Mudcrutch - Tom Pettys All Star Band Släpper Debutalbum 25 April

Total Page：16

File Type：pdf, Size：1020Kb

2008-04-17 19:09 CEST Mudcrutch - Tom Pettys all star band släpper debutalbum 25 april Det var en gång ett band som åkte till Hollywood, Los Angeles, tidigt 70-tal för att skaffa sig ett skivkontrakt. Bandet hette, ett par namnbyten senare, Mudcrutch och innehöll en viss herre vid namn Tom Petty. Skivbolaget blev eld och lågor - men ville enbart ha Tom Petty, inte hela bandet. Och resten är vad vi kan kalla historia. Tom Petty är nu en av världens starkaste fixstjärnor inom rockhistorien och har levererat hits som I Won't Back Down, Free Fallin', Mary Jane's Last Dance och American Girl. Av bandets övriga fyra följde Mike Campbell och Benmont Trench med Tom Petty och bildade kompbandet The Heartbreakers. Så sommaren 2007 återförenade Tom Petty Mudcrutch tillsammans med Mike Campbell och Benmont Tench, originalmedlemmen Tom Leadon och Randall Marsh, som anslöt sig till gruppen när Mudcrutch flyttade till Los Angeles. Nu, mer än 30 år senare, släpper Mudcrutch sitt debutalbum. Med både nya Pettylåtar och en handfull covers är den självbetitlade plattan både klassisk rock och en rockklassiker. Se gärna den bifogade trailern, som visar både klipp från förr och nu - och som avslöjar mer än en hemlighet. I dokumentären om Tom Petty, Running down a dream av Peter Bogdanovich, berättas hela historien om ett band som först hette The Sundowners, sedan The Epics och därefter Mudcrutch - husbandet som en gång i tiden huserade på Dub's Diner i hemstaden Gainesville, FL. Warner Music International, a leading company in national and international repertoire operates through numerous international affiliates and licensees in more than 50 countries. With its broad roster of new stars and legendary artists, Warner Music Group is home to a collection of the best-known record labels in the music industry including Asylum, Atlantic, Bad Boy, Cordless, East West, Elektra, Lava, Maverick, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Rykodisc, Sire, Warner Bros. and Word. Warner Music Group also includes Warner/Chappell Music, one of the world's leading music publishers. Kontaktpersoner Ellen Fjæstad Presskontakt Product & Promotion Manager Giant/Domestic [email protected] 0707754571 Darren Edwards Presskontakt International Promotion Manager International Promotion, Nuclear Blast and Roadrunner Records [email protected] 08-7522604.

Copy Link

Recommended publications

And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects.
[Show full text]
Mudcrutch Släpper Live-EP
2008-11-11 08:00 CET Mudcrutch släpper live-EP Mudcrutch, det legendariska Floridabandet som består av Tom Petty, Tom Leadon, Randall Marsh, Mike Campbell och Benmont Tench kommer att släppa en liveEP 19 november. Extended Play Live kommer att släppas digitalt, på CD samt på en 180g High Performance vinyl. Bandet genomförde en kort men mycket populär turné bestående av små, intima klubbspelningar i Kalifornien i april, där man bland annat sålde ut sex kvällar på Troubadour i Los Angeles. Extended Play Live innehåller fyra låtar som spelades in under den turnén - bland dessa en dramatisk femtonminuters version av bandets mästerverk Crystal River, inspelad live på Troubadour. Alla fyra låtar kan just nu höras via streaming på www.mudcrutchmusic.com. Mudcrutchs självbetitlade debutalbum släpptes 25 april i år och gick i USA rakt in på Billboardlistans åttondeplats. Albumet rosades av kritiker över hela världen, och bland andra beskrev Rolling Stone plattan som "instant classic". Under tidigt 70-tal var medlemmarna i Mudcrutch hjältar i sin egen hemstad, Gainesville, FL och verkade ämnade för stordåd. En radda festivaler som hölls i deras högkvarter, Mudcrutch Farm, drog fans från hela norra Florida och så långväga ifrån som South Georgia. Tyvärr förbjöd de lokala myndigheterna festivalerna men, som den musikaliska succé de var, historierna om festivalerna är många och cirkulerar fortfarande lokalt. Mudcrutch flyttade sedermera till Kalifornien för att bygga vidare på den karriär de grundat hemmavid och släppte en singel på Shelter Records - Depot Street b/w Wild Eyes. Men bandet fick aldrig stå på de stora, inhemska scenerna eller spela in någon fullängdare.
