How the Internet and the Global Power Elite Are Causing a Financial Hurricane — and How to Profit from It
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“An Important and Timely Book” Professor Nigel Dodd, London School of Economics
“An important and timely book” Professor Nigel Dodd, London School of Economics Designing, developing & delivering community currencies Forewords by Molly Scott Cato & Nigel Dodd People Powered Money is the result of a project running from 2012-2015, Community Currencies in Action (CCIA). Part-funded by the European Union’s Interreg project, CCIA is a transnational project in the community currency field, bringing together expert partners from across north-west Europe and co-ordinating six pilot currencies in the United Kingdom, Belgium, the Netherlands and France. Drawing on the learnings of these pilots and the broader currency innovation movement, this book provides policymakers and practitioners alike with the information and advice to successfully implement a currency project in their communities. With the right PART 01 C/02 01 PART knowledge and support, these can bring significant economic, social and environmental benefits to their users. Often confined to the margins, community currencies have the potential to become a normal part of economic life. CCIA hopes this book will enable a new generation of community currencies and support their emergence into the mainstream. PART 01 C/02 01 PART 04 PEOPLE POWERED MONEY PEOPLE POWERED MONEY 05 Designing, developing & delivering community currencies People Powered Money Designing, developing and delivering community currencies Acknowledgements First edition published in paperback in Great Britain in 2015 by This book would not have been possible without the commitment New Economics Foundation and contributions of our CCIA partners and many external experts 10 Salamanca Place who have worked on the topic for many years, as well as, of course, the London SE1 7HB (0)20 7820 6300 funding contributed by the European Union’s Interreg 4b NorthWest [email protected] Europe programme. -
1 David B. Sicilia
David B. Sicilia – curriculum vitae (revised Jan. 2015) Associate Professor email: [email protected] Department of History tel: (011) 301‐405‐7778 Francis Scott Key Hall fax: (011) 301‐314‐9399 www.history.umd.edu/Faculty/DSicilia/ Henry Kaufman Fellow in Business History Center for Financial Policy University of Maryland Robert H. Smith School of Business College Park, MD, USA 20742 RESEARCH AND TEACHING SPECIALTIES American business, economic, and technology history since colonial times U.S. history since 1865 global capitalism since 1450 EDUCATION B.A., New College of Hofstra University, magna cum laude, 1976 Social Sciences Thesis: “A. T. Stewart and the Origins of the Department Store.” Directed by Robert Sobel. Awarded Honors. Humanities Thesis: “Seasons in Retrograde.” Directed by Ignacio Götz. Awarded Honors. Ph.D., Brandeis University, History of American Civilization, 1991 Dissertation: "Selling Power: Marketing and Monopoly at Boston Edison, 1886‐1929." Directed by Alfred D. Chandler, Jr. (Harvard University) and Morton Keller (Brandeis University). Awarded Distinction. PROFESSIONAL APPOINTMENTS Affiliate Faculty Member, Management and Organization, Robert H. Smith School of Business, 2011 Associate Professor, Department of History, University of Maryland, College Park, 2000 Assistant Professor, Department of History, University of Maryland, College Park, 1994 Visiting Assistant Professor, The Ohio State University, 1991‐1992 1 FELLOWSHIPS, GRANTS, AND AWARDS Henry Kaufman Fellow in Business History, Center for Financial Policy, Robert H. Smith School of Business, University of Maryland, College Park, 2010‐present Fulbright Scholar, Department of Intercultural Communication and Management and Department of English, Copenhagen Business School, Denmark, spring 2003 Alfred P. Sloan Foundation grant for research and conferences on The Corporation as a Social and Political Institution, 2001‐2002 Gordon Cain Fellow in Technology, Policy, and Entrepreneurship, Chemical Heritage Foundation, Philadelphia, 1999‐2000 Alfred P. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
