DOCSLIB.ORG

Siouxsie and the Banshees Passenger Mp4 Download Youtube-Download.Cz

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Siouxsie and the Banshees Passenger Mp4 Download Youtube-Download.Cz siouxsie and the banshees passenger mp4 download YouTube-Download.cz. Download "Siouxsie And The Banshees - The Passenger" Download video "Siouxsie And The Banshees - The Passenger" directly from youtube. Just chose the format and click on the button "Download". After few moments will be generated link to download video and you can start downloading. Do you want to download only audio in MP3 format? To download only audio of "Siouxsie And The Banshees - The Passenger" in MP3 format just chose MP3 format and wait until the link wil be generated. Tracklists revealed for Siouxsie and the Banshees’ final 4 expanded reissues. Late last month, Siouxsie and the Banshees confirmed the long-overdue reissue of the final four albums in the band’s catalog, and while tracklists were not announced at the time, they’ve now been revealed as the re-releases have appeared on Amazon UK for pre-order ahead of their Oct. 13 street date. As you can see below, they’re single-disc reissues, with each remastered album being supplemented with three bonus tracks, except for Through the Looking Glass, which includes four extra tracks. They’re mostly B-sides and remixes, with a total of three previously unreleased mixes and outtakes included. Full tracklists and pre-order links are included below. 1. “This Town Ain’t Big Enough For Both Of Us” 2. “Hall Of Mirrors” 3. “Trust In Me” 4. “This Wheel’s On Fire” 5. “Strange Fruit” 6. “You’re Lost Little Girl” 7. “The Passenger” 8. “Gun” 9. “Sea Breezes” 10. “Little Johnny Jewel” Bonus tracks: 11. “She Cracked” (“This Wheel’s On Fire” B-side) 12. “Song From The Edge Of The World” (Single) 13. “This Wheel’s On Fire” (Incendiary Mix) 14. “The Passenger” (Llllloco- Motion Mix) 1. “Peek-A-Boo” 2. “The Killing Jar” 3. “Scarecrow” 4. “Carousel” 5. “Burn-Up” 6. “Ornaments Of Gold” 7. “Turn To Stone” 8. “Rawhead And Bloody Bones” 9. “The Last Beat Of My Heart” 10. “Rhapsody” Bonus tracks: 11. “El Dia De Los Muertos” (Espiritu Mix) 12. “The Killing Jar” (Lepidopteristic Mix) 13. “The Last Beat Of My Heart” (Live at Lollapalooza, 1991) 1. “Kiss Them For Me” 2. “Fear (Of The Unknown)” 3. “Cry” 4. “Drifter” 5. “Little Sister” 6. “Shadowtime” 7. “Silly Thing” 8. “Got To Get Up” 9. “Silver Waterfalls” 10. “Softly” 11. “The Ghost In You” Bonus tracks: 12. “Face To Face” 13. “Kiss Them For Me” (Snapper Mix) 14. “Kiss Them For Me” (Kathak #1 Mix) * PREVIOUSLY ON SLICING UP EYEBALLS. 19 Comments. So whoa, they’re now up on the US Amazon. at $36.99 each! Even for an import, that’s pretty expensive, and at Amazon.uk they’re 12 pounds, which, factoring in the exchange rate, is the better deal/where I guess I’ll be ordering them from. Anyone see this price disparity before? I’ll hold off my pre-order if the price drops more in-line with the exchange rate. ^ Exchange rate is favorable now due to jitters over Scottish independence. the two I looked forward to the most… superstition and rapture… sadly this is not enough to get me to buy them again… I wanted a deluxe 2 cd edition with b-sides, remixes, live songs from the era, etc… extremely disappointing! Don’t despair, Jim: My guess is that these are just the “initial” reissues in the campaign. Somewhere between October 2014 and March 2015, we’ll probably get 2-Disc re-releases of the last 3 albums… PEEPSHOW Disc 1 * The 1988 album remastered * Bonus Tracks/unreleased demos, inc. “Typhoid Mary” Disc 2 *PEEPSHOW TOUR 1988: Full debut concert audio from September 1988 remastered (*Severin hinted at this earlier this year) SUPERSTITION Disc 1 * The 1991 album remastered * Demos/Alternate takes, etc. Disc 2 The L.A. KROQ Radio Acoustic Christmas Concert Broadcast from December 1991: Overground Swimming Horses* (B-side from “O Baby” single) Christine Pulled to Bits But Not Them Trust in Me Dear Prudence Kiss Them For Me Hong Kong Garden Israel All Tomorrow’s Parties* (Extra B-Side) THE RAPTURE Disc 1 * The 1995 album remastered * Additional Demos, esp. featuring Siouxsie playing drums on a few tracks, etc. Disc 2 The Radcliffe Radio Sessions (January 18th 1995): O Baby The Double Life Falling Down B Side Ourselves. The Mayfair Club Radio Broadcast (January 29, 1995): Tearing Apart Christine Kiss Them For Me Dear Prudence Night Shift Cities in Dust Love Out Me. These will probably either be released as individual 2-CD sets (which would TOTALLY ROCK!), or will