(9Vs, Op BROOKLYN ACADEMY of MUSIC 111 Harvey Lichtenstein, President and Executive Producer Presents

Total Page:16

File Type:pdf, Size:1020Kb

(9Vs, Op BROOKLYN ACADEMY of MUSIC 111 Harvey Lichtenstein, President and Executive Producer Presents 3 /ii/ 27 (9Vs, Op BROOKLYN ACADEMY OF MUSIC 111 Harvey Lichtenstein, President and Executive Producer Presents Opera House March II, 1987 The Gershwin Celebration MICHAEL TILSON THOMAS Music Director THE GERSHWIN GALA The Music of GEORGE GERSHWIN Starring (In Alphabetical Order) AMERICAN BALLROOM THEATRE LARRY KERT DREW BARRYMORE MANHATTAN RHYTHM KINGS MIKHAIL BARYSHNIKOV MAUREEN McGOVERN GREGG BURGE JULIA MIGENES ROSEMARY CLOONEY ERIE MILLS THE COPASETICS HAROLD NICHOLAS BOB DYLAN CHITA RIVERA DAMON EVANS BOBBY SHORT CYNTHIA HAYMON MICHAEL TILSON THOMAS RUBY HINDS TOMMY TUNE MADELINE KAHN CHRISTOPHER WALKEN JOHN "JOHNNY" GREEN, HIS PIANO AND ORCHESTRA ORCHESTRA OF ST. LUKE'S Choreography by WALTER PAINTER DAN SIRETTA Produced by ARTHUR WHITELAW Music Director and Conductor MICHAEL TILSON THOMAS Scenery and Costume Design Lighting Design EDUARDO SICANGCO KEN BILLINGTON Sound Design Hair and Make Up Design OTTS MUNDERLOH DENNIS BERGEVIN JEFFREY FRANK Directed and Choreographed by PATRICIA BIRCH Produced in association with Great Performances, WNET/THIRTEEN Jac Venza, Executive Producer This program will be taped for two future broadcasts of Great Performances. The Gershwin Gala Performance has been made possible pg with a grant from The Bankers Trust Company Group LI Additional support for the Gershwin Gala Dinner and Reception has been provided by Vanity Fair Magazine and Abraham and Straus. The Gershwin Celebration is made possible with grants from The Wallace Funds, The Aaron Diamond Foundation, the National Endowment for the Arts, the New York State Council on the Arts, and the New York City Department of Cultural Affairs. The BAM facility is owned by the City of New York, and its operation is supported in part with public funds provided by the New York City Department of Cultural Affairs. The Brooklyn Academy of Music wishes to express its appreciation to Theatre Development Fund for its support of this season. Judith E. Daykin, Managing Director Michael O'Rand, General Manager r- VIM ACT I Rhapsody in Blue (Jazz Version) MICHAEL TILSON THOMAS 1924 Original orchestration by Ferde Grofe Introductory Remarks HARVEY LICHTENSTEIN, MAYOR EDWARD KOCH TIN PAN ALLEY Rialto Ripple Piano Roll 1917 Music by George Gershwin & Will Donaldson (Original piano roll played by George Gershwin) When You Want 'Em You Can't Get 'Em MANHATTAN RHYTHM KINGS 1916 Lyrics by Murray Roth (George Gershwin's first published song) BROADWAY The Best of Everything MANHATTAN RHYTHM KINGS (La-La Lucille) 1919 Lyrics by Arthur J. Jackson & B.G. DeSylva (George Gershwin's first full Broadway score) Swanee LARRY KERT (Capital Theatre Demi-Tasse Revue) 1919 Lyrics by Irving Caesar Original orchestration by Frank Sadler Come To The Moon MANHATTAN RHYTHM KINGS (Capital Theatre Demi-Tasse Revue) 1919 Lyrics by Lou Paley & Ned Wayburn Original orchestration by Frank Sadler LONDON Naughty Baby ERIE MILLS (Primrose) 1924 Lyrics by Desmond Carter & Ira Gershwin, Orchestration by George Gershwin (George Gershwin's first book musical in London) BROADWAY Nobody But You BOBBY SHORT (La-La Lucille) 1919 Lyrics by Arthur J. Jackson & B.G. DeSylva Somebody Loves Me ROSEMARY CLOONEY, accompanied by John Oddo (George White's Scandals of 1924) Lyrics by B.G. DeSylva & Ballard MacDonald Fascinating Rhythm TOMMY TUNE, DREW BARRYMORE (Lady Be Good) 1924 Choreography by WALTER PAINTER I Got Rhythm CHITA RIVERA, MANHATTAN RHYTHM KINGS (Girl Crazy) 1930 Original orchestration by Robert Russell Bennet How Long Has This Been Going On? MADELINE KAHN (Rosalie) 1928 But Not For Me MAUREEN McGOVERN (Girl Crazy) 1930 Original