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Isum 許諾楽曲一覧 更新日：2019/1/23
ページ：1/37 ISUM 許諾楽曲一覧 更新日：2019/1/23 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM番号 著作権者 楽曲名 アーティスト名 ISUM-1880-0537 JASRAC あの紙ヒコーキ くもり空わって ISUM-8212-1029 JASRAC SUNSHINE ISUM-9896-0141 JASRAC IT'S GONNA BE ALRIGHT ISUM-3412-4114 JASRAC あの青をこえて ISUM-5696-2991 JASRAC Thank you ISUM-9456-6173 JASRAC LIFE ISUM-4940-5285 JASRAC すべてへ ISUM-8028-4608 JASRAC Tomorrow ISUM-6164-2103 JASRAC Little Hero ISUM-5596-2990 JASRAC たいせつなひと ISUM-3400-5002 NexTone V.O.L ISUM-8964-6568 JASRAC Music Is My Life ISUM-6812-2103 JASRAC まばたき ISUM-0056-6569 JASRAC Wake up! ISUM-3920-1425 JASRAC MY FRIEND 19 ISUM-8636-1423 JASRAC 果てのない道 ISUM-5968-0141 NexTone WAY OF GLORY ISUM-4568-5680 JASRAC ONE ISUM-8740-6174 JASRAC 階段 ISUM-6384-4115 NexTone WISHES ISUM-5012-2991 JASRAC One Love ISUM-8528-1423 JASRAC 水・陸・そら、無限大 ISUM-1124-1029 JASRAC Yell ISUM-7840-5002 JASRAC So Special -Version AI- ISUM-3060-2596 JASRAC 足跡 ISUM-4160-4608 JASRAC アシタノヒカリ ISUM-0692-2103 JASRAC sogood ISUM-7428-2595 JASRAC 背景ロマン ISUM-5944-4115 NexTone ココア by MisaChia ISUM-1020-1708 JASRAC Story ISUM-0204-5287 JASRAC I LOVE YOU ISUM-7456-6568 NexTone さよならの前に ISUM-2432-5002 JASRAC Story(English Version) 369 AAA ISUM-0224-5287 JASRAC バラード ISUM-3344-2596 NexTone ハレルヤ ISUM-9864-0141 JASRAC VOICE ISUM-9232-0141 JASRAC My Fair Lady ft. May J. "E"qual ISUM-7328-6173 NexTone ハレルヤ -Bonus Tracks- ISUM-1256-5286 JASRAC WA Interlude feat.鼓童,Jinmenusagi AI ISUM-5580-2991 JASRAC サンダーロード ↑THE HIGH-LOWS↓ ISUM-7296-2102 JASRAC ぼくの憂鬱と不機嫌な彼女 ISUM-9404-0536 JASRAC Wonderful World feat.姫神 ISUM-1180-4608 JASRAC Nostalgia -
Copyright by Jason Todd Craft 2004 the Dissertation Committee for Jason Todd Craft Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Jason Todd Craft 2004 The Dissertation Committee for Jason Todd Craft Certifies that this is the approved version of the following dissertation: Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions Committee: Adam Z. Newton, Co-Supervisor John M. Slatin, Co-Supervisor Brian A. Bremen David J. Phillips Clay Spinuzzi Margaret A. Syverson Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions by Jason Todd Craft, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2004 Dedication For my family Acknowledgements Many thanks to my dissertation supervisors, Dr. Adam Zachary Newton and Dr. John Slatin; to Dr. Margaret Syverson, who has supported this work from its earliest stages; and, to Dr. Brian Bremen, Dr. David Phillips, and Dr. Clay Spinuzzi, all of whom have actively engaged with this dissertation in progress, and have given me immensely helpful feedback. This dissertation has benefited from the attention and feedback of many generous readers, including David Barndollar, Victoria Davis, Aimee Kendall, Eric Lupfer, and Doug Norman. Thanks also to Ben Armintor, Kari Banta, Sarah Paetsch, Michael Smith, Kevin Thomas, Matthew Tucker and many others for productive conversations about branding and marketing, comics universes, popular entertainment, and persistent world gaming. Some of my most useful, and most entertaining, discussions about the subject matter in this dissertation have been with my brother, Adam Craft. I also want to thank my parents, Donna Cox and John Craft, and my partner, Michael Craigue, for their help and support. -
Modeling Musical Influence Through Data
Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences. -
Photovoice Brochure