Hip Hop Matters : Politics, Pop Culture, and the Struggle for the Soul of a Movement / S
HIP HOP MATTERS HIP HOP MATTERS Politics, Pop Culture, and the Struggle for the Soul of a Movement S. Craig W atkins Beacon Press, Boston Beacon Press 25 Beacon Street Boston, Massachusetts 02108-2892 www.beacon.org Beacon Press books are published under the auspices of the Unitarian Universalist Association of Congregations. © 2005 by S. Craig Watkins All rights reserved Printed in the United States of America 09 08 07 06 8 7 6 5 4 3 2 1 This book is printed on acid-free paper that meets the uncoated paper ANSI/NISO specifications for permanence as revised in 1992. Text design by Patricia Duque Campos Composition by Wilsted & Taylor Publishing Services Library of Congress Cataloging-in-Publication Data Watkins, S. Craig (Samuel Craig) Hip hop matters : politics, pop culture, and the struggle for the soul of a movement / S. Craig Watkins. p. cm. Includes bibliographical references (p. ) and index. ISBN 0-8070-0986-5 (pbk. : acid-free paper) 1. Rap (Music)—History and criticism. 2. Hip-hop. I. Title. ML3531.W38 2005 782.421649—dc22 2004024187 FOR ANGELA HALL WATKINS, MY WIFE AND BEST FRIEND CONTENTS PROLOGUE Hip Hop Matters 1 INTRODUCTION Back in the Day 9 PART ONE Pop Culture and the Struggle for Hip Hop CHAPTER ONE Remixing American Pop 33 CHAPTER TWO A Great Year in Hip Hop 55 CHAPTER THREE Fear of a White Planet 85 CHAPTER FOUR The Digital Underground 111 PART TWO Politics and the Struggle for Hip Hop CHAPTER FIVE Move the Crowd 143 CHAPTER SIX Young Voices in the Hood 163 CHAPTER SEVEN “Our Future...Right Here, Right Now!” 187 CHAPTER EIGHT “We Love Hip Hop, But Does Hip Hop Love Us?” 207 CHAPTER NINE Artificial Intelligence? 229 EPILOGUE Bigger Than Hip Hop 249 ACKNOWLEDGMENTS 257 NOTES 261 BIBLIOGRAPHY 279 INDEX 283 PROLOGUE Hip Hop Matters Stakes is high. -
20 Years Mushroom Magazine Mat Mushroom | a Lot of Artist Interviews Festival A-Z | Festival Packing List | Festival Map
#183 Summer 2014 www.mushroom-magazine.com 20 years mushroom magazine Mat Mushroom | A lot of Artist Interviews Festival A-Z | Festival Packing List | Festival Map psychedelic trance music & culture psychedelic trance H.R.Giger | Alexander Shulgin | Police Control Special INTRO 3 20 YEARS Nun ist es doch tatsächlich MUSHROOM 20 Jahre her, seitdem ich diese fixe Idee hatte zu den MAGAZINE ! damalig von mir veranstalteten Now it‘s been in fact 20 years “mushroom club” Parties ein kleines kopiertes Faltblatt mit since I photocopied and then weiterführenden Szeneinfos distributed a small leaflet with zu verteilen, welches ich “your further info about the scene persoal mushroom” nannte. In during my parties, an idée fixe den letzten 20 Jahre hat sich really which I called “your per- dann die gesamte Musikwelt sonal mushroom”. In these last neu erfunden: Aus Vinyls 20 years the entire music world The mushroom birthday cake was wurden CDs, aus CDs wurden made by BAKING BAD GERMANY. frei kopierbare Musikdaten has re-invented itself: vinyls became im Internet. Doch auch wenn CDs, CDs became free-downloadable Thanks to Lucy Mushroom and Gina Glückspilz dadurch damals viele Labels music data on the Internet. Even starben, wurde die Musik though many a label has died because of this then, music got to be gleichsam weltweit verfügbar available world-wide and our scene became a world-wide movement. und machte aus unserer Szene eine weltweite Bewegung. We have been pursuing this international approach for quite some time Diesen internationalen Ansatz now. By relaunching our website and simultaneously publishing the verfolgen wir nun schon sehr birthday-edition of the psychedelic travel guide Trancers Guide To The lange. -
October 2011 Issue of Freedom's Phoenix Magazine
