DOCSLIB.ORG

The Comic Dramaturgy of Sarah Ruhl and Sheila Callaghan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Comic Dramaturgy of Sarah Ruhl and Sheila Callaghan Wayne State University Wayne State University Dissertations 1-1-2015 "if More Women Knew More Jokes...": The omicC Dramaturgy Of Sarah Ruhl And Sheila Callaghan Jennifer Ann Goff Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Goff, Jennifer Ann, ""if More Women Knew More Jokes...": The omicC Dramaturgy Of Sarah Ruhl And Sheila Callaghan" (2015). Wayne State University Dissertations. Paper 1133. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. “IF MORE WOMEN KNEW MORE JOKES…” THE COMIC DRAMATURGY OF SARAH RUHL AND SHEILA CALLAGHAN by JENNIFER ANN GOFF DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: THEATRE Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY JENNIFER GOFF 2015 All Rights Reserved DEDICATION For my nieces, Anya and Ella: two of the funniest chicks I know! ii ACKNOWLEDGMENTS The work of this dissertation would simply not have been possible without support from numerous amazing people. Dr. Mary Anderson was an irreplaceable guide on this strange path, providing advice, perspective, and sanity. The lessons I have learned from Dr. James Thomas about how to read a script profoundly shaped my work as a scholar, a teacher, and an artist (besides getting me a few extra stamps in my passport!). Dr. Mary Cooney and Dr. Anne Duggan's exceptional insights and generosity were of utmost importance in guiding me to the end of this crazy journey and showing me a way forward from here. All the remarkable faculty of Wayne State University's Maggie Allesee Department of Theatre and Dance have been amazing inspirations and supports over the last several years. My colleagues – Julia Moriarty, Bilha Birman‐Rivlin, Kassy Skoretz, Dr. Michael Butterworth, and Aaron Westlake – provided incomparable friendship and empathy. All those crazy MFA kids, whose shared classes and stories (and a few beers), immeasurably enhanced my doctoral study. And I am forever in debt to the absolutely unforgettable undergraduates of the Bonstelle Company, whose enthusiasm, energy, and curiosity challenged and delighted me at every turn. I must acknowledge the profound influence of my dear friends from The Distracted Globe Theatre Company in Greenville, SC – in particular Co‐Artistic Directors Anne and Jayce Tromsness – who taught me so much about theatre and comedy, and how they and I can act on the world. And finally: my family. My brothers: my irreplaceable partners in crime. My aunts and cousins: many of whom have been cohorts and examples in higher education. My fiancé Brian: my greatest cheerleader who helps me to believe in myself, and to love life even in the iii toughest days. Our adorable, ridiculous cats (yes, they’re family too): they remind me every day to enjoy the little things. And my parents: two extraordinary people who have spent decades believing in me, supporting me, picking me up, showing me how to live, and generally being the greatest teachers and parents anyone could possibly ask for. iv TABLE OF CONTENTS DEDICATION .................................................................................................................................................. ii ACKNOWLEDGMENTS .................................................................................................................................. iii LIST OF FIGURES .......................................................................................................................................... vii LIST OF TABLES ........................................................................................................................................... viii CHAPTER 1: INTRODUCTION ......................................................................................................................... 1 WOMEN, COMEDY AND THE CANON ....................................................................................................... 3 METHODS – Close Reading ..................................................................................................................... 18 METHODS – Dramaturgy ......................................................................................................................... 20 METHODS – Interview ............................................................................................................................. 25 METHODS – From Page to Stage ............................................................................................................. 26 CHAPTER 2: LITERATURE REVIEW ............................................................................................................... 29 The Playwrights and Their Plays ............................................................................................................. 29 Dramatic and Theatrical Theory ............................................................................................................. 33 Comic Theory .......................................................................................................................................... 35 Consciousness Raising ............................................................................................................................. 39 CHAPTER 3: SARAH RUHL ............................................................................................................................ 