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A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Course Code : Course Title
English Programme Faculty of Humanities and Social Sciences School of English, Film, Theatre, & Media Studies Te Kura Tānga Kōrero Ingarihi, Kiriata, Whakaari, Pāpāho ENGL 234 New Zealand Literature Trimester 2 2013 15 July to 17 November 2013 20 Points TRIMESTER DATES Teaching dates: 15 July to 18 October 2013 Mid-Trimester break: 26 August to 8 September 2013 Study week: 21 to 25 October 2013 Examination/Assessment period: 25 October to 16 November 2013 Note: Students who enrol in courses with examinations are expected to be able to attend an examination at the University at any time during the formal examination period. WITHDRAWAL DATES Refer to www.victoria.ac.nz/home/admisenrol/payments/withdrawalsrefunds If you cannot complete an assignment or sit a test or examination (aegrotats), refer to www.victoria.ac.nz/home/study/exams-and-assessments/aegrotat CLASS TIMES AND LOCATIONS Lectures Mon, Tue, Wed 10.00 – 10.50am Hugh Mackenzie LT105 Tutorials Tutorials begin in WEEK 2. Please register for tutorials via the ENGL 234 site on Blackboard: go to “Tutorials” and then follow the instructions under the “SCubed - Tutorial Enrolment Instructions” link. Please read the instructions carefully. Tutorial rooms will be listed on S-Cubed, Blackboard and on the bulletin board in the Level 3 corridor of the Hugh Mackenzie Building. NAMES AND CONTACT DETAILS Staff Email Phone Room Office Hours Mark Williams (MW) [email protected] 463 6810 vZ 911 Wed 11.00 Jane Stafford (JS) [email protected] 463 6816 vZ 901 TBA Tina Makereti (TM) [email protected] TBA TBA Lydia Wevers (LW) [email protected] 463 6334 Stout Centre COMMUNICATION OF ADDITIONAL INFORMATION This course uses Blackboard for all important information and announcements, as well as running a discussion board, and encourages you to check it regularly. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
Allegory in the Fiction of Janet Frame
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. ALLEGORY IN THE FICTION OF JANET FRAME A thesis in partial fulfIlment of the requirements for the degree of Doctor of Philosophy in English at Massey University. Judith Dell Panny 1991. i ABSTRACT This investigation considers some aspects of Janet Frame's fiction that have hitherto remained obscure. The study includes the eleven novels and the extended story "Snowman, Snowman". Answers to questions raised by the texts have been found within the works themselves by examining the significance of reiterated and contrasting motifs, and by exploring the most literal as well as the figurative meanings of the language. The study will disclose the deliberate patterning of Frame's work. It will be found that nine of the innovative and cryptic fictions are allegories. They belong within a genre that has emerged with fresh vigour in the second half of this century. All twelve works include allegorical features. Allegory provides access to much of Frame's irony, to hidden pathos and humour, and to some of the most significant questions raised by her work. By exposing the inhumanity of our age, Frame prompts questioning and reassessment of the goals and values of a materialist culture. Like all writers of allegory, she focuses upon the magic of language as the bearer of truth as well as the vehicle of deception. -
Chch Star Poets Index and Notes
Supplement to broadsheet: new new zealand poetry no. 12 Index to the Star Poets of Christchurch 1922-26 and Field Notes by Mark Pirie (Includes notes on poets: Bessie L Heighton, Una Auld/Una Currie, Ida M Lough/Ida M Withers, R D Brown, T E L Roberts, H H Heatley, H S Gipps, A Stanley Sherratt, Beryl Windsor, Grace Ross, E A Irwin, W J McKellow, Dorothy Reed, E F Owen, Aline Dunn, Sadie Uanson, G R Butler, Honor Gordon Coster/Honor Gordon Holmes, Pearl Noonan and H Tillman) Published by The Night Press, Wellington ISSN 1178-7805 (Print) ISSN 1178-7813 (Online) Publisher’s Note This supplement to the special issue of broadsheet, no. 12, includes the full index to the Star Poets of Christchurch 1922-26 and the stats relating to their contributions to The Star. It should be noted that I may have missed a few poems here and there as I’ve only checked Saturday publications of The Star for these years, and I can’t be certain that there weren’t occasional midweek publications of poems. Some issues like the supplement to Saturday 2 August 1924 were missing (in micro film runs) and it’s likely Sherratt’s 25th Polynesian legend (of the 30) appeared that weekend. I’ve only included local NZ poets in the Index from the Saturday poetry page 'Among the Poets'. Overseas poets appeared as well, reproduced from overseas magazines and collections. These overseas poets are not in the Index. There were also two regular (unsigned) doggerel columns: 'Spindrifts' and 'Things Thoughtful' and I've not indexed these columns. -