orchestration by Robert Russell Bennett The Man I Love JULIA MIGENES (Lady Be Good) 1924 Someone To Watch Over Me MADELINE KAHN, MAUREEN McGOVERN, JULIA MIGENES (Oh, Kay!) 1926 King of Swing GREGG BURGE, THE COPASETICS (Swing is King) 1936 Lyrics by Albert Stillman Original orchestration by Charles Cooke from Radio City Music Hall production (George Gershwin's last song for the stage) American Ballroom Theatre Manhattan Rhythm Kings Bonnie Diaz Tripp Hanson Richard Diaz Brian Nalepka Pierre Dulaine Hal Shane Shelley Freydont Yvonne Marceau Gala Dancers Cathi Nyemchek Karen Harvey David Askler John Nyemchek Melissa Haizlip Raymond Del Barrio Gary Pierce Kelly Hughes Russell Giesenschlag Donna King Raymond Harris The Copasetics Lynn Marlowe Rick Pessagno James Brown Sara Miles Chris Peterson Louis Simmes Carpenter Julie Ostling Bubba Dean Rambo Charles Cook Nikki Sahagen Keith Savage Leslie Gains Maryellen Scilla Leroy Myers Henry Roberts ACT II BALLET Nocturne for Lily Pons Short Story 1925 Realisation by Michael Tilson Thomas Promenade 1937 MIKHAIL BARYSHNIKOV, MICHAEL TILSON THOMAS Orchestration by George Gershwin and Nathanial Shilkret, Choreography by DAN SIRETTA BROADWAY Summertime CYNTHIA HAYMON (Porgy and Bess) 1935 Lyrics by Ira Gershwin & DuBose Hayward, Orchestration by George Gershwin Lonely Boy CYNTHIA HAYMON, RUBY HINDS (Porgy and Bess) 1935 Lyrics by DuBose Hayward, Orchestration by Gregg Smith (World premiere. This piece was written for, but has never been used, in the opera.) Boat Dat's Leavin' Soon For New York DAMON EVANS (Porgy and Bess) 1935 Lyrics by Ira Gershwin & DuBose Hayward, Orchestration by George Gershwin Soon BOB DYLAN (Strike Up The Band) 1930 HOLLYWOOD with JOHN "JOHNNY" GREEN, his piano and his orchestra They Can't Take That Away From Me CHRISTOPHER WALKEN (Shall We Dance) 1937 Let's Call The Whole Thing Off MADELINE KAHN, LARRY KERT (Shall We Dance) 1937 They All Laughed MAUREEN McGOVERN (Shall We Dance) 1937 Slap That Bass HAROLD NICHOLAS, BRIAN NALEPKA (Shall We Dance) 1937 A Foggy Day ROSEMARY CLOONEY, accompanied by John Oddo (Damsel in Distress) 1937 Nice Work If You; Can Get It HAROLD NICHOLAS, MICHAEL TILSON THOMAS, (Damsel in Distress) 1937 JOHN "JOHNNY" GREEN FINALE Love Walked In (Goldwyn Follies) 1938 Love Is Sweeping The Country (Of Thee I Sing) 1931 Love Is Here To Stay COMPANY (Goldwyn Follies) 1938 All lyrics by Ira Gershwin except where otherwise noted. All orchestrations in Hollywood section by John Green. This program is subject to change. Airm,111111-. THANK YOU PLEASE NOTE The Gershwin Celebration would like to thank the The Gershwin Gala is being videotaped by following people whose contributions have helped WNET/Thirteen and may be exhibited on television to make The Gershwin Gala possible: Louis Aborn, and in other media. Such videotape may include Ronald Blanc, Irving Caesar, Sylvia Craft, Mrs. Ira pictures of the audience or of individuals in the Gershwin, Judy Gershwin, Marc George Gershwin, audience. Your attendance at this performance shall Frankie Gershwin Godowsky, Leopold Gershwin, be deemed your consent to appear in such videotape. Russell Markert, Patricia Mornelli, Yvonne O'Brian, Your cooperation throughout the performance will Michael P. Price, Jamie Ramos, Al Simon, Alfred be greatly appreciated. Stern, Kay Swift, Dorothy Swerdlove. FOR GREAT PERFORMANCES ADDITIONAL CREDITS Executive Producer Jac Venza Production Audio Engineer - David Gotwald Series Producer David Horn American Ballroom Theater costumes designed by Coordinating Producer John Walker Lindsay Davis; Madeline Kahn's gown designed by Production Executive Rhoda Grauer Frank Composto, executed by Tina Fagin; Additional Great Performances is made possible by grants from sound equipment by ProMix, Inc. Exxon, The Corporation for Public Broadcasting, The National Endowment for the Arts and Public Television Stations. -7.