[Show full text]
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
[Show full text]
28 the Exeter Bulletin FALL 2010 FA10 Crossroads 10 11 10.Qxp:Layout 1 10/11/10 12:17 PM Page 29 Down a Dream How One Exonian Became a Heartbreaker by Ketch Secor ’96
FA10_crossroads_10_6_10.qxp:Layout 1 10/6/10 11:10 AM Page 28 Runnin’D 28 The Exeter Bulletin FALL 2010 FA10_crossroads_10_11_10.qxp:Layout 1 10/11/10 12:17 PM Page 29 Down a Dream How one Exonian became a Heartbreaker By Ketch Secor ’96 n Indio,CA,in the dark of night, with strobe lights flashing and four stages of live (Left) Ketch Secor music blasting, I trip over a pile of club kids with their glow sticks ablaze while I ’96 on the road with search for Benmont Tench ’71. I am hoping to meet him here, in the wee hours BenmontTench ’71, of Coachella, the hip, annual California Desert music festival where my band, keyboardist forTom Old Crow Medicine Show, performed an afternoon set, but I lost track of Ben- Petty &The Heart- montI earlier in the day.Now I am supposed to find him by a sign that says “AmExVIP,” breakers. (Above) but all I see are plumes of smoke rising from the sweaty throngs of spent music lovers. I The author is lead check my phone again for messages. Nothing. singer of Old Crow Up past the food vendors and the ATMs, the press area and the free cigarette kiosk, I Medicine Show, a think I see what I’m looking for:a plain,white tarpaulin tent with a placard out front that band based in reads “AmEx VIP Charging Station.”The tent radiates a purplish glow. I pull back the Nashville,TN. flap, startling Benmont, who smoothes the pleats of his fine tailored coat and reaches out to greet me.
[Show full text]
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides.
[Show full text]
PDF (V. 86:26, May 3, 1985)
[VOLUME LXXXVI NUMBER 26 PASADENA, CALIFORNIA FRIDAY 3 MAY 19851 Techers Protest Apartheid by Ketan Shah positions of companies that do [This is the first oftwo articles on business in South Africa. Among campus protests against eleven names, Simon Ramo of apartheid.] TRW, Robert McNamara of TWA, William Gould ofBeckman About twenty spirited but well Instruments, and John Akers of behaved Caltech students IBM were listed. IBM and seven demonstrated against apartheid last other American companies control Wednesday at the'Winnett Student about 70% of the South African Center quad. computer market. IBM itself Michael Chwe, senior in doesn't sell its products directly to economics, said Caltech didn't certain South African government have a history oforganizing: "We agencies, but their computers <:: missed out on the sixties." nevertheless are somehow acquired ~ The hour-long demonstration by departments that administer the OJ was strikingly unlike the militant passbook system that is used to ~ anti-apartheid protests taking place control the movement of blacks in .s at the University of California at South Africa. -2 Berkeley and at Columbia Univer In a stockholders meeting in ! sity. However, Mr. Chwe, the co Atlanta several days ago, Mr. I organizer of the demonstration, Akers of IBM said that their NEW MILLIMETER-WAVE ARRAY AT OWENS VALLEY RADIO OBSERVATORY said that they were rallying partly "presence there is a presence for to show support for their col good," and that "we are not go leagues at several other univer ing to leave." sities. The Caltech protestors were The Caltech demonstrators had polite and careful not to block differend opinions on the disinvest pathways.