Poetry Notes
. Poetry Notes Winter 2010 Volume 1, Issue 2 ISSN 1179-7681 Quarterly Newsletter of PANZA humanism, largely purveyed by Inside this Issue Welcome journalists writing in rhyme. In Australia up to about 1910 both these Hello and welcome to the second issue poles exist in symbiosis in the Bulletin. Welcome of Poetry Notes, the newsletter of Although the same poles are found in 1 PANZA, the newly formed Poetry Australia, in Aotearoa they are given a Archive of New Zealand Aotearoa. local authenticity through the local Niel Wright on John Liddell Poetry Notes will be published quarterly colour, particularly the Polynesian and will include information about Kelly’s Heine translations background. goings on at the Archive, articles on At its best in Aotearoa the intellectual historical New Zealand poets of interest, Poetry Archive opening humanism takes Heine and Nietzsche as occasional poems by invited poets and a its masters. German literature is much and book launch 3 record of recently received donations to the most influential; it is still strong on the Archive. Ursula Bethell. Georg Trakl translations The newsletter will be available for free However, although the characteristics of 5 by Nelson Wattie download from the Poetry Archive’s this literature are clear, its success is web site: almost nil. This is because of the endemic banality and facileness which Classic New Zealand http://poetryarchivenz.wordpress.com 6 poetry blight its productions almost totally. Only an occasional poem shows the slightest merit. The established culture Comment by Ivan (jingoistic British Imperialism) and Bootham Niel Wright on John journalism saturated with Sir Walter Liddell Kelly’s Heine Scott’s verse style are the source of New publication by these blights. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Sailing in a New Direction ■■Page 5
SEPTEMBER 2017 The University of Auckland News for Staff Vol 46/ Issue 07 /September 2017 SAILING IN A NEW DIRECTION ■ PAGE 5 INSIDE A 700-plus page biography and Collected Poems of New Zealand literary heavyweight Allen Curnow, pictured above, by the late Emeritus Professor Terry Sturm is being launched this month by Auckland University Press. PAGE 5 COUNTING THE VOTES THE TAX QUESTION TOURIST IN HER OWN Just like Brexit and the 2016 US election, in the None of our political parties are dealing with COUNTRY upcoming General Election on 23 September the basic inequities of the current tax system, This month’s My Story, Samantha Perry, is every vote will definitely count, writes political says tax specialist Mark Keating. looking forward to going back to her family’s scientist Jennifer Lees-Marshment. roots in Sri Lanka in September. PAGE 12 PAGE 9 PAGE 6 SNAPSHOT CONTENTS TOP PRIZE FOR WATERCOLOUR WHAT’S NEW ............................ 3 In 1999 a generous bequest to create a IN BRIEF .................................... 4 scholarship to ‘foster interest in New Zealand COVER STORY ............................. 5 watercolour’ established the country’s largest art prize for the medium, the Henrietta and Lola DID YOU KNOW? ......................... 7 Anne Tunbridge Scholarship, worth $10,000. Awarded annually to an Elam School of Fine Arts WHAT’S ON CAMPUS .................. 7 student, this year the prize was jointly shared RESEARCH IN FOCUS .................. 8 between undergraduate Honor Hamlet and postgraduate Scarlett Cibilich from dozens of WHAT AM I DISCOVERING ............ 9 entries. The Tunbridge’s foresight continues to strengthen the medium’s appeal. Right, detail IN THE SPOTLIGHT ..................... -
