the History of Cardiac Anatomy Andrea A. Conti, MD, PhD, MPH Dipartimento di Area Critica Medico Chirurgica, Università degli Studi di Firenze, Florence, Italy ABSTRACT single expressions a number of anatomic features. Just to cite a well-known example derived from anatomy, specifically that Many outstanding scientists have given their names to ana- of the heart, I draw attention to that eponym with which phy- tomic structures through time. Recently the use of eponyms sicians are largely familiar, Fallot’s tetralogy, an eponym that has been at the center of a very interesting debate in the col- encompasses 4 abnormalities: pulmonary stenosis, an over- umns of prestigious medical journals. -
The History of Anatomical Research of Lymphatics — from the Ancient
Annals of Anatomy 223 (2019) 49–69 Contents lists available at ScienceDirect Annals of Anatomy jou rnal homepage: www.elsevier.com/locate/aanat The history of anatomical research of lymphatics — From the ancient times to the end of the European Renaissance ∗ Regina Irschick, Claudia Siemon, Erich Brenner Division of Clinical and Functional Anatomy, Medical University of Innsbruck, Austria a r t i c l e i n f o a b s t r a c t Article history: Very often, descriptions of the scientific discovery of the lymphatic system start with Gaspare Aselli, Received 9 November 2018 probably because of his so captivating account. Nevertheless, there was prior and even very old evidence Received in revised form 23 January 2019 of the lymphatic vessels, which was of course known to Aselli himself, as he cited most of these antique Accepted 24 January 2019 references. In fact, the first insights were contributed by the Hippocratic School. The Alexandrian School added Keywords: quite a lot but unfortunately most of that knowledge is not extant and can only be appreciated by Lymphatics translations or citations by other authors such as Galen. Lymphatic vessels History The ‘dark’ middle ages did not add to the anatomical knowledge of the lymphatics, and only the rise of the Renaissance brought new insights. Even at that time, Aselli was not the first to identify at least some components of the lymphatic system, but he was actually the first to present a proper account in a book dedicated to the “lacteal veins”. Afterwards the interest rose enormously and cumulated in one of the first priority – or plagiarism – disputes, the Rudbeck–Bartholin feud. -
An Annotated Bibliography of the Dennis G. Pappas Otolaryngology Collection at the Reynolds Historical Library
An Annotated Bibliography of the Dennis G. Pappas Otolaryngology Collection at the Reynolds Historical Library An Annotated Bibliography of the Dennis G. Pappas Otolaryngology Collection at the Reynolds Historical Library First Edition Annotated by Dr. Dennis G. Pappas, Sr. Birmingham: Printed at the University of Alabama at Birmingham, Lister Hill Library of the Health Sciences 2014 Cover Illustrations: from Giulio Cesare Casseri’s De vocis auditusq[ue] organis historia anatomica (1601). Introduction By Dr. Dennis G. Pappas, Sr. Art has always been part of my life. As a teenager my attention was turned to impressionistic paintings which I admired through books. The impressionistic movement included, besides paintings, art -glass, architecture, and sculpture. Art-glass was affordable then, so I started my first collection. Two important events occurred during the first year of my medical practice. My wife, Patti, gave me the Parke-Davis History of Medi- cine poster set, and a patient gave me with a mahogany box partially filled with medicines. Each was to affect me for life. Patti could not find a complete poster set so she called the CEO of Parke-Davis, who indignantly told her that he only had three sets left. Needless to say she got one. The mahogany box was found by my patient in a south Alabama flea market. It was cleaned and polished, and found to have brass hinges, lock and a cartouche. After hours of research, it was found to be dated to the Civil War era. The poster set focused on the great books of medicine; the medi- cine box on medical technology of its day. -
Anatomical Studies on Larynx and Voice Production in Historical Perspective
FOLIA MEDICA CRACOVIENSIA Vol. LX, 3, 2020: 85–98 PL ISSN 0015-5616 DOI: 10.24425/fmc.2020.135798 Anatomical studies on larynx and voice production in historical perspective ANDRZEJ ŻYTKOWSKI1,JERZY WALOCHA2 1Faculty of Philology, Department of Polish Dialectology and Logopedics, University of Lodz, Poland 2Department of Anatomy, Jagiellonian University Medical College, Kraków, Poland Corresponding author: Jerzy Walocha, Prof. Department of Anatomy, Jagiellonian University Medical College ul. Kopernika 12, 31-034 Kraków, Poland Phone/Fax: +48 12 422 95 11; E-mail: [email protected] Abstract: Voice production — emission, raised interest of humans from almost the beginning of the humanity. First written information dates back to the Egyptian times 2500–3000 BC. Practically from early Greek period until XIX century studies of the larynx and the speech apparatus brought new and new facts, both regarding the structures, physiology and clinics. Such ancient researchers as Galen, Morgagni, Eustachii, Casserius created milestones for modern laryngology. Authors hoped to present some facts on the anatomical researches in the field of organs responsible for voice production from historical perspective. Key words: larynx, voice production, history, anatomy. Submitted: 6-Mar-2020; Accepted in the final form: 12-Sep-2020; Published: 30-Nov-2020. Introduction Phonation is a process of voice production as a result of vibrations of the vocal ligaments under the influence of exhaled air, occurring in the larynx and leading to the formation of the so-called larynx sound. To create a sound, it is necessary for the respiratory system and larynx to work together. During speech or singing, the vocal folds stretch and approach each other to a few tenths of a millimeter creating a small gap. -
SDC 7: Galenist and Non-Galenist Contemporaries of Colombo
Reifler. Milestones in OPRS: Discovery of LPS & Subsequent History Supplemental Digital Content (SDC 7) SDC 7: Galenist and non-Galenist contemporaries of Colombo. In addition to the “non-Galenist” anatomists, Vesalius and Falloppio, who were contemporaries of Colombo, other anatomists — “Galenists” and “non-Galenists” — may be mentioned who were also notably active in the early 1550s as Colombo was nearing completion of his De re anatomica. The lives of each of these individuals intersected with Colombo at various points in his life. Colombo knew some of them personally; others he knew by reputation; and one — an as-yet-unknown medical student at Padua who would delineate the origin of the LPS — not at all. As mentioned elsewhere, Colombo was a classmate of the English polymath-scholar and Galenist, John Caius (1510–73) at the University of Padua.a Caius wrote that he “taught at the same hour as Realdo Colombo of Cremona, in the general schools by S. Biagio in Padua, for the schools of the Artists were still in the course of construction at the Bo’ and were not separate from the schools of the jurists.”b Caius remained a steadfast supporter of Galen and his falling out with Vesalius included disputes over Galen’s methodology. The Englishman possessed extensive philological knowledge of Greek and Latin and, in a fanciful reconstruction of a “lost” ancient text, he attempted to more systematically and directly link Galen’s anatomy to Hippocrates and human dissections.c Another Galenist was the Huguenot physician and publisher Charles Estienne (1504–64). In following Galen as Vesalius had done in both editions of the Fabrica (1543 and 1555) Estienne’s De dissectione partium corporis humani (1545)— in three separate illustrations— erroneously depicted the superior pole of the right kidney as situated more cephelad than the left, not the other way around in humans as Colombo was the first to observe.d,e Like Servetus, Estienne also suffered for his faith.