be encased within the forthcoming SATB Box Set (1978-1995), or, perhaps, both. This is, at least, my hope for post-Halloween 2014… I think more will be released later but after listening to these albums on my IPOD they sound so quiet compared to the remastered earlier albums of SATB. These are one disc editions which is ok but a little disappointed they didn’t get the deluxe treatment. If the old CD’s are too quiet for you, you can download any variety of free audio programs and crank the volume to your heart’s desires in seconds before loading them on your iPod. People, such as myself, prefer our music to retain the dynamic range (ie, lower volume to maintain the dynamics of the original recording), rather than having the volume blasted to match the other songs on your iPod. If these reissues are brickwalled with little to no dynamic range, they will go straight back to Amazon and the negative reviews will be posted. Louder does not often mean better. I hope Anthony’s right…would be a shame to end the rereleases with these nearly rarity-free, single disc versions. So, for me, it’s The Rapture for the win out of this lot…at least it has 2 tracks I don’t already have. I seem to remember their was a delay in the US domestic release of the initial batch of remasters. This seems to happen with certain artists, this may be the case here. You’re right, Charles: If I’m correct, there have never been U.S. domestic SATB reissues ever. SATB were always considered “an acquired taste” or “cult underground group” in U.S.A and Canada, so Polydor/Geffen/Universal Music never really gave them a lot of promotion or budget for their releases. Budgie himself had stated in 2005 that it was something that the band was trying to redress in The States, but to no avail. How it worked in the Northeast (at least) was that record stores charged the buyers no import tax, meaning a $12.99-$16.99 Banshees CD was priced at just that. I had a store manager once tell me in 2009, “It would be ridiculous to charge customers $20 dollars for albums that don’t exist in America.” Guys and Gals, you should, if it’s financially-possible, look in to the forthcoming mini-LP SHM-CDs (Super High Material Compact Discs) of the Banshees next remasters that will be coming via Japan. These CDs offer HI-FI Digital sound, w/out the need of having to have HD stereos or players. They play great in any sound system. Trust me, I’m the very proud/lucky owner of about 15 Japanese mini-LP SHM-CDS, inc. some of SATB’s catalog (you haven’t heard THE SCREAM till you’ve heard it in that format), and that’s the only editions I’m (God willing) purchasing of them. Also, pre-order them, so you’re guaranteed a copy, cause they print on-demand and in Limited Edition volumes. The mini-LPs don’t get released till a month or so after the initial releases, because they have to transfer the remasters to the SHM-CD format. They are PRICEY (w/out a doubt), BUT, I don’t regret the Banshees albums I own in that format. They are literal works of art. If anyone’s interested, go to websites like (if I can mention them, I hope) cdjapan.co.jp or cdbanq.com. Honestly, I truly hope I’m right about my suppositions. The Banshees really thought the PEEPSHOW era was the high watermark in their career, so any full-length audio recordings of the tour will be much desired to be given release in the 21st Century. From what I’ve heard, this is the best SATB have got along w/ Polydor/Universal Music in their entire business relationship. As Severin stated months ago, “We have new friends over at Polydor/Universal”. To quote Siouxsie, “Well, it’s about bloody time!” Good info. Well done! To the guy touting the SHM-CD’s, you’ve been fooled. I owned some SHM-CD’s and it’s clearly more of a gimmick of false advertising than anything. CD’s are digital bits, and regardless of what substance they are read through they will sound the same. The main deception of the format is that often times the mastering is nothing more than a copy of an existing CD, not another new remaster for the format. When I owned some of the Sparks SHM-CD’s, I was horrified to find one of them was the same shoddy vinyl transfer identical to the existing UK CD, and the others were clones of other existing CD’s with a few bonus tracks tacked on. From what I understand, the Banshees SHM-CD’s were just clones of the existing UK remasters, so what’s the point? If the CD’s were remastered specially for the format, then it may be worth it to a degree but it would still be no different than if they were pressed on a standard CD.