--"-:=11.11=4011.1.1111101.1-- 1 ARTHUR WHITELAW (Producer) is celebrating showstopping pas de deux in Street Scene for the his 31st year in the theatre as producer, director New York City Opera as well as their current and writer. In 1967 he co-produced the productions of Candide and the Mikado. For film, enormously-successful musical You're A Good Ms. Birch choreographed the dance sequences for Man, Charlie Brown, including 13 national and Grease, James Ivory's Roseland and Zoot Suit, as seven international companies, and the successful well as directing Grease 2. Ms. Birch recently television production for Hallmark Hall of Fame. directed Dance In America's 3X3 with the Alvin Mr. White law's first production, which he co- Ailey Company. Other television credits include produced, was Best Foot Forward, in which Liza staging musical sequences for The Electric Co. as Minnelli and Christopher Walken made their stage well as the new CTW program Square One; chore- debuts. He then went on to produce Cabin in the ographer for Saturday Night Live, The New Show, Sky, Ken Murray's Hollywood, Butterflies Are Free, including the well-known "Dancing in the Dark" The Gingerbead Lady (national company starring satire for Steve Martin and Gilda Radner; other TV Nancy Kelly), Minnie's Boys, 70 Girls 70, P.S. Your work includes specials for Goldie Hawn, Robert Cat Is Dead (starring Sal Mineo and Keir Dullea), Klein and The Academy Awards. In the newer field Snoopy, (the original 1976 production which he also of videos, Ms. Birch has directed and/or directed and co-authored) and, in 1980, co- choreographed pieces for Cyndi Lauper, The produced the critically acclaimed award-winning Rolling Stones, The Oakridge Boys, Olivia Newton musical Strider. Mr. Whitelaw has directed more John and Sister Sledge, among others. Trained at than 20 plays on Broadway, on the road and in the the School of American Ballet and the Martha West End, including road companies of Butterflies Graham School, Ms. Birch became a leading solo- Are Free starring Gloria
Recommended publications
  • Royal Umd 0117E 18974.Pdf (465.4Kb)
    ABSTRACT Title of Dissertation: SELECTED WORKS OF COMPOSERS ASSOCIATED WITH HOWARD UNIVERSITY Guericke Christopher Royal, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Chris Gekker School of Music Throughout its over 100 year history, Howard University has produced and attracted many talented composers of many musical genres. Limiting this project to any one genre or focus would have lessened the overall impact of the music they created and the inspiration that has been a lauded part of the institution. The project will demonstrate the various harmonic, melodic, rhythmic and emotional contributions of the selected composers through interpretation of their music on the trumpet. Composers have been connected to the university in three general ways: as students, alumni and faculty; as commissioned artists; and through the performance of their works by notable performers associated with Howard. The pieces selected for this project exemplify a wide range of musical expressions and compositional techniques, and hopefully have been presented in a way that allows the emotional impact of each piece to resonate in a unique fashion. The selected works tended to fall into the categories of A. Trumpet and Brass Works B. Spirituals/ Meditational/ Religious Works C. Popular and Jazz Pieces D. Organ or other Instrumental Works E. Works of Historical Reference or Significance In some cases, certain pieces may be categorized across multiple categories (e.g. an organ piece based on religious material). As this was also a recording project, great care was taken during the recording process to capture as much emotional content as possible through stereo microphone techniques and the use of high quality equipment.