44 METHODS – Impurity of Form................................................................................................................. 44 The Clean House: Dirty Jokes and Death ................................................................................................. 46 Passion Play: Divine Laughter ................................................................................................................. 61 CHAPTER 4: SHEILA CALLAGHAN ................................................................................................................ 74 METHODS – Violation, Abjection, and the Grotesque ............................................................................ 76 v That Pretty Pretty, or The Rape Play ....................................................................................................... 81 Women Laughing Alone With Salad ....................................................................................................... 91 CHAPTER 5: A PERSONAL ACCOUNT OF ONE DIRECTOR’S APPROACH TO DEAD MAN’S CELL PHONE .... 100 THE ASSIGNMENT ................................................................................................................................. 104 ANALYSIS AND REHEARSAL ................................................................................................................... 107 CELL PHONES AND PHOTOS AND SPOONS, OH MY! ............................................................................. 122 CELLULAR BEINGS ................................................................................................................................. 133 A COMIC TONE ...................................................................................................................................... 141 CURTAIN CALL ....................................................................................................................................... 153 CHAPTER 6: EPILOGUE .............................................................................................................................. 155 APPENDIX: Full Transcript of Interview with Sheila Callaghan ................................................................. 162 REFERENCES .............................................................................................................................................. 172 ABSTRACT .................................................................................................................................................. 190 AUTOBIOGRAPHICAL STATEMENT ............................................................................................................ 192 vi LIST OF FIGURES Figure 1 ‐ Jennifer Goff in conversation with Professor William Hezlep in the Fine Arts Theatre at SMSU .................................................................................................................................................................. 100 Figure 2 ‐ Complete production binder with rehearsal script on top ....................................................... 106 Figure 3 ‐ Jean holds a spoon under Gordon's nose to see if he is breathing ‐ WSU ............................... 126 Figure 4 ‐ Jean gives Mrs. Gottlieb the spoon at SMSU ............................................................................ 129 Figure 5 ‐ Mrs. Gottlieb with the spoon around her neck at SMSU .......................................................... 130 Figure 6 ‐ Jean with Hermia and her salt shaker at WSU .......................................................................... 131 Figure 7 ‐ Mrs. Gottlieb and Jean at WSU ................................................................................................
Load more

Recommended publications
  • 2017Seasonpressrelea
    Crowded Fire Theater FOR IMMEDIATE RELEASE: Contact: Tiffany Cothran (415) 523-0034 [email protected] CROWDED FIRE THEATER’S 2017 SEASON WITH PLAYS BY MIA CHUNG AND PLAYWRIGHT-IN-RESIDENCE CHRISTOPHER CHEN YOU FOR ME FOR YOU by Mia Chung, March 9-April 1 A TALE OF AUTUMN by Christopher Chen, September 14-October 7 Translated by Rachel Willson-Broyles Presented at the Thick House 1695 18th St, San Francisco San Francisco - Crowded Fire Theater (CFT) Crowded Fire’s Artistic Director Mina ​ Morita unveiled the 2017 mainstage season lineup including two contemporary plays that continue to uphold the company’s long tradition of producing boundary - pushing, thought-provoking theater. At a season-announcement party on Saturday, November th 19 ​ Morita addressed Crowded Fire donors, patrons, and artists saying “We are a ​ ​ ​ divided country in the midst of a divisive time. It is more important now, more than ever to use our creative and critical thought to mine our cultural memory and to interrogate ​ our existence. I am thrilled to present selections next season that do just that.” Crowded Fire‘s 2016 season begins with the Bay Area premiere of Mia Chung’s YOU FOR ME FOR YOU (3/9-4/1), a heart-wrenching and magical tale of two North Korean sisters divided in their patriotism and separated in their attempt to leave North Korea for the United States. YOU FOR ME FOR YOU will be directed by M. Graham Smith. The mainstage season concludes with local favorite Christopher Chen’s world premiere of A TALE OF AUTUMN (9/14-10/7), a Crowded Fire commissioned piece born from a deep mutual concern over the ever-increasing power of corporate personhood in present day capitalism.