The Sinking of the Rainbow Warrior: Responses to an International Act of Terrorism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR Journal of Postcolonial Cultures and Societies ISSN No. 1948-1845 (Print); 1948-1853 (Electronic) The sinking of the rainbow warrior: Responses to an international act of terrorism Janet Wilson Introduction: the Rainbow Warrior Affair The Rainbow Warrior affair, an act of sabotage against the flagship of the Greenpeace fleet, the Rainbow Warrior, when berthed at Marsden wharf in Auckland harbour on 10th July 1985, dramatised in unprecedented ways issues of neo-imperialism, national security, eco-politics and postcolonialism in New Zealand. The bombing of the yacht by French secret service agents effectively prevented its participation in a Nuclear Free Pacific campaign in which it was to have headed the Pacific Fleet Flotilla to Moruroa atoll protesting French nuclear testing. Outrage was compounded by tragedy: the vessel’s Portuguese photographer, Fernando Pereira, went back on board to get his camera after the first detonation and was drowned in his cabin following the second one. The evidence of French Secret Service (Direction Generale de la Securite Exterieure or DGSE) involvement which sensationally emerged in the following months, not only enhanced New Zealand’s status as a small nation and wrongful victim of French neo-colonial ambitions, it dramatically magnified Greenpeace’s role as coordinator of New Zealand and Pacific resistance to French bomb-testing. The stand-off in New Zealand –French political relations for almost a decade until French bomb testing in the Pacific ceased in 1995 notwithstanding, this act of terrorism when reviewed after almost 25 years in the context of New Zealand’s strategic and political negotiations of the 1980s, offers a focus for considering the changing composition of national and regional postcolonial alliances during Cold War politics. -
A Dictatorship of Taste
A Dictatorship of Taste Cultural Nationalism and the Function of the Critic 1947-1961 A Thesis Submitted in Partial Fulfilment of The Requirements for the Degree of Masters of Arts in English in the University of Canterbury By Anne-Maree Mills University of Canterbury 2009 In terms of some green myth, sailing or drowning, Each day makes clear a statement to the next; But to make out our tomorrow from its motives Is pure guessing, yesterday’s were so mixed. Sailing or drowning, the living and the dead, Less than the gist of what has just been said. (‘Sailing or Drowning’, Allen Curnow, 1940). Criticism is much criticised. But this logically establishes its title to exist. Criticism never decides anything. It is an argument. The argument goes on. (W. W. Robson, 1982:56) For New Zealand, then, these islands in the south-west Pacific, the growth of national feeling has meant a double exploration of the independence, in the region of politics – in the widest sense – and in the region of the mind. In either case, within the broad stream of the British tradition, the history of the country has been the history of its discovery – a discovery continuing still – of a tradition of its own. (‘The Development of New Zealand Nationality’, J. C. Beaglehole, 1954:122) i Contents Acknowledgements ii. Abstract iii. Introduction 1 Chapter One: An Absurd Ambition 12 1. Bread and butter criticism: ‘Bookmen’ and culture critics 2. Cultural Antennae: Phoenix and Tomorrow 3. The Centennial 4. Cultural authority and the professionalization of Librarianship 5. Heenan 6. -
Continuum of Discourse in Recent New Zealand Criticism
All in the Family: Continuum of Discourse in Recent New Zealand Criticism PETER SIMPSON Long ago was the then beginning to seem like now As now is but the setting out on a new but still Undefined way. That now ,the one once Seen from far away, is our destiny No matter what else may happen to us. It is The present past of which our features, Our opinions are made. The things that were coming to be talked about Have come and gone and are still remembered As being recent. There is a grain of curiosity At the base of some new thing, that unrolls Its question mark like a new wave on the shore. 1 — JOHN ASHBERY, "Blue Sonata" I IT IS WITH A SENSE OF participating in an inescapable con• tinuum of discourse, such as is expressed in John Ashbery's poem, that I contemplate the five books lined up on my desk,2 and the opportunity they present to consider the state of recent literary criticism in New Zealand. All five books are miscellaneous collections of critical writing (essays, reviews, lectures, introductions, radio talks, editorial notes, interviews, etc.), much of it previously published in peri• odicals or pamphlets, and written over a period of at least two decades. Dates of the earliest and latest pieces in each book will indicate the time span involved : Cunningham, Sargeson : 1935/ 1980; Watson, Brasch: 1947/1969; McKay, Baxter: 1950/ 4 PETER SIMPSON 1971 ; Pearson, Sleepers: 1952/1973; Stead, Glass Case: 1957/ 1981. Three collections are posthumous, compiled by editors other than the author, Baxter having died in 1972, Brasch in 1973, and Sargeson in 1982.