    [Show full text]
  • PLAYHOUSE SQUARE January 12-17, 2016
    For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut.
    [Show full text]
  • February 12 – 16, 2016
    February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron
    [Show full text]
  • Kert, Larry (1930-1991) Larry Kert and Carol Lawrence Performing on by Craig Kaczorowski the Ed Sullivan Show in 1958
    Kert, Larry (1930-1991) Larry Kert and Carol Lawrence performing on by Craig Kaczorowski the Ed Sullivan Show in 1958. Encyclopedia Copyright © 2015, glbtq, Inc. Film still from a YouTube video. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The gay actor and singer Larry Kert originated the lead romantic role of Tony in the landmark 1957 Broadway musical West Side Story. With his expressive, vibrant tenor, he introduced some of the most memorable songs in the Leonard Bernstein-Stephen Sondheim score, including "Maria," "Tonight," and "Something's Coming." In 1970, Kert triumphed again on Broadway in another Sondheim musical, Company, as Robert, a New York bachelor observing the strains and tensions in the marriages of his best friends, as well as struggling to commit emotionally to each of his three girlfriends. Other Broadway shows involving Kert were unfortunately short-lived, and his later career was devoted mainly to cabaret, television, and regional theater. He was born Frederick Lawrence Kert in Los Angeles, California on December 5, 1930 into a comfortably middle-class family. His father was a jeweler and his mother an actress. He had a brother, Morton, and two sisters, Evelyn and the singer later known as Anita Ellis. He initially attended Hollywood High School but transferred to the Hollywood Professional School in Los Angeles. While still in school, Kert performed as an extra and stunt double in several movies, including Lassie Come Home (1943), where he was a stand-in for the film's star Roddy McDowell. After graduation, Kert took some classes at Los Angeles City College but soon dropped out and moved to New York City where he studied with the celebrated acting teacher Sanford Meisner.