2 OCTOBER 2011 Featured Articles Pg 3 - Nick Barnett - FreedomsPhoenix Digital Magazine Viewing Tips Pg 4 - Stephanie Murphy / Fr33 Aid - Compassion is in Our Future Pg 6 - Catherine Bleish - Birthing Choices: Doctor’s Intervention or Mother Nature’s Intention? Pg 8 - Karen Kwiatkowski - Health Care Freedom – Are We There Yet? SUBSCRIBE NOW! (CHECK OUT OUR SILVER PACKAGE) Pg 10 - Dr. Phranq D. Tamburri - Libertine Medicine: Gold, Doctors, and Your Privacy Credits: Publisher Pg 11 - Dr. Mercola - Ernest Hancock Will the Down Economy Herald the Use of Natural Medicine? Layout Editor Pg 13 - Bill Buppert - Gwendolyn Strmic Fight the Narrative: Breaking the Matrix of Government Supremacism Technical Advisor Nick Barnett Pg 15 - L. Neil Smith - “Healthcare”: The Final Solution Illustrator Scott Bieser Pg 17 - George Reisman - How to Eliminate Social Security and Medicare Webmaster FreedomsPhoenix.com Pg 23 - Powell Gammill - Tyger Gilbert Edible Fruits of Shrubs and Vines Contact Us : Pg 25 - Ellen Brown - FreedomsPhoenix.com COMPULSORY PRIVATE HEALTH INSURANCE: The domain and name of FreedomsPhoenix are servicemarks of Ernest Hancock. All rights JUST ANOTHER BAILOUT OF THE FINANCIAL reserved worldwide. Feature articles, columns, artwork and illustrations should be examined to SECTOR? determine the copyright status claimed by each individual creator. Ernest Hancock Pg 27 - Treg Loyden - 4886 W Port Au Prince Lane The BIG Medical Bill SCAM: Glendale, AZ 85306 USA. PERMISSION is Granted to Forward How it’s Done Over and Over Again this magazine in its entirety. Pg 29 - Dr. Mercola - Why Do Doctors, Nurses Often Use Holistic Medicine for Themselves? Pg 31 - SATRE BATR - Central Banks, BIS and Goldman Sachs Coercion Pg 33 - George Reisman - The Myth that Laissez Faire Is Responsible for Our Financial Crisis Pg 39 - William Butler - FORECLOSURE FRAUD IN A NUTSHELL Pg 43 - Marc J. -
Q1 2020 Q1 2020 Lewis Lewis Capaldi Mabel Dav E Celeste Billie Eilish
Q1 2020 Q1 2020 CONGRATULATIONS ON YOUR BRIT YOUR ON CONGRATULATIONS FROM EVERYONE AT UNIVERSAL MUSIC UNIVERSAL AT EVERYONE FROM s SUCCESS LEWIS LEWIS CAPALDI MABEL DAV E CELESTE BILLIE EILISH 11 WELCOME EDITOR’S LETTER In this issue... The popular modern maxim to ‘speak my truth’ Tim Ingham long it will take, or how much ownership they tacitly yet proudly argues there is always more are giving up. Then, they compete for attention 10 YouTube Music than one retelling of any event – bending every and resources that are already spread thin. It’s a Dan Chalmers & Lyor Cohen occurrence into a fiction-splashed narrative fight for creative and financial freedom.” onto which our own subjective viewpoint can, This attack on traditional label advances is the and should, be impressed. It adds to a collective latest broadside to be thrown on a voluminous 22 Kyn Entertainment erosion of the idea of the gospel – whether pile. Elsewhere, rapper Mase recently castigated Sonny Takhar religious, journalistic or anecdotal – furthering Puff Daddy on Instagram regarding a historical a rabid culture of self-trust. It is malleable, and publishing deal between the pair. Mase said that therefore open to manipulation, ego and error. Puff “purposely starved your artist”, adding: “For 28 The BRIT Awards It is the definition of Trump’s America. example, u still got my publishing from 24 years How did we end up in this situation, where ago in which u gave me $20k.” one person’s reality – no matter how warped by What is lost in both Rabkin Lewis and Mase’s self-serving myopia – has become more valued salvos here is a rounded view – the rapidly- 38 Nick Burgess & Mark Mitchell Parlophone than art, and more trusted than evidence? vanishing gift of being taught all sides of the I mean, it can’t all be down to TikTok. -
Table of Contents