Load more

Recommended publications
  • Law, Art, and the Killing Jar
    Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship 1993 Law, Art, And The Killing Jar Louise Harmon Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Part of the Entertainment, Arts, and Sports Law Commons, and the Other Law Commons Recommended Citation 79 Iowa L. Rev. 367 (1993) This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Law, Art, and the Killing Jart Louise Harnon* Most people think of the law as serious business: the business of keeping the peace, protecting property, regulating commerce, allocating risks, and creating families.' The principal movers and shakers of the law work from dawn to dusk, although they often have agents who work at night. 2 Their business is about the outer world and how we treat each other during the day. Sometimes the law worries about our inner life when determining whether a contract was made5 or what might have prompted a murder,4 but usually the emphasis in the law is on our external conduct and how we wheel and deal with each other. The law turns away from the self; it does not engage in the business of introspection or revelation. t©1994 Louise Harmon *Professor of Law, Jacob D. Fuchsberg Law Center, Touro College. Many thanks to Christine Vincent for her excellent research assistance and to Charles B.
    [Show full text]
  • Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
    Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.
    [Show full text]
  • Theatre in England 2013 Graduate Student Composite Journal Alison
    Theatre in England 2013 Graduate Student Composite Journal Alison Harper is a second year student in the English PhD program at the University of Rochester. Her research focuses on medieval literature, with specific interests in manuscript study, adaptation in the afterlife of texts and late medieval reading practices. Kyle Huskin is a second year student in the English PhD program at the University of Rochester. Her research focuses on medieval literature, with specific interests in the relationships between vernacular and scholastic literature, the formal structures of texts, the means of text production and consumption, and reading practices of lay readers. Scott O’Neil is a third year student in the English PhD program at the University of Rochester. His research focuses on Renaissance literature, with specific interests in dramatic texts, Shakespeare, and humanist pedagogy. 12/29/2012: The Magistrate at The National Theatre Alison Harper The National Theatre, 2:00, The Magistrate Arthur Wing Pinero's 1885 play The Magistrate is an extremely entertaining farce and was amusingly witty on the page before I saw it in performance. The production at the National Theatre added some interesting elements and was also greatly improved by the fine acting, particularly the choices of gesture and movement the actors made to bring the play to life. The staging also seemed especially dynamic, and I think all the audience was struck with the appearance of the set upon entering the theatre. I spent some time trying to analyze exactly what was meant by the opening, which consisted of concentric circles pushing outwards towards the audience, as if we were looking sideways upon a tiered cake.