    [Show full text]
  • Buddhism and Responses to Disability, Mental Disorders and Deafness in Asia
    Buddhism and Responses to Disability, Mental Disorders and Deafness in Asia. A bibliography of historical and modern texts with introduction and partial annotation, and some echoes in Western countries. [This annotated bibliography of 220 items suggests the range and major themes of how Buddhism and people influenced by Buddhism have responded to disability in Asia through two millennia, with cultural background. Titles of the materials may be skimmed through in an hour, or the titles and annotations read in a day. The works listed might take half a year to find and read.] M. Miles (compiler and annotator) West Midlands, UK. November 2013 Available at: http://www.independentliving.org/miles2014a and http://cirrie.buffalo.edu/bibliography/buddhism/index.php Some terms used in this bibliography Buddhist terms and people. Buddhism, Bouddhisme, Buddhismus, suffering, compassion, caring response, loving kindness, dharma, dukkha, evil, heaven, hell, ignorance, impermanence, kamma, karma, karuna, metta, noble truths, eightfold path, rebirth, reincarnation, soul, spirit, spirituality, transcendent, self, attachment, clinging, delusion, grasping, buddha, bodhisatta, nirvana; bhikkhu, bhikksu, bhikkhuni, samgha, sangha, monastery, refuge, sutra, sutta, bonze, friar, biwa hoshi, priest, monk, nun, alms, begging; healing, therapy, mindfulness, meditation, Gautama, Gotama, Maitreya, Shakyamuni, Siddhartha, Tathagata, Amida, Amita, Amitabha, Atisha, Avalokiteshvara, Guanyin, Kannon, Kuan-yin, Kukai, Samantabhadra, Santideva, Asoka, Bhaddiya, Khujjuttara,
    [Show full text]
  • 2018 Annual Report
    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
    [Show full text]
  • Eu Jacksonville Monthly Contents JUNE 2014
    JACKSONVILLE Jacksonville Zoo & Gardens • Ovinté • Silver Cow • Les Mis • Seawalk Music Festival • New Casino Ship free monthly guide to entertainment & more | june 2014 | eujacksonville.com 2 JUNE 2014 | eu jacksonville monthly contents JUNE 2014 feature music page 4-12 jacksonville zoo and gardens page 28 diablo sez page 17 victory II casino ship page 29 seawalk music festival page 30 jack johnson’s enviro impact life + stuff page 31-35 music events page 13 family events page 14 comic book camp on screen on the web page 15 DVI downtown alliance page 36 movies page 16 the art of living well www.eujacksonville.com page 37 love to sun-ray cinema page 16 eco events page 38 local podcast eu staff dish page 20 dish update publisher page 21 ovinté review William C. Henley page 22 what’s brewing on the cover managing director page 23 silver cow review Shelley Henley “Giraffa Camelopardalis” by Robert Leedy creative director Rachel Best Henley art + theatre Watercolor on cradled Aquabord, 10” x 10” page 18 art events and exhibits Leedy exhibits his work at Southlight copy editors page 19 new york times magazine photos at MOCA Gallery in Jacksonville (6 E. Bay St.) and Bonnie Thomas Erin Thursby page 24 peach state summer theatre maintains a studio in the CoRK Arts District Hadley Splane in Jacksonville’s Riverside area (603 King page 25 theatre events Street). His work can be seen online at www. food editor page 26 les miserables at theatre jacksonville Erin Thursby robertleedyart.com page 27 comedians brian mckim & traci skene contributing photographers Ryan Smolka George Deacon Woody Huband contributing writers Faith Bennett Jen Jones showing you Shannon Blankinship Dick Kerekes Jon Bosworth Liza Mitchell who’s making Aline Clement Joanelle Mulrain Andie Cunniffe Alex Rendon the racket in the Jack Diablo Leisla Sansom Jennifer Earnest Kristi Lee Schatz Jessica Fields Richard David Smith III garage next door Regina Heffington Monica Toups Morgan Henley Erin Tuzuner Published by EU Jacksonville Newspaper.