Different but equal… exploring cultural diversity within Deloitte A participatory-photography project conducted by Dr. Maria Quinlan, University College Dublin Different but equal… exploring cultural diversity within Deloitte A participatory-photography project conducted by Dr. Maria Quinlan, University College Dublin Contents Foreword 01 Project design and methodology 02 Findings 1. Inclusion, belonging and home 07 2. Challenges – dislocation and otherness assumptions 23 3. Opportunities – Deloitte and Ireland 41 Appendices Ethics and safety 55 Acknowledgements 56 Participants 57 02 Different but equal… exploring cultural diversity within Deloitte A participatory-photography project conducted by Dr. Maria Quinlan, University College Dublin Foreword We began this project unsure what we might find out. Do people from outside Ireland feel included? If they don’t, what will it take to resolve that? What does an inclusive workplace mean? The participants have been so open and shared their deepest personal experiences. What really stood out for me personally were the stories people shared about themselves. It is so easy to group and categorise people, but through their photos we see the individual shine through: their personal experiences, their hopes, their struggles and their desire to be part of Deloitte and At Deloitte, we aspire to offer the most its future. I was also delighted to see how inclusive workplace in Ireland for our much positivity shone through in terms of people. We know from the research that the opportunities people feel they have having real diversity, people with different both in Ireland and at Deloitte. backgrounds, perspectives, beliefs and ways of thinking and working together, I wish to thank each of them for their leads to better decisions and solutions. -
Japanese Children's Books 2020 JBBY's Recommendations for Young Readers Throughout the World
JAPANESE BOARD ON BOOKS FOR YOUNG PEOPLE Japanese 2020 Children's Books 2020 Cover illustration Japanese Children's Books Chiki KIKUCHI Born in 1975 in Hokkaido. After working at a design Contents firm, he decided at age 33 to become a picture book artist. His book Shironeko kuroneko (White ● Book Selection Team ................................................................................................2 Cat, Black Cat; Gakken Plus) won a Golden Apple ● About JBBY and this Catalog ................................................................................ 3 at the 2013 Biennial of Illustrations Bratislava (BIB), and his book Momiji no tegami (Maple Leaf Letter; ● Recent Japanese Children's Books Recommended by JBBY ......................4 Komine Shoten) won a plaque at the 2019 BIB. His ● The Hans Christian Andersen Award other works include Boku da yo, boku da yo (It’s Me, Five winners and 12 nominees from Japan It’s Me; Rironsha), Chikiban nyaa (Chiki Bang Meow; ........................................................20 Gakken Plus), Pa-o-po no uta (Pa-o-po Song; Kosei ● Japanese Books Selected for the IBBY Honour List ...................................22 Shuppan), Tora no ko Torata (Torata the Tiger Cub; Children’s Literature as a Part of Japan’s Publishing Statistics ....................... Shogakukan), and Shiro to kuro (White and Black; ● Essay: 24 Kodansha). ● Recent Translations into Japanese Recommended by JBBY ....................26 JBBY Book Selection and Review Team The JBBY Book Selection and Review Team collaboratively chose the titles listed in this publication. The name in parentheses after each book description is the last name of the team member who wrote the description. Yasuko DOI Director and senior researcher at the International Insti- Yukiko HIROMATSU tute for Children’s Literature (IICLO). Besides researching Picture book author, critic, and curator. -
JOE HILL; IWW SONGWRITER the Truth About "The Man Who Never Died ": $1.00