    [Show full text]
  • Siouxsie and the Banshees Candyman Mp3, Flac, Wma
    Siouxsie And The Banshees Candyman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Candyman Country: France Released: 1986 Style: New Wave MP3 version RAR size: 1951 mb FLAC version RAR size: 1984 mb WMA version RAR size: 1553 mb Rating: 4.9 Votes: 157 Other Formats: MP4 MMF MIDI FLAC VOX ADX DXD Tracklist Hide Credits Candyman A 3:40 Mixed By – Steve Churchyard B Lullaby 3:30 Companies, etc. Distributed By – Polydor Phonographic Copyright (p) – Polydor Ltd. (London) Copyright (c) – Polydor Ltd. (London) Credits Art Direction – Billy Houlston Producer – Siouxsie & The Banshees Barcode and Other Identifiers Barcode: 0 4288 38017 7 Rights Society: SACEM Other (Distribution Code): PG 102 Other versions Category Artist Title (Format) Label Category Country Year Siouxsie And Candyman (7", Wonderland , SHE 10 SHE 10 UK 1986 The Banshees* Single) Polydor Siouxsie And Candyman (7", Polydor, 883 801-7 883 801-7 Netherlands 1986 The Banshees* Single) Wonderland Siouxsie And Candyman (12", Wonderland , SHEX 10 SHEX 10 UK 1986 The Banshees* Single) Polydor Siouxsie And Candyman (12", 883 801-1 Polydor 883 801-1 France 1986 The Banshees* Maxi) Candyman (7", Wonderland , SHE 10, Siouxsie And Single + 7", Polydor, SHE 10, UK 1986 SHEDP 10 The Banshees* S/Sided, Ltd, Wonderland , SHEDP 10 Num) Polydor Related Music albums to Candyman by Siouxsie And The Banshees Siouxsie & The Banshees - Arabian Knights Siouxsie & The Banshees - B-Sides And Rare Tracks Volume 2 Siouxsie & The Banshees - This Wheel's On Fire Siouxsie & The Banshees - The Sweetest Chill Siouxsie And The Banshees - The Staircase (Mystery) Siouxsie & The Banshees - Face To Face Siouxsie & The Banshees - Fireworks Siouxsie And The Banshees - Israel Siouxsie & The Banshees - Interview 86 Siouxsie And The Banshees - Swimming Horses = Caballitos De Mar.
    [Show full text]
  • Nasce La Cee Delturss Ma Gorbaciov Teme Ancora
    .* Giornale + «Storia dell'Otiti'» Anno 1)8", n. 219 Spedizione in abbonimento postale gr. 1/70 =IH L. 1500/arretrali L. 3000 Sabato 12 ottobre 1991 * I UnitGiornale fondato da Antoniào Gramsci Editoriale Allarme del Presidente in apertura del Consiglio di Stato: «C'è chi gioca al massacro» Dieci repubbliche firmano il patto sulla nuova comunità economica. Sciolto il Kgb La Chiesa Il furto del mento di S. Anto­ L'Est europeo nio nella Basilica di Padova «No al riscatto ù un sequestro I rapinatori avrebbero rubato la reliquia per la reliquia per chiedere un riscatto ai e la Praga del '68 di S.Antonio» Irati minori o al Vaticano. Gli Nasce la Cee delTUrss inquirenti non hanno dubbi: «V ^^^^^^^^^^^^^^^ «L'oggetto non ha valore ADRIANO GUERRA "^^^^^^^ commerciale, solo un im­ menso valore religioso» Mentre i fedeli pregano il santo per­ che faccia ncompanre se stesso, la Chiesa ha adotlalo una he sta accadendo dunque in Cecoslovacchia linea dura: «Non pagheremo, il santo non s'identifica con dove, se non venisse abrogata una legge votata una reliquia-. A PAGINA 11 dal Parlamento e firmata ieri dal presidente Ha- vel che comunque ha annunciai© modifiche, Ma Gorbaciov teme ancora .^C_ Dubcck e con lui gli altri protagonisti della «Pri­ Esternazioni Ustica e caso Moro. Ieri il presidente, in una maxi- mavera di Praga» potrebbero essere costretti a di Cossiga estcrnazionc, e sceso in vivere di nuovo come esuli in patria? Forse siamo di fronte - «È in atto un tentativo per far scontrare tra loro i campo per difendere i mili­ come dice qualcuno - soltanto ad una imperdonabile gaffe su Ustica tari implicati nella tragedia membri del Consiglio di stato, di seminare sospetti del Dc3: «Non ricordare non alla quale sarà posto presto rimedio.