    [Show full text]
  • Dead Man's Cell Phone Media Release
    FOR IMMEDIATE RELEASE PROFILE THEATRE PRESS CONTACT: Natalie Genter-Gilmore, Marketing and Communications Manager PH: 503.242.0080 [email protected] DEAD MAN’S CELL PHONE By Sarah Ruhl January 29 – February 15, 2015 PORTLAND, Ore., January 8, 2015 – PROFILE THEATRE (Adriana Baer, Artistic Director) proudly presents Dead Man’s Cell Phone by Sarah Ruhl. Performances run January 29 – February 15, 2015 on the Morrison Stage at Artists Repertory Theatre. Tickets are currently on sale at Profiletheatre.org. Dead Man’s Cell Phone is the first production in Profile Theatre’s 2015 Season dedicated to the works of playwright Sarah Ruhl. “Sarah Ruhl is interested in exploring a reciprocity with the audience. How can we invite you to be in relationship with the stage instead of just observing it from afar?” says Adriana Baer, Profile Artistic Director and director of Dead Man’s Cell Phone. “Perhaps it is by casting a light onto something we all recognize - an object as basic as a cell phone - and using that to show something greater, something magnificent about the human condition.” In Dead Man’s Cell Phone, as Jean takes possession of the cell phone of a dead man, she is thrown into a mysterious journey of self-discovery and awakening. Through this small modern device, she finds adventure, purpose and even love – but at what cost? This hilarious and paradoxical treatise on the digital world probes at the thin line between reality and fantasy, privacy and openness, and even life and death. Cast The cast for Dead Man’s Cell Phone features Dana Millican (Last seen at Profile in 2012’s Fifth of July), Don Kenneth Mason (Last seen at Profile in 2013’s Blood Knot), Patricia Hunter and Dana Green.
    [Show full text]
  • Pacific Design Center Hollywood Ca | November 15Th at 6Pm
    WE ALL HAVE A VOICE. CELEBRATE IT. 2nd Annual GALA PACIFIC DESIGN CENTER HOLLYWOOD CA | NOVEMBER 15TH AT 6PM © 2015 Society of Voice Arts And Sciences™ HBO proudly To the Voice Arts Community: supports By community, I refer to all the people who collaborate in one form or the SOCIETY OF VOICE another to bring about the work that sustains our livelihoods and sense of ™ accomplishment. The voice arts community is the hub around which we all ARTS & SCIENCES come together. Anything can happen at this intersection and all of us can help determine the outcome. and congratulates We are not simply spectators of the industry, watching it take shape around this year’s nominees us. We are the shapers, actively breathing new life into its ever-changing form. We do this by bringing our best selves to the process with the intention of attending to the work with professionalism, respect, creativity and the spirit of collaboration, so that we may all enjoy gainful employment. I am thrilled to be a part of the magic that is the Voice Arts® Awards. It is an enchanted world of acknowledgment and encouragement and it honors the best in all of us. It is not about being better than someone else. It is about being your best. Tonight we celebrate our esteemed jurors. We celebrate the entrants, nominees and the soon to be named recipients of the top honor. This is our night. Sincerely, Rudy Gaskins Chairman & CEO Society of Voice Arts and Sciences™ ©2015 Home Box Office, Inc. All rights reserved. 3 HBO® and related channels and service marks are the property of Home Box Office, Inc.
    [Show full text]
  • Nomination Press Release
    Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick,
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • Sarah Ruhl’S Singular Voice
    SHOW GUIDE April 24 to May 15, 2020 Hilberry Theatre Inside Dear Educators THE PLAY Synopsis, Characters, Setting 2 Wayne State University is proud to produce plays for young people’s The Play 3 enjoyment and to actively explore the beauty, diversity, complexity and challenges of the world around them through the dramatic THE CREATORS arts. We wish to support the development of their creative voice, The Playwright 4 imagination, and understanding of drama and its role in our global society. CURRICULUM SUPPORT Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS) This play guide is designed to be a tool in helping you prepare Speaking and Listening 5/6 your students for our performance as well as extend the production Writing 6/7 experience back into the classroom. History/Social Studies 7 Differentiated Learning Activities 8/9 Activities presented assist in achieving the Michigan Common Core State Standards (MI-CCSS). THE THEATRE Location and Seating 10 Your comments and suggestions about this guide, presentation First Time Visitor’s Guide 11 and/or programming are welcome. Email [email protected]. MORE TO SEE 12 Your Students’ Role You may wish to have a discussion with your students before attending the play. Remind your students that they have an important role to play at the performance being the audience. It is because of the audience that the theatre exists. It will be their energy and response that will directly affect the actors onstage. Young audiences should be reminded that live theatre is not like watching TV, a movie or DVD; the actors cannot pause or be rewound, there are no commercial breaks for running to the bathroom, the volume cannot be turned up to hear better if someone other than the actors are talking.