PREAMBLE OF THE INDUSTRIAL WORKERS OF THE WORLD The working class and the employing class have nothing in common. There can he no peace so long as hunger and wa nt are found among millions of working people and the few , who make up the employing class, have all the good things of life. Between these two classes a struggle must go on until the wo rk ers of the world organize as a class, take pos~e~sion of the earth and the machinery of production. and abolish the wage system. We find that the centering of the management of ind ustries in to fewe r and fewer hands makes the trade un ions unable to cope with the ever growing power of the employing class. The trade unio ns foster a state of affairs which all ows one set of work ers to be pitted aga inst another set of workers in the sa me industry. thereby helping defeat one another in wage wars. Moreover, the trade unions aid the employing class to mislead the workers into the belief that the working class have interests in common with their employers. These conditions can be changed and the interest of the work ing class upheld only by an organization formed in such a way that all its members in any one industry. or in all industries if necessary, cease work whenever a strike or lockout is on in any department thereof, thus making an injury to one an inj ury to all . Instead of the conservative motto, '"A fair day's wage for a fair day's work ," we must inscribe on our banner the revolutiona ry watchword , "Abolition of the wage system." It is the historic mission of the working class to do away with capitalism. -
Voicebox Songbook by Title - Japanese
Voicebox Songbook by Title - Japanese くるみ 22才の別れ MR CHILDREN 18980 風 18721 "HERE WE GO"～SUPPORTER MIX～ 22歳 名古屋グランパスエイト (サポーターズ 16527 谷村新司 15043 ソング) 2つの願い "S"ENSATIONAL WIND 槇原敬之 16637 Ribbon 18536 2人のANOTHER TWILIGHT "T" INTERSECTION ～あなたに戻れない～ Complex 14857 やまだかつてないWink 13266 2億4千万の瞳 (JUST LIKE) STARTING OVER 郷ひろみ 13564 John Lenon 14913 33才 1/2の神話 西城秀樹 13574 中森明菜 13183 3号線を左に折れ 10 YEARS 風 18623 渡辺美里 18609 3年目の浮気 10 YEARS AFTER ヒロシ 15343 Tm Network 17393 3線号を左に折れ 1000の言叶 風 13585 幸田来未 18855 45歳の地図～COME BACK 青春！ 100％･･･ＳＯかもね！ 爆風スランプ 13214 シブがき隊 16290 45歳の地図～COME BACK青春～ 10YEARS Bakufu-Slump 18549 渡辺美里 13489 484のブルース 12月のエイプリル・フール 木立じゅん 15824 Epo 14614 4月の雨 12番街のキャロル Dreams Come True 16453 佐藤隆 14647 50/50 (ﾌｨフティｰ･ﾌｨフティ) 13月の雨～せめて雨が止むまで～ 中山美穂 18729 ナフナ 16821 50/50（フィフティ･フィフティ） 15の夜 中山美穂 13875 尾崎豊 14975 500 MILES 15の好奇心 The Brothers Four 18669 ハウンド・ドック 13208 500 MILES(英語版) 16(SIXTEEN) BEAT The Brothers Four 13790 杏 里 13840 59304 17才 川野夏美 18449 森高千里 14595 5年目の破局 19 GROWING UP－ODE TO MY BUDDY- ヒロシ 14249 プリンセス・プリンセス 18512 6番目のユ・ウ・ウ・ツ 1986年のマリリン 沢田研二 14668 本田美奈子 13678 7 1990 工藤静香 17175 Complex 12956 7 COLORS (OVER THE RAINBOW) 1990年(韓国語詞･日本語詞入り) Personz 13263 吉屋潤 16110 70年代 1992年、夏 中村雅俊 18718 小泉今日子 14784 7TRUTHS 7LIES～ヴァージンロートの彼方で～ 1994－LABEL OF COMPLEX－ 松任谷由実 17918 Boowy 14777 ? 唄 19:00の街 森昌子 14959 野口五郎 15054 ?･･･カモメ 19のままさ 門倉有希 16569 浜田省吾 13524 A DAY 19番のタンゴ 矢沢永吉 13919 J.A.M. Cream 14315 A DO RO(英語版) 1ダースの言い訳 Graciela Susana 14938 稲垣潤一 13286 A HARD DAY'S NIGHT(ビートルズがやって来る ヤァ!ヤァ! 2000年音頭 ヤァ！) 北島三郎 17565 The Beatles 18653 200倍の夢 A HARD DAY'S NIGHT（英語版） let It Go 17061 The Beatles 13774 20TH PARTY A SONG IS BORN 松田聖子 17637 浜崎あゆみ 18084 20歳のめぐり逢い A.C.E. -
Private Sector
The Memory Keeper's Daughter Kim Edwards PENGUIN BOOKS Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Books Ltd, 80 Strand, London WC2R oRL, England Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi — 110 017, India Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany, Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd) Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R oRL, England First published in the United States of America by Viking Penguin, a member of Penguin Group (USA) Inc. 2005 Published in Penguin Books 2006 11 13 15 17 19 20 18 16 14 12 Copyright © Kim Edwards, 2005 All rights reserved publisher's note This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBNo 14 30.3714 5 CIP data available Printed in the United States of America Designed by Carlo. Bolte • Set in Granjon Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Yosano Akiko's Princess Saho and Its Multiple Speakers