    [Show full text]
  • THE Flight Attendant Testifies U.S. Sailor Endured Savage Beatings
    P. TrI4V07.!7! enr•nr 0. _A.A.. Loin. THE UNIN ERSITY DAILY Texas Tech University Vol. 64, No. 17 8 pages Cavazos sworn in as education chief have the opportunity, he said. "I'm proud to support this nomina- Tech leader tion, and I urge my colleagues to do so as well — to confirm Dr. Lauro Cavazos as secretary of education im- first Hispanic mediately," Hatch said. Cavazos, 61, was present at the Senate hearing along with his wife in cabinet Peggy and his 10 children. Sen. Phil Gramm, R-College Sta- By GARY HARPER tion, urged other senators to confirm The University Daily Cavazos because of the Tech presi- dent's experience in education. Former Texas Tech President "This is a time of great pride. It Lauro Cavazos was sworn in Tuesday proves that the American system is as the new U.S. secretary of alive and well," Gramrn said. "He's education. committed to quality education. I The Senate unanimously agreed to believe Lauro Cavazos should be ap- confirm Cavazos after several proved by a unanimous vote of the senators praised him for his ex- Senate." perience and leadership in the field of Sen. Robert Stafford, R-Vermont, education. also praised Cavazos' nomination as "Dr. Cavazos knows a great deal head of the Department of Education, about America's education. He's an adding that Cavazos is a role model to inspiration to America," said Sen. American Hispanics. Ted Kennedy, D-Mass. "He'll be an "Dr. Cavazos is uniquely qualified outstanding secretary of education, to assume this position.
    [Show full text]
  • Al.Ch.Document.Puhc0
    Journal of a visit to some parts of Ethiopia http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC014 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Journal of a visit to some parts of Ethiopia Author/Creator Waddington, George; Hanbury, Barnard Publisher John Murray Publishers Date 1822 Resource type Books Language English Subject Coverage (spatial) Horn of Africa, Ethiopia Coverage (temporal) 1820-1822 Source Princeton University Library 1780.949 Description Travel journey in northeast Africa. Format extent 367 pages (length/size) http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC014 http://www.aluka.org 32101ton 07L44569 32101ton 07L44569 Rudolph N.
    [Show full text]
  • Polygram 1983-1992
    AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT
    [Show full text]
  • Lulu's Daughters
    LULU’S DAUGHTERS: PORTRAYING THE ANTI-HEROINE IN CONTEMPORARY OPERA, 1993-2013 by NICHOLAS DAVID STEVENS Dissertation Advisor: Dr. Susan McClary Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Nicholas David Stevens candidate for the degree of Doctor of Philosophy*. Dr. Susan McClary Committee Chair Dr. Daniel Goldmark Committee Member Dr. Francesca Brittan Committee Member Dr. Susanne Vees-Gulani Committee Member Dr. Sherry Lee Additional Member Faculty of Music, University of Toronto Date of Defense: April 28, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS Figures ii Examples iii Tables iv Acknowledgments v Abstract ix Chapter 1 Lulu’s Daughters: An Introduction 1 Part I: Remembering the Twentieth Century Chapter 2 Old, New, Borrowed, Blew: Powder Her Face, Polarity, and the Backward Glance 39 Chapter 3 My Heart Belongs to Daddy: Editing, Archetypes, and Anaïs Nin 103 Part II: American Dreams, Southern Scenes, and European (Re)visions Chapter 4 Trashy Traviata: Class, Media, and the American Prophecy of Anna Nicole 157 Chapter 5 Berg, Billie, and Blue Velvet: American Lulu and its Catastrophic Stage(s) 207 Conclusion The Marilyn Triptych and the Cracked Killing Jar: Ways Forward for Opera and 251 Scholarship Supporting Materials Appendix A Timeline of selected significant events, premieres, and publications, 1835-2017 261 Appendix B Louis Andriessen’s libretto for Anaïs Nin and its source materials: a comparison 267 Appendix C Olga Neuwirth’s cuts and edits to Berg’s Lulu in American Lulu 278 Bibliography 283 iv FIGURES 2.1.