[Show full text]
T H I S T I M E I T ' S P E R S O N
“When you’re young, you’ve got that party period you’ve got to get AT HOME IN MALIBU WITH TOM PETTY AS THE ETERNAL SOCAL through,” says Petty, who was photographed in ROCKER, NOW ON HIS 13TH ALBUM WITH THE HEARTBREAKERS, his Malibu studio on June 26. “If you’re a rock’n’roller, that might SOUNDS OFF ON THE ONE PERCENT, THE CATHOLIC CHURCH AND THE last till you’re 58.” CORRUPTION OF POWER: “THE GOOD THING ABOUT GETTING OLD . YOU KNOW WHAT’S WORTH SPENDING TIME ON AND WHAT’S NOT” T H I S T I M E IT’S PERSONAL BY FRED SCHRUERS PHOTOGRAPHED BY JOE PUGLIESE The seaside community of Malibu is a Carry,” which recollects the fear and the lessons of that traumatic night Hypnotic Eye is an album devoted to making some aggressive — if retreat for wealthy hedonists for good with baleful guitars and Petty’s impassioned vocals. tightly focused — noise, and leaving the tender ballads for another day. reason — there’s rolling surf and almost We’re at his Malibu studio today. Wearing denim from head to toe, From the earliest session, Heartbreaker lead guitarist and Hypnotic Eye inevitable blue sky and golden hills and Petty, 63, emerges from one of the tree-shaded walkways that criss- co-producer Campbell told the band leader that he was singing much T world-class sushi. The cost of paradise, cross the sprawling but unpretentious compound. We head inside, like the lad who busted into pop music’s consciousness with “American beyond the mortgage payments, lies in where his aging and hefty Lab, Ryder, wanders in, mounts the couch Girl” in 1976.
[Show full text]
XM to Broadcast Fourth Season of Tom Petty's Weekly Musical Series
XM to Broadcast Fourth Season of Tom Petty's Weekly Musical Series NEW YORK, Nov 10, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- "Tom Petty's Buried Treasure" kicks off new season on November 13 SIRIUS XM Radio (Nasdaq: SIRI) today announced Tom Petty's critically-acclaimed music series, Tom Petty's Buried Treasure, will launch its highly-anticipated fourth season on Deep Tracks XM channel 40, Thursday, November 13 at 8 pm ET. Tom Petty's Buried Treasure radio show is synonymous with the best of rock, rhythm and blues music. (LOGO: http://www.newscom.com/cgi-bin/prnh/20080819/NYTU044LOGO ) "SIRIUS XM is thrilled to offer Tom Petty fans a brand new season of Buried Treasure," said Scott Greenstein, President and Chief Content Officer, SIRIUS XM Radio. "Only SIRIUS XM delivers the kind of premium audio entertainment experience that allows listeners to delve into the personal record collection of a legend like Tom Petty, and get an intimate glimpse at the music's impact on him." Each week, Grammy Award(R)-winning singer-songwriter, Rock and Roll Hall of Famer, Heartbreakers ringleader, Traveling Wilbury and rock legend Tom Petty pulls together a set of rare and classic tracks, many vintage, from his private vaults, for an hour of radio magic woven together with Petty's informed, passionate and entertaining commentary. This season Tom has been particularly inspired by the numerous emails from fans of the show requesting their personal "buried treasures", and their input will no doubt influence Tom's choice of playlists. On November 11, 2008, Reprise Records will release Extended Play Live by Mudcrutch, the legendary Florida band featuring Tom Petty, Tom Leadon, Randall Marsh, Mike Campbell, and Benmont Tench.
[Show full text]
On Tom Petty's
SUMMER 2017 // ISSUE 4 Production Crew Joins the Trip Down Memory Lane on Tom Petty’s 40th Anniversary Tour Tour Link Magazine 1 2 Tour Link Magazine Britannia Row Productions Goes Global with Clair Global Following a successful strategic alliance which About Clair Global: has been in place since the beginning of the year, Britannia Row Productions recently announced Building on over 50 years of experience, Clair its acquisition by Clair Global, Inc. Global continues to boldly advance the entertain- ment experience in the touring, festival, broad- Clair Global has a long-established history and is cast, and corporate markets. Our clients are ex- one of the most respected entertainment industry traordinary. We strive every day, at any hour, to suppliers with serval international operations. exceed their expectations. Our employees’ crea- tivity, talents, problem-solving skills and commit- Britannia Row Productions is one of the leading ment to service set us apart. Our passion is to UK audio companies with links throughout the provide our clients with solutions that meet their world. “Both companies see this as the perfect needs in audio, communications, backline, and way to expand and strengthen their worldwide data services. client base, allowing them to offer consistent ser- vice in all major territories,” said Britannia Row www.clairglobal.com Directors Bryan Grant and Mike Lowe in a joint statement. “The synergies we’ve experienced with the entire Britannia Row team have been over- whelmingly positive. Culturally and profes- sionally, we are on the same page. We are excited to bring this new level of global sup- port to our clients and better serve their pas- sions to advance this industry.” Troy Clair, President/CEO, Clair Global.
