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chine gun resting atop a bucket stuffed with reams of blank bucketrestingreams with atop of stuffed a gun chine Issue No. 9. ofpages the to glued fur faux of patterns on fingertips for “movements” four in piece Music,” a Howe’s “Fur Nelson and 7; No. Issue in acetate of sheets eight on silkscreened IV Plexigram Marcel,About head in Issue No. 5; John Cage’s sette tape to be “realized” with a handheld magnetic playback cas- recorded of square 6-inch a Hassell’sJon MAP2, were dia phenomenon unto itself: Among the memorable features of issue original an “live”with encounter a but [3], 2011 in published was Kahn Douglas and since 1991 [2]). A (includingformsmany in pioneering musicians and composers of day. the artworksandbygraphicrecordsof scores,vinylarticles [1], 2,000of copies—consisted edition of an an oversized in spiral-bound bundleissue—published each Davis, California, Universityof the to ties with practitioners of consortium a by Edited arts. sound-oriented in engaged those for ration inspi- and information of wellspring a as itself established issues, 11 magazine just multimedia of course the over 1973, and 1967 Between Return toSOURCE L SOURCE article. updatetotheoriginal1969 a provocativecontemporary to 20unconventionalcomposersworkingtoday, resultingin yearslatertheauthorposedsamequestion ends?” Forty-five you, orhasanyone,everusedyourworkforpoliticalsocial composers andmusicianstorespondasinglequestion:“Have editors ofSOURCE:MusictheAvant Garde invited20innovative During theheatoffraughtpoliticalclimate1969, EONARDO MUSICJOURNAL,Vol. 25,pp.100–101, 2015 files associatedwiththisissueofLMJ. foraudio,videoandothersupplementary See Email: . Website: . Alyce Santoro (artist), 1407 N 9th Street, Alpine, TX 79830, U.S.A. The cover of Issue No. 6 features a photograph of a ma- a of photograph a features 6 No. Issue of cover The copiesOriginal of SOURCE are rare, but its spirit lives on Sociopolitical ImplicationsofTheirWork ComposersDiscussthe Contemporary S ly A c SOURCE anthology edited by Larry Austin e SOURCE: Music of the AvantGarde the of Music SOURCE: a n , in printLeonardoJournalMusic in , , consisting of word fragments fragments word of consisting , t Not Wanting to Say Anything o r is a multime- a is SOURCE o

I have personal relationships. Several of the initial roundof initial relationships. the haveof personal I Several whom with artists with along first, composers these tacted had works published in editor of (an Austin Larry and Wolff Christian Hassell, Jon wood, Lock- Annea Curran, Alvin Oliveros, whom—Pauline of Rzew workingtoday,Fredericerswhom—Terryand of two Riley compos- unconventional to again once question the pose for Tenney) [5]. James and Moorman Charlotte Lentz, (Daniel absolutely” Tudor)“yes, David and and Childs (Barney all” at “no,not between spectrum the along fell and paragraphs several to “Parma with Manifesto” [4]. Rzewski Replies varied and in length from a few “Neither/Nor” sentences essay his with essays—Feldman written previously of way by responded Rzewski Frederic and Feldman Morton interviews; phone LukasFossand responsesprovidedvia Stiller their Andrew Tenney,James David Reich, SteveMoorman, Charlotte Behrman, Cage, John Riley, Terry Reynolds, Roger Winsor, David Tudor, Hunt, Jerry DickChilds, Barney Higgins, Phil Lentz, Daniel Moran, Ashley,Robert Robert Budd, Harold ends?” or social “Have you, or has anyone, ever used your music for political question: the upon expound to composers invited editors rations of the subject. As a feature of of feature a As subject. the of rations explo- to issue the dedicate to decided result a as day,and sions influenced bythe political andsocial conditions ofthe submis- of number overwhelming