    [Show full text]
  • Psaudio Copper
    Issue 94 SEPTEMBER 23RD, 2019 Welcome to Copper #94! As this issue goes live, I'll have just returned from a quick trip to NY and back----so sorry, no analysis of the Phil Collins song. I'll leave that to our busy friend, Christian James Hand. In this issue, Professor Larry Schenbeck looks at copycats---long before the "My Sweet Lord" debacle; Dan Schwartz examines an amazing gift from a famous friend; Richard Murison explores his family tree; Roy Hall remembers his (very active!!) dating life; Anne E. Johnson’s Off the Charts brings us lesser-known cuts from Siouxsie and the Banshees; J.I. Agnew goes into meticulous detail on the meticulous process of record quality control; Woody Woodward begins a new series on guitar god Jeff Beck; Anne’s Something Old/Something New brings us several recent recordings of Haydn Symphonies; the batting average of Tom Gibbs' record reviews drops from .800 last issue to .666 in this issue; and I look at inevitability in The Audio Cynic, and examine direct-drive turntables in Vintage Whine. I'm pleased to welcome a new contributor: Bob Wood will be telling stories of his long career in radio, and as a voice-over artist. I think you'll enjoy Bob's True-Life Radio Tales. Rocky Mountain Audio Fest is the subject of a feature, written by moi. And finally---- Copper #94 wraps up with Charles Rodrigues on divine intervention, and another stunning Parting Shot from our friend, James Schrimpf. Until next time, Leebs. In The Beginning TRUE-LIFE RADIO TALES Written by Bob Wood Believe it or not, several people have encouraged me to write about my time in radio.
    [Show full text]
  • Chrlsbnas Spirit by Steve Hartley Common in America's Fast-Paced Cities
    In this issue: Student art exhibit in Koa Gallery Chrlsbnas spirit By Steve Hartley common in America's fast-paced cities. "If everyone could stop for just one sec­ What is true Christmas spirit? Is it the art ond and dig down deep. the community, the of giving to others? Is it the thought that state and even the nation would be a better always cowtts? There is really no one an­ place," a volunteer said. swer to this question. Christmas has many different meanings To one very special group of individuals, to many different people. However, to this Christmas spirit means a strong committment reporter and many others, Christmas is a to others who are less fortunate. These time for reflecting on one's good fortunes unique people are Salvation Army volun­ and loving families and hoping for continued teers, who donate their precious time and happiness in the coming year. It is a time to energy to help others during the holiday return that good fortune. season. Maybe next time you're in the area and Their symbol has become one of the most the sound of bells are ringing.loudly, you will familiar Christmas sounds ofalL This sound at least acknowledge these dedicated people is heard loud and clear everyday, from early with a Christmas greeting and maybe even in the morning wttillate at night, during the help to make someone' s Christmas as spe­ Christmas season. This is the sound of cial as your own. ringing bells, which create a feeling of good cheer to the patrons and bring a ray of hope to the needy.
    [Show full text]
  • The Maid of the Doe; a Lay of the Revolution
    f- • ': Si : : . Glass__ jzn THE MAID OF THE DOE. THE MAID OF THE DOE; a §tap OF THE REVOLUTION. BY AN UNITED STATES' MAN ARE DEEDS OF GLORY WANTING TO THE MUSE ? CAN SHE NO SUBJECT FROM OUR ANNALS CHOOSE WORTHY THE SONG? Poem before the Phi Beta Kappa Society of Harvard University^ by Francis C. Cray, WASHINGTON: ROBERT FARNHAM. NEW-YORK: SAMUEL COLMAN. 1842. ENTERED ACCORDING TO ACT OF CONGRESS IN THE YEAR 1842, BY PETER FORCE, IN THE CLERK'S OFFICE OF THE DISTRICT COURT OF THE DIS- TRICT OF COLUMBIA. PETER FORCE, PRINTER, TENTH STREET, WASHINGTON TO THE DESCENDANTS OF THE PATRIOTS WHOSE NAMES ADORN THIS POEM, IT IS AFFECTIONATELY DEDICATED BY THEIR KINSxMAN, THROUGH THAT ILLUSTRIOUS BROTHERHOOD, THE AUTHOR April ^m, 1842. PREFACE TO THE MAID OF THE DOE, PREFACE I HAVE thought my fellow-citizens might receive not unfavorably an attempt to present them with any scenes or soldiers of the Revolution in poetry ; for circum- stances have made me equally familiar with the richest and poorest classes of our country, and 1 have found the same interest pervading all in relation to the events and personages of that period of our history. Yet the reader should remember that to the success of such an attempt there are difficulties, apart from any want of genius in the author, inherent in his subject. The enlightened age and cultivated people, in which, and by whom the Revolution was accomplished, have made the heroic period of the Commonwealth the subject of exact and familiar history. Whereas poetry delights in the vague and the shadowy, in an uncertain light, and a distant horizon, where its figures may loom.
    [Show full text]