TABLE OF CONTENTS Declaration………………………………………………………………………….…..…4 Abstract…………………………………………………………………….……………...5 Dedication………………………………………………………………….……….…….6 Acknowledgement……………………………………………………….….….…………7 Chapter One ………………………………….………………………….………….….8 1.1 Introduction and Aim…………………………….………………………….….….…8 1.2 Background …………………………………………………………….……….….…8 1.3 Research Problem …………………………………………………………….……...11 1.4 Hypothesis…................................................................................................................13 1.5 Research questions………………………………………………….………………..13 1.6 Rationale.……………………………………………………………………….…....13 1.7 Principle theories on which the study is constructed……………………………..….15 1.8 Methodological Approaches………………………………………………………....15 1.9 Conclusion……………………………………………………………………………16 1.10 Chapter Outline …………………………………………………………………….17 Chapter Two: Literature Review ……………….……………………………….19 2.1 Introduction…………………………………………………………………….…….19 2.2 Music and Popular Culture……………………………………………………….…..19 2.3 Hip-hop Music and Identity………………..……...……….……………………...….21 2.3.1 Hip-hop Music and Gender………...…………….………………………….....…..23 2.4 Hip-hop Music in the South African context………………….…………………......30 1 2.5 Conclusion………………………………………………………………….………….36 Chapter Three: Theoretical framework …………….……………………….….38 3.1 Introduction………….…………………………………………………………………38 3.2 Media Representation …………………………………………………………….……38 3.2.1. Gender and Representation in the media……………………………………….……41 3.2.2 Theories of Identity……………………………………………………….…….…….44 3.3 Feminist -
Atlanta's Dirty South and the Southernization of Hip-Hop America
:HH6N “The South Got Something to Say” Atlanta’s Dirty South and the Southernization of Hip-Hop America by Darren E. Grem In a stark contrast to the days when Sherman’s troops occupied this Confederate fort outside Atlanta, the city’s rappers now have invaded the rest of the country’s hip-hop scene, burning up the charts, unfurling the Dirty South’s banner, and spreading its culture across the nation as they southernize Hip-Hop America. Photograph courtesy of the Collections of the Library of Congress. y the summer of , the Atlanta-based rap group OutKast had watched their first album, Southernplayalisticadillacmuzik, achieve plat- inum sales of over one million. This feat earned them an award for “Best New Group” from The Source magazine and an invitation to attend the hip-hop publication’s second annual awards show in New York City. Goodie Mob, another Atlanta group, joined them on the trip upB north. As Big Gipp, a member of Goodie Mob, remembered, their reception from the New York audience was less than favorable: “When Big Boi and Dre [of OutKast] got out there at those Source Awards, everybody was like, ‘boooo, boooo, boooo.’ I remember it was just OutKast and the four Goodie Mob members and I was like, man. Don’t nobody even give a fuck about us folk.” Leaving the Source Awards that night, OutKast and Goodie Mob swore to each other to “show all them motherfuckers” that “one day they’re gonna have to fuck with us.” Over the next decade, OutKast, Goodie Mob, and other southern rappers fol- lowed through on their intentions, moving to the forefront of America’s hip-hop culture industry. -
English Majors Become MTV Interns in NY City
In A&E: Mayer steers clear of sophomore slump HIGH POINT UNIVERSITY Campus Chronicle FRIDAY. September 19, 2003 HIGH POINT, N.C. Enrollment increase, construction bring parking shortage By Angel Ashton the first time, freshman males can park at windows and loaned them to friends. Staff Writer the Cooke Hall and lower Millis lots be- When different cars with the same decals cause of the rise in their numbers. kept getting citations, officers decided to Key journalists to Drivers on campus are trying to ad- The freshman males' decal is red, make everyone affix the decal to the rear visit as Woodrow just to new parking regulations as a result unlike the white decals used by everyone window or the bumper. Security is not of the increase in freshmen and new con- else. Freshman males are required to park making exceptions for people who don't Wilson Fellows struction. in the Haworth, Cooke and lower Millis want to apply the stickers to new cars. "My philosophy is treating every- lots Students who find the decal re- Care about current events? Curi- body the same," says Bob Clark, the