WASEDA RILAS JOURNAL NO. 8 特集 5 特集 5 RILAS 研究部門「創作と翻訳の超領域的研究」 Yosano Akiko’s Princess Saho and its Multiple Speakers Janine BEICHMAN Abstract To translate is to interpret, and this is especially so for a difficult poet like Yosano Akiko. The translator con- fronting the task of interpreting the stupendous number of poems that Yosano Akiko (1878-1942) published over the course of her career begins, of course, by looking into the biographical background and reading as many com- mentaries as possible, but often that is not enough. Then come such avenues of inquiry as comparing iterations of the same themes within the corpus of the poetry itself, picking up echoes of Japanese classical and other litera- tures, and noting connections to Western literature, art, and ideas. In working with the poems here, I have used all these avenues. There is also one other approach, and that is to cycle between Akiko’s prose and her poetry. She often touched on the same topic and themes in both genres, sometimes using the prose to explain the poetry and even vice versa. The essay “Bosei Henchō wo Haisu” (I oppose the glorification of motherhood, 1916) is usually considered only in terms of its role in the public debate on the protection of motherhood (bosei hogo ronsō) that Akiko car- ried on in the media between 1916 and 1919, but it also provides a good background for reading her poetry. This is because Akiko explains her criticism of the glorification of motherhood by eloquently articulating her concep- tion of the self as multi-focal, a conception which in a certain sense is the philosophical counterpart of the multiple speakers that populate her poems. -
My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8. -
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R
Center for Hawaiian Sovereignty Studies 46-255 Kahuhipa St. Suite 1205 Kane'ohe, HI 96744 (808) 247-7942 Kenneth R. Conklin, Ph.D. Executive Director e-mail [email protected] Unity, Equality, Aloha for all To: HOUSE COMMITTEE ON EDUCATION For hearing Thursday, March 18, 2021 Re: HCR179, HR148 URGING THE SUPERINTENDENT OF EDUCATION TO REQUEST THE BOARD OF EDUCATION TO CHANGE THE NAME OF PRESIDENT WILLIAM MCKINLEY HIGH SCHOOL BACK TO THE SCHOOL'S PREVIOUS NAME OF HONOLULU HIGH SCHOOL AND TO REMOVE THE STATUE OF PRESIDENT MCKINLEY FROM THE SCHOOL PREMISES TESTIMONY IN OPPOSITION There is only one reason why some activists want to abolish "McKinley" from the name of the school and remove his statue from the campus. The reason is, they want to rip the 50th star off the American flag and return Hawaii to its former status as an independent nation. And through this resolution they want to enlist you legislators as collaborators in their treasonous propaganda campaign. The strongest evidence that this is their motive is easy to see in the "whereas" clauses of this resolution and in documents provided by the NEA and the HSTA which are filled with historical falsehoods trashing the alleged U.S. "invasion" and "occupation" of Hawaii; alleged HCR179, HR148 Page !1 of !10 Conklin HSE EDN 031821 suppression of Hawaiian language and culture; and civics curriculum in the early Territorial period. Portraying Native Hawaiians as victims of colonial oppression and/or belligerent military occupation is designed to bolster demands to "give Hawaii back to the Hawaiians", thereby producing a race-supremacist government and turning the other 80% of Hawaii's people into second-class citizens. -
Free Download Olariche Music Free Download Olariche Music
free download olariche music Free download olariche music. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a9b146fa86c41f • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Music download. The iTunes Store accessed via a mobile phone, showing Pink Floyd's album The Dark Side of the Moon . A music download (commonly referred to as a digital download ) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012. [nb 1] [1] By the beginning of 2011, Apple's iTunes Store alone made US$ 1.1 billion of revenue in the first quarter of its fiscal year.