[Show full text]
Tom Petty and the Heartbreakers 2002.Pdf
PERFORMERS & THE HEARTBREAKERS By BILL FLANAGAN i t ’s a r a r e t h i n g t o c o m b i n e m a i n s t r e a m s u c c e s s an outdoor concert on Long Island in 1995,1 was with musical substance. To do it while fiercely stand struck by the fact that the crowd was dominated by ing up for personal principles - to the point of wag people in their late teens and early twenties. When I ing public war with your record company - is rarer. mentioned it to Petty afterward, he said he wasn’t To do it for twenty-five years is flat-out remarkable. sure why that was but it sure made him feel good. As A common reaction to the news that Tom Petty I approached a Petty show outside Boston in the and the Heartbreakers are being inducted into the summer of 2001, kids were coming out of the woods, Rock and Roll Hall of Fame has been “They’re a great across fields, holding up signs pleading for tickets. band, but aren’t they too young to qualify?” It’s a Going into the venue, I heard one college-age fan shock to realize that it has been twenty-five years say, “Now that Phish is gone, I follow Petty.” since “Breakdown” and “American Girl.” Petty and The show I saw that night was as strong, as full of the Heartbreakers have never stopped life and energy, as any of the great con Clockwise from front: certs I saw the Heartbreakers play in the long enough to lookback.
[Show full text]
DOING FINE Collective Works of the Self -Description, with the Solos, the Single Seems to MADNESS of What They TOM PETTY and the Heartbreakers' Brand a Joy to Behold
28 Record Mirror, March S, 1980 brlel hearing I've seen them do by far, mlttedly - managed was thankfully remedied but they to debut rescue an otherwise - with their splendid POST -OP PETTY single 'Talking Pictures', disastrous evening In the Now I've had the op- closing moments, PETE portunity to sample the ESCREET DOING FINE collective works of The self -description, with the Solos, the single seems to MADNESS of what they TOM PETTY AND THE Heartbreakers' brand a joy to behold. mirror most Club 57, New York HEARTBREAKERS Visually. there's been a mellowing seem to offer. Birmingham Odeon down; Petty no longer living up to the In short; a musical make AFTER BEING regaled braggadocio persona of last time round up of style and Inven- with tales of how electric and concentrating on professionalism. tiveness which is so Im- the previous night's show FOR a recent tonsllectomy victim, 'Even The Losers', 'I Need To Know' and mediate?y apparent. vi- had been, a, merely profi- Tom's shouting as well as singing voice a fairly even selection of other stuff sions of a handful of cient set by Madness was was In sublimely A -One order "Ah'm from all three albums were reproduced hopeful and frustrated disappointing. not on drugs or anything," he grinned note -perfect and It wasn't until the more musicians trudging They were good, too, knowingly al the first audience of his familiar 'American Girl' and 'Refugee' around hole - In - the - wail but throughout the show tour, "Ah just figure we're gonna be that they started to relax and really look excuses for venues is friends who'd been at the heah ah long taaam tonight!" as it they were enjoying themselves.
[Show full text]
Award Progi Am Meets Opposition Am Ong Deans What Does That Say of the Quality of Their UF's United Faculty of Florida Chapter
the inflleJpe Ildeiit f1l)id(Ia a'.ISm a-k The year in pictures. Applause Cats scratch out rw" -'""- .' a Nut IA~VY ,16.E , UU MBERsd1 1 111 . -" " 89-81 victory. 12 VOLUME 83, NUMBER 60 Tickets sell out; students sold out The waiting is the hardest part for those camping out in the cold was confusion at the ANTHONY LIDERMAN because there By box office about how many tickets Alligator Writer he wanted and where he wanted to Although the 9,100 tickets for sit, Student Government Produc- this month's Tom Petty concert tions Chairman Raul Mateu ex- sold out within five hours Wednes- plained. During those few second, day, a promise to give students the of discussion, other TicketMaster best seats fell through. outlets in the state began selling Graduate student Lindsey Rei- tickets. der, the first person in line at the Mateu promised Sunday that University Box Office, waited ad- students would get "premiere most 20 hours for tickets - only seats if they bought tickets to get 21st-row seats. through the box office at Constans Just before the tickets went on Theatre in the Reitz Union. sale, Reider, an exercise physiol- "We heard that the Constans ogy major, said the wait for Petty Theatre was the place to get good was worth it seats," law student Chris Puleo "I have never seen him before said "I don't think they know what and I really wanted to see him - the hell they're doing " and I wanted to do it right' he said Students didn't get the best before he got his tickets.
[Show full text]