    [Show full text]
  • Mikhail Baryshnikov Exhibitions
    Mikhail Baryshnikov Aside from being renown as a dancer, Mikhail Baryshnikov has practiced photography for over 30 years and is now also known for his dance photography. His photographs capture the emotions of dance, they are full of vitality, rich colour, movement and grace. He effectively blurs movement portraying the dancers as somewhat alien or angelic. Despite having retired as a dancer himself, Baryshnikov explains that he is still a dancer in his mind and continues dancing through the images he captures. His process of photography involves being on stage with dancers. This closeness gives the photographs intimacy and insight; Baryshnikov’s lens is near enough to the movement to reveal its subtlety. Exhibitions: 2019 Looking for the Dance, Galleria D’Arte Contini, Venice, Italy 2017 Mikhail Baryshnikov, from the Dance series, Manege Museum, Moscow, Russia 2015 Dancing Away, Galerie 11 Columbia, Monte Carlo, Monaco Dancing Away, ContiniArt UK, London, United Kingdom Piera Anna Franini, Baryshnikov: adesso ballo con la macchina fotografica, in “Il Giornale”, Italy 2014 Dance This Way, Contini Galleria D’Arte Contini, Cortina D’Ampezzo, Italy Dubai, R29 Bluewaters Boulevard, Bluewaters Island. Forte dei Marmi, Via Carducci 14, 55047, Lucca, Italy. Tel. +971 4 232 2071 +39 0584 300290 www.oblongcontemporary.com Dance This Way, Space SBH, St. Barts, French West Indies Mikhail Baryshnikov, Dancing Away, Contini Art UK, ed. Tecnostampa, Loreto, Italy 2013 Dance This Way, Galleria D’Arte Contini, Venice, Italy Giovanna Bisignani, Mikhail Baryshnikov immortala la sua danza a Venezia, in “Il Tempo”, Italy, 6 July Mikhail Baryshnikov, Dance this Way, Galleria d’Arte Contini, ed.
    [Show full text]
  • Jazz Arts Program Student 2019-2020
    JAZZ ARTS PROGRAM STUDENT 2019-2020 TABLE OF CONTENTS Welcome/Introduction 3 Applied Lessons 4 Your Teacher 4 Change of Teacher 4 Dividing Lessons Between Two Teachers 4 Professional Leave 5 Attendance Policy 5 Playing-related Pain 5 Ensemble and Audition Requirements 6 Juries 7 Jury for Non-graduating Students 7 Advanced Standing Jury 7 Jury Requirements for Performance Majors 8 Jury Requirements for Composition Majors 9 Comments 9 Grading 9 Postponement 9 Recitals 10 Scheduling Recitals 10 Non-required Recitals 10 Required Recitals - Undergraduate and Graduate 10 Recording of Recitals 11 Department Policies 12 Attendance 12 Subs 12 Attire 12 Grading System 13 Equipment 13 Jazz Arts Program Communications: E-mail, 13 Student Website Faculty/Student Conferences 14 Contacting the Jazz Arts Program Staff 14 Repertoire Lists 15 2 WELCOME/INTRODUCTION Dear Students, Welcome to the MSM family! We are a community of artists, educators and dreamers located in the thriving mecca and birthplace of modern jazz, Harlem, NY. This is the beginning of a journey that will undoubtedly have a major impact on the rest of your lives. As a former student, I spent the most important and transformative years of my artistic life at MSM. It was during my time here that I acquired the musical skills necessary to articulate my story in organized sound. The success of our MSM family is predicated upon three fundamental core values: Love ( empathy), Trust and Respect Jazz is an art form born from a desire to authentically express one’s individuality. Inherent in its construct is a deep understanding and appreciation for the value of an inclusive culture rich in diverse perspectives.
    [Show full text]
  • The San Francisco Bay Area, California
    The San Francisco Bay Area, Can disaster be a good thing for the arts? In the California San Francisco Bay Area, the answer is a qualified “yes.” A terrible earthquake has shaken loose mil- lions of dollars for the arts, while urban sprawl has boosted the development of arts centers right in the communities where people live. After the Loma Prieta earthquake struck in 1989, many key institutions were declared unsafe and had to be closed, fixed and primped. Here’s what reopened in the past five years alone: American Conservatory Theatre (ACT), the city’s major repertory theater, for $27 million; the War Memorial Opera House, home of the San Francisco Opera and Ballet, for $88 million; and on the fine arts front, the California Palace of the Legion of Honor, for $40 million; and the Cantor Center for the Visual Arts at Stanford University, for $37 million. Another $130 million is being raised to rebuild the seismically crippled M.H. de Young Memorial Museum, and at least $30 million is being sought to repair the Berkeley Art Museum. Within San Francisco itself, a vital visual arts center has been forged just within the last five years with the opening of the new $62 million San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts. Meanwhile the Jewish Museum, the Asian Art Museum, the Mexican Museum and a new African-American cultural center all plan to move to seismically safe buildings in the area in the next two years. Art galleries, on the other hand, limp along compared with those in Los Angeles or New York.