di- moved can get another one at ous about a national or international rector of public safety. This year regula- the security office. The decal is problem? tions were changed to help relieve the designed so that it cannot be re- Two world-class journalists will parking situation and to succeed where used. soon be addressing your concerns other regulations failed. To increase awareness of when Eleanor Clift and Tom Brazaitis "We added more students, and as a the rules, officials added the appear here as a result of the presti- result of the construction going on we lost regulations on the back of the gious Woodrow Wilson Fellowship parking spaces, especially up on Sixth registration form in addition to Program. -
UNIVERSITY of CALIFORNIA Los Angeles the Hard Cashless Society
UNIVERSITY OF CALIFORNIA Los Angeles The Hard Cashless Society: Millennial Economics and Street Hop in Johannesburg A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Abimbola Naomi Cole Kai-Lewis 2016 © Copyright by Abimbola Naomi Cole Kai-Lewis 2016 ABSTRACT OF THE DISSERTATION The Hard Cashless Society: Millennial Economics and Street Hop in Johannesburg by Abimbola Naomi Cole Kai-Lewis Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2016 Professor Jacqueline Cogdell DjeDje, Co-Chair Professor Cheryl L. Keyes, Co-Chair The concept of the cashless society emerged in the nineteenth century through the writings of author Edward Bellamy. In his work, Looking Backward: 2000-1887 (1888), Bellamy described the implementation of a card-based credit system that eventually replaced cash payments. Widely recognized as the first literary allusion to a cashless society, Bellamy presented a utopia where monetary exchanges were substituted with an established credit model. His socialist-activist writing suggested the possibilities of impending millennial economic transactions and proposed a time when every citizen would be apportioned credit to make purchases. Subsequent writings by anthropologists, economists, eschatologists, and futurists predicted the global implications of an imminent cashless society. However, there were additional interpretations of the cashless society generated by hip-hop artists. In 2003, South ii African hip-hop collective Cashless Society released their debut album, African Raw Material, Volume One. The group embraced the name of the financial principle as a means of representing monetary transitions from hard currency (coins and paper bills) to credit and electronic payments. -
People Money – the Promise of Regional Currencies
PEOPLE MONEY The Promise of Regional Currencies Margrit Kennedy Bernard Lietaer John Rogers Published in this first edition in 2012 by: Triarchy Press Station Offices Axminster Devon. EX13 5PF United Kingdom +44 (0)1297 631456 [email protected] www.triarchypress.com © Margrit Kennedy, Bernard Lietaer and John Rogers The right of Margrit Kennedy, Bernard Lietaer and John Rogers to be identified as the authors of this book has been asserted by them in accordance with the Copyright, Designs and Patents Act, 1988. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means including photocopying, electronic, mechanical, recording or otherwise, without the prior written permission of the publisher. All rights reserved. A catalogue record for this book is available from the British Library. Print ISBN: 978-1-908009-7-60 ii Contents Introduction 1 PART ONE THE CASE FOR REGIONAL CURRENCIES 4 Chapter 1 Think globally, act regionally 5 Globalisation – a dirty word? 5 Regional development – a global phenomenon 7 Making decisions at the right level 8 Global problems, regional solutions 8 Chapter 2 Money, the blind spot 11 What is money? 11 What is the cost of money? 13 People Money 16 Complementary currencies 17 Regional currencies 19 Policies for regional currencies 20 A negative example: how to destroy regional sustainability 22 Two positive examples of regional currencies 23 Banco Palmas, Brazil 24 WIR Bank, Switzerland 31 WIR’s stabilisation effect on the Swiss economy 37 What can