    [Show full text]
  • Allen Rostron, the Law and Order Theme in Political and Popular Culture
    OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills.
    [Show full text]
  • Sarah Ruhl: a Comprehensive Analysis of the Clean House, Eurydice, Passion Play, Dead Man’S Cell Phone and in the Next Room Or the Vibrator Play
    Sarah Ruhl: A Comprehensive Analysis of The Clean House, Eurydice, Passion Play, Dead Man’s Cell Phone and In The Next Room or the Vibrator Play by Heather Welch, B.F.A. A Thesis In THEATRE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTERS OF ARTS Approved William Gelber, Ph.D. Chair of Committee Bruce Hermann, M.F.A. Peggy Miller Dean of the Graduate School May, 2012 Copyright 2012, Heather Welch Texas Tech University, Heather Welch, May 2012 ACKNOWLEDGMENTS I would be remiss if I didn’t thank several people who have been instrumental to the process of writing this thesis and to my development as a student of the theatre. First and foremost, I would like to thank the members of my committee, Dr. Bill Gelber and Bruce Hermann. Dr. Gelber’s guidance throughout the entire process and his probing questions and thorough reviews of each chapter during the editing process has been extremely beneficial to this project. Bruce Hermann also has provided helpful insight and critical questions that shaped the methodology of this thesis and ultimately, the project is better because of it. I am indebted to both of them for their guidance, their kindness and for reassuring me when I was “in the weeds.” I must also give thanks to Dr. Norman Bert. It was in his Dramatic Analysis class in Fall 2010 that I first attempted to write about Sarah Ruhl. Once the semester was over, I realized that I was not quite done with writing about her.
    [Show full text]
  • Layout 1 (Page 2)
    ACTION THRILLER DRAMA KIDS COMEDY HORROR MARTIAL ARTS SPECIAL INTEREST DVD CATALOG TABLE OF CONTENTS FAMILY 3-4 ANIMATED 4-5 KID’S SOCCER 5 COMEDY 6 STAND-UP COMEDY 6 COMEDY TV DVD 7 DRAMA 8-11 TRUE STORIES COLLECTION 12-14 THRILLER 15-16 HORROR 16 ACTION 16 MARTIAL ARTS 17 EROTIC 17-18 DOCUMENTARY 18 MUSIC 18 NATURE 18-19 INFINITY ROYALS 20 INFINITY ARTHOUSE 20 INFINITY AUTHORS 21 DISPLAYS 22 TITLE INDEX 23-24 Josh Kirby: Trapped on Micro-Mini Kids Toyworld Now one inch tall, Josh Campbell has his Fairy Tale Police Department The lifelike toy creations of a fuddy-duddy work cut out, but being tiny has its perks. (FTPD) tinkerer rally to Josh's cause. Stars CORBIN Stars COLIN BAIN AND JOSH HAMMOND There’s trouble in Fairy Tale Land! For some reason, the ALLRED, JENNIFER BURNES AND DEREK 90 Minutes / Not Rated world’s best known fairy tales aren’t ending the way they WEBSTER Johnny Mysto Cat: DH9013 / UPC: 844628090131 should. So it’s up to the team at the Fairy Tale Police Department to put An enchanted ring transports a young 91 Minutes / Rated PG the Fairy Tales back on track, and assure they end they way they’re magician back to thrilling adventures in Cat: DH9081 / UPC: 844628090810 supposed to... Happily Ever After! Ancient Britain. Stars TORAN CAUDELL, FTPD: Case File 1 AMBER TAMBLYN AND PATRICK RENNA PINOCCHO, THE THREE LITTLE PIGS, 87 Minutes / Rated PG SNOW WHITE & THE SEVEN DWARFS, THE Cat: DH9008 / UPC: 844628090087 FROG PRINCE, SLEEPING BEAUTY 120 Minutes / Not Rated Cat: TE1069 / UPC: 844628010696 Josh Kirby: Human Pets Kids Of The Round Table Josh and his pals have timewarped to For Alex, Excalibur is just a legend, that is 70,379 and the Fatlings are holding them until he tumbles into a magic glade where hostage! Stars CORBIN ALLRED, JENNIFER the famed sword and Merlin the Magician BURNS AND DEREK WEBSTER appear.
    [Show full text]