    [Show full text]
  • Hello! My Baby Student Guide.Pdf
    Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins,
    [Show full text]
  • 1 Slide Per Page
    Man from Mars Module 5 of Music: Under the Hood John Hooker Carnegie Mellon University Osher Course September 2018 1 Outline • Biography of George Gershwin • Analysis of Love Is Here to Stay 2 Biography • George Gershwin, 1898-1937 – Born in Brooklyn as Jacob Gershwine (Gershowitz). • Son of Russian-Jewish immigrants. – Began playing piano purchased for brother Ira – Much later, had 10-year relationship with Kay Swift, also an excellent composer. – Died from brain tumor, age 38. George and Ira 3 Biography • Musical career – Studied piano and European classical music, beginning at age 11. – Wrote songs for Tin Pan Alley, beginning age 15. – Moved to Paris to study with Nadia Boulanger • She said he didn’t need her instruction. – Wanted to study with Igor Stravinsky • Stravinsky asked, “How much money do you make a year?” On hearing the answer, he said, “Perhaps I should study with you, Mr. Gershwin.” 4 Biography • Musical career – Band leader Paul Whiteman asked Gershwin to write a piece that would improve the respectability of jazz. • He promised to do so, but forgot about it. • When he saw his piece advertised, he hurriedly wrote something – Rhapsody in Blue. 5 Biography • Musical career – Played and composed constantly. • Annoyed fellow musicians by hogging the piano. – Became known for highly original style • “Man from Mars” musically. • Example: Three Preludes (2nd at 1:22) • Perhaps result of effort to adjust European training to jazz and blues. 6 Biography • Famous compositions – Rhapsody in Blue (1924), for piano and orchestra
    [Show full text]
  • Producer • Composer • Lyricist •
    Producer • Specializing in the production Composer • of children’s entertainment Lyricist • www.dennisscott.net AWARDS & HONORS Grammy Award, Best Musical For Children✩ Grammy Award, Best Recording For Children★ Emmy Award, Music Composer-Arranger with Lyrics✫ Emmy Award, Music Composer-Arranger✯ Grammy Award-winning featured song on Elmopalooza ✬ Parents’ Choice Award, Best Video For Children Daytime Emmy Awards (’97), Best Original Song nominee Daytime Emmy Awards (’07), Best Musical Direction nominee American Library Association, Notable Children’s Recordings✭ Telly Award, Writer and Producer SONGS RECORDED BY • Amy Grant • Ricky Skaggs • Faith Hill • Jon Secada • Ray Charles • Cece Winans • John Pizzarelli • Gilbert Gottfried • Crystal Gayle • Roberta Flack • Maureen McGovern • Tanya Tucker • Donna Summer • Buck Owens • The Charlie Daniels Band • Trisha Yearwood • Roy Clark • Roger Whittaker • Jim Henson & The Muppets • Ben Vereen • Sharon, Lois & Bram • Loretta Lynn • Shari Lewis & Lamb Chop • Hank Williams, Jr. • Jodi Benson • Jimmy Osmond • Kathie Lee Gifford • Dan Crow • Sugarland • Lang Lang • Alison Krauss MUSIC FEATURED ON TELEVISION • Who’s The Boss • Elmopalooza✬ • Sesame Street • CBS This Morning; CNN • Tweenies • Noddy (Music Director/Composer) • The Wubbulous World of Dr. Seuss • Fame • The Richard Simmons Show • Skinnamarink TV • The Marsha Warfield Show • Guiding Light • Macy’s Thanksgiving Day Parade (ABC) • Bill & Ben • Another World • The Charlie Horse Music Pizza • The Reppies • Balamory (Discovery Kids) • HBO’s Jammin’
    [Show full text]
  • Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
    DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*.
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]